I Second That Emotion by Smokey

Aint No Sunshine (Bill Withers)

Creep by Radiohead

Exit Music For a Film by Radiohead

Hit the Road Jack

People are Strange by the Doors

Spanish Caravan by the Doors

Alabama Whisky Song by the Doors

The Crystal Ship by The Doors

Break on Through by the Doors

Love me Two Times by the Doors

Riders on the Storm by the Doors

When the Musics Over by The Doors

Baker Street by Gerry Rafferty

More than a Woman (Bee Gees)

Love You Inside Out (by the Bee Gees)

How Deep Is Your Love by The Bee Gees

Night Fever by the Bee Gees

Stayin Alive by the Bee Gees

Baby Come Back by Player

Heart of Glass by Blondie

I Cant Go for That by Hall Oates

Sara Smile by Hall Oates

Rich Girl by Hall Oates

Material Girl by Madonna

Like a Virgin by Madonna

Youre No Good (Linda Ronstadt)

Super Freak by Rick James

Love Will Tear us Apart by Joy Division

Youre All Ive Got Tonight by the Cars

Pretty In Pink by Psychedelic Furs

Love My Way by Psychedelic Furs

What are Words For by Missing Persons

It Aint Easy by David Bowie

Rainbow Connection

Crazy by Patsy Cline (written by Willie Nelson!)

Sunny Side of the Street (Willie Nelson Version)

Blues Skies (Willie Nelson version)

All of Me

Vienna Waits For You by Billy Joel

New York State of Mind by Billy Joel

She's Got a Way by Billy Joel

Through The Long Night by Billy Joel

I Dont Want to be Alone by Billy Joel

Cetait Toi by Billy Joel

Anyone For Tennis by Cream

Love is Like Oxygen by Sweet

Help on the Way (by the Dead)

Centerfold by J. Geils Band

Were Not Gonna Take It (Twisted Sister)

Im on Fire (Bruce Springsteen)

Same Old Song and Dance by Aerosmith

Thats the Way of the World by Earth Wind Fire

Rikki Dont Lose that Number by Steely Dan

Storytellers Theme Song

Carmalita by Linda Ronstadt

Aint Misbehavin (Fats Waller)

My Walking Stick (Leon Redbone)

Lazy Bones by Leon Redbone

Rocket Man by Elton John

Shine on You Crazy Diamond (Pink Floyd)

Hallelujia by Leonard Cohen

While My Guitar Gently Weeps

Fly Me To The Moon

Michelle by the Beatles

Chains by the Beatles

For the Benefit of Mr. Kite by the Beatles

Oh Darling by the Beatles

All Together Now by the Beatles

Norwegian Wood by the Beatles

I Need You by the Beatles

Honey Pie by the Beatles

Wait by the Beatles

Cry Baby Cry by the Beatles

California Girls by the Beach Boys

Back in the USSR by the Beatles

Im So Tired by the Beatles

Ill Cry Instead by the Beatles

Im Only Sleeping by the Beatles

Strawberry Fields Forever by the Beatles

Rocky Racoon by the Beatles

Dont Pass Me By by The Beatles

Two of Us by the Beatles

Blackbird by the Beatles

Help by the Beatles

In My Life by The Beatles

Sunny by Bobby Hebb

Just the Two of Us by Bill Withers

Johnny B. Goode

Hungry Like the Wolf (Duran Duran)

Shake the Disease by Depeche Mode

Enjoy the Silence by Depenche Mode

Everything Counts by Depeche Mode

Waiting for the Night by Depeche Mode

Cactus by The Pixies

In Heaven by the Pixies

Annurism by Nirvana

Pennyroyal Tea by Nirvana

Smells Like Teen Spirit by Nirvana

Time is On My Side by the Stones

Paint it Black by the Rolling Stones

Mothers Little Helper by the Rolling Stones

Love in Vain by Rolling Stones

The Last Time by the Rolling Stones

No Expectations by Rolling Stones

Dear Doctor by Rolling Stones

Honky Tonk Woman by Rolling Stones

Dead Flowers by Rolling Stones

Let It Bleed by the Rolling Stones

Play With Fire by the Rolling Stones

Who By Fire - Leonard Cohen

Our Lips are Sealed by the Go Gos

Head Over Heels by the Go Go's

Suffragette City by Bowie

Soul Love by Bowie

Starman by Bowie

Queen Bitch by Bowie

Oh You Pretty Things by Bowie

Sunny Afternoon by the Kinks

Lola by the Kinks

Fooling Yourself by Styx

Unbroken Chain by the Grateful Dead

Waiting for a Miracle by Leonard Cohen

Hey Hey What Can I Do by Zeppelin

Gallows Pole by Led Zeppelin

Black Dog by Led Zeppelin

What Is and What Should Never Be by Led Zeppelin

Ramble On by Led Zeppelin

Stairway to Heaven by Led Zeppelin

Over the Hills and Far Away by Led Zeppelin

Ice Cream Man by Van Halen

Tumbling Tumbleweeds

Frank Sinatra by Cake

Dont it Make my Brown Eyes Blue by Crystal Gayle

Eyesight to the Blind by the Who

Tommy Can You Hear Me by the Who

Magic Bus by the Who

Jack and Dianne by John Couger Mellencamp

Love Me Tender by Elvis Presley

I Cant Help Falling in Love With You by Elvis Presley

I Know You Rider by the Grateful Dead

Scarlet Begonias by Greateful Dead

I Never Felt More Like Singing the Blues by Marty Robbins

There Stands the Glass by Webb Pierce

You Are My Sunshine

Jack-A-Row by the Grateful Dead

Jenny Jenkins from Garcia/Grishman

Wooly Bully by Sam The Sham And The Pharohs

Love is the Drug by Roxy Music

Harpos Blues (Wish I Was a Willow) by Pheobe Snow

Sodomy from Hair

Donna from Hair

Midnight at the Oasis

Woman in Love by Barbara Streissand

Just a Gigolo

Angelina by Louis Prima

Felicia No Capiche by Louis Prima

It Dont Mean a Thing by Duke Ellington

Jeepster by T-Rex

Get It On/Bang A Gong by T-Rex

Hava Nagila

Hare Krishna

Brain Damage by Pink Floyd

Eclipse by Pink Floyd

Pigs on the Wing by Pink Floyd

Dogs by Pink Floyd

Just What I Needed by the Cars

Garden Grove by Sublime

Get Up Stand Up by Bob Marley

Waiting in Vain by Bob Marley

Coming in From the Cold by Bob Marley

Could You be Loved by Bob Marley

So Much Things to Say by Bob Marley

Zimbabwe by Bob Marley

Dont Rock My Boat by Bob Marley

Hammer by Bob Marley

Coming into Los Angeles by Arlo Gutherie

Brother Can You Spare a Dime

Unforgettable by Nat King Cole

On a Foggy Night by Tom Waits

Youre a Mean One, Mr. Grinch

Cat In The Hat by Dr. Seus

Moondance by Van Morrison

Borris the Spider by The Who

At Last by Etta James

Darling Nikki by Prince

When Doves Cry by Prince

Kiss by Prince

Little Red Corvette by Prince

Money Dont Matter Tonight by Prince

Pop Life by Prince

Purple Rain by Prince

Rasberry Beret by Prince

Starfish and Coffee by Prince

Sign of the Times by Prince

Blue Light by Prince

Alphabet Street by Prince

If I Was Your Girlfriend by Prince

7 by Prince

Ballad of Dorothy Parker by Prince

Mellow Yellow by Donovan

Careless Love 2 by Snooks Eaglin

Little Bird by Scott Matthews

Sqeeze Box by the Who

Mamas Dont Let Your Babies by Waylon Jennings

Deal by Grateful Dead

Monkey and the Engineer by Grateful Dead

Dark Hollow by the Grateful Dead

Dire Wolf by Grateful Dead

The Race is On by the Grateful Dead

Bird Song by the Grateful Dead

Babe it Aint No Lie by the Grateful Dead

China Doll by the Grateful Dead

Been All Around This World by the Grateful Dead

Deep Elem Blues by the Grateful Dead

Cassidy by the Grateful Dead

Jailhouse Rock by Elvis

Cest Magnifique by Cole Porter

Trouble by Cat Stevens

If You Want to Sing Out by Cat Stevens

Longer Boats by Cat Stevens

Moonshadow by Cat Stevens

Wild World by Cat Stevens

Into the Mystic by Van Morrison

Sex and Candy

Love Shack by B-52s

Groove is in the Heart by Dee Lite

Sing me to Sleep by the Smiths

How Soon Is Now by the Smiths

Girls Just Wanna Have Fun by Cindy Lauper

Tempted by Squeeze

Black Coffee by Squeeze

Mad World by Tears for Fears

Thats Amore by Dean Martin

Mambo Italiano by Dean Martin

Man Next Door by John Holt The Paragons

Circus Song

Please No Squeeze The Banana by Louis Prima

Muse Blues by Loudon Wainwright

Tonight You Belong to Me from The Jerk

Ukelele Lady

Whatll I Do by Irving Berlin

Sunshine of Your Love

Country Road by John Denver

Sugar Sugar by the Archies

Sweet Dreams are Made of This by the Eurithmics

Tutti Frutti by Slim Gaillard

Right Down the Line by Gerry Rafferty

By the Rivers of Babylon

Minnie the Moocher by Cab Calloway

Let the Sun Shine In from Hair

Friend of the Devil by the Grateful Dead

Where is my Mind by the Pixies

Clandestino by Manu Chau

Who Can it Be by Men at Work

Land Down Under by Men At Work

Overkill by Men at Work

Parsley Sage Rosemary and Thyme by Simon Garfunkel

Dont Ease Me In by the Grateful Dead

Sing About It - The Wood Brothers

Reminiscing by Little River Band

Smoke Two Joints

In the Name of Love by U2

Goodnight Sweetheart by the Spaniels

Home on the Range

New Slang by the Shins

Old Folks Boogie by Little Feat

Fat Man in the Bathtub

You Make Me Feel Like Dancing by Leo Sayer

Cole Slaw

Motion Picture Soundtrack by Radiohead

Hey Good Lookin by Hank Williams

On The Bayou (Jambalaya) by Hank Williams

A New England by Billy Bragg

Ziggy Stardust by David Bowie

Man Who Sold the World

Just One of Those Things by Cole Porter / Pogues

Big Bad Bill is Sweet William Now

The Time Warp

Raindrops Keep Falling on My Head by Burt Bacharach

Singing in the Rain by Gene Kelley

Runnin With the Devil by Van Halen

Gimme Three Steps by Lynryd Skynrd

Locomotive Breath by Jethro Tull

St. Stephen by the Grateful Dead

I Feel Good by James Brown

Up In Smoke by Cheech Chong

Dim All the Lights by Donna Summer

Rubber Ducky from Sesame Street

Stand by Me by Ben E. King

Immigrant Song

Got My Mojo Workin by Muddy Waters

Red Solo Cup by Toby Keith

Down on the Corner by Creedence Clearwater

Big Balls by AC/DC

Kiss Off by the Violent Femmes

Blister in the Sun by the Violent Femmes

The Joker by Steve Miller Band

Fly Like an Eagle by Steve Miller Band

Take the Money And Run by Steve Miller Band

I Will Survive by Gloria Gaynor

Feelin' Alright by Traffic

Whatd I Say by Ray Charles

Love Rein Oer Me

Crazy by Gnarles Barkeley

Take It Easy by the Eagles

Allison by Elvis Costello

Wave White Flag by Elvis Costello

Accidents Will Happen by Elvis Costello

Gods Comic by Elvis Costello

Little More Love by Olivia Newton John

Trenchtown Rock by Bob Marley

Wonder Woman Theme

Popeye Theme

Mighty Mouse Theme

Hong Kong Fooey Theme

Tequilla by The Champs

Straighten up and Fly Right

Grey by Alice Phoebe Lou

Romeos Tune (Meet Me in the Middle of the Day) by Steve Forbert

Magic by Olivia Newton John

Lucky Old Sun

Raising Arizona Theme

Perhaps Perhaps Perhaps by Cake

Honky Cat by Elton John

Deep River Blues by Doc Watson

Heartbreaker by Pat Benetar

I Guess Thats Why They Call It The Blues by Elton John

Muppet Show Theme

Manha Manha by the Muppets

Mickey Mouse March Theme

Still Crazy After All These Years by Paul Simon

Cakewalk Into Town by Taj Mahal

Fishing Blues by Taj Mahal

Bad Bad Leroy Brown by Jim Croce

Bad Moon Rising by Creedence Clearwater Revival

9 to 5 by Dolly Parton

Grease is the Word by Barry Gibb

Look At Me Im Sandra Dee from Grease

Summer Nights from Grease

Youre the One That I Want from Grease

There Are Worse Things I Could Do from Grease

Beauty School Dropout from Grease

Sugar in My Bowl by Bessie Smith / Nina Simone

Nobody Knows You When Youre Down and Out

YMCA by the Village People

Blueberry Hill by Fats Domino

Georgia on My Mind

Emotional Rescue by the Rolling Stones

Im Not In Love by 10cc

The Things We Do For Love by 10cc

Steal Away by Robbie DuPree

Afternoon Delight by Starland Vocal Band

Besame Mucho

The Vietnam Song by Country Joe and the Fish

Mr. Sandman by the Chordettes

Goodnight Irene

Is She Really Going Out With Him by Joe Jackson

Sexy Sadie by The Beatles

If You Want Me To Stay by Sly and the Family Stone

No Scrubs by TLC

Twinkle Twinkle Little Star

Ants Go Marching One By One

Let the Sunshine In by Pebbles and BamBam

When You Wish Upon a Star

Marry A Lighthouse Keeper

Cant Get Enough of Your Love by Bad Company

Freebird by Lynyrd Skynrd

La Cucaracha by Los Panchos

Take Me Out to the Ball Game

What I Got by Sublime

Santeria by Sublime

Pretty Woman by Roy Orbison

I Love You For Sentimental Reasons by Nat King Cole

Case Of You by Joni Mitchell

Dear Mr. Fantasy by Traffic

Oompa Loompa from Willy Wonka

I Want It Now from Willy Wonka

The Candy Man

Lean on Me by Bill Withers

Cold As Ice by Foreigner

Glory Box by Portishead

Dont You forget About Me by Simple Minds

Summertime by George Gershwin

Tennessee Stud by Johnny Cash

I Walk The Line by Johnny Cash

Stray Cat Strut by the Stray Cats

Crosstown Traffic by Jimi Hendrix

Little Wing by Jimi Hendrix

Our House by Madness

Morning Train by Sheena Easton

Baby Let Me Follow You Down by Bob Dylan

I'll Be Your Baby Tonight by Bob Dylan

Times They Are A Changing by Bob Dylan

She Caught The Katy by Taj Majal

Armagedion Time by the Clash

Stardust by Hoagy Carmichael

Lullabye by Loudon Wainwright III

Lets Stay Together by Al Green

San Diego Serenade by Tom Waits

Comes a Time by Neil Young

Cowgirl in the Sand by Neil Young

Peel Me a Grape by Diana Krall

Cant Take My eyes off of You by Frankie Vallie

Piggies by the Beatles

Glass Onion by the Beatles

Royals by Lorde

Never Tear Us Apart by Inxs

Midnight Rider by Allman Brothers

Footloose by Kenny Loggins

Lets Hear it For the Boy from Footloose

I Need A Hero from Footloose

John Barleycorn Must Die

Youve Really Got A Hold On Me by Smoky Robinson

Please Please Please (Let me Get What I Want) by The Smiths

There Is A Light That Will Never Go Out by the Smiths

Shoplifters of the World Unite by The Smiths

Panic by the Smiths

Bigmouth Strikes Again by The Smiths

Last Night I Dreamt That Somebody Loved Me by The Smiths

Meat is Murder by The Smiths

Death of a Disco Dancer by the Smiths

Beat on the Brat by the Ramones

Blitzkreig Bop by the Ramones

I Wanna Be Your Boyfriend by The Ramones

I Wanna Be Sedated by The Ramones

A Shanty in Old Shanty Town

Jammin by Bob Marley

Sweet Virginia by the Rolling Stones

Youve Got To Hide Your Love Away by The Beatles

My Girl by the Temptations

Young Man Blues by The Who

Eyes of the World by The Grateful Dead

Breaking Us In Two by Joe Jackson

Ripple by The Grateful Dead

One More Time by Joe Jackson

Girl by The Beatles

Those Were The Days by Archie Bunker

Come Sail Away by Styx

Ring of Fire by Johnny Cash

Jimmy Jazz by The Clash

Bankrobber by The Clash

Anarchy in the UK by the Sex Pistols

Something Else by the Sex Pistols

Friday I'm In Love by The Cure

Safety Dance by Men Without Hats

Goldfinger by Shirley Bassey

Diamonds are Forever by Shirley Bassey

Too Hot by Kool The Gang

Sitting Here in Limbo by Jimmy Cliff

Bring It On Home To Me by Sam Cooke

Hey Bartender There's a Bug In My Beer

Key to the Highway by Bill Broonzy

If I Only Had a Brain

Physical by Olivia Newton John

Chestnuts Roasting on an Open Fire (The Christmas Song)

Hello Muddah by Allan Sherman

Crazy Fingers by the Grateful Dead

Whipping Post by the Allman Brothers

Boys are Back in Town by Thin Lizzy

Dancing in the Moonlight by Thin Lizzy

I'm Your Captain by Grand Funk Railroad

Dreams by Fleetwood Mac

Strong Enough by Sheryl Crow

Witchy Woman by The Eagles

Cheers Theme

Happiness is a Warm Gun by The Beatles

Putting on the Ritz by Irving Berlin

Let Me Go by Nouvelle Vague / Heaven 17

Heard It Through The Grapevine by Marvin Gaye

By My Side from Godspell

If I Was a Rich Man from Fiddler on the Roof

Ain't That a Kick in the Head by Dean Martin

Such a Night by Dr. John

Conjunction Junction by School House Rock

I'm Just a Bill by School House Rock

Unpack Your Adjectives by Schoolhouse Rock

Lolly Lolly Lolly Get Your Adverbs Here by Schoolhouse Rock

Let 'Em In (Someone's Knocking On My Door) by Paul McCartney

It's Too Late By Carole King

Danny's Song by Kenny Loggins

Piano Man by Billy Joel

My Life by Billy Joel

Song Sung Blue by Neal Diamond

Whatever Lola Wants by Sarah Vaughn

You Do Something To Me by Cole Porter

September by Earth Wind Fire

I'm Burning For You by Blue Oyster Cult

It Was a Very Good Year by Frank Sinatra

Science Fiction Double Feature from Rocky Horror

There's a Light (Over At the Frankenstein Place) from Rocky Horror

Time Warp from Rocky Horror

Sweet Transvestite from Rocky Horror

The Sword of Damocles from Rocky Horror

I Can Make You a Man from Rocky Horror

Hot Patootie Bless My Soul from Rocky Horror

Toucha Touch Me from Rocky Horror

Superheroes from Rocky Horror

Photographs and Memories by Jim Croce

TV Party by Black Flag

Moving On Up by The Jeffersons

Song 2 (Woo Hoo) by Blur

Hash Pipe by Weezer

A Message To You Rudy by The Specials

I Wanna Be Around by Tony Bennett

Thats Life by Frank Sinatra

Respectable by The Rolling Stones

Jumping Jack Flash by The Rolling Stones

Till There Was You by the Beatles

8 Days A Week by The Beatles

I Will by The Beatles

Ever Fallen In Love by the Buzzcocks

Lets Go to Bed by The Cure

Black Hole Sun by Soundgarden

Love and Marriage by Frank Sinatra

Cheek to Cheek by Irving Berlin

Black Water by Doobie Brothers

Friends in Low Places by Garth Brooks

Venus in Furs by Velvet Underground

Tiny Bubbles by Don Ho

Somewhere over the Rainbow by Brother Iz

Trailers For Sale or Rent by Roger Miller

Officer Krupke from West Side Story

Suzanne Was a Lady

Cigarettes and Whisky and Wild Women

Cecilia by Simon Garfunkel

Star Me Kitten by REM

Chitty Chitty Bang Bang

Its Only Love by The Beatles

Moving Right Along by The Muppets

The Lumberjack Song by Monty Python

The Israelites by Desmond Dekker

My Funny Valentine

Rags to Riches by Tony Bennett

Nobody Knows but Me by Doc Watson

Mercy Seat by Nick Cave

Wichita Lineman by Glen Campbell

Santa Baby by Etta James

Food Glorious Food from Oliver

Consider Yourself at Home from Oliver

Reviewing the Situation from Oliver

Youve Got To Pick a Pocket or Two from Oliver

Agua de Beber (Water to Drink) by Tom Jobim

Waters of March (Aguas de Marco) by Tom Jobim

Girl From Ipanema by Tom Jobim

Mas Que Nada by Jorge Ben Jor

A Felicidade by Tom Jobim

Chove Chuva by Jorge Ben

San Francisco Bay Blues

Big Bottoms by Spinal Tap

Quicksand by David Bowie

Lowenbrau Ad from The 70s

St. James Infirmary by Snooks Eaglin

Katmandu by Cat Stevens

Movin Out by Billy Joel

Dont Ask Me Why by Billy Joel

Still Rock and Roll To Me by Billy Joel

You May Be Right by Billy Joel

Sometimes a Fantasy by Billy Joel

Promises by Naked Eyes (Freedy Johnston version)

My Cherie Amor by Stevie Wonder

Rock With You by Michael Jackson

Sundown by Gordon Lightfoot

King Tut by Steve Martin

You Don't Know What Love Is by Chet Baker

Badfish by Sublime

Buy Me a Boat by Chris Janson

Benny Hill Theme

Cantina Band

Pink Panther Theme

Sweet Georgia Brown (Harmlem Globetrotters Theme)

Breathe by Pink Floyd

Till There Was You by The Beatles

Liquor and Whores by Bubbles

Dirty Old Town

The Whore of the Chrysler Lebaron

Hurt by Johnny Cash (orignally 9 Inch Nails)

We Are the Champions by Queen

Old Cape Cod by Patti Page

All The Things (Your Man Won't Do) by Joe

The Trump Song by Crab Shack Orchestra

Poor Bob by Crab Shack Orchestra

Happy Birthday Bob by Crabshack Orchestra

Poo Poo Tidal Wave by Crab Shack Orchestra

Open Fire on the Dead Heads by Crab Shack Orchestra

Oh No You Didnt by Crab Shack Orchestra

Lola Lola Lola

Home at the Shack

Richmond by Jim Erickson

Working On

I Second That Emotion by Smokey

A G D

D

Maybe you wanna give me kisses sweet

But only for one night and no repeat

And maybe you'll go away and never call

G A D

A taste of honey is worse than none at all

CHORUS:

G D

Oh in that case I don't want no part

G D

I do believe that that would only break my heart

Oh, but if you feel like lovin' me

A G D

And you got the notion, I second that emotion

A G

Said, if you feel like givin' me a lifetime of devotion

D A G D A G D

I second that emotion

Maybe you think that love would tie you down

And you don't have the time to hang around

Or maybe you think that love was made for fools

And so it makes you wise to break the rules

CHORUS TWICE

NOTE: Try playing this chords barred and then sliding up to them to

create some of the

sound of the original.

Aint No Sunshine (Bill Withers)

http://www.youtube.com/watch?v=tIdIqbv7SPo

See voice memo note for good beat. In that, playing the Em as 077555

Am Em G Am

Ain't no sunshine when she's gone.

Em G Am

It's not warm when she's away.

Em7 Dm7

Ain't no sunshine when she's gone, and she's always gone too long,

Am

anytime she goes away.

Am Em G Am

Wonder this time where she's gone.

Am Em G Am

Wonder if she's gone to stay.

Em7 Dm7

Ain't no sunshine when she's gone, and she's always gone too long,

Am

anytime she goes away.

Am (stop chrods)- Capella

And I know, I know, I know, I know,

I know, I know, I know, I know, I know,

I know, I know, I know, I know, I know,

I know, I know, I know, I know, I know,

I know, I know, I know, I know, I know,

I know, I know... Hey, I oughta leave young thing alone,

Am Em G Am

but ain't no sunshine when she's gone.

Am Em G Am

Ain't no sunshine when she's gone.

Am Em G Am

Only darkness everyday.

Em7 Dm7

Ain't no sunshine when she's gone, and she's always gone too long,

Am

anytime she goes away.

Am Em G Am

anytime she goes away.

Am Em G Am

anytime she goes away.

Am Em G Am

anytime she goes away.

Creep by Radiohead

G

When you were here before

B

Couldn't look you in the eyes

C

You look like an angel

Cm

Your skin makes me cry

G

You float like a feather

B

In a beautiful weather

C

I wish I was special

Cm

You're so fucking special

Chorus:

G

But I'm a creep

B

I'm a wierdo

C

What the hell am I doin' here

Cm

I don't belong here

I don't care if it hurts

I wanna have control

I wanna perfect body

I want a perfect soul

I want you to notice

When I'm not around

You're so fuckin' special

I wish I was special....

(then something like this...)

oooh... she's running away....she's running...run..run...run..ruuuuun

Whatever makes you happy

Whatever you want

You're so fucking special

Wish I was special...

Exit Music For a Film by Radiohead

Good versions:

http://www.youtube.com/watch?v=wD-zz1hMkbQ

http://www.youtube.com/watch?v=KXtQsYH-dzw

Dadd9/F# (2x0230)

Dadd9/F (1x0230)

Gm11 (3x0313)

(capo 2nd fret for album key, but thats prob too high)

Intro

Am Asus2 Asus4 (X2) then Am

Verse 1

Am E C/G Dadd9/F# (2x0230)

wake from your sleep, the drying of your tears,

Am E Asus4 A

today we escape, we escape

Am E C/G Dadd9/F# Dadd9/F

pack and get dressed, before your father hears us,

Am E Asus4 A

before all hell breaks loose

Chorus

Gm11 D7/F#

breathe, keep breathing

Asus2 Am Asus2 Asus4 Am Esus4

don't lose your nerve

Gm11 D7/F#

breathe, keep breathing

Asus2 Am Asus2 Asus4 Am Esus4 E

I can't do this alone

Verse 2 (same chords as verse 1 )

Sing us a song, a song to keep us warm

there's sucha chill, sucha chill

Am B E F Bb

And you can laugh, a spineless laugh, we hope your rules and

Esus4 E

wisdom choke you

Am E C/G Dadd9/F# Dadd9/F

And now we are one, in everlasting peace,

Am E Asus4 A

We hope that you choke, that you choke (repeat 3 times, end on A)

Hit the Road Jack

Not the official key, but I like it in Em

Em (7th) fret - D (5th fret) - C (3rd fret) - B (2nd fret). Descending pattern.

Hit the road Jack and don't you come back no more, no more, no more, no more.)

(Hit the road Jack and don't you come back no more.)

What you say?

(Hit the road Jack and don't you come back no more, no more, no more, no more.)

(Hit the road Jack and don't you come back no more.)

Woah Woman, oh woman, don't treat me so mean,

You're the meanest old woman that I've ever seen.

I guess if you say so

I have to pack ma things and go. (That's right)

(Hit the road Jack and don't you come back no more, no more, no more, no more.)

(Hit the road Jack and don't you come back no more.)

What you say?

(Hit the road Jack and don't you come back no more, no more, no more, no more.)

(Hit the road Jack and don't you come back no more.)

well baby, listen baby, don't ya treat me this-a way

Cause I'll be back on my feet some day.

(Don't care if you do 'cause it's understood)

(you ain't got no money you just ain't no good.)

Well, I guess if you say so

I'd have to pack my things and go. (That's right)

(Hit the road Jack and don't you come back no more, no more, no more, no more.)

(Hit the road Jack and don't you come back no more.)

What you say?

(Hit the road Jack and don't you come back no more, no more, no more, no more.)

(Hit the road Jack and don't you come back no more.)

well!!

(don't you come back no more.)

Uhh what did you say?

(don't you come back no more.)

i did not understand it

(don't you come back no more.)

i came to talk it over

(don't you come back no more.)

i thaught we had a better understanding

(don't you come back no more.)

oh baby dont be so chicken

(don't you come back no more.)

you dont want to see me cry x2

(don't you come back no more.)

oh baby it isnt fair

ooh yeahh

People are Strange by the Doors

I like it in Abm for singing... Its just a 1-4-5, can circus it up nicely

Remember the bass riff: A2 A0 E3 E0

Em Am Em Am Em B7 Em

People are strange When your a Stranger Faces look ugly when your alone

Women seem wicked When youre unwanted Streets are uneven when youre down

Em G B7

When youre strange Faces come out in the rain When youre strange

G B7

Nobody remembers your name When youre strange When youre strange

When youre strange........

(repeat to taste)

Spanish Caravan by the Doors

original version

Em (with riff)

Carry me caravan, take me away

Take me to Portugal, take me to Spain

Am

Andalusia, with fields full of grain

I have to see you again and again

Em D7 C B7

Take me Spainish caravan, yes I know you can

[Longer riff]

Alabama Whisky Song by the Doors

cover1 (good playing, crazy guy)

cover2 (nice singing) cover3 (nice groove and melody)

(doors doing it live and slow)

Sounds nice with the Am on 5th fret, jazz it up like Stop Wearing Purple

Maybe do the D9 without the high E (x5455x)

Am

Well, show me the way To the next whiskey bar

F#m D9 (or D7, but I like the D9 x54555)

Oh, don't ask why (x2)

Am

Show me the way To the next whiskey bar

F#m D9

Oh, don't ask why (x2)

Am

For if we don't find The next whiskey bar,

F#m D9

I tell you we must die (x2)

F#m C

I tell you, I tell you I tell you we must die

(drop-down organ riff, chopsticksy sound)

E8 - (xxxx-12-8) - (xxxx-11-8) - (xxxx-10-8) (

Chorus #1:

F B7

Oh, moon of Alabama, we now must say goodbye

G Gm

We've lost our good old mama

C7 F

And must have whiskey, oh, you now why

Chorus #2: (or can just play same chords as chorus#1?)

F E

Oh, moon of Alabama, we now must say goodbye

Eb F

We've lost our good old mama

C7 F

And must have whiskey, oh, you now why..... (Yeah!)

Verse:

Well, show me the way To the next little girl

Oh, don't ask why (x2)

Show me the way To the next little girl

Oh, don't ask why (x2)

For if we don't find The next little girl

I tell you we must die (x2)

I tell you, I tell you I tell you we must die

Titty Kazoo! Same chords as first chorus (F B7 | G Gm | C7 F)

Chorus #2:

F E

Oh, moon of Alabama, we now must say goodbye

Eb F

We've lost our good old mama

C7 F

And must have whiskey, oh, you now why

The Crystal Ship by The Doors

Play intro notes along with melody:

Be-Fore-You-Slip

A3 - A6 A7 - A8

Fm Cm

Before you slip into unconsciousness,

Bb C#

I'd like to have another kiss

F Bb7 C Bb F

Another flashing chance at bliss,

Eb F Eb F

another kiss, another kiss

C# Ab Eb C7 C7

Fm Cm

The days are bright, and filled with pain,

Bbmaj7 C#

enclose me in your gentle rain

F Bb7 C Bb F

The time you ran was too insane,

Eb F Eb F

we'll meet again, we'll meet again

(Piano solo titty)

Fm Eb

Fm Eb

Fm C# Ab Eb

C7 C7

Fm Cm

Oh, tell me where your freedom lies,

Bbmaj7 C#

the streets are fields that never die

F Bb7 C Bb F

Deliver me from reasons why,

Eb F Eb F

you'd rather cry, I'd rather fly

Fm Cm

The crystal ship is being filled

Bbmaj7 C#

A thousand girls, a thousand thrills

F Bb7 C Bb F

A million ways to spend your time

Eb F Eb F

When we get back, I'll drop a line

Break on Through by the Doors

Good tabs here, and video lesson here. Good cover here (in C!),

Melody starts on 5th. Nice to do low (A string 2nd fret). Make it really bassy, and just play the bass line on the guitar, no Em. And for the D, play as x002xx. And for the break on through, can just play the bass since it sounds so much like phrase, and just sing to the other side.

Riff 1 (you know the day destroys the night...)

|------------------------------|

|------------------------------|

|------------------------------|

|--2---0-----2-----0-----------|

|----2---0-----2-2---0---------|

|------------------------------|

Riff 2 (Break on through to the other side)

|------------------------------|

|------------------------------|

|-----------------0h2p0--------|

|-----------0h1h2-------2--0-2-|

|-----0h1h2--------------------|

|-0-3--------------------------|

Verse 1:

(riff 1)

Em

You know the day destroys the night, night divides the day

D

Tried to run, tried to hide

(riff 2)

Em

Break on through to the other side

Verse 2:

We chased our pleasures here, dug out treasures there

D

Can you still recall the time we cried?

Em

Break on through to the other side

Bridge:

Everybody loves my baby

She gets.... high

Verse 3:

I find an island in your arms, a country in your eyes

D

Arms that changed, eyes that lied

Em

Break on through to the other side

Verse 4 (different melody):

Made the scene, week to week, day to day, hour to hour

D

the gate is straight, deep and wide

Em

Break on through to the other side

Love me Two Times by the Doors

Great cover

Main riff:

--------------------------------------

--------------------------------------

----------------------0~1-------0~1---

----0---2---0-2-----------------------

--2---2---0---------------------------

-----------------0-0--------0-0-----0-

E7

Love me two times baby, love me twice today

A7 E7

Love me two times girl, Im goin away

D7

Love me two times girl

C7

Once for tomorrow, once just for today

G D C7 B7 E7 (Hendrix)

Love me two times I'm goin' away

Verse 2:

E7

Love me one time, could not speak.

A7

Love me one time, yeah my knees got weak

D7

Love me two times girl

C7

Last me all through the week

G D C7 B7 E7

Love me two times I'm goin' away

[Repeat verse 2]

Repeat to taste:

G D C7 B7 E7 (Hendrix)

Love me two times I'm goin' away

Riders on the Storm by the Doors

Nice progression for Em and Am, like Moondance or Whipping Post. See tutorial here. Original Doors version, and Ray talking about it really interestingly.

Em progression:

--0----0----0----0---

--0----0----0----0---

--0----2----4----2---

--2----4----5----4---

--2----4----5----4---

--0----0----0----0---

Em F#m7 Em7 F#m7

Am progression:

--0----0----0----0---

--1----3----5----3---

--2----4----5----4---

--2----4----5----4---

--0----0----0----0---

---------------------

Am Bm7 Am7 Bm7

[Em progression]

Riders on the storm

Riders on the storm

[Am progression]

Into this house we're born

Into this world we're thrown

D

Like a dog without a bone

C

An actor out on loan

Em

Riders on the storm

Em

There's a killer on the road

His brain is squirmin' like a toad

Am

Take a long holiday

Em

Let your children play

D

If ya give this man a ride

C

Sweet family will die

Em

Killer on the road, [yeah]

[Titty over a verse]

Em

Girl ya gotta love your man

Girl ya gotta love your man

Am

Take him by the hand

Em

Make him understand

D

The world on you depends

C

Our life will never end

Em

Gotta love your man [yeah]

[verse 1]

Riders on the storm

Riders on the storm

Riders on the storm

Riders on the storm

When the Musics Over by The Doors

Intro:

Em A 6x

Em A Em A Em A

When the music's over

Em A Em A Em A

When the music's over, yeah

Em A

When the music's over

D [D#m] Em (Can do D# as x11000)

Turn out the lights

D [D#m] Em

Turn out the lights

D [D#m] Em B7 (nice as x21200)

Turn out the lights, yeah

[Repeat verse 1, but without the B at end]

A E (or E7?)

For the music is your special friend,

A E

dance on fire as it intends

D

Music is your only friend

Em D

Until the end

Em D

Until the end

Em B7

Until the end

[Titty over the intro Em / A]

Em A Em A Em A 2x

Cancel my subscription to the Resurrection

Send my credentials to the house of detention

I got some friends inside

The face in the mirror won't stop

The girl in the window won't drop

A feast of friends

"Alive", she cried

Waiting for me, outside

Em A 4x

Before I sink into the big sleep

I want to hear, I want to hear

The scream of the butterfly

Em A 4x

Come back, baby

Back into my arms

We're gettin' tired of hangin' around

Waitin' around, with our heads to the ground

I hear a very gentle sound

Very near, yet very far

Very soft, yeah, very clear

Come today, come today

What have they done to the Earth?

What have they done to our fair sister?

Ravaged and plundered and ripped her and bit her

Stuck her with knives in the side of the dawn

And tied her with fences

And dragged her down

I hear a very gentle sound

With your ear down to the ground

We want the world and we want it...

Now Now? NOW!

Em A 4x

[repeat verse 1]

Baker Street by Gerry Rafferty

A

Winding your way down on Baker Street

Lite in your head, and dead on your feet

Em G

Well another crazy day, you drink the night away

D

And forget about everything

A

This city desert makes you feel so cold, its got

So many people but its got no soul

Em G

And its taken you so long to find out you were wrong

D

When you thought it held everything.

Dm7 Am7

You used to think that it was so easy

Dm7 Am7

You used to say that it was so easy

C G D

But you're tryin, you're tryin now

Dm7 Am7

Another year and then you'd be happy

Dm7 Am7

Just one more year and then you'd be happy

C G A F (to get ready for whistle section)

But you're cryin', you're cryin now

Titty Kazoo!

/ D / F / D / F / C / A7sus4 / G / F / [x2]

A

Way down the street there's a light in his place

You open the door, he's got that look on his face

Em G

And he asks you where youv'e been, you tell him who you've seen

D

And you talk about anything

A

He's got this dream about buyin' some land

He's gonna give up the booze and the one night stands

Em G

And then he'll settle down, it's a quiet little town

D

And forget about everything

Dm7 Am7

But you know he'll always keep moving

Dm7 Am7

You know he's never gonna stop moving

C G D

Cause he's rollin, He's the rolling stone

Dm7 Am7

And when you wake up it's a new morning

Dm7 Am7

The sun is shining it's a new morning

C G A

And you're going, you're going home

Titty Kazoo!

/ D / F / D / F / C / A7sus4 / G / F / [x2 or to taste]

More than a Woman (Bee Gees)

(From here, which has chord shapes). original version.

Album key is E, which is below this. I like it better for singing in E, nice to capo the D version on 2.

Intro: Bbmaj7 | A11 (5x5433)

Verse 1:

Dmaj7 (xx0222)

Oh, girl I've known you very well

I've seen you growing everyday

G

I never really looked before

But now you take my breath away.

Dmaj7

Suddenly you're in my life

Part of everything I do

G

You got me working day and night

Just trying to keep a hold on you.

Pre-chorus:

Fmaj7 G9 Cmaj7 Am7

Here in your arms I found my paradise

Fmaj7 G9 Em7

My only chance for happiness

Fmaj7 G9 Cmaj7 Am7

And if I lose you now I think I would die.

Chorus:

Bbmaj7 (6th fret)

Oh say you'll always be my baby

We can make it shine, we can take forever

A

Just a minute at a time.

Bbmaj7 (6th fret) Fmaj7 Gm7

More than a woman, more than a woman to me

More than a woman, more than a woman to me

Bbmaj7 A (or A11 - A?)

Verse 2:

Dmaj7

There are stories old and true

Of people so in love like you and me

G

And I can see myself

Let history repeat itself.

Dmaj7

Reflecting how I feel for you

Thinking about those people then

G

I know that in a thousand years

I'd fall in love with you again.

Pre-chorus 2:

Fmaj7 G9 Cmaj7 Am7

This is the only way that we should fly

Fmaj7 G9 Em7

This is the only way to go

Fmaj7 G9 Cmaj7 Am7

And if I lose your love I know I would die.

Chorus 2:

Bbmaj7(6th fret)

Oh say you'll always be my baby

We can make it shine, we can take forever

A

Just a minute at a time.

Bbmaj7 Fmaj7 Gm7

More than a woman, more than a woman to me

More than a woman, more than a woman to me

Bbmaj7 A (or A11?)

(Repeat more than a woman two lines to taste)

More Than a Woman again, in album key (E)

Intro: Cmaj7 | A/B

Emaj7/9 = x7687x (but I think Emaj7 sounds better)

A/B = x2222x (an A chord with a B in the bass). Can just play A.

A9 = 022000 (or just play A)

Emaj7/9

Oh, girl I've known you very well

I've seen you growing everyday

A (or A/B)

I never really looked before

But now you take my breath away.

Emaj7/9

Suddenly you're in my life

Part of everything I do

A (or A/B)

You got me working day and night

Just trying to keep a hold on you.

Gmaj7 A9 Dmaj7 Bm7

Here in your arms I found my para...dise

Gmaj7 A9 F#m7

My only chance for happiness

Gmaj7 A9 Dmaj7 Bm7

And if I lose you now I think I would die.

Cmaj7

Oh say you'll always be my baby

We can make it shine, we can take forever

B

Just a minute at a time.

Cmaj7 Gmaj7 Am7

More than a woman, more than a woman to me

More than a woman, more than a woman to me

Cmaj7 B

Emaj7/9

There are stories old and true

Of people so in love like you and me

A

And I can see myself

Let history repeat itself.

Emaj7/9

Reflecting how I feel for you

Thinking about those people then

A

I know that in a thousand years

I'd fall in love with you again.

Gmaj7 A9 Dmaj7 Bm7

This is the only way that we should fly

Gmaj7 A9 F#m7

This is the only way to go

Gmaj7 A9 Dmaj7 Bm7

And if I lose your love I know I would die.

Cmaj7

Oh say you'll always be my baby

We can make it shine, we can take forever

B (says A/B)

Just a minute at a time.

Cmaj7 Gmaj7 Am7

More than a woman, more than a woman to me

More than a woman, more than a woman to me

Cmaj7 A/B

Cmaj7 Gmaj7 Am7

More than a woman, more than a woman to me

More than a woman, more than a woman to me

(Repeat chorus and fade out)

Love You Inside Out (by the Bee Gees)

Original version

Nice cover

Em Version (Bee Gees album key):

Em9 (022032)

Baby, I can't figure it out your kisses taste like honey

Dmaj7

Sweet lies don't gimme no rise, oh what you're trying to do?

Am7 B7

Livin' on your cheatin' and the pain grows inside me

Em7

It's enough to leave me crying in the rain

Em7 [or A7sus4] A7

Love you forever but you're driving me insane

Dmaj7 B7b9 (x2121x)

and I'm hanging on Oh, oh

Em9

Oh I'll win, I'll never give in, our love has got the power

Dmaj7

Too many lovers in one lifetime aint good for you

Am7

You treat me like a vision in the night

B7

Someone there to stand behind you

Em7

When your world ain't working right

A7sus (x02233) Em7 A7 Em7 F#m7 Bm7

I ain't no vision, I am the man who loves you inside and out

A7sus Dmaj7

backwards and forwards with my heart hanging out

Em7 F#m7 Bm7

I love no other way

Em7 A7sus

What am I gonna do if we lose that fire?

Em9

Wrap myself up and take me home again,

Dmaj7

too many heartaches in one lifetime ain't good for me

Am7

I figure it's the love that keeps you warm

B7

Let this moment be forever

Em7

we won't ever feel the storm

A7sus Em7 A7 Em7 F#m7 Bm7

I ain't no vision, I am the man who loves you inside and out

A7sus Dmaj7

backwards and forwards with my heart hanging out

Em7 F#m7 Bm7

I love you no other way

Em7 A7sus

What am I gonna do if we lose that fire?

D7 (x57558) (or Am7??)

Don't try to tell me it's all over

I can't hear a word I can't hear a line

No man could love you more

And that's what I'm cryin' for

G

You can't change the way I feel inside

F

You are the reason for my laughter and my sorrow

Em A7

Blow out the candle I will burn again tomorrow

Dmaj7

No man on earth can stand

Am7

between my love and I

B7

And no matter how you hurt me

Em9

I will love you till I die

A7sus Em7 A7

I ain't no vision, I am the man who

Em7 Fm7 Bm7

Loves you inside out

A7sus

backwards and forwards with

Dmaj7

my heart hanging out

Em7 F#m7 Bm7

I love no other way

Em7 A7sus

What am I gonna do if we lose that fire?

Em7 F#m7 Bm7

loves you inside out

A7sus

backwards and forwards with

Dmaj7

my heart hanging out

Em7 F#m7 Bm7

I love no other way

Em7 A7sus

What am I gonna do if we lose that fire?

Am version, from Feist:

Am

Baby, I can't figure it out your kisses taste like honey

Sweet lies don't gimme no rise

Cmaj7

Oh, oh what you're trying to do?

Gm A

Livin' on your cheatin' and the pain grows inside me

A7 Dm

It's enough to leave me crying in the rain

Dm7 G

Love you forever but you're driving me insane

Cmaj7 A

and I'm hanging on Oh, oh

Am

Oh I'll win, I'll never give in, our love has got the power

Too many lovers in one lifetime

Cmaj7

ain't good for you

Gm

You treat me like a vision in the night

A

Someone there to stand behind you

Dm Dm

When your world ain't working right

Am Em

I ain't no vision, I am the girl who

Dm Em Am

Loves you inside out

Dm Cmaj7

backwards and forwards with my heart hanging out

Dm Em Am

I love no other way

Dm G

What am I gonna do if we lose that fire?

Am

Wrap myself up and take me home again

Too many heartaches in one

Cmaj7

lifetime ain't good for me

Gm

I figure it's the love that keeps you warm

A

Let this moment be forever

Dm

we won't ever feel the storm

Am Em

I ain't no vision, I am the girl who

Dm Em Am

Loves you inside out

Dm Cmaj7

backwards and forwards with my heart hanging out

Dm Em Am

I love no other way

Dm G

What am I gonna do if we lose that fire?

C7

Don't try to tell me it's all over

I can't hear a word I can't hear a line

No man could love you more

And that's what I'm cryin' for

You can't change the way I feel inside

F Am

You are the reason for my laughter and my sorrow

Dm G

Blow out the candle I will burn again tomorrow

Cmaj7

No man on earth can stand

Gm

between my love and I

A

And no matter how you hurt me

Dm

I will love you till I die

Am Em

I ain't no vision, I am the girl who

Dm Em Am

Loves you inside out

Dm

backwards and forwards with

Cmaj7

my heart hanging out

Album key is Em, and thats after this, but here it is in Dm:

Dm9 (x53555)

Baby, I can't figure it out your kisses taste like honey

Cmaj7

Sweet lies don't gimme no rise, oh what you're trying to do?

Gm7 A7

Livin' on your cheatin' and the pain grows inside me

Dm

It's enough to leave me crying in the rain

G7sus4 G7

Love you forever but you're driving me insane

Cmaj7 A7b9

And I'm hanging on Oh, oh

Dm9

Oh I'll win, I'll never give in, our love has got the power

Cmaj7

Too many lovers in one lifetime aint good for you

Gm7

You treat me like a vision in the night

A7

Someone there to stand behind you

Dm7

When your world ain't working right

G7sus Dm7 G7 Dm7 Em7 Am7

I ain't no vision, I am the man who loves you inside and out

G7sus Cmaj7

backwards and forwards with my heart hanging out

Dm7 Em7 Am7

I love no other way

Dm7 G7sus

What am I gonna do if we lose that fire?

Dm9

Wrap myself up and take me home again,

Cmaj7

too many heartaches in one lifetime ain't good for me

Gm7

I figure it's the love that keeps you warm

A7

Let this moment be forever

Dm7

we won't ever feel the storm

G7sus Dm7 G7 Dm7 Em7 Am7

I ain't no vision, I am the man who loves you inside and out

G7sus Cmaj7

backwards and forwards with my heart hanging out

Dm7 Em7 Am7

I love you no other way

Dm7 G7sus

What am I gonna do if we lose that fire?

C7 (or Gm7??)

Don't try to tell me it's all over

I can't hear a word I can't hear a line

No man could love you more

And that's what I'm cryin' for

F

You can't change the way I feel inside

Eb

You are the reason for my laughter and my sorrow

Dm G7

Blow out the candle I will burn again tomorrow

Cmaj7

No man on earth can stand

Gm7

between my love and I

A7

And no matter how you hurt me

Dm9

I will love you till I die

G7sus Dm7 G7

I ain't no vision, I am the man who

Dm7 Em7 Am7

Loves you inside out

G7sus

backwards and forwards with

Cmaj7

my heart hanging out

Dm7 Em7 Am7

I love no other way

Dm7 G7sus

What am I gonna do if we lose that fire?

Dm7 Em7 Am7

loves you inside out

G7sus

backwards and forwards with

Cmaj7

my heart hanging out

Dm7 Em7 Am7

I love no other way

Dm7 G7sus

What am I gonna do if we lose that fire?

How Deep Is Your Love by The Bee Gees

Lesson 1, cover 2, amazing cover (in G), interesting finger style lesson

B7b9 = x2121x

Gmaj7/A (I like x04432)

The G/A is also nice as x0-12-12-12-0 x0-12-12-12-14)

Great G/A: x05032 (since its singing an F#)

Intro: D Dmaj7 Gmaj7 Gmaj7/A

Dmaj7 F#m7 Em7

I know your eyes in the morning sun

B7 Em7 F#7 A7

I feel you touch me in the pouring rain

Dmaj7 F#m7 Bm7

And the moment that you wander far from me

Em7 A7sus - A7

I wanna feel you in my arms again

Gmaj7 F#m7

Then you come to me on a summer breeze

Em7 C9

Keep me warm in your love, then you softly leave

F#m7 Gmaj7/A x05032 (singing an F#)

And it's me you need to show

D

How deep is your love

Chorus:

D Dmaj7

How deep is your love, how deep is your love

Gmaj7 (or xx5777) Gm6

I really mean to learn

D Am6 B7

'Cause we're living in a world of fools, breaking us down

Em7 Gm6 D

When they all should let us be, we belong to you and me

F#m7 Em7

I believe in you

B7 Em7 F#7 A7

You know the door to my very soul

Dmaj7 F#m7 Bm7

You're the light in my deepest darkest hour

Em7 A7sus - A7

You're my saviour when I fall

Gmaj7 F#m7

And you may not think I care for you

Em7 C9

When you know down inside that I really do

F#m7 Gmaj7/A D

And it's me you need to show, how deep is your love

Another way of writing it:

Dmaj7 F#m7 Em7

I know your eyes in the morning sun

I believe in you

B7 Em7 F#7 A7

I feel you touch me in the pouring rain

You know the door to my very soul

Dmaj7 F#m7 Bm7

And the moment that you wander far from me

You're the light in my deepest darkest hour

Em7 A7sus - A7

I wanna feel you in my arms again

You're my saviour when I fall

Gmaj7 F#m7

Then you come to me on a summer breeze

And you may not think I care for you

Em7 C9

Keep me warm in your love, then you softly leave

When you know down inside that I really do

F#m7 Gmaj7/A (or A11?)

And it's me you need to show

D

How deep is your love

[Chorus]

D Dmaj7

How deep is your love, how deep is your love

Gmaj7 (or xx5777) Gm6

I really mean to learn

D Am6 B7

'Cause we're living in a world of fools, breaking us down

Em7 Gm6 D

When they all should let us be, we belong to you and me

Night Fever by the Bee Gees

Good tutorial

Nice to play the Emaj7 as xx2444

INTRO:

C#m7 F#m7 Emaj7 (xx2444) F#m7 [x2]

B A

Listen to the ground, there is movement all around

E B

There is something goin' down and I can feel it

B C#m7

On the waves of the air there is dancin' out there

E A B

If it's something we can share, we can steal it

G#m7 A

And that sweet city woman, she moves through the light

G#m7 D#m7

Controllin' my mind and my soul

G#m7

when you reach out for me, girl

C#m7 G#

And the feelin' is right

[Chorus]

C#m7 F#m7

Then I get that Night Fever, Night Fever

Emaj7 (xx2444) F#m7

We know how to do it

C#m7 F#m7

Gimme that Night Fever, Night Fever

Emaj7 F#m7

We know how to show it

[Bridge]

F# C#m7 F#

Here I am, praying for this moment to last

C#m7 F# C#m7 F#

Livin' on the music so fine, borne on the wind

C#m7 F# C#

Making it mine

[Chorus]

C#m7 F#m7

Then I get that Night Fever, Night Fever

Emaj7 F#m7

We know how to do it

C#m7 F#m7

Gimme that Night Fever, Night Fever

Emaj7 F#m7

We know how to show it

[Verse 2]

B A

In the heat of our love, don't need no help for us to make it

E B

Gimme just enough to take us to the mornin'

B C#m7

I got fire in my mind, I get higher in my walkin'

E A B

And I'm glowing in the dark, I give you warning

G#m7 A

And that sweet city woman, she moves through the light

G#m7 D#m7

Controllin' my mind and my soul

G#m7

when you reach out for me, girl

C#m7 G#

And the feelin' is right

[Chorus]

C#m7 F#m7

Then I get that Night Fever, Night Fever

Emaj7 F#m7

We know how to do it

C#m7 F#m7

Gimme that Night Fever, Night Fever

Emaj7 F#m7

We know how to show it

F# C#m7 F#

Here I am, praying for this moment to last

C#m7 F# C#m7 F#

Livin' on the music so fine, borne on the wind

C#m7 F# C#

Making it mine

Stayin Alive by the Bee Gees

Good tutorial here

Main riff:

----------------------------------------------------------|

----------------------------------------------------------|

----------------------------------------------------------|

---xx-----6-------------------------------6---------------|

---xx-6h8---6----------6------6-x----6-8------------------|

---xx----------xx8-6h8----6h8----6-8----------------------|

Intro:

Play riff over Fm7, Eb

[Verse 1]

Fm7

Well you can tell by the way I use my walk

Eb Fm7

I'm a woman's man no time to talk

Music loud and women warm

Eb Fm7

I've been kicked around since I was born

Bb7

Now it's alright, it's ok, you may look the other way

We can try to understand the New York Times' effect on man

[Chorus]

Fm7

Whether your a brother or whether your a mother you're stayin' alive, stayin' alive

Feel the city breakin' and everybody shakin' and we're stayin' alive, stayin' alive

Fm7 Eb Fm7

Ah, ah, ah, ah, Stayin' alive, stayin' alive

Fm7 Eb Fm7 Eb Fm Cm7

Ah, ah, ah, ah, Stayin' ali - i - i - i - ve

[intro/riff]

[Verse 2]

Fm7

Well now I get low and I get high

Eb Fm7

And If I can't get either, I really try

Got the wings of heaven on my shoes

Eb Fm7

I'm a dancin' man and I just can't lose

Bb7

You know it's alright, it's ok, I live to see another day

We can try to understand the New York Times' effect on man

[Chorus]

[Bridge]

Bb

Life going nowhere, somebody help me

Fm7

Somebody help me yeah

Bb

I'm going nowhere, somebody help me

Fm7

Somebody help me yeah

I'm stayin' alive

[Verse 1]

[Chorus]

[Bridge]

Baby Come Back by Player

Album key is Ab I think.

Intro:

|C/D |Bm |C/D |Bm |

||:C/D |Bm |C/D |Bm Em7 :||

|2/4 NC |C/D |Bm |

Spending all my nights, all my money going out on the town

|C/D |Bm

Doing anything just to get you off of my mind

|C/D |Bm |

But when the morning comes, I'm right back where I started again

|C/D |D/E E

Trying to forget you is just a waste of time

Chorus:

|Cmaj7 |Bm7 Em7

Baby come back, any kind of fool could see

|Am7 Bm7 |Em7 D/F# Em7 Am7 Em7 Bm7|

There was something in everything about you

|Cmaj7 |Bm7 Em7

Baby come back, you can blame it all on me

|Am7 Bm7 |Em7 Fmaj7 |

I was wrong, and I just can't live without you

|C/D |Bm |

|C/D |Bm |

All day long, wearing a mask of false bravado

|C/D |Bm

Trying to keep up the smile that hides a tear

|C/D |Bm |

But as the sun goes down, I get that empty feeling again

|C/D |D/E E

How I wish to God that you were here

[Chorus]

|D |

|A#maj7 |Fmaj7 |

Now that I put it all together

|A#maj7 |Fmaj7 |

Give me the chance to make you see

|A#maj7 |Am7 D |

Have you used up all the love in your heart

|D |D |

Nothing left for me, ain't there nothing left for me

Chorus 2:

|2/4 NC |Cmaj7 |Bm Em7

Baby come back, any kind of fool could see

|Am7 Bm7 |Em7 D/F# Em7 Am7 Em7 Bm7|

There was something in everything about you

|Cmaj7 |Bm Em7

Baby come back, you can blame it all on me

|Am7 Bm7 |Em7 Fmaj7 |

I was wrong, and I just can't live without you

|Am7 Bm7 |Em7 D/F# Em7 Am7 Em7 Bm7|

I was wrong, and I just can't live

|Cmaj7 |Bm Em7 |Am Bm7 |Em7 D/F# Em7 Am7 Em7 Bm7|

|Cmaj7 |Bm Em7 |Am Bm7 |Em7 D/F# Em7 Am7 |

|Cmaj7 |Bm Em7 |Am Bm7 |Em7 D/F# Em7 Am7 Em7 Bm7|

Rep & Fade

Heart of Glass by Blondie

(easier to sing in D, but album is E I think)

Intro: D

Verse 1:

D B7

Once I had a love and it was a gas,

Bm7 D

Soon turned out; I had a heart of glass.

B7

Seemed like the real thing, only to find;

Bm7 D

Much mistrust; love's gone be-hind.

Verse 2:

D B7

Once I had a love and it was di-vine,

Bm7 D

Soon found out; I was losing my mind.

B7

Seemed like the real thing but I was so blind,

Bm7 D

Much mistrust; love's gone be-hind.

Chorus 1:

G D

In between, what I find is pleasing, and I'm feeling fine.

G

Love is so confusing; there's no peace of mind. If I fear I'm losing you;

E7 A7

It's just no good: you teasing like you do.

Interlude: D

Verse 3:

D B7

Once I had a love and it was a gas,

Bm7 D

Soon turned out; I had a heart of glass.

B7

Seemed like the real thing, only to find;

Bm7 D

Much mistrust; love's gone be-hind.

Chorus 2:

G D

Lost inside, adorable illusion, and I cannot hide.

G

I'm the one you're using; please don't push me aside,

D

We coulda made it cruising, yeah.

Titty Kazoo:

G D, G D (x2)

E7 A7

Riding high on love's true bluish light.

Break:

D

Ooh ooh, woah oh, ooh ooh, woah oh.

Ooh ooh, woah oh, ooh ooh, woah oh.

Verse 4:

D B7

Once I had a love and it was a gas,

Bm7 D

Soon turned out to be a pain in the ass.

B7

Seemed like the real thing, only to find;

Bm7 D

Much mistrust; love's gone be-hind.

Coda:

D

Ooh ooh, woah oh, ooh ooh, woah oh.

Ooh ooh, woah oh, ooh ooh, woah oh.

I Cant Go for That by Hall & Oates

van session version...

Album is Cm, but waaay easier to sing in Gm. Album version is below.

(Starting note is the high D, but do-able)

Intro: Cm (bass riff A3 A3 A3 E3-E6-E3-E6)

Gm C

Easy, ready, willing, overtime

Where does it stop, where do you dare me to draw the line.

You've got my body, now you want my soul

Don't even think about it. Say, no go... Yeah

G Gmaj7 G7 C

I, I-I, I'll do anything, that you want me to do..

Yeah, I, I-I, I'll do almost anything, that you want me to do..

Gm C (or C7?)

Yeah But I can't go for that, nooo. No can do.

I can't go for that, nooo. No can do.

I can't go for that, nooo. No can do

I can't go for that, can't go for that, can't go for that, can't go for that

I can go for being twice as nice

I can go for just repeating the same old lines

Use my body now you want my soul,

Ooh, forget about it now, say no go.

[G - Gmaj7 section again]

[Yeah but I cant go for that section again]

[Titty over a verse]

[repeat]

And again, in Cm, which I think is album key:

Intro: Fm (bass riff)

Cm F

Easy, ready, willing, overtime

Where does it stop, where do you dare me to draw the line.

You've got the body, now you want my soul

Don't even think about it. Say, no go... Yeah

C Cmaj7 C7 F

I, I-I, I'll do anything, that you want me to do..

Yeah, I, I-I, I'll do almost anything, that you want me to do, ooh

Cm F (or F7?)

Yeah But I can't go for that, nooo. No can do.

I can't go for that, nooo. No can do.

I can't go for that, nooo. No can do

I can't go for that, can't go for that, can't go for that, can't go for that

I can go for being twice as nice

I can go for just repeating the same old lines

Use my body now you want my soul,

Ooh, forget about it now, say no go.

[C - Cmaj7 section again]

[Yeah but I cant go for that section again]

[Titty over a verse]

[repeat]

Sara Smile by Hall & Oates

Original key is Dm, doing down 1.5 steps since my balls arent currently caught in a vice.

Melody starts pm the 5th (F# = A string 9th fret or D string 4th fret)

I think sounds best to play with moving E bar shape

Bbdim = 6x565x

Gdim = same shape starting on 3

Fun to strum the Bm7 (on 7th fret) as an intro and slide down from 8th fret sometimes). Get a good beat going.

To do regular intro, use chorus chords.

Nice way to do the intro riff is make the Bm7 on 7th fret and play:

|----------------------------------------|

|----------------------------------------|

|----------------------------------------|

|---7H9-7---------------------------7-8-|

|----------9-7------ 7H9- 10 9 7-----|

|---------------10-10--------------------| (then repeat. The H means hammer)

VERSE 1

Bm7 F#m7

Baby hair with a woman's eyes

Gmaj7 F#7 Gdim

I can feel you watching in the night

Bm7 F#m7 Gmaj7 Em7 F#7

All alone with me and we're waiting for the sunlight

PRE CHORUS

G A Bbdim Bm7

When I feel cold, ya warm me

G A C Bm7

And when I feel I can't go on, you come and hold me

Em7

It's you...and me forever

CHORUS (nice to do bass roll between Em7 and A: E-F#-G-A-Bb)

Bm7 F#m7 Em7 A Bbm (or Bbdim)

Sara (smile) smile

Bm7 F#m7 Em7 A Bbm

Oh, won't you smile awhile for me, Sara...

VERSE 2

Bm7 F#m7

If you feel like leaving you know you can go

Gmaj7 F#7 Gdim

But why don't you stay until tomorrow?

Bm7 F#m7 Gmaj7 Em7 F#7

If you want to be free you know, all you've got to do is say so

Pre Chorus (same as last time: G - A - Bbdim, Bm7, etc)

Chorus (same as last)

Bridge (not sure where, or if this is right):

Em Bb D G Bb

Outro:

Bm7 F#m7 Em7 A Bb

Smile

Bm7 F#m7 Em7 A

Oh, won't you smile awhile for me, Sara

Bm7 F#m7 Em7 A Bb

Smile awhile won't you laugh and sing

Good ending chord: Bm7+9 = 797779 (not sure its called Bm7+9)

And again, in A:

VERSE 1

Am7 Em7

Baby hair with a woman's eyes

Fmaj7 E7 Fdim

I can feel you watching in the night

Am7 Em7 Fmaj7 Dm7 E7

All alone with me and we're waiting for the sunlight

PRE CHORUS

F G Abdim Am7

When I feel cold, ya warm me

F G Bb Am7

And when I feel I can't go on, you come and hold me

Dm7

It's you...and me forever

CHORUS

Am7 Em7 Dm7 G Abm (or Abdim)

Sara (smile) smile

Am7 Em7 Dm7 G Abm

Oh, won't you smile awhile for me, Sara...

VERSE 2

Am7 Em7

If you feel like leaving you know you can go

Fmaj7 E7 Fdim

But why don't you stay until tomorrow?

Am7 Em7 Fmaj7 Dm7 E7

If you want to be free you know, all you've got to do is say so

Pre Chorus (same as last time: F - G - Abdim, Am7, etc)

Chorus (same as last)

Bridge (not sure where, or if this is right):

Dm Ab C F Ab

Outro:

Am7 Em7 Dm7 G Ab

Smile

Am7 Em7 Dm7 G

Oh, won't you smile awhile for me, Sara

Am7 Em7 Dm7 G Ab

Smile awhile won't you laugh and sing

Good ending chord: Am7+9 = 575557 (not sure its called Am7+9)

And again, in G:

The big disadvantage is that cant use the moving E bar shapes, and cant get that nice bass roll up the E string on the chorus.

Ebdim = x6786x

VERSE 1

Gm7 Dm7

Baby hair with a woman's eyes

Ebmaj7 D7 Ebdim

I can feel you watching in the night

Gm7 Dm7 Ebmaj7 Cm7 D7

All alone with me and we're waiting for the sunlight

PRE CHORUS

Eb F Gbdim Gm7

When I feel cold, ya warm me

Eb F Ab Gm7

And when I feel I can't go on, you come and hold me

Cm7

It's you...and me forever

CHORUS (nice to do bass roll between Em7 and A: E-F#-G-A-Bb)

Gm7 Dm7 Cm7 F Gbm (or Gbdim, and play full as 2x1212)

Sara (smile) smile

Gm7 Dm7 Cm7 F Gm7

Oh, won't you smile awhile for me, Sara...

VERSE 2

Gm7 Dm7

If you feel like leaving you know you can go

Ebmaj7 D7 Ebdim

But why don't you stay until tomorrow?

Gm7 Dm7 Ebmaj7 Cm7 D7

If you want to be free you know, all you've got to do is say so

Pre Chorus (same as last time: G - A - Bbdim, Bm7, etc)

Chorus (same as last)

Outro:

Gm7 Dm7 Cm7 F Gb

Smile

Gm7 Dm7 Cm7 F Gb

Oh, won't you smile awhile for me, Sara

Gm7 Dm7 Cm7 F Gb

Smile awhile won't you laugh and sing

Good ending chord: Gm7+9 = 353353 (not sure its called Gm7+9)

Rich Girl by Hall & Oates

Good tutorial. Album key is F (playing in D, capod on 3rd fret, and its below), but thats ridiciulous.

C Em7/B

You're a rich girl and you've gone too far

Am7 Am7/G

'Cause you know it don't matter anyway

F C

You can rely on the old man's money

Dm7 (or with F bass) F G (or G11 instead of F-G)

You can rely on the old man's money

C Em7/B

It's a bitch girl but it's gone too far

Am7 Am7/G

'Cause you know it don't matter anyway

F C

You can say money but it won't get you too far,

Dm7/A [Hold C chord with G bass for 4 measures]

Get you too far

Bridge:

Am7 Am7/G Dm7/A

And don't you know, don't you know

C C/B Dm7/A Am7 C

That it's wrong to take what is given you

Am7 Am7/G Dm/A

So far gone, on your own

Dm7/A

You can get along if you try to be strong

Gus4 G

But you'll never be strong

[Repeat 1st verse, starts with C]

Bridge:

Am7 Am7/G Dm7/A

High and dry, out of the rain

C C/B Dm7/A Am7 C

It's so easy to hurt others when you can't feel pain

Am7 Am7/G Dm7/A

And don't you know that a love can't grow

Dm7/A

'Cause there's too much to give, 'cause you'd rather live

Gus4 G

For the thrill of it all, oh

[Repeat 1st verse]

And again, in D. For album key, capo 3:

[Riff before bridge: A3 - A5, slide it, open D string ring, like that youtube link.]

D F#m (or D/C#)

You're a rich girl and you've gone too far

Bm7 (or D/B) Bm7/A (or D/A)

'Cause you know it don't matter anyway

G D/F#

You can rely on the old man's money

Em7 G (or Asus4) A (Or A11)

You can rely on the old man's money

D F#m (or D/C#?)

It's a bitch girl but it's gone too far

Bm7 Bm7/A

'Cause you know it don't matter anyway

G D/F#

Say money but it won't get you too far,

Em7 Hold D chord for 4 measures, or riff.

Get you too far

Bridge:

Bm7 Bm7/A Em

And don't you know, don't you know

D Em Bm7 D

That it's wrong to take what is given you

Bm7 Bm7/A Em

So far gone, on your own

Em7

You can get along if you try to be strong

Asus4 A

But you'll never be strong

[Repeat 1st verse]

Bridge:

Bm7 Bm7/A Em

High and dry, out of the rain

D Em Bm7 D

It's so easy to hurt others when you can't feel pain

Bm7 Bm7/A Em

And don't you know that a love can't grow

Em7

'Cause there's too much to give, 'cause you'd rather live

Asus4 A

For the thrill of it all, oh

[Repeat 1st verse]

Material Girl by Madonna

van session version

(go through and correct the chords)

VERSE 1:

C

Some boys kiss me, some boys hug me

Bb Am

I think they're O.K.

C

If they don't give me proper credit

Dm G7 (?) C

I just walk away

C

They can beg and they can plead

Bb Am

But they can't see the light, that's right

C

Cause the boy with the cold hard cash

Dm G7 C

Is always Mister Right, 'cause we are

CHORUS:

F G G Am

Living in a material world

F G C

And I am a material girl

C

You know that we are

F G G Am

living in a material world

F G C (or maybe end on Bb so it gets ready for next verse)

And I am a material girl

VERSE 2: (use the chords from verse 1, I havent updated these yet -wrybread)

C

Some boys romance, some boys slow dance

Bb Am

That's all right with me

C

If they can't raise my interest then I

Bb C

Have to let them be

C

Some boys try and some boys lie but

Bb Am

I don't let them play

C

Only boys who save their pennies

Bb C

Make my rainy day, 'cause they are

CHORUS

F G G Am

Living in a material world [material]

F G G Am (or Bb, getting ready for verse...)

Living in a material world

(repeat)

VERSE 3:

C

Boys may come and boys may go

Bb Am

And that's all right you see

C

Experience has made me rich

Bb C

And now they're after me, 'cause everybody's

CHORUS

C

A material, a material, a material, a material world

C Bb

Living in a material world [material]

C Bb

Living in a material world

(repeat and fade)

Like a Virgin by Madonna

This is the album key.

F#

1. I made it through the wilderness, somehow I made it through.

G#m F#

Didn't know how lost I was, until I found you.

I was beat, incomplete, I'd been had, I was sad and blue,

G#m D#m G#m D#m

But you made me feel, yeah, you ma...de me feel

C#

shiny and new.

F#

Like a virgin, touched for the very first time.

G#m F#

Like a vi...rgin, when your heart beats, next to mine.

F#

2. Gonna give you all my love, boy, my fear is fading fast.

G#m F#

Been saving it all for you, 'cause only love can last.

You're so fine and you're mine,

make me strong, yeah, you make me bold.

G#m D#m G#m D#m

Oh, your love thawed out, yeah, your love thawed o...ut,

C#

what was scared and cold.

D#m G# D#m G# D#m G# D#m G#

+ REFRAIN Oooh, oooh, oooh

F#

3. You're so fine and you're mine, I'll be yours 'till the end of time,

G#m D#m G#m D#m

'cause you made me feel, yeah, you ma...de me feel

C#

I've nothing to hide. + REFRAIN + REFRAIN ....

Youre No Good (Linda Ronstadt)

Heres the van session version, and Linda doing it live..

Linda does it in Bbm, and I used to like it in Am (and for some reason thought was easy to sing), but now I like it in Dm. Em also works for me. Dm is first here, and Am is after that.

In Cm (pretty easy to sing):

Intro (same as verses)

Verse1

Cm F Cm F

Feeling better now that we're through

Feeling better 'cause I'm over you

Ab Bb Eb

I learned my lesson, it left a scar

Cm F G

Now I see how you really are

Chorus (Dm - G the whole time)

You're no good, youre no good, youre no good, baby you're no good.

(I'm gonna say it again) You're no good, youre no good, youre no good, baby youre no good.

Verse2

Cm F Cm F

I broke a heart that's gentle and true

Well I broke a heart over someone like you

Ab Bb Eb

I'll beg his forgiveness on bended knee

Cm F G

I wouldn't blame him if he said to me

Chorus (Cm - F the whole time)

You're no good, youre no good, youre no good, baby you're no good.

You're no good, youre no good, youre no good, baby youre no good.

Verse3 (optional)

Cm F (repeat whole verse)

I'm telling you now baby and I'm going my way

Forget about you baby 'cause I'm leaving to stay

Chorus (Cm - F the whole time)

You're no good, youre no good, youre no good... Baby you're no good.

I'm gonna say it again: you're no good, youre no good, youre no good, baby youre no good.

(Accapella)

You're no good You're no good You're no good Baby you're no good

Jam?

Again, in Dm:

Intro (same as verses)

Verse1

Dm G Dm G

Feeling better now that we're through

Feeling better 'cause I'm over you

Bb C F

I learned my lesson, it left a scar

Dm G A

Now I see how you really are

Chorus (Dm - G the whole time)

You're no good, youre no good, youre no good, baby you're no good.

(I'm gonna say it again) You're no good, youre no good, youre no good, baby youre no good.

Verse2

Dm G Dm G

I broke a heart that's gentle and true

Well I broke a heart over someone like you

Bb C F

I'll beg his forgiveness on bended knee

Dm G A

I wouldn't blame him if he said to me

Chorus (Dm - G the whole time)

You're no good, youre no good, youre no good, baby you're no good.

You're no good, youre no good, youre no good, baby youre no good.

Verse3 (optional)

Dm G (repeat whole verse)

I'm telling you now baby and I'm going my way

Forget about you baby 'cause I'm leaving to stay

Chorus (Dm - G the whole time)

You're no good, youre no good, youre no good... Baby you're no good.

I'm gonna say it again: you're no good, youre no good, youre no good, baby youre no good.

(Accapella)

You're no good You're no good You're no good Baby you're no good

Jam?

Again, in Am, which I used to like:

Verse1

Am D Am D

Feeling better now that we're through

Feeling better 'cause I'm over you

F G C

I learned my lesson, it left a scar

Am D E

Now I see how you really are

Chorus (Am - D the whole time)

You're no good, youre no good, youre no good, baby you're no good.

(I'm gonna say it again) You're no good, youre no good, youre no good, baby youre no good.

Verse2

Am D Am D

I broke a heart that's gentle and true

Well I broke a heart over someone like you

F G C

I'll beg his forgiveness on bended knee

Am D E

I wouldn't blame him if he said to me

Chorus (Am - D the whole time)

You're no good, youre no good, youre no good, baby you're no good.

You're no good, youre no good, youre no good, baby youre no good.

Verse3

Am D (repeat whole verse)

I'm telling you now baby and I'm going my way

Forget about you baby 'cause I'm leaving to stay

Chorus (Am - D the whole time)

You're no good, youre no good, youre no good... Baby you're no good.

I'm gonna say it again: you're no good, youre no good, youre no good, baby youre no good.

D Am D

Oh, oh no

(Accapella)

You're no good You're no good You're no good Baby you're no good

Jam?

Super Freak by Rick James

(would sound good with one person doing bass riff and one person doing chrods? And good for backup vocals?)

Fmaj7 = 102210

Dm7 = xx0211

Am7 = x02010

Bass: A5-A3-A2-A0-A2-G3-A2-A0

She's a very kinky girl

The kind you don't take home to mother

She will never let your spirits down

Once you get her off the street, ow girl

/ Dm7 Am7 G Am7 / / / /

She likes the boys in the band

She says that I'm her all-time favorite

When I make my move to her room it's the right time

She's never hard to please, oh no

{Refrain}

That girl is pretty wild now - the girl's a super freak

The kind of girl you read about - in new-wave magazines

That girl is pretty kinky - the girl's a super freak

I really love to taste her - every time we meet

Dm7 Am7 Dm7 Am7

She's all right, she's all right

Dm7 Am7 Fmaj7 E

That girl's all right with me, yeah

She's a super freak, super freak, she's super-freaky, yow

/ Dm7 Am7 G Am7 / / / / FG Am7 FG Am7 /

/ FG Am7 - - Fmaj7 - E - / Dm7 Am7 G Am7 / /

Super freak, super freak

She's a very special girl

The kind of girl you want to know

From her head down to her toenails

Down to her feet

Yet she'll wait for me at backstage with her girlfriends

In a limousine

Chrome and black and shiny, now

Three's not a crowd to her, she says

"Room 714, I'll be waiting"

When I get there she's got incense, wine and candles

It's such a freaky scene

{Refrain}

She's a super freak, super freak, she's super-freaky, yow

Temptations sing - O-o-oh

Super freak, super freak, that girl's a super freak

O-o-oh

She's a very kinky girl

The kind you won't take home to mother

She will never let your spirits down

Once you get her off the street

Love Will Tear us Apart by Joy Division

The whole song is Em - D - Bm - A.

Intro play an Am as 57700x, strumming hard. Or isi tt an A9? (x02200)

Theres some fun ways to do that, like the Nouvelle Vague way: (hear it) (original version)

Another fun progression: Em (regular) - D (x4422x) - Bm - A9

Fun to jam hard at the end, and end on E major.

1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 &

e |--------------------------------|--------------------------------|

B |---------7-----------7----------|---------7--------------7-------|

G |---------7-----------7----------|---------7--------------7-------|

D |---------9-----------9----------|---------7--------------7-------|

A |-7---------------7-----------7--|-9------------9--------------9--|

E |--------------------------------|--------------------------------|

1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 &

e |--------------------------------|--------------------------------|

B |--------------------------------|--------------------------------|

G |---------7-----------7----------|---------6-------------6--------|

D |---------7-----------7----------|---------7-------------7--------|

A |---------9-----------9----------|---------7-------------7--------|

E |-7---------------7-----------7--|-5------------5--------------5--|

Em D Dsus4 D Dmaj9

When routine bites hard

Bm [Em7-] A

And ambitions are low

Em D Dsus4 D Dmaj9

And resentment rides high

Bm [Em7-] A

But emotions won't grow

Em D Dsus4 D Dmaj9

And we're changing our ways

Bm [Em7-] A

Taking different roads

Em D Dsus4 D Dmaj9 Bm A

Love, love will tear us apart again

Why is this bedroom so cold?

You turned away on your side

Is my timing that flawed?

Am I feeling surprised? [in other versions: our respect runs so dry]

Yet there's still this appeal

That we've kept through our lives

Love, love will tear it apart again

You cry out in your sleep

All my feelings exposed

And there's a taste in my mouth

As despiration takes hold

Yet, that somehing's so good

Just can't function no more, when

Love, love will tear us apart again

Youre All Ive Got Tonight by the Cars

original version

Play with E bar shape most of the time

Can keep playing the riff all the time, except the chorus

Intro and main riff: B - E - B - A - A# - B

B E - B A A# B

i don't care if you hurt me some more

B E - B A A# B

i don't care if you even the score

B (still do the A-A#-B riff, but no E-B)

you can knock me and i don't care

you can mock me and i don't care

you can rock me just about anywhere

it's alright

G A

'cus you're all i've got tonight

G A

you're all i've got tonight

G A

you're all i've got tonight

B E - B A - A# - B

i need you tonight

i don't care if you use me again

i don't care if you abuse me again

you can make me i don't care

you can fake me i don't care

you can love me just about anywhere

it's alright

CHORUS

Titty Kazoo Solo over chorus chords

i don't want to feel sorry for you

you don't have to make believe it's you

you can pump me i don't care

you can bump me i don't care

you can love me just about anywhere

it's alright

CHORUS

Pretty In Pink by Psychedelic Furs

Sounds good as power chords? Original version.

The F#m and G chords in the verses can be left out or included as transitional chords.

Intro:

D Bm A G A (x2)

D C

Caroline laughs and It's raining all day

Em (F#m G) A

She loves to be one of the girls

D C

She lives in the place in the side of our lives

Em (F#m G) A

Where nothing is ever put straight

D C

She turns herself round and she smiles and she says

Em (F#m G) A

This is it, that's the end of the joke

D C

And loses herself in her dreaming and sleep

Em (F#m G) A

And her lovers walk through in their coats, she's

Chorus:

Em F#m G F#m

Pretty in pink, isn't she?

Em F#m G A

Pretty in pink, isn't she?

D C

All of her lovers all talk of her notes

Em (F#m G) A

And the flowers that they never sent

D C Em (F#m G)

And wasn't she ea---sy

A

And isn't she pretty in pink

D C

The one who insists he was first in the line

Em (F# G) A

Is the last to remember her name

D C

He's walking around

Em F#m

In this dress that she wore

G A

She is gone but the joke's the same

Em F#m G F#m

Pretty in pink, isn't she?

Em F#m G A

Pretty in pink, isn't she?

Titty Kazoo (intro pattern):

D Bm A G A (x4)

D C

Caroline talks to you softly sometimes

Em (F#m G) A

She says I love you and too much

D C

She doesn't have anything you want to steal

Em (F#m G) A

Well...........Nothing you can touch

D C Em F#m G

Sh-----e.......waves

A

She buttons your shirt

D C

The traffic is waiting outside

Em

She hands you this coat

F#m G A

She gives you her clothes, these cars collide

Em F#m G F#m

Pretty in pink, isn't she?

Em F#m G A

Pretty in pink, isn't she?

D Bm A G A (x4)

D Bm A G A (Outro x4) D

Love My Way by Psychedelic Furs

original version

Cmaj7: x32000. Or can do as x35500

Can do the Bm as either x24400 or x20200

The Cmaj7 to Bm sounds good as x35500 - x24400. Can even do the whole song like that...

Intro: Cmaj7 Bm Cmaj7 Bm

Cmaj7

There's an army on the dance floor

Bm

It's a fashion with a gun my love

Cmaj7

In a room without a door

Bm

A kiss is not enough... in

CHORUS

C D

Love my way it's a new road

C D

I follow where my mind goes

Cmaj7

They'd put us on a railroad

Bm

They'd dearly make us pay

Cmaj7

For laughing in their faces

Bm

And making it our way

Cmaj7

There's emptiness behind their eyes

Bm

There's dust in all their hearts

Cmaj7

They just want to steal us all and

Bm

Take us all apart... but not in

Chorus 2x

Titty Kazoo over verse

Chorus

Cmaj7

So swallow all your tears my love

Bm

And put on your new face

Cmaj7

You can never win or lose if

Bm

You don't run the race

Cmaj7

Yeah yeah yeah yeah yeah

Bm

Yeah yeah yeah yeah yeah

Outro: C D C D (fade out)

What are Words For by Missing Persons

original version

Sounds good doing the ascending melody up the D string while strumming the a chord.

The E sounds good as x79900

Intro (can skip):

A (D here optionally. They dont do it in the song, but I like it. Repeat pattern whole intro)

Do you hear me

Do you care

Do you hear me

Do you care

Verse:

A

My lips are moving and the sound is coming out

The words are audible but I have my doubts

E D

That you realize what has been said

A

You look at me as if you're in a daze

It's like the feeling at the end of the page

E D F#

when you realize you don't know what you just read

Chorus:

B D A B

What are words for when no one listens anymore

(What are words for) when no one listens

D A C G E

(What are words for) when no one listens it's no use talkin at all

A

I might as well go and talk to a wall

'cause all the words are having no effect at all

E D

It's a sorry state, I say to myself

A

Something has to happen to change the direction

What little filters through is giving you the wrong impression

E D F#

It's a sorry state am I all alone?

B D A B

What are words for when no one listens anymore

(What are words for) when no one listens

D A C G E

(What are words for) when no one listens it's no use talkin at all

A (D)

Do you hear me

Do you care

Do you hear me

Do you care

Bridge plays a B - F# - D - A pattern while she does spoken word (not sure about the last two chords)

End on an E to go back to the verse?

A

Pursue it any further and another thing you'll find

Not only are they deaf and dumb they could be going blind

E D

noone notices... I think i'll dye my hair blue.

A

Media overload bombarding you with action

It's getting near impossible to cause distraction

E D F#

someone answer me.. before i pull out the plug.

Chorus:

B D A B

What are words for when no one listens anymore

(What are words for) when no one listens

D A C G E

(What are words for) when no one listens it's no use talkin at all

(repeat the chorus)

A - D pattern

Do you hear me?

Do you care?

Do you hear me?

Do you care?

(repeat as a jam?)

It Aint Easy by David Bowie

I like to do this like the intro to Rainbow Connection, with an A sliding up to 7th fret.

These chords are definitely a lot different than the original, more like an interpretation.

In A, not D like album, much easier to sing. Like a nice blues droney jam.

A D (A slid up to 7)

When you climb to the top of the mountain

Look out over the sea

Think about the places perhaps where a young man could be

Then you jump back down to the rooftops

Look out over the town

Think about all of the strange things circulating round

CHORUS

C A D

It ain't easy, it ain't easy

C A D

It ain't easy, it ain't easy

C D A

It ain't easy to get to heaven when you're going down

A D (A slid up to 7)

Well all the people have got their problems

That ain't nothing new

With the help of the good Lord we can all pull on through

We can all pull on through

Get there in the end

Sometimes takes you right up and puts you down again

CHORUS

C A D

It ain't easy, it ain't easy

C A D

It ain't easy, it ain't easy

C D A

It ain't easy to get to heaven when you're going down

A D (A slid up to 7)

Satisfaction, satisfaction

Keep me satisfied

I've got the love of a Hoochie Coochie woman she calling from inside

She's a-calling from inside

Trying to get to you

All the woman really wants you can give her something too

CHORUS x2

Rainbow Connection

Intro: A - D. (can play the D as an A slid up to 7th fret...)

A F#m Bm7 E

Why are there so many songs about rainbows

And what's on the other side?

Rainbows are visions, but only illusions

And rainbows have nothing to hide

Dmaj7

So we've been told, and some choose to believe it

G#m7

I know they're wrong, wait and see

Bm7 E7 C#m7 F#7

Some day we'll find it, the rainbow connection

Bm7 E7sus4 A [repeat intro riff]

The lovers, the dreamers, and me

A F#m Bm7 E

Who said that every wish would be heard and answered

When wished on the morning star?

Somebody thought of that, and someone believed it

And look what it's done so far

Dmaj7

What's so amazing that keeps us stargazing

G#m7

And what do we think we might see?

Bm7 E7 C#m7 F#7

Some day we'll find it, the rainbow connection

Bm7 E7sus4 A [repeat intro riff]

The lovers, the dreamers, and me

E F#m A

All of us under its spell

D A Bm7 E7 (to modulate, F7 I think)

We know that its probably magic...

A F#m Bm7 E

Have you been half asleep, and have you heard voices?

I've heard them calling my name

Is this the sweet sound that calls the young sailors?

The voice might be one and the same

Dmaj7

I've heard it too many times to ignore it

G#m7

It's something that I'm supposed to be

Bm7 E7 C#m7 F#7

Some day we'll find it, the rainbow connection

Bm7 E7sus4 A [repeat intro riff]

The lovers, the dreamers, and me

E F#m A

La da da dee da da dooo

D E A

La la da da da dee da dooo

Crazy by Patsy Cline (written by Willie Nelson!)

nice easy tutorial (down!)

Willy version

great alternative version

C#dim7 = x4545x

[intro (end of chorus pattern "crazy for trying and crazy for crying")]

Fmaj7 Em7 Dm7 G7 (descending from 8th fret)

C A7 Dm7

Crazy, I'm crazy for feeling so lonely

G7 C C#dim7 Dm7 G7

I'm crazy, crazy for feeling so blue

C A7 Dm7

I knew you'd love me as long as you wanted

G7 C F C C7

And then someday, you'd leave me for somebody new

F C C7 (bass riff: C-B-C C#)

Worry, why do I let myself worry?

D7 G7

Wond'ring, what in the world did I do?

C A7 Dm

Crazy for thinking that my love could hold you

Fmaj7 Em7 Dm7 C

I'm crazy for trying and crazy for crying

Dm7 G7 C (if want to modulate, go to Ab, then rest is up 1/2)

And I'm crazy for loving you

C A7 Dm7

Crazy for thinking that my love could hold you

Fmaj7 Em7 Dm7 C

I'm crazy for trying and crazy for crying

Dm7 G7 C

And I'm crazy for loving you.

Fun outro riff: C - C#dim7 - Dm7 - C-beatles

Alternative lyrics from Pat Donohue (youtube link)

i'm crazy

and borderline manic depressive

i'm crazy

paranoid shitzoid too (me too!)

they gave me

some kind of new medication

and lately I think I'm delirious too

Crazy!

My analyst drives a mercedes

And lately I'm wondering what good does he do, I may sue

And I'm crazy

Psychotic and substance dependant

I'm passive aggressive, obsessive compulsive

And I'm crazy from loving you

solo

Worried!

You bet your ass I get worried

Just wonderin - wonderin just what I should do

Cause I'm crazy

Psychotic and substance dependant

I'm laughing and crying at the logically lying

And I'm crazy from loving you

Sunny Side of the Street (Willie Nelson Version)

Easier to sing if start the verses with G than G6 for some reason. Can play with open chords.

G B7

1) Grab your coat and get your hat

2) Can't you hear the pitter-pat

3) If I never have a cent,

C6 D7 Ddim7

1) Leave your worries on the doorstep

2) And that happy tune is your step

3) Ill be rich as Rockefeller

Em7 A7

1) Just direct your feet

2) Life can be so sweet

3) Gold dust at my feet

Am7 D7 G (D7)

1) On the sunny side of the street

2) On the sunny side of the street

3) On the sunny side of the street

[After 2nd verse, bridge:]

G C

I used to walk in the shade..with those blues on parade

A7 D D7

But I'm not afraid...this rover crossed over

[3rd verse]

Blues Skies (Willie Nelson version)

Intro (x2): Bm BmM7 Bm7 BmM6

[verse 1]

Bm BmM7 Bm7 Bm6 (or maybe E)

Blue skies smilin' at me

D A D F#7

Nothin' but blue skies do I see

Bm BmM7 Bm7 Bm6 (or maybe E)

Bluebirds singin' a song

D A D

Nothin' but blue skies from now on

[bridge]

D Gm D

Never saw the sun shining so bright

Gm D A7 D

Never saw things going so right

D Gm D

Noticing the days hurrying by

Gm D A7 D F#7

When you're in love, my how they fly

[verse 2]

Bm BmM7 Bm7 Bm6 (or maybe E)

Blue days, all of them gone

D A D F#7

Nothin' but blue skies from now on

[titty kazoo over verse, bridge, half verse)

[verse 3]

Bm BmM7 Bm7 Bm6 (or maybe E)

Blue skies smilin' at me

D A D F#7

Nothin' but blue skies do I see

Bm BmM7 Bm7 Bm6 (or maybe E)

Blue days, all of them gone

D A D

Nothin' but blue skies from now on

[modulate]

Cm CmM7 Cm7 F

Blue skies smilin' at me

D# A# D# G

Nothin' but blue skies do I see

Cm CmM7 Cm7 F

Blue days, all of them gone

D# A# D# G

Nothin' but blue skies from now on

[repeat last verse slowly]

All of Me

Louis does it in Bb and so does Frank. Also nice in G. Willy does it in G

Intro: Bb / C#dim / Cm7 / F7

Bb [or Bb6] D7

All of me, why not take all of me

G7 Cm7

Can't you see, I'm no good without you

D7 Gm7

Take my lips, I want to lose them

C7 Cm7 F7

Take my arms, I'll never use them

Bb D7

Your good bye, left me with eyes that cry

G7 Cm7

And I know that Im no good without you.

Eb Ebm or Ebm6 Bbmaj7 [Dm7b5] G7

You took the part that once was my heart

Cm7 F7 Bb

So why not take all of me?

[Turnaround: / Bb Dbdim7 / Cm7 F7 / OR / Bb G7 / Cm7 F7 /]

[Optional solo over the chords from the full verse]

[Repeat verse 1]

Nice ending:

Cm7 F7 Dm7b5 (xx2333) G7

So why not take all of me

Cm7 F7 Bb (Bb Beatles)

So why not take all of me

Vienna Waits For You by Billy Joel

Album key is Gm, but that means the starting note is a high G... Heres Dm, and afterwards is in Em

A section:

Dm F

1) Slow down you crazy child

2) Where's the fire, what's the hurry about

C Eb

1) You're so ambitious for a juvenile

2) You better cool it off before you burn it out

Bb F

1) But then if you're so smart tell me why

2) You got so much to do and only

G (D9sus) A

1) You are still so afraid

2) So many hours in a day

[do verse 2]

Bb C

But you know that when the truth is told

F F/E Dm F/C

That you can get what you want or you can just get old

Bb Em7 A7 Dm7 G7

You're gonna kick off before you even get halfway through

C#9

When will you realize

C9 F (bass roll down)

Vienna waits for you

Dm F

1) Slow down you're doing fine

2) Too bad but it's the life you lead

C

1) You can't be everything you want to be

2) You're so ahead of yourself

Eb

1) Before your time

2) That you forgot what you need

Bb F G A

1) Although it's so romantic on the borderline tonight

2) Though you can see when you're wrong, you know you can't always see when you're right you're right

Bb C

1) You got your passion you got your pride

2) Slow down you crazy child

3) But you know that when the truth is told

F F/E Dm F/C

1) But don't you know only fools are satisfied

2) Take the phone off the hook and disappear for awhile

3) That you can get what you want or you can just get old

Bb Em7 A7 Dm7 G7

1) Dream on, but don't imagine they'll all come true

2) It's alright you can afford to lose a day or two

3) You're gonna kick off before you even get halfway through

C#9

When will you realize

C9 F

Vienna waits for you

F C#9

When will you realize

C9 F Dm7

Vienna waits for you

C#9

When will you realize.... (etc)

[repeat those 2 lines to taste]

Again, in Em:

Em G

Slow down you crazy child

D F

You're so ambitious for a juvenile

C G

But then if you're so smart tell me why

A (D9sus) B

You are still so afraid

Em G

Where's the fire, what's the hurry about

D F

You better cool it off before you burn it out

C

You got so much to do and only

G A (D9sus) B

So many hours in a day

C D

But you know that when the truth is told

G G/F#

That you can get what you want

Em D

Or you can just get old

C F#m7 B7 Em7 A7

You're gonna kick off before you even get halfway through

D#9

When will you realize

D9 G (bass roll down)

Vienna waits for you

Em G

Slow down you're doing fine

D

You can't be everything you want to be

F

Before your time

C G A (D9sus) B

Although it's so romantic on the borderline tonight

Em G

Too bad but it's the life you lead

D

You're so ahead of yourself

F

That you forgot what you need

C

Though you can see when you're wrong

G A (D9sus) B

But you know you can't always see when you're right you're right

C D

You got your passion you got your pride

G G/F# Em D

But don't you know only fools are satisfied

C F#m7 B7 Em7 A7

Dream on, but don't imagine they'll all come true

D#9

When will you realize

D9 G

Vienna waits for you

C D

Slow down you crazy child

G G/F#

Take the phone off the hook

Em7 (020003) D

And disappear for a while

C F#m7 B7 Em7 A7

It's alright you can afford to lose a day or two

D#9

When will you realize

D9 G

Vienna waits for you

C D

But you know that when the truth is told

G G/F#

That you can get what you want

Em7 (020003) D

Or you can just get old

C F#m7 B7 Em7 A7

You're gonna kick off before you even get halfway through

D#9

When will you realize

D9 G

Vienna waits for you

Em D#9

When will you realize

D9 G

Vienna waits for you

(repeat that those last 2 lines to taste...)

New York State of Mind by Billy Joel

Album key is C, but super hard. Here in G, album key afterwards.

Melody starts on the 3rd (open B string)

G (open B string) B7 (or B7#9?) Em7 Dm7 G7

Some folks like to get away, take a holiday from the neighborhood

C E7 Am7 F(9)

Hop a flight to Miami Beach or to Hollywood

G B7(#9) Em7 Gmaj7 C G A7

But I'm taking a Greyhound on the Hudson River line

Cmaj7 D Em7 A7 Em D (D7sus)

I'm in a New York state of mind

G B7 Em7 Dm7 G7

I seen all the movie stars in their fancy cars and their limousines

C E7 Am7 F

Been high in the Rockies under the evergreens

G B7 Em7 Gmaj7 C G A7

But I know what I'm needing and I don't want to waste more time

Cmaj7 D Em7 A7 Em D B7

I'm in a New York state of mind

Em7 A7 Dmaj7

It was so easy living day by day

Dm7 G7 Cmaj7

Out of touch with the rhythm and blues

F#m7 B7 Emaj7

Well, now I need a little give and take

Em7 A7

The New York Times

Dmaj7 Am7 D7 (D7sus)

The Daily News

G B7 Em7 Dm7 G7

It comes down to reality and it's fine with me cause I've let it slide

C E7 Am7 F

Don't care if it's Chinatown or on Riverside

G B7 Em7 Gmaj7 C G A7

I don't have any reasons, I've left them all behind

Cmaj7 D Em7 A7 Em D (D7sus)

I'm in a New York state of mind

[Titty over a verse]

B7

Em7 A7 Dmaj7

It was so easy living day by day

Dm7 G7 Cmaj7

Out of touch with the rhythm and blues

F#m7 B7 Emaj7

Well, now I need a little give and take

Em7 A7

The New York Times

Dmaj7 Am7 D7 (D7sus)

The Daily News

G B7 Em7 Dm7 G7

It comes down to reality and it's fine with me cause I've let it slide

C E7 Am F

Don't care if it's Chinatown or on Riverside

G B7 Em7 Gmaj7 C G A7

I don't have any reasons, I've left them all behind

Cmaj7 D Em A7 Em D

I'm in a New York state of mind

G B7 Em7 Gmaj7 C G A7

I'm just taking a Greyhound on the Hudson River line

Cmaj7 D Em7 A7 Em7 A

Cos I'm in a New York state of mind

[Repeat last bit to taste]

Again, in C (album key):

E7#9 = x20010 I think. So theres a descending C chord.

[C] Some folks like to [E7#9]get away

Take a [Am7]holiday from the [Gm7]neighbourhood [C7]

[F] Hop a flight to Mi[A7]ami Beach Or to [Dm7]Hollywood. [Bb9]

[C] But I'm [E7#9] takin' a [Am7]Greyhound [Am with G in the bass] [could maybe use Cmaj7]

On the [F]Hudson [C]River line[D7]

[Fmaj7]I'm in a [G9sus]New York state of [Am7]mind [D7] [Am] [G] [G9sus]

[C] I've seen all the [E7#9] movie stars

In their [Am7] fancy cars and their [Gm7] limousines [C7]

[F] Been high in the [A7] Rockies under the [Dm7] evergreens. [Bb9]

[C] But I [E7#9] know what I'm [Am7] needin' [Am with G in the bass]

And I [F] don't want to [C] waste more time [D7]

[Fmaj7]I'm in a [G9sus]New York state of [Am7]mind [G] [E7#9]

[Am7] It was so [D7]easy livin' [Gmaj7] day by day

[Gm7] Out of touch [C9] with the rhythm and [Fmaj7]blues

[Bm7] And now I [E7]need a little [Amaj7] give and take

The [Am7]New York [D7]Times

The [Gmaj7]Daily News [Dm7] [G7sus4] [G7]

[C] Comes down to [E7#9] reality

And it's [Am7] fine with me, 'cause I [Gm7] let it slide [C7]

[F] don't care if it's [A7] Chinatown or on [Dm7] Riverside [Bb9]

[C] I don't [E7#9] have any [Am7] reasons [Am with G in the bass]

I've [F] left them [C] all behind[D7]

[Fmaj7]I'm in a [G9sus]New York state of [Am7]mind [D7] [Am] [G] [G9sus]

[E7#9] [Am7] [Bb] [Eb6] [Ab] [Dm7] [C#9] [Cmaj9]

[repeat chorus then last verse]

[C] But I'm [E7#9] takin' a [Am7]Greyhound [Cmaj7]

On the [F]Hudson [C]River line[D7]

[Fmaj7]I'm in a [G9sus]New York state of [Am7]mind [D7] [Am] [G] [G9sus]

She's Got a Way by Billy Joel

Album key is G, which is after this.

[E]She's got a [B]way [C#m]about her[E7]

[A]I don't know what it is

But I [B]know that [A]I can't [B]live without her

[E]She's got a [B]way of [C#m]pleasin'[E7]

[A]I don't know what it is

But there [B]doesn't [A]have to [B]be a reason

[Em]Anyway [Asus4] [E]

[E]She's got a [B]smile that [C#m]heals me[E7]

[A]I don't know why it is

But I [B]have to [A]laugh when [B]she reveals me

[E]She's got a [B]way of [C#m]talkin'[E7]

[A]I don't know what it is

But it [B]lifts me [A]up when [B]we are walkin'

[Em]Anywhere [Asus4] [E]

She [B]comes to me when I'm [F#m]feelin' down

In[E]spires me with[Em]out a sound

She [B]touches me and [Eb7]I get turned a[Abm]round[B7]

[E]She's got a [B]way of [C#m]showin'[E7]

[A]How I make her feel

And I [B]find the [A]strength to [B]keep on goin'

[E]She's got a [B]light [C#m]around her[E7]

[A]And everywhere she goes

A [B]million [A]dreams of [B]love surround her

[Em]Everywhere [Asus4] [E]

She [B]comes to me when I'm [F#m]feelin' down

In[E]spires me with[Em]out a sound

She [B]touches me and [Eb7]I get turned a[Abm]round[B7]

[E][B][C#m]

[E]She's got a [B]smile that [C#m]heals me[E7]

[A]I don't know why it is

But I [B]have to [A]laugh when [B]she reveals me

[E]She's got a [B]way [C#m]about her[E7]

[A]I don't know what it is

But I [B]know that [A]I can't [B]live without her

[Em]Anyway [Asus4] [E]

Again, in G (album key):

Csus4 = x33010

[G]She's got a [D]way [Em]about her[G7]

[C]I don't know what it is

But I [D]know that [C]I can't [D]live without her

[G]She's got a [D]way of [Em]pleasin'[G7]

[C]I don't know what it is

But there [D]doesn't [C]have to [D]be a reason

[Gm]Anyway [Csus4] [G]

[G]She's got a [D]smile that [Em]heals me[G7]

[C]I don't know why it is

But I [D]have to [C]laugh when [D]she reveals me

[G]She's got a [D]way of [Em]talkin'[G7]

[C]I don't know what it is

But it [D]lifts me [C]up when [D]we are walkin'

[Gm]Anywhere [Csus4] [G]

She [D]comes to me when I'm [Am]feelin' down

In[G]spires me with[Gm]out a sound

She [D]touches me and [F#7]I get turned a[Bm]round[D7]

[G]She's got a [D]way of [Em]showin'[G7]

[C]How I make her feel

And I [D]find the [C]strength to [D]keep on goin'

[G]She's got a [D]light [Em]around her[G7]

[C]And everywhere she goes

A [D]million [C]dreams of [D]love surround her

[Gm]Everywhere [Csus4] [G]

She [D]comes to me when I'm [Am]feelin' down

In[G]spires me with[Gm]out a sound

She [D]touches me and [F#7]I get turned a[Bm]round[D7]

[G][D][Em]

[G]She's got a [D]smile that [Em]heals me[G7]

[C]I don't know why it is

But I [D]have to [C]laugh when [D]she reveals me

[G]She's got a [D]way [Em]about her[G7]

[C]I don't know what it is

But I [D]know that [C]I can't [D]live without her

[Gm]Anyway [Csus4] [G]

Through The Long Night by Billy Joel

Intro: G D | Bb C | (x2)

G D/F# Bb/D F

The cold hands, The sad eyes,

Ab/C Eb/Bb Bb/F D

The dark Irish si - lence

G D/F# Bb/D F

It's so late, But I'll wait,

Ab/C E7/B A

Through the long night with you

D7 G D Bb C G D Bb C

With you

G D/F# Bb/D F

The warm tears, The bad dreams

Ab/C Eb/Bb Bb/F D

The soft trembling shoul - ders

G D/F# Bb/D F

The old fears, But I'm here

Ab/C E7/B A

Through the long night with you,

Em B E7 Am D

With you.... Oh, what has it cost you

Adim Em

I almost lost you

Am D D#dim Em

A long, long time ago

B E7 Am

Oh, you should have told me

F#7 Bm Bb+ Am7 D7

But you had to bleed to know

G D/F# Bb/D F

All your past sins, Are since past

Ab/C Eb/Bb Bb/F D

You should be slee - ping

G D/F# Bb/D F

It's all right, Sleep tight

Ab/C E7/B A

Through the long night with me

Em B E7 Am D

With me No, I didn't start it

Adim Em

You're broken hearted

Am D Adim Em

From a long, long time ago

B7 E7 Am

Oh, the way you hold me

F#7 Bm Bb+ Am7 D7

Is all that I need to know

G D/F# Bb/D F

And it's so late, But I'll wait

Ab/C E7/B A D#dim Em A Cm/Eb D11 Gmaj7

Through the long night with you, With you

I Dont Want to be Alone by Billy Joel

From here, and theres lots of other good Billy Joel transcriptions there.

Album key is capo up one.

Nice version: https://www.youtube.com/watch?v=o4j7GTjGrCs In that cover plays the Bm as x20202

I like to play it all barres. Find the groove (same pattern, once ending in Bm and once in D)

For the rhythm of the intro riff, just listen to the song. The chords are

D - Em - G - G - Bm - A with the right hand following the left hand.

G A Bm A G

She said she'd meet me in the bar at the Plaza Hotel

A D A G

wear a jacket and a tiiii-eee-iiii

A Bm

"What's the occasion?" She just smiled

C#m F#

and she wouldn't say whyyyy

G A Bm

Mm, so here I am standing, waiting in the lobby

A G A D A G

sweating bullets in this stupid old suit

A Bm

And when she sees me she busts out laughing,

G A

"You're a sad sight honey but you look so cute and..."

[Chorus]

D A

I don't want to be alone anymore,

D A

I was checking you out, I was just making sure

D A

No, I don't want to be alone anymore,

D A

and I want you tonight although you hurt me before

F# Bm G

It didn't matter that I felt like a fool,

D C#m

'cause I forgot when she walked through the doooor

F# Bm G

I said I'm sorry but she said it was cool,

D A D

and I don't want to be alone anymore

Instrumental

G / A / Bm / / / G / A / D / / /

G / A / Bm / / / C#m / / /

Mmmmmm

G A Bm A G

It's so confusing choosing sides in the heat of the moment

A D A G

just to see if it's real

A Bm

Ooh, it's so erotic having you tell me

C#m F#

how it should feeeel

G A Bm A G

But I'm avoiding all the hard, cold facts that I've got to face

A D A G

so ask me just one question when this magic night is through -

A Bm C#m

Could it have been just anyone or did it have to be you

A

And will you still be saying

[Chorus]

D A

I don't want to be alone anymore,

D A

I was checking you out, I was just making sure

D A

No, I don't want to be alone anymore,

D A

and I want you tonight although you hurt me before

F# Bm G

It didn't matter that I felt like a fool,

D C#m

'cause I forgot when she walked through the doooor

F# Bm G

I said I'm sorry but she said it was cool,

D A D

and I don't want to be alone anymore

Instrumental (over first half of verse):

G / A / Bm / / / G / A / D / / /

G / A / Bm / / / C#m / / /

Mmmmmm

G A Bm A G

But don't you know that it's wrong, it's wrong, it's wrong?

A D A G

And like a song, being caught by the wink of an eye

A Bm

I can't be sure we'll get along but I'm willing to try

C#m F#

As long as you can tell me

[Chorus]

D A

I don't want to be alone anymore,

D A

I was checking you out, I was just making sure

D A

No, I don't want to be alone anymore,

D A

and I want you tonight although you hurt me before

F# Bm G

It didn't matter that I felt like a fool,

D C#m

'cause I forgot when she walked through the doooor

F# Bm G

I said I'm sorry but she said it was cool,

D A D

and I don't want to be alone anymore

Cetait Toi by Billy Joel

good version here

Anyone For Tennis by Cream

For intro, strum on a G. Can play the flute melody on the D string, or by playing a C chord like in Wish You Were Here (x32033)

D13 = xx0202

D7

Twice upon a time in the valley of tears

C7

An auctioneer is biding for a box of fading years

D7

And the elephants are dancing on the graves of squearling mice

C7 (Cmaj7)? G C G C G

Anyone for tennis wouldn't that be nice.

D7

And the ice-creams are all melting on the streets of bloody beer,

C7

While the beggars stain the pavements with florescent Christmas cheer

D7

And the Bentley driving guru is putting up his price

C7 Cmaj7 G C G

Anyone for tennis wouldn't that be nice.

D13 E7 D13 E7 (D13 = xx0202)

And the prophets in the boutiques give out messages of hope

A C

With jingle bells and fairy tales and blind colliding scopes

D7

and you can tell they're all the same underneath the pretty lights

C7 Cmaj7 G C G

Anyone for tennis wouldn't that be nice.

D13 E7 D13 E7

The yellow Buddhist monk is burning brightly at the zoo

A C

You can bring a bowl of rice and then a glass of water too,

D7

and fate is setting up the chess-board while death rolls out the dice

C7 Cmaj7 G C G C G

Anyone for tennis wouldn't that be nice.

Love is Like Oxygen by Sweet

(main riff is bar chords 5-4-3-4-5 etc)

Chorus:

Am G

Love is like oxygen

Am G Dm

You get too much you get too high

C Dm

Not enough and you're gonna die

C (or G?) E

Love gets you high

[repeat chorus]

Am G

Time on my side

Am Dm

I got it all

Am G

I've heard that pride

Am Dm E

Always comes before a fall

Am Dm

There's a rumour goin' round the town

Am Dm

That you don't want me around

Am Dm

I can't shake off my city blues

C E

Every way I turn I lose

Chorus:

Am G

Love is like oxygen

Am G Dm

You get too much you get too high

C Dm

Not enough and you're gonna die

C (or G?) E

Love gets you high

[repeat chorus]

Am G

Time is no healer

Am Dm

If you're not there

Am G

Lonely fever

Am Dm E

Sad words in the air

Am Dm

Some things are better left unsaid

Am Dm

I'm gonna spend my days in bed

Am Dm

I'll walk the streets at night

C E

To be hidden by the city lights

E7

City lights

Inter: Am G Am G Am G Am G

Chorus:

Am G

Love is like oxygen

Am G Dm

You get too much you get too high

C Dm

Not enough and you're gonna die

C (or G?) E

Love gets you high

[repeat chorus]

Help on the Way (by the Dead)

Good tutorial

Fm (8th fret) Cm (bar) Cm7 (8-10-8888) Fm

Paradise waits, on the crest of a wave, her angels in flames.

Fm Cm Cm7 Fm

She has no pain, like a child she is pure, she is not to blame.

Bb7 (1st fret)

Poised for flight, wings spread bright,

Bb7 Bb9? (x13113) or maybe Fm9? (x86888)

spring from night into the sun.

Fm Cm Cm7 Fm

Dont stop to run, she can fly like a lie, she cant be outdone.

Tell me the cost; I can pay, let me go, tell me love is not lost.

Sell everything; without love day to day insanitys king.

Bb7 (1st fret)

I will pay day by day,

anyway, lock, bolt and key.

Crippled but free, I was blind all the time I was learning to see.

Help on the way, well, I know only this, Ive got you today.

Dont fly away, cause I love what I love and I want it that way.

I will stay one more day, like I say, honey its you.

Making it too, without love in a dream it will never come true.

Centerfold by J. Geils Band

Intro GFCFC

G F C F C

Does she walk? Does she talk?Does she come complete?

G F C F C

My homeroom homeroom angel Always pulled me from my seat

G F C F C

She was pure like snowflakes No one could ever stain

G F C F C

The memory of my angel Could never cause me pain

Em Am

Years go by I'm lookin' through a girly magazine

G D

And there's my homeroom angel on the pages in-between

G F C F C

My blood runs cold My memory has just been sold

G F C F C

My angel is the centerfold Angel is the centerfold

(Repeat)

G F C F C

Slipped me notes under the desk While I was thinkin' about her dress

G F C F C

I was shy I turned away Before she caught my eye

G F C F C

I was shakin' in my shoes Whenever she flashed those baby-blues

G F C F C

Something had a hold on me When angel passed close by

Em Am

Those soft and fuzzy sweaters Too magical to touch

G D

Too see her in that negligee Is really just too much

G F C F C

My blood runs cold My memory has just been sold

G F C F C

My angel is the centerfold Angel is the centerfold

(Repeat)

G F C F C

It's okay I understand This ain't no never-never land

G F C F C

I hope that when this issue's gone I'll see you when your clothes are on

G F C F C

Take you car, Yes we will We'll take your car and drive it

G F C F C

We'll take it to a motel room And take 'em off in private

Em Am

A part of me has just been ripped The pages from my mind are stripped

G D

Oh no, I can't deny it Oh yea, I guess I gotta buy it!

G F C F C

My blood runs cold My memory has just been sold

G F C F C

My angel is the centerfold Angel is the centerfold

(Repeat x2)

Were Not Gonna Take It (Twisted Sister)

(has a Sex Pisolsy power chord sound on the record, like this youtube version)

E B

oh we're not gonna take it

E A

no, we ain't gonna take it

E B E - Eb - C#m - B

oh we're not gonna take it anymore

E B

We've got the right to choose and

E A

there ain't no way we'll lose it

E B E - Eb - C#m - B

this is our life, this is our [E]song

E B

we'll fight the powers that be just

E A

Don't pick our destiny 'cause

E B E - Eb - C#m - B

you don't know us, you don't belong

Chorus

[E]oh we're not gonna [B]take it

[E]no, we ain't gonna [A]take it

[E]oh we're not gonna [B]take it anymore E - Eb - C#m - B

E B

oh you're so condescending

E A

your gall is never ending

E B E - Eb - C#m - B

we don't want nothin', not a thing from you

E B

your life is trite and jaded

E A

boring and confiscated

E B E - Eb - C#m - B

if that's your best, your best won't do

Bridge

[D]oh......[C#]oh...[B]oh...........

[D]oh......[C#]oh...[B]oh...........

we're [E]right/yeah

we're [F]free/yeah

we'll [F#]fight/yeah

you'll [B]see/yeah

Chorus

[E]oh we're not gonna [B]take it

[E]no, we ain't gonna [A]take it

[E]oh we're not gonna [B]take it anymore E - Eb - C#m - B

[titty kazoo]

Bridge

Chorus

[E]oh we're not gonna [B]take it

[E]no, we ain't gonna [A]take it

[E]oh we're not gonna [B]take it anymore E - Eb - C#m - B

x2

Fade out

just you try and make us

we're not gonna take it

come on

no, we ain't gonna take it

you're all worthless and weak

we're not gonna take it anymore

now drop and give me twenty

we're not gonna take it

oh crinch pin

no, we ain't gonna take it

oh you and your uniform

we're not gonna take it anymore

Im on Fire (Bruce Springsteen)

(I think Bruce does it in E, and Johnny Cash does it in A)

Intro: D Bm (x2)

D

Hey little girl is your daddy home

G

Did he go away and leave you all alone Mmm-hmm

Bm

I got a bad desire

G A D

Oh.... I'm on fire

D

Tell me now baby is he good to you

G

Can he do to you the things I dont do Mmm-hmm

Bm

I can take you higher

G A D

Oh.... I'm on fire

(D Bm (x2), or just repeat the G - A - D im on fire)

G

Sometimes it's like someone took a knife baby

D

edgy and dull and cut a six-inch valley

Bm G D

through the middle of my soul

D

At night I wake up with the sheets soaking wet

and a freight train running through the

middle of my head,

G Bm

only you can cool my desire

G A D

Oh.... I'm on fire

G A D

Oh.... I'm on fire

G A D

Oh.... I'm on fire

Same Old Song and Dance by Aerosmith

E7

Get yourself cooler

Em7

Lay yourself low

E7

Coincidental murder

Em7

With nothing to show

E7

When the judge's constipation

Em7

Goes to his head

E7

And his wife's aggravation

Em7

You're soon enough dead

Chorus:

G7 A5

It's the same old story

C5 D5 E7 Em7

Same old song and dance, my friend

G5 A5

It's the same old story

C5 D5 E7 Em7

Same old song and dance, my friend

E7

Gotcha with the cocaine

Em7

They found with your gun

E7

No smooth face laywer

Em7

Could get ya undone

E7

Say love ain't the same

Em7

On the south side of town

E7

You could look

Em7

But you ain't gonna find it around

Chorus:

G7 A5

It's the same old story

C5 D5 E7 Em7

Same old song and dance, my friend

G5 D5

It's the same old story

F5 G5 A5

Same old song and dance

B

Fate comes a-knockin'

Doors start lockin'

Your old time connection

Change your direction

You ain't gonna change it

Can't rearrange it

Can't stand the pain

B5 C#5 D5 Eb5 E5

When it's all the same to you

E7 Em7 E7

My friend

Em7 E7

When you're low down and dirty

Em7

From walkin' the street

E7

With your old hurdy gurdy

Em7

No one to meet

E7

Say love ain't the same

Em7

On the south side of town

E7

You could look

E7

But you ain't gonna find it around

Chorus:

G7 A5

It's the same old story

C5 D5 E7 Em7

Same old song and dance, my friend

G5 D5

It's the same old story

F5 G5 A5

Same old song and dance

Thats the Way of the World by Earth Wind & Fire

(aka Hearts Of Fire)

Great youtube instructional here

Karaoke version here, but its in D not Db. Good live version here. Good cover. Album version.

Opening chords (repeated for first 2 verses):

DbMaj7 x46564 (nice to also use 9x-10-10-9x)

Abm6 x4x444

Gb6 x4434x (or xx4344)

Gbm xx4222

Abm7 x4x444

Cmaj7 x35453 (can also get away with 5x5555)

(Abm7 might be an Ab- ?)

Ab- = x5656x ?

[pattern1]

DbM7 Abm6

Hearts of fire create love desire

Gb6 Gbm Abm7 CM7

Take you high and higher to the world you belong

DbM7 Abm6

Hearts of fire create love desire

Gb6 Gbm Abm7 CM7

High and higher to your place on the throne

Tab from: http://www.guitaretab.com/e/earth-wind-and-fire/208979.html ]

DbM7 Abm6

We've come together on this special day

Gb6 Gbm Abm7 CM7

Sing our message loud and clear

DbM7 Abm6

Looking back we've touched on sorrowful days

Gb6 Gbm Abm7 CM7

Future pass, they disappear

[pattern2 - 1:20]

DbM7

You will find (you will find)

Faug (x8766x)

Peace of mind

GbM7 (x9-11-10-11x) Fm7 (x8-10-8-9-8)

If you look way down in your heart and soul

GbM7 Fm7

Don't hesitate 'cause the world seems cold

GbM7 Fm7 Bbm7 (686666) Eb9 (x65666) Ab (466544) (then could do Adim xx4545)

Stay young at heart 'cause you're never, never old

[pattern3]

DbM7 Abm6 (x4x444)

That's the way of the world

Gb6 B6 (x9989x) A6 (x7767x) (Gb6 = x4434x or xx4344)

Plant your flower and you grow a pearl

DbM7 Abm6

Child is born with a heart of gold

Gb6 Fm7 Bbm7 (686666) Eb9 (x65666) Ab Adim (xx4545)

Way of the world makes his heart grow cold

TITTY KAZOO

(repeat whole song)

Rikki Dont Lose that Number by Steely Dan

Good tutorial

E9(no3) 022432

Dsus2 xx0230

Asus2 x02200

Esus4 022200

E 022100

C# x4666x

B x2444x

F#m7 24222x

B7#9 x2123x (hendrix chord)

G 320033

A x0222x

D xx0232

C x32010

Em 022000

Fmaj7 x33210

G6 x55430

Amaj7 x02120

G#m7 464444

C#m7 x46454

Intro - E9 (no3). Play with the bassline from the song on B - E

-Verse 1-

Dsus2 Asus2 E

We hear you're leaving that's okay

Dsus2 Asus2 E C# B

I thought our little wild time had just begun

Dsus2 Asus2 E

I guess you kind of scared yourself you turn and run

F#m7 Asus2 B7#9 (the hendrix chord on 2nd fret)

But if you have a change of heart ...

Chorus

E9 (no3) (022432)

Rikki don't lost that number

G

You don't wanna call nobody else

A G D

Send it off in a letter to yourself

C

Rikki don't lose that number

Em

Its the only one you own

C Asus2

You might use it if you feel better

E9(no3)

When you get home

Verse 2

Dsus2 Asus2 E

I have a friends in town he's heard your name

Dsus2 Asus2 E ( B? maybe nothing?)

We can go out driving on Slow Hand Row

Dsus2 Asus2 E

We could stay inside and play games I don't know

F#m7 Asus2 B7#9 (the hendrix chord on 2nd fret)

And you could have a change of heart

Chorus

E9 (no3) (022432)

Rikki don't lost that number

G

You don't wanna call nobody else

A G D

Send it off in a letter to yourself

C

Rikki don't lose that number

Em

Its the only one you own

C Asus2

You might use it if you feel better

E9(no3)

When you get home

Titty Kazoo (tabs are here)

-Bridge-

Amaj7 G#m7

You tell yourself you're not my kind

Amaj7 C#m7

But you don't even know you're mind

F#m7 Asus2 B7#9

And you could have a change of heart

Chorus

E9 (no3) (022432)

Rikki don't lost that number

G

You don't wanna call nobody else

A G D

Send it off in a letter to yourself

C

Rikki don't lose that number

Em

Its the only one you own

C Asus2

You might use it if you feel better

E9(no3)

When you get home

Outro

E9 (no3)

Rikki don't lose that number (repeat)

Storytellers Theme Song

aka Elephant Man theme song by John Morris

Cm 3rd fret, alternating bass

Also sounds good as spooky x35743

Melody from G string, rolling down the chord

D7 (10th fret)

G (xxxx787)

A7 (xxx989)

Cm (8th fret)

D7 (5th fret then move to 10th fret) (can sub F#dim? (x67675) (high e optional)

D7

x8989x - G7 (can play the G7 like C7 on 10)

(with variations, 3x)

4th time:

Cm

D7

G

A7

Cm

Dbsus2 (xx6564)

G7

Chromatic theme. Sounds nice doubling the notes on E string and D string

Cm riff, chromatic 2x

Both themes are played over each other

Ab9 (xx6564)

G7

Carmalita by Linda Ronstadt

(written by Warren Zevon)

Linda Ronstadt album version, warren and david lindly doing it in E. And another great Warren Zevon version, prob my favorite.

C

I hear mariachi static on my radio

G7

And the tubes they glow in the dark

And I'm there with you in Ensenada

C

And I'm here in Echo Park

Chorus:

F

Carmelita, hold me tighter

C F

I think I'm sinking down

C G7

And I'm all strung out on heroin

C

On the outskirts of town

Well I'm sittin' here playing solitaire

With my pearl handled deck

The county won't give me no more methadone

And they cut off your welfare check

Chorus

[titty kazoo time]

Well I pawned my Smith and Wesson (Zevon sings pawned by Smith Corona)

And I went to meet my man

He hangs out down on Alvarado Street

At the Pioneer Chicken stand

Chorus x 2

Aint Misbehavin (Fats Waller)

Awesome tutorial

I really like this version

The mighty Leon Redbons version, and him doing it live on SNL (tuned down a whole step?)

Was doing it in G for awhile, but really low and hard to sing. This C version seems a bit better? Nice youtube version in C. Another great tutorial in C by that woman here. I also like it in F but dont try to do the bridge.

Again, in A:

Intro (3rd line aint misbehavin)

A A#dim Bm7 Cdim

No one to talk with, all by myself,

C#m7 (or A) F#m7 (or A+) D Dm6 (or G9)

no one to walk with, but Im happy on the shelf,

A F#7 Bm7 E7 C#7 F#7 B7 E7 [E7+]

Aint misbehavin, Im savin my love for you

A A#dim Bm7 Cdim

I know for certain the one I love,

C#m7 (or A) F#m7 (or A+) D Dm6 (or G9)

Im through with flirtin its just you Im thinkin of

A F#7 Bm7 E7 A Dm6 A C#7

Aint misbehavin, Im savin my love for you

Bridge:

F#m D7 B7 F#7

Like Jack Horner in the corner, dont go nowhere, what do I care?

B F#m7 B9 E [F#7] B7 E7

Your kisses are worth waitin for, be - lieve me

A A#dim Bm7 Cdim

I dont stay out late, dont care to go,

C#m7 (or A) F#m7 (or A+) D Dm6 (or G9)

Im home a-bout eight, just me and my radio

A F#7 Bm7 E7

Aint misbe-havin Im savin my love

A F#7 Bm7 E7

Aint misbe-havin Im savin my love

A F#7 Bm7 E7 A Dm6 A Abeatles

Aint misbe-havin Im savin my love for you.

Again, in C:

Intro (3rd line aint misbehavin)

C C#dim Dm7 D#dim

No one to talk with, all by myself,

C (or Em7) C+ F Bb9 (or Fm6)

no one to walk with, but Im happy on the shelf,

C A7 Dm7 G7 E7 A7 D7 G7 G7#5

Aint misbehavin, Im savin my love for you

C C#dim Dm7 D#dim

I know for certain the one I love,

C (or Em7) C+ F Bb9

Im through with flirtin its just you Im thinkin of

C A7 Dm7 G7 C F7 (or Fm6) C E7

Aint misbehavin, Im savin my love for you

Bridge:

Am F7 D7 A7

Like Jack Horner in the corner, dont go nowhere, what do I care?

D Am7 D9 G A7 D7 G7

Your kisses are worth waitin for, be - lieve me

C C#dim Dm7 D#dim

I dont stay out late, dont care to go,

C (or Em7) C+ F Bb9

Im home a-bout eight, just me and my radio

C A7 Dm7 G7

Aint misbe-havin Im savin my love

C A7 Dm7 G7

Aint misbe-havin Im savin my love

C A7 Dm7 G7 C Fm6 C Cbeatles

Aint misbe-havin Im savin my love for you.

Again, in G:

G#dim = 4x343x (that chord I like...)

A#dim = x12020 (or 6x565x)

Gaug = 3xx443 (or could play that B = 7x788x)

C6 = x35555

Intro (can play a few times, sounds so nice with a groove)

Am9 (x0x988) - C (x0x553) - D7 (climb up)

A section:

G (pinky riff) G#dim Am (for melody, open B) A#dim

Leon: G Adim (the chord I like: 5x455x, slide 5-4-5

No one to talk with .... All by myself

Bm7 (open highE) Gaug C6 Cm (see video for bit here)

Leon: E7/B 7x675x (or 7x775x) - 7x788x C Cm

Or just go back to G with open E, then C-Cm

No one to walk with..... But I'm happy on the shelf

G E7 Am D7 (open high E)

Ain't misbehavin'......savin' my love for you

(turnaround #1)

G E7 Am D7 (open high E)

I know for certain......the one I love

I'm through with flirtin'......it's just you that I've been thinkin' of

Ain't misbehavin'.......savin' my love for you

(turnaround #2)

G xx3033 xx2023 xx1013 G C7 B7

B Section (bridge):

Em (0x5453) C (melody on E0-E3)

(leon plays C7 and slides 2-3-2)

Like Jack Horner.....in that ole corner

C#dim (x4x353) E7 (hendrix chord)

Don't go nowhere.....what do I care?

[not sure about this next line, can skip bracketed section?]

D (xx0775) D#dim (x6x575) [Em11 (x7x785) A13 (xx5677 - xx5667 - xx5657 from brazilian riff)]

Your kisses are worth waitin' for

Bm7 (7x775x - 6x675x) Am7 (5x553x - 4x443x)

(Leon just plays the D7)

believe me

A section:

I don't stay out late.......no where to go

I'm home about eight......just me and my radio

Ain't misbehavin'.......savin' my love for you

B section

Like Jack Horner.....in that ole corner

Don't go nowhere.....what do I care?

Your kisses are worth waitin' for......believe me

A section (repeat prev A verse)

I don't stay out late.......no where to go

I'm home about eight......just me and my radio

Ain't misbehavin'.......savin' my love for you

Ain't misbehavin'......I'm savin' my love for you

Nice turnaround variation:

7x775x 6x675x 5x553 4x4453 G

Ain't misbehavin'.......savin' my love for you

No one to talk with

All by myself

No one to walk with

But I'm happy on the shelf

Ain't misbehavin'

I'm savin' my love for you

I know for certain

The one I love

I'm through with flirtin'

It's just you I'm thinkin' of

Ain't misbehavin'

I'm savin' my love for you

Like Jack Horner

In the corner

Don't go nowhere

What do I care?

Your kisses are worth waitin' for

Believe me

I don't stay out late

Don't care to go

I'm home about eight

Just me and my radio

Ain't misbehavin'

I'm savin' my love for you

My Walking Stick (Leon Redbone)

Written by Irving Berlin in 1938.

Leon version

Nice tango feel.

C#dim7 = x4545x - x7878x - x10-11-10-11x

Intro riff:

B string 2-3-4-3-2-3 - Gm!

B string 2-3-4-3-2-3 - Cm!

E string 3-4-5-4-3 Gm - D7 - Gm

Bend B2 to 3 - G3 - D5

G3 - G2 - D5

C#dim7 up neck

VERSE 1

(N.C.) Without my [Gm]walking stick, I'd go [C#dim7]insa[C#dim7]ne[C#dim7]

I can't [D7]look my best I feel undressed without my [Gm]cane.

Must have my walking stick, 'cause it may [C#dim7]ra[C#dim7]in[C#dim7]

When it [D7]pours can't be outdoors without my [Gm]cane.

CHORUS 1

If I [Cm]ever left my house, without my walking stick,

Well it [Gm]would be something, [A7]I could never ex[D7]plain;

[Gm]Oh the thing that makes me click, on lovers [C#dim7]la[C#dim7]ne,[C#dim7]

Would go for [D7]naught if I were caught without my [Gm]cane.

SCAT SINGING

[Gm]Be-bop-bop-de-la-dum; Be-bop-A-da-[D7]bum

Re-bop-be-ay; Rop-A-de-bop

Rump-A-de-dum; Ra-da-da-[Gm]day

Re-bop-bop-la-da-dum; Re-bop-be-de-[D7]ay

Rop-A-de-bum; Rop-A-de-bum

Deet-de-de-day; Ra-da-da-[Gm]dum

TRUMPET SOLO

[Gm] [C#dim7] [C#dim7][C#dim7] [D7] [Gm]

CHORUS 2 (As chorus 1)

If I [Cm]ever left my house, without my walking stick,

Well it [Gm]would be something, [A]I could never ex[D7]plain;

[Gm]Oh the thing that makes me click, on lovers [C#dim7]la[C#dim7]ne,[C#dim7]

Would go for [D7]naught if I were caught without my [Gm]cane.

#

SOLO

[Gm] [Cm] [Gm] [D7] [Gm] [Gm] [Cm] [Gm] [D7] [Gm]

THEN STRUM ONCE; D7 / GM END

Lazy Bones by Leon Redbone

Leon version (he does it in B, capo up?)

Intro (not sure about this, skip for now)

A D9 F7 E7 F7 E7 A E7

Long as there is chicken gravy on your rice, ev'rything is nice;

A D9 F7 E7 F7 E7 A D9 A

Long as there's a watermelon on the vine, ever'thing is fine.

A7 G7 F#7 F7 F#7

You've got no time to work, no time to play,

B7 F7 E7

Busy doin' nothin' all the live long day;

A D9 F7 E7

You won't ever change, no matter what I say --

F7 E7 A

You're just made that way.

Verse 1:

A

La - zy - bones, sleepin' in the sun,

A7

How you 'spect to get your day's work done?

B7 E7 A

You'll never get your day's work done sleepin' in the noon day sun.

A

La - zy - bones, sleepin' in the shade,

A7

How you 'spect to get your cornmeal made?

B7 E7 A

You'll never get your cornmeal made sleepin' in the eve - ning shade.

Bridge:

D Dm A

When taters need sprayin', I bet you keep prayin'

The bugs fall off the vine;

A Ab7 G7 F#7

And when you go fishin' I bet you keep wishin'

F7 E7

That the fish won't grab at your line.

A

La - zy - bones, loafin' through the day,

A7

How you 'spect to make a dime that way?

B7 E7 A

You'll never make a dime that way. Never heard a word I say.

Titty Kazoo for 2 verses

Repeat Bridge

Repeat Final Verse

Rocket Man by Elton John

Jason Mraz version 1, version 2, studio (capo 2nd or 3rd)

Elton John does it in G, so capo 3rd fret to match.

Mraz plays the Em as a 9th: 024030

Also, normally the verses are Em7 - A, but I like the Em9 - Am7 that Mraz uses. Darker.

Can just play the Em9 as Em or Em7, but sounds great with the Em9.

Em9 = 024030

Am7 = x02213

Em9 A

She packed my bags last night - pre-flight

Em9 A

Zero hour, nine A.M.

(descending bass walk)

C G Am D (with F# bass, thumbed)

And I'm gonna be high as a kite by then

Em9 A

I miss the earth so much, I miss my wife

Em9 A

It's lonely out in space

C G Am D (Mraz then does a 2nd bass walk...)

On such a timeless flight as this

Chorus

G C

And I think it's gonna be a long long time

G

Til touchdown brings me 'round to find

C

I'm not the man they think I am at home

G A

Oh no, no, no, I'm a rocket man

C G

Rocket man, burnin' out his fuse up here alone (x2)

Em9 A

Mars ain't the kinda place to raise your kids

Em9 A

In fact it's cold as hell

C G Am D

And there's no one there to raise them if you did

Em9 A

And all this science, I don't understand

Em9 A

It's just my job five days a-week

C G Am D

Rocket man - - - rocket man

Chorus

G C

And I think it's gonna be a long long time

G

Til touchdown brings me 'round to find

C

I'm not the man they think I am at home

G A

Oh no, no, no, I'm a rocket man

C G

Rocket man, burnin' out his fuse up here alone (x2)

C G

And I think it's gonna be a long long time

C G

And I think it's gonna be a long long time

Shine on You Crazy Diamond (Pink Floyd)

good basic tutorial. And the solo. Nicely sung cover, and Captain Reverb cover.

Great live acoustic version from David Gilmour

Original is Gm, but thats super super high. Here it is in Dm, Gm is below this:

Riff 2:

you were xxx765 caught in the crossfire, of xxx665 childhood and stardom, xxx565 blown on the steel xxx787 breeze

Verse 1:

Dm

Remember when you were young,

C# F

You shone like the sun.

Bb Am Gm F C (C7)

Shine on you crazy diamond.

Dm

Now there's a look in your eyes,

C# F

Like black holes in the sky.

Bb Am Gm F C (C7)

Shine on you crazy diamond.

Dm

You were caught in the crossfire

C#aug (x43225) ?

Of childhood and stardom,

Dm7 G9 (x-10-9-10-10-x)

Blown on the steel breeze.

Bb Bdim (7x6767)

Come on you target for faraway laughter,

F Am A Dm

Come on you stranger, you legend, you martyr, and shine!

Verse 2:

Dm

You reached for the secret too soon,

C# F

You cried for the moon.

Bb Am Gm F C (C7)

Shine on you crazy diamond.

Dm

Threatened by shadows at night,

C# F

And exposed in the light.

Bb Am Gm F C (C7)

Shine on you crazy diamond.

Dm

Well you wore out your welcome

C#aug (x43225) ?

With random precission,

Dm7 G9/D (10-x-9-10-10-x)

Rode on the steel breeze.

Bb Bdim (7x6767)

Come on you raver, you seer of visions,

F Am A Dm

Come on you painter, you piper, you prisoner and shine!

(original key, Gm)

Intro riff:

e|---------0--|

B|---6--------|

G|------0-----|

D|-8----------|

A|------------|

E|------------|

Intro:

riff | C | C | F - Gm

C - Eb - D - Gm - Cm -Gm - D7b9 (hendrix chord 5th fret)

Verse 1:

Gm

Remember when you were young,

F# Bb

You shone like the sun.

Eb Dm Cm Bb F

(can also do this holding the Eb with descending bass)

Shine on you crazy diamond.

Gm

Now there's a look in your eyes,

F# Bb

Like black holes in the sky.

Eb Dm Cm Bb F

Shine on you crazy diamond.

Gm

You were caught in the crossfire

Gm maj7

Of childhood and stardom,

Gm7 C9 (x32330)

Blown on the steel breeze.

Eb E dim (x7878x)

Come on you target for faraway laughter,

Bb Dm D Gm

Come on you stranger, you legend, you martyr, and shine!

F# Bb Eb Dm Cm Bb F

Verse 2:

Gm

You reached for the secret too soon,

F# Bb

You cried for the moon.

Eb Dm Cm Bb F

Shine on you crazy diamond.

Gm

Threatened by shadows at night,

F# Bb

And exposed in the light.

Eb Dm Cm Bb F

Shine on you crazy diamond.

Gm

Well you wore out your welcome

Gm/F#? (354333)

With random precission,

Gm7 C9 (x32330)

Rode on the steel breeze.

Eb E dim (x7878x)

Come on you raver, you seer of visions,

Bb Dm D Gm

Come on you painter, you piper, you prisoner and shine!

Ending riff:

E--0-------8-------10------8------0--------

B-----6-------6-------6------6-------6-----

G------------------------------------------

D-------8-------8--------8------8-------8--

A------------------------------------------

E------------------------------------------

Hallelujia by Leonard Cohen

The original, and Jeff Buckleys awesome version, and a phenomenal cover (whole step up, in D)

Cover in A, like I like, from georgiarose16

Key of C (used by Buckley and Cohen) is hard, I put it in A below this, way easier. Actually I think Jeff plays it in G capod on 5th fret.

Intro: C Am C Am

Verse 1:

C Am

I heard there was a secret chord

C Am

That David played and it pleased the lord

F G C G

But you don't really care for music, do you?

C F G

Well it goes like this the fourth, the fifth

Am F (F with D on E string)

The minor fall and the major lift

G Em Am

The baffled king composing hallelujah

Chorus:

F Am F C G C

Hallelujah, hallelujah, hallelujah, hallelu-u-u-u-jah ....

Verse 2:

C Am

Well your faith was strong but you needed proof

C Am

You saw her bathing on the roof

F G C G

Her beauty and the moonlight overthrew you

C F G

She tied you to her kitchen chair

Am F

She broke your throne and she cut your hair

G Em Am

And from your lips she drew the hallelujah

Chorus:

F Am F C G C

Hallelujah, hallelujah, hallelujah, hallelu-u-u-u-jah ....

Verse 3:

C Am

Baby I've been here before

C Am

I've seen this room and I've walked this floor

F G C G

I used to live alone before I knew you

C F G

I've seen your flag on the marble arch

Am F

But love is not a victory march

G Em Am

It's a cold and it's a broken hallelujah

Chorus:

F Am F C G C

Hallelujah, hallelujah, hallelujah, hallelu-u-u-u-jah ....

Verse 4:

C Am

Well there was a time when you let me know

C Am

What's really going on below

F G C G

But now you never show that to me do you

C F G

But remember when I moved in you

Am F

And the holy dove was moving too

G Em Am

And every breath we drew was hallelujah

Chorus:

F Am F C G C

Hallelujah, hallelujah, hallelujah, hallelu-u-u-u-jah ....

Verse 5:

C Am

Well, maybe there's a god above

C Am

But all I've ever learned from love

F G C G

Was how to shoot somebody who outdrew you

C F G

It's not a cry that you hear at night

Am F

It's not somebody who's seen the light

G Em Am

It's a cold and it's a broken hallelujah

Chorus:

F Am F C G C

Hallelujah, hallelujah, hallelujah, hallelu-u-u-u-jah ....

Hallelujia, in G for easier singing. I think this is how Jeff plays it, capod 5th fret.

Melody starts on the 5th.

Intro: A Fm# A Fm#

Verse 1:

A F#m

I heard there was a secret chord

A Fm#

That David played and it pleased the lord

D E A E

But you don't really care for music, do you?

A D E

Well it goes like this the fourth, the fifth

Fm# D

The minor fall and the major lift

E C#m Fm#

The baffled king composing hallelujah

Chorus:

D F#m D A E A

Hallelujah, hallelujah, hallelujah, hallelu-u-u-u-jah ....

Verse 2:

A F#m

Well your faith was strong but you needed proof

A Fm#

You saw her bathing on the roof

D E A E

Her beauty and the moonlight overthrew you

A D E

She tied you to her kitchen chair

Fm# D

She broke your throne and she cut your hair

E C#m Fm#

And from your lips she drew the hallelujah

Chorus:

D F#m D A E A

Hallelujah, hallelujah, hallelujah, hallelu-u-u-u-jah ....

Verse 3:

A F#m

Baby I've been here before

A Fm#

I've seen this room and I've walked this floor

D E A E

I used to live alone before I knew you

A D E

I've seen your flag on the marble arch

Fm# D

But love is not a victory march

E C#m Fm#

It's a cold and it's a broken hallelujah

Chorus:

D F#m D A E A

Hallelujah, hallelujah, hallelujah, hallelu-u-u-u-jah ....

Verse 4:

A F#m

Well there was a time when you let me know

A Fm#

What's really going on below

D E A E

But now you never show that to me do you

A D E

But remember when I moved in you

Fm# D

And the holy dove was moving too

E C#m Fm#

And every breath we drew was hallelujah

Chorus:

D Fm# D A E A

Hallelujah, hallelujah, hallelujah, hallelu-u-u-u-jah ....

Verse 5:

A F#m

Well, maybe there's a god above

A Fm#

But all I've ever learned from love

D E A E

Was how to shoot somebody who outdrew you

A D E

It's not a cry that you hear at night

Fm# D

It's not somebody who's seen the light

E C#m Fm#

It's a cold and it's a broken hallelujah

Chorus:

D Fm# D A E A

Hallelujah, hallelujah, hallelujah, hallelu-u-u-u-jah ....

While My Guitar Gently Weeps

Am6 2 0 0 2 1 0 F#m 2 4 4 2 2 2

Amaj7 x 0 2 1 2 0 Fmaj7 1 0 0 2 1 0

Am/G 3 0 2 2 1 0

Am Am/G Am6 Fmaj7 E

I look at you all see the love there that's sleeping

Am G D E

While my guitar gently weeps

Am Am/G Am6 Fmaj7 E

I look at the floor and I see it needs sweeping

Am G C E

Still my guitar gently weeps

A Amaj7 F#m A Bm E

I don't know why nobody told you how to unfold your love

A Amaj7 F#m A

I don't know how someone controlled you

Bm E

They bought and sold you

Am Am/G Am6 Fmaj7 E

I look at the world and I notice it's turning

Am G D E

While my guitar gently weeps

Am Am/G Am6 Fmaj7

With every mistake we must surely be learning

Am G C E

Still my guitar gently weeps

A Amaj7 F#m A

I don't know how you were diverted

Bm E

You were perverted too

A Amaj7 F#m A

I don't know how you were inverted

Bm E

No one alerted you

Am Am/G Am6 Fmaj7

I look at you all see the love there that's sleeping

Am G D E

While my guitar gently weeps

Am Am/G Am6 Fmaj7

Look at you all...

Am G C E

Still my guitar gently weeps

Fly Me To The Moon

nice version, mraz on uke and on guitar. And of course Frank.

Bm7b5 = 7x776x or x2323x

Verse 1:

Am7 Dm7 G7 C - C7

Fly me to the moon, let me play amounst the stars,

Fmaj7 Bm7b5 E7 Am7 - A7

Let me see what spring is like on jupiter and mars,

Dm7 G7 Cmaj7 A7

In other words, hold my hand!

Dm7 G7 C Bm7b5 E7

In other words, darling kiss me!

Verse 2:

Am7 Dm7 G7 C - C7

Fill my heart with song, and let me sing forever more

Fmaj7 Bm7b5 E7 Am7 - A7

you are all I long for all I worship & adore

Dm7 G7 E A7

In other words, please be true!

Dm7 G7 C

In other words I love you

Not sure about end. Does the Dm7 - G7 - Cmaj7 - A7 a bit

Verse 1:

Fly me to the moon

And let me play amoung the stars

Let me see what spring is like

On Jupiter and Mars

In other words, hold my hand

In other words, darling kiss me

Verse 2:

Fill my heart with song and

Let me sing for ever more

You are all I long for

All I worship and adore

In other words, please be true

In other words, I love you

In other words, hold my hand

In other words, darling kiss me

[verse 2]

Fill my heart with song and

Let me sing for ever more

You are all I long for

All I worship and adore

In other words, please be true

In other words, I love you

Michelle by the Beatles

(goes well with Blow Wind Blow, could do mashup)

See below here for versions in Dm (best) and Cm.

INTRO: Fm on 8th fret, descending tonic in high note. Its actually Fm-FmMaj7, etc.

Fm , Fm/maj7 , Fm7 , Fm6 , C#maj7 , C7

(xxx-10-98 xxx998 xxx898 xxx798 xxx668 xxx666 xxx69x xxx988

Fm Bbm7

Michelle, ma belle

Eb Ddim7 C (sounds good to slide the Ddim up 3 on the gether)

These are words that go together well

Bdim C (can play C# instead of Bdim in a pinch)

My Michelle

Fm Bbm7

Michelle, ma belle

Eb Ddim7 C

Sont les mots qui vont tres bien ensemble

Bdim (or C#) C

Tres bien ensemble

Fm

I love you, I love you, I love you

Ab C#

That's all I want to say

C7 Fm

Until I find a way

Fm Fm/maj7 Fm7 Fm/D

I will say the only words I know that

C#maj7 C7

You'll understand

(these are the chords during the humming part)

F Bbm7

Michelle, ma belle

Eb Ddim7 C (sounds good to slide the Ddim up 3 on the bien)

Sont les mots qui vont tres bien ensemble

Bdim C

Tres bien ensemble

Fm

I need to, I need to, I need to

Ab C#

I need to make you see

C7 Fm

Oh, what you mean to me

Fm Fm/maj7 Fm7 Fm/D

Until I do I'm hoping you will

C#maj7 C7

Know what I mean

I love you...

PLAY THE VERSE HERE, UNDER THE SOLO:

F Bbm7

Eb Ddim7 C

Bdim C

Fm

I want you, I want you, I want you

Ab C#

I think you know by now

C7 Fm

I'll get to you somehow

Fm Fm/maj7 Fm7 Fm/D

Until I do I'm telling you so

C#maj7 C7

You'll understand

F Bbm7

Michelle, ma belle

Eb Ddim7 C

Sont les mots qui vont tres bien ensemble

Bdim C

Tres bien ensemble

Fm Fm/maj7 Fm7 Fm/D

I will say the only words I know

C#maj7 C7

That you'll understand, my Michelle

Michelle (in dm - down a m3)

Intro (and recurring riff): Dm on 5th fret

(xxx765 xxx665 xxx565 xxx465 xxx335 xxx333 xxx36x xxx655

Dm Gm7

Michelle, ma belle

C Bdim7 A

These are words that go together well

G#dim A (can play Bb instead of Bdim in a pinch)

My Michelle

Michelle, ma belle

Sont les mots qui vont tres bien ensemble

Tres bien ensemble

Dm

I love you, I love you, I love you

F Bb

That's all I want to say

A7 Dm

Until I find a way

(riff)

I will say the only words I know that

Bbmaj7 A7

You'll understand

Dm Gm7

Michelle, ma belle

C Bdim7 A

Sont les mots qui vont tres bien ensemble

G#dim A (can play Bb instead of Bdim in a pinch)

Tres bien ensemble

Dm

I need to, I need to, I need to

F Bb

I need to make you see

A7 Dm

Oh, what you mean to me

(riff)

Until I do I'm hoping you will

Bbmaj7 A7

Know what I mean

I love you...

PLAY THE VERSE HERE, UNDER THE SOLO:

D Gm7

C Bdim7 A

G#dim A7

Dm

I want you, I want you, I want you

F Bb

I think you know by now

A7 Dm

I'll get to you somehow

(riff)

Until I do I'm telling you so

Bbmaj7 A7

You'll understand

Dm Gm7

Michelle, ma belle

C Bdim7 A

Sont les mots qui vont tres bien ensemble

G#dim A (can play Bb instead of Bdim in a pinch)

Tres bien ensemble

Dm (riff)

I will say the only words I know

Bbmaj7 A7

That you'll understand, my Michelle

Michelle (in Cm - down a 4th)

Adim7 = 5x454x

Technically the A sections start on major (C major), while the B sections start on the minor, but I like the minor in both...

Melody starts on the 5th.

INTRO: Cm on 3rd fret, descending tonic in high note

xxx543 xxx443 xxx343 xxx243 xxx113 xxx111 xxx141 xx543x

Cm Fm7

Michelle, ma belle

Bb6 Adim7 G (sounds good to slide the dim up 3 on the gether)

These are words that go together well

F#dim G (can play G# instead of F#dim in a pinch)

My Michelle

Cm Fm7

Michelle, ma belle

Bb6 Adim7 G

Sont les mots qui vont tres bien ensemble

F#dim (or G#) G

Tres bien ensemble

[B pattern]

Cm

I love you, I love you, I love you

Eb7 G#

That's all I want to say

G7 Cm

Until I find a way

(riff: Cm descending)

I will say the only words I know that

G7

You'll understand

(these are the chords during the humming part)

Cm Fm7

Michelle, ma belle

Bb6 Adim7 G (sounds good to slide the dim up 3 on the gether)

Sont les mots qui vont tres bien ensemble

F#dim (or G#) G

Tres bien ensemble

[B pattern]

Cm

I need to, I need to, I need to

Eb7 G#

I need to make you see

G7 Cm

Oh, what you mean to me

(riff: Cm descending)

Until I do I'm hoping you will

Know what I mean

I love you...

PLAY THE VERSE HERE, UNDER THE SOLO:

C | Fm7 |

Bb | Adim7 |

G F#dim | G |

[B pattern]

Cm

I want you, I want you, I want you

Eb7 G#

I think you know by now

G7 Cm

I'll get to you somehow

(riff: Cm descending)

Until I do I'm telling you so

You'll understand

Cm Fm7

Michelle, ma belle

Bb6 Adim7 G

Sont les mots qui vont tres bien ensemble

F#dim (or G#) G

Tres bien ensemble

(riff: Cm descending)

I will say the only words I know

G7 (nice with a G7#5)

That you'll understand, my Michelle

Nice ending:

G7#5 G7 Cbeatles

. my mi chelle

Chains by the Beatles

Album key is Bb.

A |./. |./. |./. |D9 |

CHAINS, MY BABY'S GOT ME LOCKED UP IN CHAINS. AND THEY AIN'T THE KI-ND,

./. |A |./. |E9 |

THAT YOU CAN SEE-. WO-H THESE CHAINS OF LO-VE,

D9 |A |E7 |

GOT A HOLD ON ME, YEA-H, PA-LUM-PA-LUM-PA-LUM-PA.

--------------------------------------------------------------------------2:

A |./. |./. |./. |D9 |

CHAINS, WELL I CAN'T BREAK A-WAY FROM THESE CHAINS. CAN'T RUN A-ROUND,

./. |A |./. |E9 |

CAUSE I'M NOT FR-EE. WO-H THESE CHAINS OF LO-VE,

D9 |A |A7 |

WON'T LET ME BE-, YEA-H,

+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++BRIDGE:

D9 |./. |A |A7 |

I WANNA TELL YOU PRETTY BA-BY, I- THINK YOU'RE FI-NE.

D9 |./. |E 7 |./. |

I'D LIKE TO- LOVE YOU, BUT DARLING I'M IM-PRISONED BY THESE

--------------------------------------------------------------------------3:

A |./. |./. |./. |D9 |

CHAINS. MY BABY'S GOT ME LOCKED UP IN CHAINS. AND THEY AIN'T THE KI-ND,

./. |A |./. |E9 |

THAT YOU CAN SEE-. WO-H THESE CHAINS OF LO-VE,

D9 |A |A7 |

GOT A HOLD ON ME, YEA-H,

+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++BRIDGE:

D9 |./. |A |A7 |

PLEASE BELIEVE ME WHEN I TE-LL YOU YOU'-RE LIPS ARE SWEE-T.

D9 |./. |E |./. |

I'D LIKE TO- KISS THEM, BUT I CAN'T BREAK A-WAY FROM ALL OF THESE

--------------------------------------------------------------------------4:

A |./. |./. |./. |D9 |

CHAINS. MY BABY'S GOT ME LOCKED UP IN CHAINS. AND THEY AIN'T THE KI-ND,

./. |A |./. |E9 |

THAT YOU CAN SEE-. WO-H THESE CHAINS OF LO-VE,

D9 |A |E7 |

GOT A HOLD ON ME, YEA-H,

++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++OUTRO(fade out):

A |./. |./. |./. |./. |

CHAINS, CHAINS OF LO-VE. CHAINS OF LO-VE.

./. |D |A

CHAINS OF LO - VE.

For the Benefit of Mr. Kite by the Beatles

nice cover

G+ aka G augmented = x-10-988 or 3x344x

Or maybe could do Eb+? (x6544x)

| Bb | A7 | Dm G |

Cm G+

For the benefit of Mr. Kite

Bb Dm G

There will be a show tonight on trampoline

Cm G+

The Hendersons will all be there

Bb Dm A

Late of Pablo Fanques Fair- what a scene!

Dm Dm/C

Over man and horses hoops and garters

Bb A7 Dm Dm/C

Lastly through a hogshead of real fire!

Bb A Dm Dm/C Gm A7 Dm G

In this way Mr. K. will challenge the world!

Cm G+

The celebrated Mr. K.

Bb Dm G

performs his feat on Saturday at Bishopsgate

Cm G+

The Hendersons will dance and sing

Bb Dm A

As Mr. Kite flies through the ring- don't be late!

Dm Dm/C

Messrs. K. and H. assure the public

Bb A7 Dm Dm/C

Their production will be second to none

Bb A Dm

And of course Henry The Horse dances the waltz!

Waltzy bridge:

Actual chords are different, but just waltz up

Dm Dm/C Bb A7 Dm G

Or maybe this:

Dm Dm/C Gm A7 Dm G

Cm G+

The band begins at ten to six

Bb Dm G

When Mr. K. performs his tricks without a sound

Cm G+

And Mr. H. will demonstrate

Bb Dm A

Ten summersets he'll undertake on solid ground

Dm Dm/C

We've been some days in preparation

Bb A7 Dm Dm/C

A splendid time is guaranteed for all

Bb A Dm Dm/C Gm A7 Dm G

And tonight Mr. Kite is topping the bill!

Dm A C Em A Dm A C Em B

Em Em/G C B7 Em C B Em

Em/G C B Em Em/G C B Em

Oh Darling by the Beatles

Original is in A. Way easier to sing in D, especially the bridge.

A+ D A

Oh darling please believe me

Bm7 G

I'll never do you no harm

Em7 A7

Be-lieve me when I tell you

Em7 A7 D

I'll never do you no harm

D G D A7

A D A

Oh darling if you leave me

Bm G

I'll never make it alone

Em A7

Believe me when I beg you

Em A7 D

Don't ever leave me alone

D G D D7

D7 G Bb7

When you told me, you didn't need me anymore

D

Well you know I nearly broke down and cried

E7

When you told me you didn't need me anymore

A7 Bb7 A7 A+

Well you know I nearly fell down and died

A+ D A

Oh darling if you leave me

Bm G

I'll never make it alone

Em A7

Believe me when I tell you

Em A7 D

I'll never do you no harm

D G D D7

D7 G Bb7

When you told me, you didn't need me anymore

D

Well you know I nearly broke down and cried

E7

When you told me you didn't need me anymore

A7 Bb7 A7 A+

Well you know I nearly fell down and died

A+ D A

Oh darling please believe me

Bm G

I'll never let you down

Em A7

Believe me when I tell you

Em A7 D

I'll never do you no harm

All Together Now by the Beatles

Melody starts on the 3rd. Good harmonies.

[F]One, two, three, four,

[C7]can I have a little more?

[F]Five, six, seven, eight, nine,

[C7]ten, I love [F]you.

[F]A, B, C, D,

[C7]can I bring A friend to tea?

[F]E, F, G, B, I, J,

[C7]I love [F]you.

[F]Bom, bom, bom, [Bb]bom-pa-bom, sail the ship,

[F]bom-pa-bom, chop the tree.

[Bb]Bom-pa-bom, skip the rope,

[C7]bom-pa-bom, look at me.

[F]All together now, all together now,

[C7]all together now, [F]all together now...

Black white green red

Can I take my friend to bed

Pink brown yellow orange and blue

I love you

Norwegian Wood by the Beatles

Nice to pick the riff with a pick.

riff

#1.

D

I once had a girl, or should I say

C D

she once had me.

She showed me her room, isn't it good?

C D

Norwegian wood.

Dm G

She asked my to stay and told me to sit anywhere,

Dm Em A7

So I looked around and I noticed there wasn't a chair.

#2.

D

I sat on a rug, biding my time,

C D

drinking her wine.

We talked until two, and then she said,

C D

It's time for bed.

riff

Dm G

She told me she worked in the morning and started to laugh,

Dm Em A7

I told her I didn't, and crawled off to sleep in the bath.

#3.

D C D

And when I awoke, I was alone, this bird has flown.

So I lit a fire, isn't it good?

C D repeat riff again

Norwegian wood.

riff

I once had a girl, or should I say, she once had me

She showed me her room, isn't it good, norwegian wood?

She asked me to stay and she told me to sit anywhere

So I looked around and I noticed there wasn't a chair

I sat on the rug, biding my time, drinking her wine

We talked until two and then she said, "It's time for bed"

She told me she worked in the morning and started to laugh

I told her I didn't and crawled off to sleep in the bath

And when I awoke I was alone, this bird had flown

So I lit a fire, isn't it good, norwegian wood?

I Need You by the Beatles

Intro | A |Aadd9 |Asus4 |A |

Verse 1

A D A Aadd9 Asus4 A

You don't realize how much I need you,

A D A A7 Asus4 A

Love you all the time and never leave you,

F#m C#m F#m Bm

Please come back to me, I'm lonely as can be.

A Aadd9 Asus4 A

I need you,

Verse 2

A D A Aadd9 Asus4 A

Said you had a thing or two to tell me,

A D A A7 Asus4 A

How was I to know you would upset me.

F#m C#m F#m Bm

I didn't realize as I looked in your eyes,

A Aadd9 Asus4 A

you told me

Bridge

A D E A

oh yes you told me You don't want my lovin' anymore.

A D E B7 E

That's when it hurt me and feeling like this I just don't go on anymore.

Verse 3

A D A Aadd9 Asus4 A

Please remember how I feel about you,

A D A A7 Asus4 A

I could never really live without you,

F#m C#m F#m Bm

So, come on back and see Just what you mean to me

A Aadd9 Asus4 A

I need you I need you.

Bridge

Verse3

Outro

F#m Dmaj7

I need you, I need you

| A |Aadd9 |Asus4 |A |

Honey Pie by the Beatles

High but doable. Good youtube vid, especially for intro.

A6: x02222 Am/D: x00210

D7: x5453x Eb7: x6564x

Em A6 Am7 barred, then add B on high E string)

She was a working girl

Cm G

North of England way

Em A6 Am/D

Now she's hit the big time

Cm G

In the U.S.A.

A7 barred, pinky melody starting B on high E

And if she could only hear me

D7 (57575 shape, melody on high strings)

This is what I'd say.

G Eb7

Honey pie you are making me crazy

E7 A7

I'm in love but I'm lazy

D7 G Eb7 D7

So won't you please come home.

G Eb7

Oh honey pie my position is tragic

E7 A7

Come and show me the magic

D7 G F# F

of your Hollywood song.

Em C#dim (x4545x) G G7

You became a legend of the silver screen

C

And now the thought of meeting you

E7 Am D7

Makes me weak in the knee.

G Eb7

Oh honey pie you are driving me frantic

E7 A7

Sail across the Atlantic

D7 G Eb7 D7

To be where you belong.

Instrumental (same as verse)

|G |G |Eb7 |E7 |A7 |D7 |G |Eb7 D7|

I like it like that

G Eb7

I like this hot kind of music

E7

Hot kind of music

A7

Just play it to me

D7 G F# F

Play it to me Hollywood Blues

Em C#dim (x4545x)

Will the wind that blew her boat

G G7

Across the sea

C E7 Am D7

Kindly send her sailing back to me.

G Eb7

Honey pie you are making me crazy

E7 A7

I'm in love but I'm lazy

D7 G

So won't you please come home.

Eb7 D7 G

Honey Pie come back to me.

Wait by the Beatles

Capo 2 for album key.

Cmaj7: x32000

Intro (verse pattern):

Em7 A Am Em B7 Em

Em7 A Am Em B7 Em

It's been a long time, now I'm coming back home

Em7 A Am Em B7 Em

I've been away now, oh how I've been alone

CHORUS:

G Cmaj7 G Cmaj7 G Cmaj7

Wait till I come back to your side

G B7 Em

We'll forget the tears we cried

Em7 A Am Em B7 Em

But if your heart breaks, don't wait, turn me away

Em7 A Am Em B7 Em

And if your heart's strong, hold on, I won't delay

CHORUS:

G Cmaj7 G Cmaj7 G Cmaj7

Wait till I come back to your side

G B7 Em

We'll forget the tears we cried

BRIDGE:

Em Am (or A?) D G

I feel as though you ought to know that I've been good

Em

As good as I can be

Am D

And if you do, I'll trust in you

G Em B

And know that you will wait for me

REPEAT VERSE ONE AND CHORUS

REPEAT VERSE TWO AND VERSE ONE

Cry Baby Cry by the Beatles

Em+7: 021000

Em7: 022030

Em6: 042000

G Am F G

Cry baby cry make your mother sigh

Em7 A7 F

she's old enough to know better

Em Em+7 Em7

The king of Marigold was in the kitchen

Em6 C7 G

cooking breakfast for the queen

Em Em+7 Em7

The queen was in the parlour playing piano

Em6 C7

For the children of the king

CHORUS:

G Am F G

Cry baby cry make your mother sigh

Em7 A7 F G

she's old enough to know better so cry baby cry

Em Em+7 Em7

The king was in the garden picking flowers

Em6 C7 G

For a friend who came to play

Em Em+7 Em7

The queen was in the playroom painting pictures

Em6 C7

For the childrens holiday

CHORUS:

G Am F G

Cry baby cry make your mother sigh

Em7 A7 F G

she's old enough to know better so cry baby cry

Em Em+7 Em7

The duchess of Kircaldy always smiling

Em6 C7 G

And arriving late for tea

Em Em+7 Em7

The duke was having problems with a message

Em6 C7

At the local bird and bee

CHORUS:

G Am F G

Cry baby cry make your mother sigh

Em7 A7 F G

she's old enough to know better so cry baby cry

Em Em+7 Em7

At twelve o'clock a meeting round the table

Em6 C7 G

For a seance in the dark

Em Em+7 Em7

With voices out of nowhere put on specially

Em6 C7

By the children for a lark...

CHORUS:

G Am F G

Cry baby cry make your mother sigh

Em7 A7 F G (or Em if ending)

she's old enough to know better so cry baby cry

(repeat chorus, but end on Em instead of G

(then, if want, do this part)

Em

Can you take me back where are people, can you take me back

Can you take me back where are people, brother can you take me back

Can you take me back?

Oh can you take me where are people, can you take me back?

California Girls by the Beach Boys

Album key is B, but easier in A.

A9 = x010000 or x05455

Verse 1:

A A9

Well, East Coast girls are hip, I really dig those styles they wear

D

And the Southern girls with the way they talk

E

They knock me out when I'm down there

A A9

The midwest farmers' daughters really make you feel alright

D

And the Northern girls with the way they kiss

E

They keep their boyfriends warm at night

Chorus:

A Bm7

I wish they all could be California,

G Am7

I wish they all could be California,

F Gm7 A

I wish they all could be California Girls

Verse 2:

A A9

The West coast has the sunshine, and the girls all get so tanned

D

I dig a French bikini on Hawaiian Island dolls

E

By a palm tree in the sand

A A9

I been all around this great big world and I've seen all kinds of girls

D

But I couldn't wait to get back in the states,

E

Back to the cutest girls in the world

Chorus

Back in the USSR by the Beatles

Original is in A, down a step here in G.

Opening note is the 4th, then down to 3rd (B)

G C

Flew in from Miami Beach B. O. A. C.

Bb C

Didn't get to bed last night

G C

On the way the paperback was on my knee

Bb C

Man I had a dreadful flight

G

I'm back in the U.S.S.R.

Bb C

You don't know how lucky you are boy

G C C# D

Back in the U.S.S.R.

G C

Been away so long I hardly knew the place

Bb C

Gee it's good to be back home

G C

Leave it till tomorrow to unpack my case

Bb C

Honey disconnect the phone

G

I'm back in the U.S.S.R.

Bb C

You don't know how lucky you are boy

Back in the U.S.

Back in the U.S.

G

Back in the U.S.S.R.

(bass roll up: G-A-Bb-B-C)

C

Well the Ukraine girls really knock me out

G (bass roll up)

They leave the West behind

C C/B C/Bb C/A

And Moscow girls make me sing and shout

D C G C C# D

That Geogia's always on my mi mi mi mi mi mi mind [Oh come on!]

(repeat chorus and last verse?)

G C

Oh, show me 'round your snow-peaked mountains way down south

Bb C

Take me to your daddy's farm

G C

Let me hear your balalaikais ringing out

Bb C

Come and keep your comrade warm

G

I'm back in the U.S.S.R.

Bb C

You don't know how lucky you are boy

G C C# D G

Back in the U.S.S.R.

Im So Tired by the Beatles

John Lennon said in 1980: "[this song] was me, India again. I couldn't sleep, I'm meditating all day and couldn't sleep at night. The story is that. One of my favourite tracks. I just like the sound of it, and I sing it well

A G#7 D E

I'm so tired, I haven't slept a wink

A F#m D E

I'm so tired, my mind is on the blink

A Eaug F#m Dm

I wonder should I get up, and fix myself a drink - no, no, no

A G#7 D E

I'm so tired, I don't know what to do

A F#m D E

I'm so tired, my mind is set on you

A Eaug F#m Dm

I wonder should I call you, but I know what you would do

A

You'd say I'm putting you on

But it's no joke, it's doing me harm

E

You know I can't sleep, I can't stop my brain

You know it's three weeks, I'm going insane

D A

You know I'd give you everything for a little peace of mind

A G#7 D E

I'm so tired, I'm feeling so upset

A F#m D E

Although I'm so tired, I'll have another cigarette

A Eaug F#m Dm

And curse Sir Walter Raleigh, he was such a stupid git

A G#7 D E

I'm so tired, I haven't slept a wink

A F#m D E

I'm so tired, my mind is on the blink

A Eaug F#m Dm

I wonder should I get up, and fix myself a drink - no, no, no

You'd say I'm putting you on

But it's no joke, it's doing me harm

You know I can't sleep, I can't stop my brain

You know it's three weeks, I'm going insane

You know I'd give you everything for a little peace of mind

A G#7 D E

A G#7 D E

A G#7 D E

When I hold you in your arms

A G#7 D E

When you show each one of your charms

A Eaug F#m Dm

I wonder should I get up and go to the funny farm

You'd say I'm putting you on

But it's no joke, it's doing me harm

You know I can't sleep (can't sleep), I can't stop my brain

You know it's three weeks (three weeks), I'm going insane

I'd give you everything for a little peace of mind

I'd give you everything for a little peace of mind

I'd give you everything for a little peace of mind

I'd give you everything for a little peace of mind

I'd give you everything for a little peace of mind

Ill Cry Instead by the Beatles

For intro, could do G bar to C6 (x35555) or C9

Actually really nice to do it in F. Theres a good beat for it in a voice memo note. Do the verses as F - Bb9.

G C 2x

Verse1:

G C G C G

I've got every reason on earth to be mad,

C G C D7

cause I just lost the only girl I had

C7

And if I could get my way, Id get myself locked up today.

G D7 G

But I can't, so I'll cry instead.

Verse2:

G C G C G

I got a chip on my shoulder that's bigger than my feet,

C G C D D7

I can't talk to people that I meet

C7

If I could see you now, Id try to make you sad somehow.

G D7 G

But I can't, so I'll cry instead.

Bridge:

Bm

Don't want to cry when there's people there,

A7

I get shy when they start to stare;

D E7 A D

I'm gonna hide myself away, but I'll come back again some day

Verse3:

G C G C G

And when I do you better hide all the girls,

C G C D7

cos I'm gonna break their hearts all round the world

C7

Yes I'm gonna break 'em in two,

and show you what your lovin man can do;

G D7 G

until then I'll cry instead.

Repeat bridge, then verse 3

Im Only Sleeping by the Beatles

Album key is Ebm. Dm is easier to play, but still high. Cm is better.

Nice to do it in that Blow Wind Blow / Whisky Song vibe (see voice memo note)

Bm version:

Verse 1:

Bm Em D G D F#7

When I wake up early in the morning, lift my head, I'm still yawning

Bm Em D G D G

When I'm in the middle of a dream, I stay in bed, and float upstream

Chorus 1:

D Em F#m Em

Please don't wake me, no don't shake me, leave me where I am

Gmaj7 (riff using D)

I'm only sleeping

Verse 2:

Bm Em D G D F#7

Everybody seems to think I'm lazy, I don't mind, I think they're crazy

Bm Em D G D G

Running everywhere at such a speed, 'til they find, there's no need

Chorus 2:

D Em F#m Em

Please don't spoil my day, I'm miles away, and after all

Gmaj7

I'm only sleeping

Bridge:

Am B7 Em (descending bass Em7) C

Keeping an eye on the world going by my window, taking my time

Bm Em D G D F#7

Lying there and staring at the ceiling, Waiting for a sleepy feeling

[Titty over a verse]

Chorus 2:

D Em F#m Em

Please don't spoil my day, I'm miles away, and after all

Gmaj7

I'm only sleeping

Bridge:

Am B7 Em (descending bass Em7) C

Keeping an eye on the world going by my window, taking my time

[verse 1]

Bm Em D G D F#7

When I wake up early in the morning, lift my head, I'm still yawning

Bm Em D G D G

When I'm in the middle of a dream, I stay in bed, and float upstream

Chorus 1:

D Em F#m Em

Please don't wake me, no don't shake me, leave me where I am

Gmaj7

I'm only sleeping.

Just lyrics:

When I wake up early in the morning

Lift my head, I'm still yawning

When I'm in the middle of a dream

Stay in bed, float up stream (Float up stream)

Please, don't wake me, no, don't shake me

Leave me where I am, I'm only sleeping

Everybody seems to think I'm lazy

I don't mind, I think they're crazzy

Running everywhere at such a speed

Till they find there's no need (There's no need)

Please, don't spoil my day, I'm miles away

And after all I'm only sleeping

Keeping an eye on the world going by my window

Taking my time

Lying there and staring at the ceiling

Waiting for a sleepy feeling...

Please, don't spoil my day, I'm miles away

And after all I'm only sleeping

Keeping an eye on the world going by my window

Taking my time

When I wake up early in the morning

Lift my head, I'm still yawning

When I'm in the middle of a dream

Stay in bed, float up stream (Float up stream)

Please, don't wake me, no, don't shake me

Leave me where I am, I'm only sleeping

Again In Cm:

Intro: Cm (3rd fret) - Gm (blow wind blow style)

Verse 1:

Cm Fm Eb Ab Eb G7

When I wake up early in the morning, lift my head, I'm still yawning

Cm Fm Eb Ab Eb Ab

When I'm in the middle of a dream, I stay in bed, and float upstream

Chorus 1:

Eb Fm Gm Fm

Please don't wake me, no don't shake me, leave me where I am

Abmaj7

I'm only sleeping

Verse 2:

Cm Fm Eb Ab Eb G7

Everybody seems to think I'm lazy, I don't mind, I think they're crazy

Cm Fm Eb Ab Eb Ab

Running everywhere at such a speed, 'til they find, there's no need

Chorus 2:

Eb Fm Gm Fm

Please don't spoil my day, I'm miles away, and after all

Abmaj7

I'm only sleeping

Bridge:

Bbm C7 Fm (descending bass) Db

Keeping an eye on the world going by my window, taking my time

Cm Fm Eb Ab Eb G7

Lying there and staring at the ceiling, Waiting for a sleepy feeling

[Titty over a verse]

Chorus 3:

Eb Fm Gm Fm

Please don't spoil my day, I'm miles away, and after all

Abmaj7

I'm only sleeping

Bridge 2:

Bbm C7 Fm Db

Keeping an eye on the world going by my window, taking my time

Cm Fm Eb Ab Eb G7

When I wake up early in the morning, lift my head, I'm still yawning

Cm Fm Eb Ab Eb Ab

When I'm in the middle of a dream, I stay in bed, and float upstream

Chorus 4:

Eb Fm Gm Fm

Please don't wake me, no don't shake me, leave me where I am

Abmaj7

I'm only sleeping.

Again, in Dm:

Riff after that F: Fbar, then E1 A0 A3 D3

Verse 1:

Dm Gm F Bb F A7

When I wake up early in the morning, lift my head, I'm still yawning

Dm Gm F Bb F Bb (bar 6)

When I'm in the middle of a dream, I stay in bed, and float upstream

Chorus 1:

F Gm Am Gm

Please don't wake me, no don't shake me, leave me where I am

Bbmaj7/F (F, then riff)

I'm only sleeping

Verse 2:

Dm Gm F Bb F A7

Everybody seems to think I'm lazy, I don't mind, I think they're crazy

Dm Gm F Bb F Bb

Running everywhere at such a speed, 'til they find, there's no need

Chorus 2:

F Gm Am Gm

Please don't spoil my day, I'm miles away, and after all

Bbmaj7/F

I'm only sleeping

Bridge:

Cm D7 Gm (Gm/F or Bb/F) Eb

Keeping an eye on the world going by my window, taking my time

Dm Gm F Bb F A7

Lying there and staring at the ceiling, Waiting for a sleepy feeling

[Titty over a verse - nice to do a humming de da da solo...]

Chorus 3:

F Gm Am Gm

Please don't spoil my day, I'm miles away, and after all

Bbmaj7/F

I'm only sleeping

Bridge 2:

Cm D7 Gm (Gm/F or Bb/F) F

Keeping an eye on the world going by my window, taking my time

Dm Gm F Bb F A7

When I wake up early in the morning, lift my head, I'm still yawning

Dm Gm F Bb F Bb

When I'm in the middle of a dream, I stay in bed, and float upstream

Chorus 4:

F Gm Am Gm

Please don't wake me, no don't shake me, leave me where I am

Bbmaj7/F

I'm only sleeping.

Strawberry Fields Forever by the Beatles

E -7-7-7-7-7-7-5/4---2-5----0-4-2-0-----

B --------------------------------------

G --------------------------------------

D -------------4/2--------------0-------

A -7---6---5-------4------2-------4-0---

E --------------------------------------

Main riff can be played either as xxx454 - xxx444 - xxx434 or as xxx997 xxx897 xxx797

When singing chorus melody, double up with guitar notes (B2 B3 B2 G2 D2 D4 G4 G2 G0)

Intro is the main riff: | E Emaj7 | E7 | F#m E | D A |

Chorus:

A Em7 (020000)

Let me take you down, cos I'm going to Strawberry Fields

F#7 D F#7

Nothing is real, and nothing to get hung about

D A

Strawberry Fields forever

Verse 1:

E Emaj7 E7 F#m E D

Living is easy with eyes closed, misunderstanding all you see

D E A F#m

It's getting hard to be someone but it all works out

D E D A

It doesn't matter much to me

Verse 2:

E Emaj7 E7 F#m E D

No one I think is in my tree, I mean it must be high or low

D E A F#m

That is, you can't you know tune in but it's all right

D E D A

That is, I think it's not too bad

Verse 3:

E Emaj7 E7

Always know, sometimes think it's me

F#m E D

But you know I know when it's a dream

D E A F#m

I think a "no" will be a "yes", but it's all wrong

D E D A

That is, I think I disagree

Chorus:

A Em7

Let me take you down, cos I'm going to Strawberry Fields

F#7 D F#7

Nothing is real, and nothing to get hung about

D A F#m (turnaround)

Strawberry Fields forever

D A

Strawberry Fields forever

D E D A (jam on A)

Strawberry Fields forever

Rocky Racoon by the Beatles

Whole song is Am D G C - C/B

Now somewhere in the black mountain hills of Dakota

There lived a young boy named Rocky Raccoon

And one day his woman ran off with another guy

Hit young Rocky in the eye Rocky didn't like that

He said I'm gonna get that boy

So one day he walked into town

Booked himself a room in the local saloon

Rocky Raccoon checked into his room

Only to find Gideon's bible

Rocky had come equipped with a gun

To shoot off the legs of his rival

His rival it seems had broken his dreams

By stealing the girl of his fancy

Her name was Magil and she called herself Lil

But everyone knew her as Nancy

Now she and her man who called himself Dan

Were in the next room at the hoe down

Rocky burst in and grinning a grin

He said Danny boy this is a showdown

But Daniel was hot, he drew first and shot

And Rocky collapsed in the corner, ah

D'da d'da d'da da da da, etc.

D'do d'do d'do do do do, etc.

Now the doctor came in stinking of gin

And proceeded to lie on the table

He said Rocky you met your match

And Rocky said, doc it's only a scratch

And I'll be better I'll be better doc as soon as I am able

And now Rocky Raccoon he fell back in his room

Only to find Gideon's bible

Gideon checked out and he left it no doubt

To help with good Rocky's revival, ah

Oh yeah, yeah

D'do d'do d'do do do do, etc.

D'do d'do d'do do do do, come on, Rocky boy

Dont Pass Me By by The Beatles

C

I listen for your footsteps coming up the drive

F

Listen for your footsteps but they don't arrive

G7

Waiting for your knock dear on my own front door

F C

I don't hear it, does it mean you don't love me anymore?

C

I hear the clock a-ticking on the mantel shelf

F

See the hands a-moving but I'm by myself

G7

I wonder where you are tonight why I'm by myself

F C

I don't see you, does it mean you don't love me anymore?

C

Don't pass me by don't make me cry don't make me blue

F

'Cause you know darlin I love only you

C

You never know it hurt me so. I'd hate to see you go

G7 F C

Don't pass me by. Don't make me cry

C

Sorry that I doubted you I was so unfair

F

You were in a car crash and you lost your hair

G7

(You) said that you wouldn't be late about an hour or two

F C

Said "that's alright, I'm waiting here just waiting to hear from you!"

C

Don't pass me by don't make me cry don't make me blue

F

'Cause you know darlin I love only you

C

You never know it hurt me so. I'd hate to see you go

G7 F C

Don't pass me by. Don't make me cry

C

Don't pass me by don't make me cry don't make me blue

F

'Cause you know darling I love only you

C

You never know it hurt me so. I'd hate to see you go..........

G7 F C

Don't pass me by. Don't make me cry...........

Just lyrics

I listen for your footsteps coming up the drive

Listen for your footsteps but they don't arrive

Waiting for your knock, dear, on my old front door

I don't hear it, does it mean you don't love me anymore?

I hear the clock a ticking on the mantel shelf

See the hands a moving but I'm by myself

I wonder where you are tonight and why I'm by myself

I don't see you, does it mean you don't love me anymore?

Chorus:

Don't pass me by, don't make me cry, don't make me blue

'Cause you know darling I love only you

You never know it hurt me so, how I hate to see you go

Don't pass my by, don't make me cry

I'm sorry that I doubted you, I was so unfair

You were in a car crash and you lost your hair

You said that you would be late about an hour or two

I said that's all right, I'm waiting here, just waiting to hear from you

[chorus]

Two of Us by the Beatles

Great for harmonies

Intro:

e|----7-- ----7-- ----7-- ----0--|

B|-------------------------------|

G|7-------7---------------7------|

D|-------------------------------|

A|-------------------------------|

E|-------------------------------|

G C C/B Am7

Two of us riding nowhere spending someone's hard earned pay

G C C/B Am7 G

You and me Sunday driving, not arriving, on our way back home

D [C] G D [C] G D G

We're on our way home, we're on our way home, we're going home.

[Intro riff]

G C C/B Am7

Two of us sending postcards, writing letters, on my wall

G C C/B Am7 G

You and me burning matches, lifting latches on our way back home

D [C] G D [C] G D G

We're on our way home, we're on our way home, we're going home.

Bridge:

Bb Dm

You and I have memories

Gm7 Am Am7 D7

Longer than the road that stretches out ahead

G C C/B Am7

Two of us wearing raincoats, standing solo, in the sun

G C C/B Am7 G

You and me chasing paper, getting nowhere, on our way back home

D [C] G D [C] G D G

We're on our way home, we're on our way home, we're going home.

Bridge:

Bb Dm

You and I have memories

Gm7 Am Am7 D7

Longer than the road that stretches out ahead

[Repeat last verse about raincoasts]

Blackbird by the Beatles

Can do the infamous Whopie cushion singing in the dead of night version.

Blackbird singing in the dead of night

Take these broken wings and learn to fly

All your life

You were only waiting for this moment to arise.

Blackbird singing in the dead of night

Take these sunken eyes and learn to see

All your life

You were only waiting for this moment to be free.

Blackbird fly Blackbird fly

Into the light of the dark black night.

Blackbird fly Blackbird fly

Into the light of the dark black night.

[Verse 1 repeat]

[starts on teh B, x20030]

You were only waiting for this moment to arise.

You were only waiting for this moment to arise.

You were only waiting for this moment to arise.

Help by the Beatles

Great live version

Album key is Bm, but I like Am.

Fill riff:

e|------- ------- ------- -------|------- ------- ------- -------|

B|------------0---------------0--|------------0---------------0--|

G|--------0---------------0------|--------0---------------0------|

D|----5---------------4----------|----4---------------2----------|

A|7---------------6--------------|5---------------4--------------|

E|-------------------------------|-------------------------------|

Bm Bm/A

Help! I need somebody

G G/F#

Help! Not just anybody

E

Help! You know I need someone,

A

Help!

A C#m F#m

When I was younger, so much younger than today,

D G A

I never needed anybody's help in any way.

C#m F#m

But now those days are gone I'm not so self-assured,

D G A

Now I find I've changed my mind, I've opened up the door.

Chorus:

Bm Bm/A G G/F#

Help me if you can I'm feeling down, and I do appreciate you being 'round.

E A

Help me get my feet back on the ground, won't you please please help me.

C#m F#m

And now my life has changed in oh so many ways,

D G A

My independence seemed to vanish in the haze.

C#m F#m

But every now and then I feel so insecure,

D G A

I know that I just need you like I've never done before.

[Chorus]

[Verse 1]

[Chorus with ending:]

Bm Bm/A G G/F#

Help me if you can I'm feeling down, and I do appreciate you being 'round.

E A F#m

Help me get my feet back on the ground, won't you please please help me.

A A6 (x02222)

Help me, help me, oo.

In My Life by The Beatles

For album key, capo 2.

Intro:

|----3--------2-----|

|-0----0 1 3--3-----|

|-------------2-----|

|-------------0-----|

|-------------------|

|-3-----------------|

G D Em G7

There are places i'll remember

C Cm G

All my life though some have changed

G D Em G7

Some forever not for better

C Cm G

Some have gone and some remain

Em Am

All these places have their moments

F G

With lovers and friends i still can recall

Em A7

Some are dead and some are living

C Cm G

In my life i've loved them all

[intro]

G D Em G7

But of all these friends and lovers

C Cm G

There is no one compares with you

G D Em G7

And these memories lose their meaning

C Cm G

When i think of love as something new

Em Am

Though i know i'll never lose affection

F G

For people and things that went before

Em A7

I know i'll often stop and think about them

C Cm G

In my life i love you more

Solo: G D Em G7 C Cm G 2x

Em Am

Though i know i'll never lose affection

F G

For people and things that went before

Em A7

I know i'll often stop and think about them

C Cm G

In my life i love you more

Sunny by Bobby Hebb

Verse 1:

Em[7] G7 Cmaj7 F#m7 B7

Sunny, yesterday my life was filled with rain

Em[7] G7 Cmaj7 F#m7 B7

Sunny, you smiled at me and really eased the pain

Em[7] G7

Now the dark days are done and the bright days are near

Cmaj7 F7

My sunny one shines so sincere

F#m7 B7

Sunny, one so true

Em Em+5 Em7 Em6

I love you

Verse 2:

Em7 G7 Cmaj7 F#m7 B7

Sunny, thank you for the sunshine bouquet

Em7 G7 Cmaj7 F#m7 B7

Sunny, thank you for the love you brought my way

Em7 G7

You gave to me / your all and all

Cmaj7 F7

And now I feel ten feet tall

F#m7 B7

Sunny, one so true

Em C7

I love you

Verse 3:

Fm Ab7 Dbmaj7 Gm7 C7

Sunny, thank you for the truth you let me see

Fm Ab7 Dbmaj7 Gm7 C7

Sunny, thank you for the facts from A to Z

Fm Ab7

My life was torn like-a windblown sand, then

Dbmaj7 Gb7

A rock was formed when we held hands

Gm7 C7

Sunny, one so true

Fm C#7

I love you

Verse 4:

F#m A7 Dmaj7 G#m7 C#7

Sunny, thank you for that smile upon your face

F#m A7 Dmaj7 G#m7 C#7

Sunny, thank you for that gleam that flows from grace

F#m A7

You're my spark of nature's fire

Dmaj7 G7

You're my sweet complete desire

G#m7 C#7

Sunny, one so true

F#m D7

I love you

[repeat verse 1, in Gm]:

Gm Bb7 Ebmaj7 Am7 D7

Sunny, yesterday all my life was filled with rain

Gm Bb7 Ebmaj7 Am7 D7

Sunny, you smiled at me and really really eased the pain

Gm Bb7

Now the dark days are done and the bright days are near

Ebmaj7 Ab7

My sunny one shines so sincere

Am7 D7

Sunny, one so true

Gm Cm D7

I love you

Coda [repeat to fade]:

Gm Cm D7

I love you

Just the Two of Us by Bill Withers

Capo 1 for album key of Db.

Throughout:

Cmaj7 B7 / Em7 Dm7 G7 / Cmaj7 B7 / Em7

I see the crystal raindrops fall

And the beauty of it all

Is when the sun comes shining through

To make those rainbows in my mind

When I think of you sometime

And I want to spend some time with you

[Chorus]

Just the two of us

We can make it if we try

Just the two of us

Just the two of us

Building castles in the sky

Just the two of us

You and I

We look for love no time for tears

Wasted water's all that is

And it don't make no flowers grow

Good things might come to those who wait

Not for those who wait too late

We gotta go for all we know

[Chorus]

I hear the crystal raindrops fall

On the window down the hall

And it becomes the morning dew

And darling when the morning comes

And I see the morning sun

I want to be the one with you.

And unconfirmed but I saw this posted for the bridge chords:

Cmaj7 B7 A7sus4 A7 Bbmaj7 G7sus4 G7 Cmaj7 F13 :]] 2x

This sounds right to me:

Cmaj7 B7 / Bbmaj7 A7 / Ab7 G7 / Cmaj7 F13 [x2]

Johnny B. Goode

I like to do it like the style with Raz. Use that A minor 6th type chord (5x455x) the whole time. Super spooky and dissonant.

Start with chorus.

Be Good. Be good. Oh oh Johnny B. Good. Etc.

Deep down Louisiana close to New Orleans

Way back up in the woods among the evergreens

There stood a log cabin made of earth and wood

Where lived a country boy named Johnny B. Goode

Who never ever learned to read or write so well

But he could play the guitar just like a ringing a bell

Go Johnny go

Go Johnny go

Go Johnny go

Go Johnny go

Johnny B. Goode

He used to carry his guitar in a gunny sack

Go sit beneath the tree by the railroad track

Oh, the engineerswould see him sitting in the shade

Strumming with the rhythm that the drivers made

People passing by they would stop and say

Oh my that little country boy could play

Go Johnny go

Go Johnny go

Go Johnny go

Go Johnny go

Johnny B. Goode

His mother told him "Someday you will be a man,

And you will be the leader of a big old band.

Many people coming from miles around

To hear you play your music when the sun go down

Maybe someday your name will be in lights

Saying Johnny B. Goode tonight."

Go Johnny go

Go Johnny go

Go Johnny go

Go Johnny go

Johnny B. Goode

Hungry Like the Wolf (Duran Duran)

great cover, in C#

album key is E, but that starts on E4, off. Doing in B instead. Sounds great in C# too, see that cover, and note how he sings the chorus to keep from going too high.

Intro strum a Bm7sus

Verse 1:

B

Dark in the city, night is a wire

Steam in the subway, the earth is on fire

A B

Do do doo do - do doo do - do doo do - do doo do - do do

B

Woman you want me, give me a sign

And catch me breathing even closer behind

A B

Do do doo do - do doo do - do doo do - do doo do - do do

Chorus:

G D C

In touch with the ground, [dont go too high here] I'm on the hunt I'm after you

G D

I smell like I sound, I'm lost in a crowd

C A

And I'm hungry like the wolf

G D C

Straddle the line, in discordant rhyme, I'm on the hunt I'm after you

G D C A Bm7sus

Mouth is alive, with juices like wine, and I'm hungry like the wolf

Verse 2:

B

Stalked in the forest, Im too close to hide

I'll be upon you by the moonlights rise

A B

Do do doo do - do doo do - do doo do - do doo do - do do

B

High blood drumming on your skin, it's so tight

You feel my heat, I'm just a moment behind

A B

Do do doo do - do doo do - do doo do - do doo do - do do

Chorus:

G D C

In touch with the ground, I'm on the hunt I'm after you

G D

I smell like I sound, I'm lost and I'm found

C A

And I'm hungry like the wolf

G D C

Straddle the line, in discordant rhyme, I'm on the hunt I'm after you

G D C A

Mouth is alive, with juices like wine, and I'm hungry like the wolf

Shake the Disease by Depeche Mode

Original, them live now (good), the kids cover, Georgia Roses (down 2 half steps in Cm/Eb), nice keyboard cover,

Intro: Dm Fm Db Bb Dm Fm Db Bb Dm

Verse1:

Dm C F Bb Dm

I'm not going down on my knees begging you to adore me

C F Bb Dm

Can't you see it's misery and torture for me

Pre-Chorus:

F C

When I'm misunderstood

F C

Try as hard as you can; I've tried as hard as I could

Bb

To make you see how important it is for me

Chorus:

Dm Fm

Here is a plea from my heart to you

Db Bb

Nobody knows me as well as you do

Dm Fm

You know how hard it is for me to shake the disease

Db Bb

That takes ahold of my tongue in situations like these

Post-Chorus:

Dm C F Dm C F

Understand me

Dm C F

Understand me

Bb C Bb Csus4 C Csus4 Dm

Understand me

Verse2:

Dm C F Bb Dm

Some people have to be permanently together

C F Bb Dm

Lovers devoted to each other forever

Pre-Chorus:

F C

Now I've got things to do

F C

And I said before that I know you have too

Bb

When I'm not there, in spirit I'll be there

Chorus:

Dm Fm

Here is a plea from my heart to you

Db Bb

Nobody knows me as well as you do

Dm Fm

You know how hard it is for me to shake the disease

Db Bb

That takes hold of my tongue in situations like these

Post-Chorus:

Dm C F Dm C F

Understand me

Dm C F

Understand me

Bb C Bb Csus4 C Csus4 Dm C F Bb Dm

Understand me

C F Dm C F Bb Dm C F Dm Fm Db Bb

Chorus:

Dm Fm

Here is a plea from my heart to you

Db Bb

Nobody knows me as well as you do

Dm Fm

You know how hard it is for me to shake the disease

Db Bb

That takes hold of my tongue in situations like these

repeat chorus 2x

Dm Fm Db Bb Dm

Enjoy the Silence by Depenche Mode

Nice cover1 (note how long each breath/phrase is) (capo1). And interesting duet. Original (capod up 1?).

A nice way to do it is capo'd up. For album key, capo 3.

Intro: / Am / C/G /

Verse 1:

Am

Words like violence

Cm

Break the silence

F

Come crashing in - Into my little world

Am

Painful to me

Cm

Pierce right through me

F

Can't you understand - Oh my little girl

Chorus:

Dm

All I ever wanted

F

All I ever needed

Am C/G

Is here in my arms

Dm F

Words are very unnecessary

Am Ab

They can only do harm

[Intro]

Verse 2:

Am

Vows are spoken

Cm

To be broken

F

Feelings are intense - Words are trivial

Am

Pleasures remain

Cm

So does the pain

F

Words are meaningless - And forgettable

Chorus:

Dm

All I ever wanted

F

All I ever needed

Am C/G

Is here in my arms

Dm F

Words are very unnecessary

Am Ab

They can only do harm

[Verse 1]

[Chorus 2x]

Enjoy the silence

The old way I did it:

[Intro] [Bsus2] [Dm]

Verse 1:

[Bmsus2]Words like violence

[Dm]Break the silence

[G]Come crashing in - Into my little world

[Bmsus2]Painful to me

[Dm]Pierce right through me

[G]Can't you understand - Oh my little girl

Chorus:

[Em]All I ever wanted

[G]All I ever needed

Is [Bmsus2]here in my [Asus2]arms

[Em]Words are very [G]unnecessary

[Bmsus2]They can only do [Bbsus2]harm

[Bsus2] [Dm] [G] [G] 2x

Verse 2:

[Bmsus2]Vows are spoken

[Dm]To be broken

[G]Feelings are intense - Words are trivial

[Bmsus2]Pleasures remain

[Dm]So does the pain

[G]Words are meaningless - And forgettable

Chorus:

[Em]All I ever wanted

[G]All I ever needed

Is [Bmsus2]here in my [Asus2]arms

[Em]Words are very [G]unnecessary

[Bmsus2]They can only do [Bbsus2]harm

[Verse-1]

[Chorus-2x]

Enjoy the silence

Everything Counts by Depeche Mode

original all 80stastic.

The chorus is really high, sung by someone else

ntro (nice with a kazoo for the riff):

(See bottom for the riff)

/ Am / G F / [x8]

Verse1:

Am

The handshake seals the contract,

E

from the contract there's no turning back,

Dm (nice on 5th fret)

the turning point of a career

Am [pause for a bar]

in a career of being insincere.

E Am

The holiday was fun packed,

E A

the contract still intact.

Chorus: (really high - womans voice?)

C G F Am

The grabbing hands grab all they can,

C G Dm F

all for themselves after all.

C G F Am

The grabbing hands grab all they can,

C G Dm F

all for themselves after all.

Am G F

it's a competitive world,

Dm F G Ab

everything counts in large amounts.

[Intro x4]

/ Am / G F /

Verse2:

Am E

The glass on the wall tells the story of it all.

Dm

Picture it now, see just how

Am [pause for a bar]

the lies and deceit gained a little more power.

E Am E A

Confidence taken in / by a suntan and a grin.

Chorus:

C G Dm F

The grabbing hands grab all they can,

C G Dm F

all for themselves after all.

C G F Am

The grabbing hands grab all they can,

C G F

all for themselves after all.

Am G F

it's a competitive world,

Dm F G Ab

everything counts in large amounts.

Outro [repeat to taste, nice to play as E barres]

C G Dm F (or maybe as barres C G Dm Am

The grabbing hands grab all they can,

Dm F G Ab

everything counts in large amounts.

Intro riff:

Am G F

|------------------------------|

|------------------------------|

|------------------------------|

|------------------------------|

|---0-----2--0-----------------|

|------3-----------------------|

Or:

Am G F

|------------------------------|

|---------0--------------------|

|---2- 0-----2-----------------|

|------------------------------|

|------------------------------|

|------------------------------|

Waiting for the Night by Depeche Mode

nice cover, and georgia rose, and original

Melody starts on the 5th.

Capo 3 for album key

[Am]I'm waiting for the night to fall

I know that it will [Cm]save us all

When everything's [G#]dark

Keeps us from the [Cm]stark

[Fm]Reality [G]

[Am]I'm waiting for the night to fall

When everything is [Cm]bearable

And there in the [G#]still

All that you [Cm]feel

Is tran[Fm]quillity [G]

(arpeggiate the chord here?)

[D#]There is a star in the [G#]sky

[Fm]Guiding my way with its [G]light

[D#]And in the glow of the [G#]moon

[Fm]Know my deliverance [G]will come soon

[Am]I'm waiting for the night...

[D#]There is the sound in the [G#]calm

[Fm]Someone is coming to [G]harm

[D#]I press my hands to my [G#]ears

[Fm]It's easier here just to forget [G]fear

[Fm]And when I squinted

The world seemed rose-tinded

[G]And angels appeared to [Cm]descend

[Fm]To my surprise

With half-closed eyes

Things [G]looked even better

Than they were opened

[Am]Been waiting for the night to fall

I know that it would [Cm]save us all

When everything's [G#]dark

Keeps us from the [Cm]stark

[Fm]Reality [G]

[Am]Been waiting for the night to fall

Now everything is [Cm]bearable

And there in the [G#]still

All that you [Cm]feel

Is tran[Fm]quillity [G]

Cactus by The Pixies

Uke version

Melody starts on the tonic (D string 2nd fret)

E5

Sitting here wishing on the cement floor

G5 E5

Just wishing that I had just something you wore

G5 E5 G5 E5

I put it on when I get lonely

Am C D E5

Will you take off your dress and send it to me?

I miss your kissing and I miss your head

And the letter that you're writing doesn't mean you're not dead

Run outside in the desert heat

Make your dress all wet and send it to me

I miss your soup and I miss your bread

And the letter that you're writing doesn't mean you're not dead

So spill your breakfast and drip your wine

Just wear that dress when you di-i-ie

[long period of playing the e, titty kazoo time over an e?]

Sitting here wishing on the cement floor

Just wishing that I had just something you wore

Bloody your hands on a cactus tree

Wipe it on your dress and send it to me

Sitting here wishing on the cement floor

Just wishing that I had just something you wore

Am - C - D - E

Am - C - D - E

In Heaven by the Pixies

The first time they do part 1 then part 2 with just bass notes, then the barrage kicks in.

Probably nice to do with harmonies.

Melody starts on the 5th (G string 2nd fret)

Part 1:

Dm

In Heaven

G Bb

Everything is fine

(x3)

Part 2:

F G G#

You got your good thing

G F Bb F

And I've got mine

Last time:

Dm

In Heaven

G Bb F

Everything is fine

Annurism by Nirvana

album version

This is the key nirvana played in, they didnt tune half step down for this. Maybe they started that later?

Melody starts on the 5th.

Intro:

| F# | C | B | A | x4

| B | | | |

| D | | | |

Verse 1:

B D

Come on over and do the twist

B D

Over do it and have a fit

B D

Love you so much it makes me sick

B D

Come on over and do the twist

Chorus:

F# A B A F# (repeat pattern whole part)

Beat me outta me,

Beat me outta me

Beat me outta me, beat me outta me

Beat me outta me, beat me outta me

Beat me outta me, beat me outta me

Repeat verse 1

Repeat chorus

3rd part, use intro chord pattern

F# C B A

F# C B A F#

She keeps it pumpin' straight to my heart x8

Pennyroyal Tea by Nirvana

In the great MTV Unplugged version, sometimes he plays the Abm as Ab major.

And he tunes down a half step, so hes actually playing Am - G shapes on the verses.

Melody starts on the tonic (D string 6th fret)

Abm F#

I'm on my time with everyone

Abm F#

I have very bad posture

B C# A

Sit and drink Pennyroyal Tea

B C# A

Distill the life that's inside of me

B C# A

Sit and drink Pennyroyal Tea

B C# A

I'm anemic royalty

Abm F#

Give me a Leonard Cohen afterworld

Abm F#

So I can sigh eternally

B C# A

I'm so tired I can't sleep

B C# A

I'm a anemic roalty

B C# A

I'm a liar and a thief

B C# A

I'm anemic royalty

Abm F#

I'm on warm milk and laxatives

Abm F#

Cherry-flavored antacids

B C# A

Sit and drink Pennyroyal Tea

B C# A

Distill the life that's inside of me

B C# A

I'm anemic royalty

B C# A

I'm anemic royalty

Smells Like Teen Spirit by Nirvana

Fun with the power chords. Main pattern is:

F5 / Bb5 / G#5 / C#5

Played sometimes as full power chords, sometimes as bassline.

[Intro]

(Play full powerchords)

[Verse 1]

[Play just bassline, and guitar notes B1 E1 or G5 B6]

Load up on guns and bring your friends

It's fun to lose and to pretend

She's over bored and self assured

Oh no, I know a dirty word

[Can play light chords here? In song drums kick in]

Hello, hello, hello, how low?

Hello, hello, hello, how low?

Hello, hello, hello, how low?

Hello, hello, hello!

[Chorus]

[Power chords again]

With the lights out, it's less dangerous

Here we are now, entertain us

I feel stupid and contagious

Here we are now, entertain us

A mulatto, an albino

A mosquito, my libido

F5 033xxx F5 F#5 [G3 note bent] C5 Bb5 C5 / G#5 G5 F5 [x2]

Hey!

[Verse 2]

[Back to bass pattern with the notes B1 E1 or G5 B6]

I'm worse at what I do best

And for this gift I feel blessed

Our little group has always been

And always will until the end

Hello, hello, hello, how low?

Hello, hello, hello, how low?

Hello, hello, hello, how low?

Hello, hello, hello!

[Chorus]

[Verse 3]

And I forget just why I taste

Oh yeah, I guess it makes me smile

I found it hard, it's hard to find

Oh well, whatever, nevermind

Hello, hello, hello, how low?

Hello, hello, hello, how low?

Hello, hello, hello, how low?

Hello, hello, hello!

[Outro]

A denial, a denial

A denial, a denial

A denial, a denial

A denial, a denial

A denial

Time is On My Side by the Stones

Great harmonies. D is starting note (B 3rd fret)

Strumming pattern has heavy 3/4 feel

Chorus:

F Bb C

Time is on my side, yes, it is.

F Bb C

Time is on my side, yes, it is .

Verse 1:

Dm C Dm G

Now you always say..that you want to be free.

C Bb

But you'll come running back (said you would baby.)

C Bb

You'll come running back (I said so many times before.)

C Bb C C7

You'll come running back to me.

Chorus:

F Bb C

Oh, time is on my side, yes, it is.

F Bb C

Time is on my side, yes, it is.

Verse 2:

Dm C Dm G

You're searching for good times..but just wait and see.

C Bb

You'll come running back (I said you would, darling.)

C Bb

You'll come running back (spend the rest of my life with you, baby)

C Bb C C7

You'll come running back to me.

Bridge (spoken, with titty kazoo, CAN SKIP):

Bb F

Go ahead, baby, go ahead and light up the town.

Bb Dm

And baby, do everything your heart desires..

Bb

remember, I'll always be around.

Bb Dm

And I know, I know..like I told you so many times before..

you're gonna come back..

G7 C

you're gonna come back knocking..yeah, knocking right on my door.

Yeah, yeah.

Chorus:

F Bb C

Time is on my side, yes, it is.

F Bb C

Time is on my side, yes, it is .

Verse 3:

Dm C Dm G

Cause I got the real love..the kind that you need.

C Bb

You'll come running back (said you would, baby.)

C Bb

You'll come running back (I always said you would.)

C Bb C

You'll come running back to me.

Outro:

F Bb C

Yes, time, time, time, is on my side, yes, it is.

F Bb C

Time, time, time, is on my side, yes, it is.

F Bb C

Oh, time, time, time, is on my side, yes, it is..(Fade.)

Paint it Black by the Rolling Stones

Melody starts on the tonic.

Verse 1:

Em B

I see a red door and I want it painted black.

Em B

No colours anymore I want them to turn black.

Em D G D Em

I see the girls walk by dressed in their summer clothes.

Em D G D A B

I have to turn my head un-til my darkness goes.

Verse 2:

Em B

I see a line of cars and they're all painted black.

Em B

With flowers and by love both never to come back.

Em D G D Em

I see people turn their heads and quickly look away.

Em D G D A B

Like a new born baby it just happens every day.

Verse 3:

Em B

I look inside myself and see my heart is black.

Em B

I see my red door and I want it painted black.

Em D G D Em

Maybe then I'll fade a-way and not have to face the facts.

Em D G D A B

It's not easy facing up when your whole world is black.

Verse 4:

Em B

No more will my green sea go turn a deeper blue.

Em B

I could not forsee this thing happening to you.

Em D G D Em

If I look hard e-nough in-to the setting sun

Em D G D A B

My love will laugh with me be-fore the morning comes.

Outro:

Em B

Hm Hm Hm Hm Hm Hm Hm Hm Hm Hm Hm hmmm... (repeat to taste)

Mothers Little Helper by the Rolling Stones

Am C D Em

What a drag it is getting old

Em

Em

Kids are different today, I hear every mother say

F D

Mother needs something today to calm her down

G C Am

And though she's not really ill, there's a little yellow pill

Am D7

She goes running for the shelter of a mother's little helper

Em

And it helps her on her way, gets her through her busy day

Em

Em

Things are different today, I hear every mother say

F D

Cooking fresh food for her husband's just a drag

G C Am

So she buys an instant cake and she burns her frozen steak

Am D7

She goes running for the shelter of a mother's little helper

Em

And it helps her on her way, gets her through her busy day

Em

C D

Doctor, please, some more of these

G C

Outside the door she took four more

Am C D Em

What a drag it is getting old

Em

Em

Men just aren't the same today, I hear every mother say

F D

They just don't appreciate that you get tired

G C Am

They're so hard to satisfy, you can tranquilize your mind

Am D7

She goes running for the shelter of a mother's little helper

Em

And it helps her on her way, gets her through her busy day

Em

C D

Doctor, please, some more of these

G C

Outside the door she took four more

Am C D Em

What a drag it is getting old

Em

Life's just much too hard today, I hear every mother say

F D

The pursuit of happiness just seems a bore

G C Am

And if you take more of those, you will get an overdose

Am D7

No more running for the shelter of her mother's little helper

Em

They just help you on your way through your busy dying day

Em

G G C G G Hey!

Love in Vain by Rolling Stones

Nice live version. Learn that intro! Lesson

They capo on 3 on the album version, but all live versions are played without capo. Full and good tab is here.

In 3/4 time. G is played without the high D on the B string.

Intro:

D

|--------2------------2-----|--------3------------|

|------3---3--------3---3---|----0---0------------|

|-----2------2----2-------2-|----2/4----4/2-0-----|

|--0-----------0------------|------------------2--|

|---------------------------|---------------------|

|---------------------------|--0------------------|

C G D

|--------------------------|-----3-3-1-----3-|--------2-----------2------|

|--------1--1-----1-----1--|-----0-0-0-------|------3---3-------3---3----|

|----0---0h20-0---0-0---0--|-----0-0-0-------|----2-------2---2-------2--|

|----0h2------0h2---0h2----|-----------------|--0-----------0------------|

|--3-----------------------|-----------------|---------------------------|

|--------------------------|--3--------------|---------------------------|

[VERSE 1]

G G7

Well I followed her to the station, with a suitcase in my hand

C D7/F#

Yeah I followed her to the station, with a suitcase in my hand

G D Gus4

G D D/F#

Well it's hard to tell, it's hard to tell

Em7 C G7 D

when all your love's in vain

[VERSE 2]

G

When the train come in the station

G7

I looked her in the eye

C

Well the train come in the station

D7/F#

and I looked her in the eye

Instrumental Break - G D Gus4

G D D/F#

Whoa I felt so sad so lonesome

Em7 C G7 D

that I could not help but cry

TITTY KAZOO!

[VERSE 3]

G

When the train left the station

G7

it had two lights on behind

C

Yeah, when the train left the station

D7/F#

it had two lights on behind

Instrumental Break - G D Gus4

G D D/F#

Whoa the blue light was my baby

Em7 C G7 D

when all your love's in vain

[VERSE 4]

G

Well I followed her to the station

G7

with a suitcase in my hand

C

Yeah I followed her to the station

D7/F#

with a suitcase in my hand

Instrumental Break - G D Gus4

G D D/F#

Well it's hard to tell, it's hard to tell

Em7 C G7 D

and the red light was my mind

-O=utro-

G G7

All my love's in vain

C D7/F#

Ooo hey hey

Instrumental Break - G D Gsus4 G

D D/F#

Ooo

Em7 C G7 D

All my love's in vain

G7

The Last Time by the Rolling Stones

Nice cover with tabs

Fun to do with Raz with me starting with the chords muted, and he comes in with the riff. Tehn after chorus he takes a lead.

Intro and main riff::

e|---------------|

b|--3---5---3---2|

g|4---4---4---2--|

E D A E D A

Well I told you once and I told you twice

E D A E D A

But ya never listen to my advice

E D A E D A

You dont try very hard to please me

E D A E D A

With what you know it should be easy

Chorus:

A

Well this could be the last time

This could be the last time

D

Maybe the last time

A E D A

I don t know. oh no. oh no

[same E / D / A riff throughout]

Well, Im sorry girl but I can t stay

Feeling like I do today

Its too much pain and too much sorrow

Guess Ill feel the same tomorrow

[Chorus]

Well I told you once and I told you twice

That someone will have to pay the price

But here s a chance to change your mind

cuz I ll be gone a long, long time

[Chorus]

Jam outro:

D

Maybe the last time

A E D A

I don t know. oh no. oh no

No Expectations by Rolling Stones

Keith palyed it in open G, but can get some of that same open feeling by playing the A as an E on 5th fret. Joan Baez does this some awesomely (in F#)

Intro (verse pattern, starting with E, sliding up to 5th fret, etc.

A E A E

Take me to the station, and put me on a train

A E D A E A E

I've got no expectation, to pass through here again

A E A E

Once I was a rich man, and now I am so poor

A E D A E A E

But never in my sweet short life, have I felt like this before

A E A E

You heart is like a diamond, you throw your pearls at swine

A E D A E A E

And as I watch you leaving me, you pack my peace of mind

[Titty over a verse?]

A E A E

Our love was like the water, that splashes on a stone

A E D A E A E

Our love is like our music, its here, and then its gone

A E A E

So take me to the airport, and put me on a plane

A E D A E A E

I got no expectations, To pass through here again

[Titty over a verse?]

Dear Doctor by Rolling Stones

Oddly hard to pull off. For one thing its tuned down a half step. But also just generally tricky. And changes key near end. Tutorial on the guitar parts here.

E

Oh help me, please doctor, I'm damaged

E A A7

There's a pain where there once was a heart

E

It's sleepin, it's a beatin'

D A E

Can't ya please tear it out, and preserve it

B E

Right there in that jar?

E

Oh help me, please mama, I'm sick'ning

E A A7

It's today that's the day of the plunge

E

Oh the gal I'm to marry

D A

Is a bow-legged sow

E B E

I've been soakin' up drink like a sponge

E

"Don't ya worry, get dressed," cried my mother

E A A7

As she plied me with bourbon so sour

E

Pull your socks up, put your suit on

D A

Comb your long hair down,

E B E

For you will be wed in the hour

E

So help me, please doctor, I'm damaged

E A A7

There's a pain where there once was a heart

E

I'm sleepin, it's a beatin'

D A E

Can't ya please take it out, and preserve it

B E

Right there in that jar?

[modulation: xxx434 xxx545 xxx656 xxx767]

A

Oh help me, please doctor, I'm damaged

D D7

There's a pain where there once was a heart

A

It's sleepin, it's a beatin'

G D A

Can't ya please tear it out, and preserve it

E A

Right there in that jar?

A

I was tremblin' as I put on my jacket

D D7

It had creases as sharp as a knife

A

I put the ring in my pocket

G D

But there was a note

A E A

And my heart it jumped into my mouth

A

It read, "Darlin', I'm sorry to hurt you.

D D7

But I have no courage to speak to your face.

A G D

But I'm down in Virginia with your cousin Lou

A E A

There will be no wedding today."

A

So help me, please doctor, I'm damaged

D D7

You can put back my heart in its hole

A G D

Oh mama, I'm cryin' Tears of relief

A E A

And my pulse is now under control

Honky Tonk Woman by Rolling Stones

Original is in open G tuning.

Starting note is G (open G string)

G C

I met a gin-soaked barroom queen in Memphis

G A D

She tried to take me upstairs for a ride

G C

She had to heave me right across her shoulders

G D G

cause I just can't seem to drink her off my mind

Chorus [open B string note on honky]:

G D G

Shes a Honky-tonk woman

G D G

Gimmie, gimmie, gimmie those honky-tonk blues

G C

I layed a divorcee in New York City

G A D

I had to put up some kind of a fight

G C

The lady then she covered me with roses

G D G

She blew my nose and then she blew my mind

[Chorus]

1st verse from Country Honk (a bit different):

I'm sittin' in a bar tippling a jar in Jackson

And on the street the summer sun it shines

There's many a bar-room queen

I've had in Jackson

But I just can't seem to drink you off my mind

Dead Flowers by Rolling Stones

Intro: Dsus2 / D / A / G / D

D A G D

Well when you're sitting there in your silk upholstered chair

A G D

Talkin' to some rich folk that you know

A G D

Well I hope you won't see me in my ragged company

A G D

Well, you know I could never be alone

Chorus:

A D

Take me down little Susie, take me down

A D

I know you think you're the queen of the underground

G D

And you can send me dead flowers every morning

G D

Send me dead flowers by the mail

G D

Send me dead flowers to my wedding

A G D

And I won't forget to put roses on your grave

D A G D

Well, when you're sitting back in your rose pink Cadillac

A G D

Making bets on Kentucky Derby Day

A G D

I'll be in my basement room with a needle and a spoon

A G D

And another girl to take my pain away

[Chorus]

[Titty over a verse]

[Chorus]

A G D

No, I won't forget to put roses on your grave

[Good ending chord: D7 (C7 shape on 5)]

Let It Bleed by the Rolling Stones

Had fun doing it in B with Raz, but I think this version in C works well too.

C F

Well we all need someone we can lean on,

G G7 C

and if you want it, well you can lean on me

F

Well, we all need someone we can lean on,

G G7 C

and if you want it, well you can lean on me

E7 F

She said my breasts they will always be open;

G G7 C

baby, you can rest your weary head right on me

E7 F

And there will always be a space in my parking lot;

G G7

when you need a little coke and sympathy

C F

Yeah, we all need someone we can dream on,

G G7 C

and if you want it, well you can dream on me

F

Yeah, we all need someone we can cream on,

G G7 C

and if you want to, well you can cream on me

E7 F

I was dreaming of a steel guitar engagement;

G G7 C

when you drink my health in scented jasmine tea

E7 F

You knifed me in my dirty filthy basement;

G

with that jaded faded junky nurse,

G7

oh, what pleasant company

C F

We all need someone we can feed on,

G G7 C

and if you want it, well you can feed on me

Take my arm, take my leg,

F

oh, baby, don t you take my head

C F

We all need someone we can bleed on, (yeh)

G G7 C

and if you want it, baby, well you can bleed on me (yeh)

C F

We all need someone we can bleed on, (yeh, yeh)

G G7 C

and if you want it, why don t you bleed on me

C F G G7 C 2x

C F G

Ahh, bleed it alright, bleed it alright, bleed it alright,

G7 C

you can bleed all over me

C F G

Bleed it alright, bleed it alright, you can be my rider,

G7 C

you can cum all over me

C F G

Bleed it alright, baby, bleed it alright, bleed it alright,

G7 C

you can cum all over me

C

Bleed it alright, baby cum all over me

C F G G7 C 2x

Play With Fire by the Rolling Stones

The riff follows the melody on the E and B strings during the verses. Heres a nice tutorial showing h ow its done.

Intro = chorus pattern ("so don't play with me...")

/ G / D / G / C / Em E0 B3 E0

Em (play the riff on B and E strings)

B3 E0 E3 E0 B3 E0 B0 B0 B3 E0 E3 E0 E0

Well, you've got your diamonds and you've got your pretty clothes

B0 B0 B3 E0 E3 B3 E0

And the chauffeur drives your car

B0 B0 B3 E0 E3 B3 E0

You let everybody know

G D G C Em

But don't play with me, cause you're playing with fire

Em

Your mother she s an heiress, owns a block in Saint John s Wood

And your father d be there with her

If he only could

G D G C Em

But don't play with me, cause you're playing with fire

Em

Your old man took her diamond s and tiaras by the score

Now she gets her kicks in Stepney

Not in Knightsbridge anymore

G D G C Em

But don't play with me, cause you're playing with fire

Em

Now you ve got some diamonds and you will have some others

But you d better watch your step, girl

Or start living with your mother

G D G C Em

So don't play with me, cause you're playing with fire

G D G C Em

So don't play with me, cause you're playing with fire

Who By Fire - Leonard Cohen

album

Pattern is Am - G - Am twice, then C - G - C twice.

Sounds nice a bit fast.

Melody starts on the tonic, A string open.

Am G Am

And who by fire

Am G Am

Who by water

C G C

Who in the sunshine

C G C

Who in the night time

Am G Am

Who by high ordeal

Am G Am

Who by common trial

C G C

Who in your merry merry month of may

C G C

Who by very slow decay

Am F E

And who, who shall I say is calling?

And who in her lonely slip

Who by barbiturate

Who in these realms of love

Who by something blunt

And who by avalanche

Who by powder

Who for his greed

Who for his hunger

Am F E

And who, who shall I say is calling?

And who by brave assent

Who by accident

Who in solitude

Who in this mirror

Who by his lady's command

Who by his own hand

Who in mortal chains

Who in power

Am F E

And who, who shall I say is calling?

Our Lips are Sealed by the Go Gos

Tuned half step down on album

Intro: A G D x 2

Verse 1:

A G

Can you hear them? They talk about us,

D

Telling lies, well thats no surprise

A G

Can you see them? See right through them.

D

They have no shields, no secrets to reveal.

Chorus:

F D

It doesn't matter what they say

Bb E A

In the jealous games people play, he-he-hey!

D A

Our lips are sealed.

Verse 2:

A G

There's a weapon, we must use

D

In our defense: silence

A G

When you look at them, look right through them,

D

That's when they'll disappear, thats when youll be feared.

Chorus:

F D

It doesn't matter what they say

Bb E A

In the jealous games people play, he-he-hey!

D A

Our lips are sealed.

F D

Pay no mind to what they say,

Bb E A

It doesn't matter anyway, he-he-hey!

D A

Our lips are sealed.

A... [slower]

Bridge (play A):

Hush, my darling, dont you cry.

Quiet, angel, forget their lies.

Repeat verses, then jam on:

D A

Our lips are sealed.

D A

Our lips are sealed.

D A

Our lips are sealed.

Head Over Heels by the Go Go's

Original

Album key is D, but nice down in G for guy's voice. Also nice capo'd up 1 or 2.

Intro: Piano

Been running

G C

So long, I've nearly lost all track of time

G C

In every direction, I couldn't see the warning signs

F C

I must be losin' it, cause my mind plays tricks on me

G D

It looks so easy, but you know looks sometimes deceive

G C

Been running so fast, right from the starting line

G C

No more connections, I don't need any more advice

F C

One hand's just reaching out, and one's just hanging on

G D

It seems my weaknesses just keep going strong

CHORUS:

G D A

Head over heels, where should I go

A E G

Can't stop myself, out of control

D A

Head over heels, no time to think

E G

Looks like the whole world's out of sync

G C

Been running so hard, when what I need is to unwind

G C

The voice of reason is one I left so far behind

F C

I waited so long, so long to play this part

G D

And just remembered that I'd forgotten about my heart

[Chorus x3]

Suffragette City by Bowie

Melody starts on the 5th.

A F (G)

Hey Man Leave me a-lone you know

A F (G)

Hey Man Oh Henry Get off the phone I gotta

A

Hey Man, I gotta

B D

Straighten my face This mellow thighed chick just put my

F G

Spine out of place

Hey Man, my school days insane

Hey Man, my works down the drain

Hey Man, Well She's a Total Blam Blam,

She said she had to squeeze it but she And then she

Chorus:

G A D

Oh don't lean on me man cuz you can't afford the ticket

F C G

I'm back on Suffragette City

A D

Well don't lean on me man cuz you ain't got time to check it

F C G

You know my Suffragette City

A (G)

Its outa sight she's all right

Verse:

A F (G)

Hey Man ah Henry, don't be unkind, go Away

A F (G)

Hey Man ah i can't take you this time, no way

A

Hey Man, ah droogie

B D

Don't crash here Theres only room for one

F G

and here she comes here she come

Chorus

Ah hey man

Chorus

Wham Bam, Thank you Ma'am!

Ending:

E power chord for a measure, then swith to A for Suffragette!

Soul Love by Bowie

(easier to sing in E...)

G

Stone love, she kneels before the grave

Em (D) C

A brave son who gave his life to save the slogan

G

That hovers between the headstone and her eyes

Bm Am D

For they penetrate her grieving

G

New love, a boy and girl are talking

Em

New words that only they can share in

C

New words, a love so strong it tears their hearts

G Bm Am D

To sleep through the fleeting hours of morning

Am Em

Love is careless in its choosing, sweeping over cross and baby

F C

Love descends on those defenseless

D

Idiot love will spark the fusion

C D G7 C

Inspirations have I none just to touch the flaming dove

Cm G D

All I have is my love of love and love is not loving

SAX SOLO: G Em C G Bm Am D

A

Soul love, the priest that tastes the word and

F#m

Told of love and how my God on high is

D A

All love though reaching up my loneliness evolves

C#m Bm E

By the blindness that surrounds him

Bm F#

Love is careless in its choosing, sweeping over cross and baby

G D

Love descends on those defenseless

E

Idiot love will spark the fusion

D E A7 D

Inspirations have I none just to touch the flaming dove

Dm A E

All I have is my love of love and love is not loving

A

La, la, la, la, la, la, la, la

F#m

La, la, la, la, la, la, la, la

D

La, la, la, la, la, la, la, la, la, la

A C#m Bm E

La, la, la, la, la, la, la, la, la

Starman by Bowie

Georgia Rose covering it. And interesting live version. Nice mellow singing.

Some of the solos/riffs are here

Nice to do it pretty fast. Melody starts on the 3rd.

Also nice to do it in Fm (down a step).

Bb/A = x88760

F/E = x33210

(slide same shape between two positions)

Can also add riff like this version, where Bb/A B string goes between 6th and 5th fret, and in F/E it switches between the Fmaj7 and F.

INTRO: Bb/A F/E Bb/A F/E

ha na na....

Gm

Didn't know what time it was, the lights were low

F

I leaned back on my radio

C/G C7 F Ab Bb

Some cat was laying down some rock 'n' roll with a 'lotta soul

Gm

Then the loud sound did seem to fade

F

Came back like a slow voice on a wave of phase

C/G C7 A (bar 5 no bass) G (bar 3 with A5 in bass)

That weren't no DJ that was hazy cosmic jive

CHORUS:

F Dm

There's a Starman waiting in the sky

Am C/G

He'd like to come and meet us

C7

But he thinks he'd blow our minds

F Dm

There's a Starman waiting in the sky

Am C/G

He's told us not to blow it

C7

Cause he knows it's all worthwhile, he told me

Bb Bbm

Let the children lose it

F D7

Let the children use it

Gm C7

Let all the children boogie

But out the titty kazoo!:

Bb F C F

(ha na na na na...)

Bb F C

Gm

I had to phone someone so I picked on you

F

Hey, that's far out so you heard him too

C/G C7 F Ab Bb

Switch on the TV we may pick him up on channel two

Gm

Look out your window, I can see his light

F

If we can sparkle he may land tonight

C/G C7 A G (holding high E5)

Don't tell your poppa or he'll get us locked up in fright

CHORUS 2 and CHORUS 3

Queen Bitch by Bowie

Original is in C, but here way down in E, Lou Reed style, which the song really is anyway...

Verse 1:

E A E B A E B A

I'm up on the eleventh floor and I'm watching the cruisers below

E A E B A E B A

He's down on the street and he's trying hard to pull sister Flo

E A E B A E B A

Oh, My heart's in the basement my weekend's at an all time low

E A

'Cause she's hoping to score so I can't see her letting him go

E G# C#

Walk out of her heart walk out of her mind, (Oh not her)

Chorus:

D# F#

She's so swishy in her satin and tat

D# F#

in her frock coat and bipperty-bopperty hat

D# E B A E B A

Oh God I could do better than that

Verse 2:

E A

She's an old time ambassador of sweet talking night walking games

E A

Oh, and she's known in the darkest clubs for pushing ahead of the dames

E A

If she says she can do it she can do it she don't make false claims

E A

For she's a queen and such are queens that your laughter is sucked in their brains

A E

Now she's leading him on and she'll lay him right down

A G#

Yeah she's leading him on and she'll lay him right down

A E

But it could have been me yes it could have been me

G# C#

Why did'nt I say why did'nt I say, (No, no, no)

Chorus:

D# F#

She's so swishy in her satin and tat

D# F#

in her frock coat and bipperty-bopperty hat

D# E B A E B A

Oh God I could do better than that

Verse 3:

E A

So I lay down a while and I gaze at my hotel wall

E A

Oh the cot is so cold it don't feel like no bed at all

E A

Yeah, I lay down a while and look at my hotel wall

E A

And he's down on the street so I throw both his bags down the hall

G# E

And I'm phoning a cab cause my stomach feels small

A G#

There's a taste in my mouth and it's no taste at all

A E

It could have been me and yes it could have been me

G# C#

Why did'nt I say why did'nt I say, No, no, no

Chorus:

D# F#

She's so swishy in her satin and tat

D# F#

in her frock coat and bipperty-bopperty hat

D# E B A E B A

Oh God I could do better than that

Oh You Pretty Things by Bowie

For album key, capo on 1. Nice live version.

Intro:

/ E / F# / E / D C / x2

/ C C F F / C C F F / C C F F / C C F F

Verse 1:

F C G Dm

Wake up you sleepy head. Put on some clothes, shake up your bed

F C G D

Put another log on the fire for me. I've made some breakfast and coffee.

F C A7

Look out my window what do I see? A crack in the sky and a

Dm Dm/C Bb

Hand reaching down to me.

Bm7b5 (or BmDim?) C

All the nightmares came today

F

And it looks as though they're here to stay

Inst.

Bm7b5 C C#m7b5 D A7

V2.

F C G Dm

What are we coming to? No room for me, no fun for you

F C G D

I think about a world to come where the books were found by the golden ones

F C A7

Written in pain, written in awe by a puzzled man who

Dm Dm/C Bb

questioned what we were here for.

Bm7b5 C F

All the strangers came today. And it looks as though they're here to stay.

Chorus:

F Am ot F/E Dm

Oh! you pretty things

Dm/C or F Bb F

Don't you know you're driving your Mamas and papas insane

F Am Dm

Oh! you pretty things

Dm/C or F Bb F

Don't you know you're driving your Mamas and papas insane

G C Bb F

Let me make it plain. You gotta make way for the homo superior

V3.

F C G Dm

Look out at your children. See their faces in golden rays.

F C G D

Don't kid yourself they belong to you. They're the start of the coming race.

F C

The earth is a bitch. We've finished our news.

A7 Dm Dm/C Bb

Homo sapiens have outgrown their use

Bm7b5 C F

All the strangers came today. And it looks as though they're here to stay

[chorus]

[into]

Sunny Afternoon by the Kinks

Great cover.

capo 5th fret for album key, but I like 3rd fret.

Riff (intro and in chorus):

Am descending bass:

Am - 302210 - 200210 - 1x0210

E descending bass:

E - E7 - 030100 - E7

Verse 1

Am G

The tax man's taken all my dough

C G

And left me in my statley home.

E (descending bass) Am

Lazing on a sunny afternoon.

G

And i can't sail my yacht,

C G

He's taken everything i've got,

E (descending bass) Am

All i've got this sunny afternoon.

Chorus 1

A7 D7

Save me, Save me, Save me from this squeeze,

G C E7

I got a big fat mama trying to break me.

Am D7

And i love to live so pleasantly,

Am D7 (G)

Live this life of luxury,

C E7 Am (play riff)

Lazing on a sunny afternoon,

E7 (continue riff)

In the summertime,

Am (riff) E7 (riff)

In the summertime, In the summertime.

Verse 2

Am G

My girlfriends run off with my car

C G

And gone back to her ma and pa

E (riff) Am

Telling tales of drunkenness and cruelty.

G

Now i'm sitting here,

C G

Sipping on my ice cold beer,

E (riff) Am

Lazing on a sunny after noon.

Chorus 2

A7 D7

Help me, Help me, Help me sail away,

G C E7

Well, give me two good reasons why i oughta stay.

Am D7

'Cause i love to live so pleasantly

Am D7 (G)

Live this life of luxury,

C E7 Am (riff)

Lazing on a sunny afternoon,

E7

In the summertime,

Am E7

In the summertime, In the summertime.

(repeat chorus 1)

Outro, play riff

Am E7

In the summertime, In the summertime,

(I like to end on the A major power chord finish or x02225, or maybe A6...)

Lola by the Kinks

Intro:

C D E

E

I met her in a club down in old Soho

A D E

Where you drink champagne and it tastes just like cherry Cola

A Asus

C-O-L-A Cola

E

She walked up to me and she asked me to dance

A D E

I asked her her name and in a dark brown voice she said Lola

A D C D E

L-O-L-A Lola la-la-la-la Lola

(Same pattern: E A D E / A - Asus)

E

Well I'm not the world's most physical guy

A D

But when she sqeezed me tight she nearly broke my spine

E A Asus

Oh my Lola la-la-la-la Lola

E

Well I'm not dumb but I can't understand

A D

Why she walked like a woman but talked like a man

E A D C D E

Oh my Lola la-la-la-la Lola la-la-la-la Lola

CHORUS #1: (not too high, melody starts on b)

B

Well we drank champagne and danced all night

F#7

Under electric candlelight

A

She picked me up and sat me on her knee

And said "Dear boy, won't you come home with me?"

(melody goes up an octave here - still G# - but maybe stay low...)

E

Well I'm not the world's most passionate guy

A D E

But when I looked in her eyes well I almost fell for my Lola

A D C D E

Lola la-la-la-la Lola la-la-la-la Lola

A D C D E

Lola la-la-la-la Lola la-la-la-la Lola

BRIDGE:

A C#m B A C#m B

I pushed her away, I walked to the door

A C#m B E G#m C#m

I fell to the floor, I got down on my knees

B

Then I looked at her and she at me

E

Well that's the way that I want it to stay

A D E

And I always want it to be that way for my Lola

A Asus

La-la-la-la Lola

E

Girls will be boys and boys will be girls

A D E

It's a mixed up muddled up shook up world except for Lola

A

La-la-la-la Lola

CHORUS #2:

B

Well I left home just a week before

F#7

And I'd never ever kissed a woman before

A

But Lola smiled and took me by the hand

And said "Dear boy, I'm gonna make you a man"

E

Well I'm not the world's most masculine man

A D

But I know what I am and I'm glad that I'm a man

E

And so is Lola

A D C D

La-la-la-la Lola la-la-la-la Lola

E A D C D

Lola la-la-la-la Lola la-la-la-la Lola

Repeat as many time as like, as a jam:

E A D C D

Lola la-la-la-la Lola la-la-la-la Lola

Fooling Yourself by Styx

Great tutorial

Drop D tuning

#1.

D C/D

You see the world through your cynical eyes,

D C/D

You're a troubled young man, I can tell.

D C/D

You've got it all in the palm of your hand,

Bb C/Bb Bb C/Bb

But your hand's wet with sweat and your head needs a rest.

D/A G/A

And you're fooling yourself if you don't believe it.

D/A G/A

You're kidding yourself if you don't believe it.

#2.

D C/D

Why must you be such an angry young man?

D C/D

When your future looks quite bright to me.

D C/D

And how can there be such a sinister plan,

Bb C/Bb Bb

that could hide such a lamb, such a caring young man?

D/A G/A

And you're fooling yourself if you don't believe it.

D/A G/A

You're killing yourself if you don't believe it.

#3.

D Eb/D D C/D D

Get up, get back on your feet.

C/D D Eb/D D C/D D C

You're the one they can't beat, and you know it.

D Eb/D D C/D D

Come on, let's see what you've got.

C/D D Eb/D D C/D D C

Just take your best shot and don't blow it.

G Bb C Gm7 C..G.

#4.

D/A G/A

And you're fooling yourself if you don't believe it.

D/A G/A

You're killing yourself if you don't believe it.

D Eb/D D C/D D

Get up, get back on your feet.

C/D D Eb/D D C/D D C

You're the one they can't beat, and you know it.

D Eb/D D C/D D

Come on, let's see what you've got.

C/D D Eb/D D C/D D C

Just take your best shot and don't blow it.

G Bb C Gm7 C..G.

Unbroken Chain by the Grateful Dead

good cover, super good for reference, especially during the intro and jam.

And theres some good notation in this ukelele transcription.

Intro:

Arpegiate:

| xx3213 | xx2013 | x32013

| bass descend to Am | G |

| xx3213 | xx2013 | x32013

| bass descend to Am, hammer on G0-G2 |

G - Gsus4 - G riff: A5-3-5-7 |

Am C

Dm F

Blue light rain,

Csus4 C

well unbroken chain,

Am Eb *

Looking for familiar faces

F Em G Gsus4 G Am C

in an empty window pane.

Dm F

Listening for the secret,

Csus4 Am

searching for the sound

C (descend) G/B Am

But I could only hear the preacher

G F Em G Gsus4 G

and the baying of his hounds.

Am C

Dm F

Willow sky, woh,

Csus4 C

I walk and wonder why,

F G

They say love your brother,

F Em G Gsus4 G Am C

but you will catch it when you try.

Dm F (Fsus4)

Roll you down the line poor boy,

Csus4 Am

drop you for a loss,

C (descending) G/B Am

Ride you out on the cold railroad

G F Am

and nail you to a cross.

||: G C Fsus4 F :|| 4 times

(da da da da dum - tum, etc)

Am C

Dm F

November and more,

Csus4 C

as I wait for the score,

Dm7 Cmaj7

They're telling me forgiveness

F Em G Gsus4 G Am C

is the key to every door.

Dm F (Fsus4)

A slow winter day

Csus4 Am

a night like forever

C G/B Am

sink like a stone,

G F Em Dm C Dm

float like the feather.

||: G C Fsus4 F :|| 4 times

(da da da da dum - tum, etc)

Jam section. Super tricky, and that cover is great for reference:

slide bass at start from F - to G

| Gm Gm Gm C-Bb | x4

Can be doing the riff on D3-D5 - G5&B5 - G3&B3

Then, repeating during jam:

Dm7 - Cmaj7 - Gm7 - F - Em

Or I think Dm7 - Cmaj7 - Gm7 - Dm7 - Cmaj7.

Weird rhythm. See that cover.

[ deleted i think? Cm7 Fmaj7 Dm7 Em** G Gsus4]

Cm7 Fmaj7

Lilac rain, unbroken chain

Dm7 Em** G Gsus4

Song of the Saw-Whet owl.

Cm7 Fmaj7

Out on a mountain, it'll drive you insane

Dm7 Em** G Gsus4

Listening to the winds howl.

Cm7 Fmaj7

Unbroken chain of sorrow and pearls,

Dm7 Em** G Gsus4

Unbroken chain of sky and sea.

Cm7 Fmaj7

Unbroken chain of the western wind,

Dm7 Em** G Am/G G

Unbroken chain of you and me.

Outro: A7 C D9 Cmaj7 D7 Gsus4

Bm Em C Em Bm G

A Em

Waiting for a Miracle by Leonard Cohen

Ebdim: x01212

Intro: Em

Em

Baby, I've been waiting

D Em

I've been waiting night and day

I didn't see the time

D Em

I waited half my life away

D

There were lots of invitations

Ebdim B7

And I know you sent me some

Em D

But I was waiting

C D Ebdim B7 Em

For the miracle, for the miracle to come

I know you really loved me

But, you see, my hands were tied

I know it must have hurt you

It must have hurt your pride

To have to stand beneath my window

With your bugle and your drum

And me I'm up there waiting

For the miracle, for the miracle to come

Ah I don't believe you'd like it

You wouldn't like it here

There ain't no entertainment

And the judgements are severe

The Maestro says it's Mozart

But it sounds like bubble gum

When you're waiting

For the miracle, for the miracle to come

Am

Waiting for the miracle

Em

There's nothing left to do

B7

I haven't been this happy

Em

Since the end of World War II

Am

Nothing left to do

When you know that you've been taken

Em

Nothing left to do

When you're begging for a crumb

C

Nothing left to do

When you've got to go on waiting

Ebdim B

Waiting for the miracle to come

Yeah I dreamed about you, baby

It was just the other night

Most of you was naked

Ah but some of you was light

The sands of time were falling

From your fingers and your thumb

And you were waiting

For the miracle, for the miracle to come

Ah baby, let's get married

We've been alone too long

Let's be alone together

Let's see if we're that strong

Yeah let's do something crazy

Something absolutely wrong

While we're waiting

For the miracle, for the miracle to come

Nothing left to do

When you know that you've been taken

Nothing left to do

When you're begging for a crumb

Nothing left to do

When you've got to go on waiting

Waiting for the miracle to come

When you've fallen on the highway

And you're lying in the rain

And they ask you how you're doing

Of course you say you can't complain

If you're squeezed for information

That's when you've got to play it dumb

You just say you're out there waiting

For the miracle, for the miracle to come

Hey Hey What Can I Do by Zeppelin

good reference cover

Intro:

e|---------3-| |---------|

B|---------0-| |---------|

G|---------0-| (Strum G) |---------|

D|-----0^2-0-| |-3-3-0-2-|

A|-1^2-----2-| Play riff 4x |---------|

E|---------3-| |---------|

F - F - C

Main riff:

E|----------------------

B|----------------------

G|----------------------

D|------0-2b^p0---------

A|--1-2---------2-------

E|----------------3-----

Verse 1:

G D F C

I wanna tell you 'bout the girl I love.

My she looks so fine.

G D F C

And she's the only one that I've been dreaming of.

Maybe someday she will be all mine. [Fill]

G D F C

I wanna tell her that I love her so.

I thrill with her every touch.

G D F C

I need to tell her she's the only one I really love...

Chorus:

G G F F C

..............I got a woman wanna ball all day.

G G F F C

..............I got a woman, she won't be true no.

G G F F C

..............I got a woman stay drunk all the time.

G G F F C

..............I said I got a little woman and she won't be true.

Verse 2:

G D F C

Sunday morning when we go down to church,

See the men folk standing in line.

G D F C

They say they come to pray to the lord.

For when my little girl looks so fine. [Fill]

G D F C

And in the evening when the sun is sinking low,

Everybody's with the one they love.

G D F C

I walk the town keep a'searching all around.

Looking for my street corner girl...

Chorus:

G G F F C

..............I got a woman wanna ball all day.

G G F F C

..............I got a woman, she won't be true no no.

G G F F C

..............I got a woman stay drunk all the time.

G G F F C

..............I said I got a little woman and she won't be true.

Verse 3:

G D F C

In the bars where the men who play guitars sit there

drinking and remembering the times.

G D F C

My little lover does a midnight shift

She fools around all of the time. [Fill]

G D F C

I guess there's just one thing left for me to do

I'm gonna pack my bags and go on my way.

G D F C

'Cause I got a worried mind sharing what I thought was mine

Gonna leave her when the guitars play...

Chorus:

G G F F C

..............I got a woman, she won't be true no no.

G G F F C

..............I got a woman wanna ball all day.

G G F F C

..............I got a woman stay drunk all the time.

G G F F C

..............I got a little woman and she won't be true.

G G F F C ____

{Hey Hey what can I do) |

|-Repeat 6x

G G F F C ____|

(Oh no what can I say)

Gallows Pole by Led Zeppelin

Intro/Riff

E|-------0-0-0--0-0-0-0-0--/-0-0--0--/-0-0-0--| x4

B|-------2-0-2--2-0-1-1-1--/-3-3--3--/-2-0-2--|

G|-------0-0-0--0-0-0-0-0--/-0-0--5--/-0-0-0--|

D|-------2-2-2--2-2-2-2-2--/-4-4--4--/-2-2-2--|

A|---0----------------------------------------|

E|--------------------------------------------|

Hangman, hangman, hold it a little while

I think I see my friends comin

G D A

riding many mile

Riff x2

Did you get a some silver, you get a little gold

what did you bring me my good friends

G D A

to keep me from the gallows pole

what did you bring me

G D A

keep me from the gallows pole

I couldn't get no silver

I couldn't get no gold

you know that we're too damn poor

to keep you from the gallows pole

Chours

A G D G

Hangman Hangman

A D G

hold it a little while

A G D G

I think I see my brother commin

G A/G A A/G A

ridin a many mile

Brother you get a little silver, you get a little gold

what did you bring me, my brother

to keep me from the gallows pole

Brother I brought you some silver

I brought a little gold

I Brought a little of everything

keep you from the gallows pole

Ya I brought you

to keep you from the gallows pole

Chours

A G D G

Hangman Hangman

A D G

turn your head awhile

A G D G

I think I see my sister commin

G A/G A A/G A

ridin many mile

Sister I emplore you take him by the hand

take him to some shady spot and

sit him on the love of his man

please take him

sit him on the rock of main man man

Chours

A G D G

Hangman Hangman

A D G

on your face a smile

A G D G

Pray tell me that I'm free to ride,

G A/G A A/G A

Ride for many mile

Yes you've got a fine sister

she want my blood to boil

she want my blood to boil in her

to keep you from the gallows pole

Your brother brought me silver

and your sister want my sole

for now I laugh oh so hard

she's swinging on my gallows pole

for now I laugh oh so hard

she's swinging on my gallows pole

swinging on my gallows pole

swinging on my gallows pole

swinging on my gallows pole

Black Dog by Led Zeppelin

Zeppelin does it is A, but kind of nice to do in E. Im not positive its A major, the melody definitely hits the minor 3rd a lot, but sounds good with major. Nice to do with a Dred Zeppelin vibe.

Melody starts on the tonic. Fun to sing along with the riff, see voice memo note.

Riff 1: starts on the E

Riff 2: starts on the B, then goes to Riff 1

Intro: riff1 - A (fun to sing along with riff)

A

Hey hey mama said the way you move,

Gon' make you sweat, gon' make you groove.

Ha ha child the way you shake that thing,

Gonna make you burn, gonna make you sting.

Hey hey baby when you walk that way,

Watch your honey drip, can't keep away.

Riff 2 (Starting on the B)

B pattern (or just play A - G whole time, like chorus):

A G A G E (bar7) D A

Oh yeah, oh yeah, ah, ah, ahh.

A G A G E D A

Oh yeah, oh yeah, ah, ah, ahh.

I gotta roll, can't stand still,

Got a flaming heart, can't get my fill.

Eyes that shine burning red,

Dreams of you all through my head.

Chorus:

A G A G A G

Ah-ah, ah-ahh ah-ah, ah ahh, ah-ahh ah-ah ahh.

Bridge:

A G A G A G

Hey baby, whoa baby, pretty baby

E (bar7) D A

Darling give it to me now.

Hey baby, oh baby, pretty baby

Move the way you're doing now.

Didn't take too long before I found out,

What people mean by down and out.

Spent my money, took my car

Started telling her friends she gonna be a star.

I don't know, but I been told

Big-legged woman ain't got no soul.

Riff 1 then Riff 2

Bridge:

A G A G E (bar7) D A

Oh yeah, oh yeah, ah, ah, ahh.

A G A G E D A

Oh yeah, oh yeah, ah, ah, ahh.

All I ask for, all I pray

Steady rolling woman gonna come my way.

Need a woman to hold my hand

Won't tell me no lies, make me a happy man.

Chorus:

A G A G A G

Ah-ah, ah-ahh ah-ah, ah ahh, ah-ahh ah-ah ahh.

What Is and What Should Never Be by Led Zeppelin

Nice tutorial for official internet version...

End section riff:

|------------------------------0--|

|------------------------------0--|

|---------9-9-------- 7-7------9--|

|--9-9----9-11---7-7--7-9------9--|

|--9-11----------7-9---------- 7 -|

|------------------------------0--|

And during chorus, you can play the open A with the riff going down the G string (starts on G 7th fret). But I like the chords, but if someone else is playing the chords, that could sound nice.

And remember, we do post Dred Zeppelin Zeppelin.

A13 = x05670

E9 = 076770 (note that some people say open A string)

Intro: just hit the low E to set the key, then sing the first line.

E9 A13

And if I say to you tomorrow,

take my hand child come with me.

It's to a castle I will take you,

Well what's to be they say will be.

Chorus: (starts on tonic)

[A]Catch the wind, see us spin, [A/G]sail-away leave today,

[A/F#]way up high in the sky - [D]hey [A]whoa,

But the [A]wind won't blow, you [A/G]really shouldn't go,

it [A/F#]only goes to show [D A],

that [B]you will be [B/A]mine, by [B/G#]taking our time. [E B F# A g-e]

And if you say to me tomorrow,

oh what fun it all would be.

Then what's to stop us pretty baby,

but what is and what should never be.

Chorus:

[A]Catch the wind, see us spin, [A/G]sail-away leave today,

[A/F#]way up high in the sky - [D]hey [A]whoa,

But the [A]wind won't blow, you [A/G]really shouldn't go,

it [A/F#]only goes to show [D A],

that [B]you will be [B/A]mine, by [B/G#]taking our time. [E B F# A]

So if you wake up with the sunrise,

and all your dreams are still as new,

and happiness is what you need so bad,

well girl the answer lies with you

Chorus:

[A]Catch the wind, see us spin, [A/G]sail-away leave today,

[A/F#]way up high in the sky - [D]hey [A]whoa,

But the [A]wind won't blow, you [A/G]really shouldn't go,

it [A/F#]only goes to show [D A],

that [B]you will be [B/A]mine, by [B/G#]taking our time. [E B F# A]

Chords for slide guitar titty kazoo:

(E sounds nice as D shape on 4th fret)

E A (D) A E

End section riff through this part:

Oh the wind wont blow and we really shouldn't go and it only goes to show, whoa whoa whoa.

Catch the wind, we're gonna see it spin, we're gonna...sail, leave today

do do do, bop bop a do-oh, my my my my my my yeah.

Everybody I know seems to know me well

but they're never gonna know that I move like hell.

Ramble On by Led Zeppelin

Intro and verse riff (see here):

E A

|-x-------------0--0--------|

|-9-------------5--5--------|

|-9---7--9------6--7--------|

|-9---7--7------7--7--------|

|-7---7--9------0--0--------|

|-0---0--0------------------|

Pre-chorus:

E C# A E

|-0-------------0-----------|

|-0------5--5---0-----------|

|-1---6--4--6---1-----------|

|-2---------7---2-----------|

|-2---4--6--0---2-----------|

|-0-------------0-----------|

Chorus:

E A D5

|-x-------------------------|

|-9-------3~5~3~5~3---------|

|-9--9----------------------|

|-9--7----5~7~5~3~5---------|

|-7--9----0-----------------|

|-0--0----------------------|

Leaves are falling all around, It's time I was on my way.

Thanks to you, I'm much obliged for such a pleasant stay.

But now it's time for me to go. The autumn moon lights my way.

For now I smell the rain, and with it pain, and it's headed my way.

[Pre-chorus]

Sometimes I grow so tired, but I know I've got one thing I got to do...

[Chorus]

Ramble On, And now's the time, the time is now, to sing my song.

I'm goin' 'round the world, I got to find my girl, on my way.

I've been this way ten years to the day, Ramble On,

Gotta find the queen of all my dreams.

Got no time to for spreadin' roots, The time has come to be gone.

And to' our health we drank a thousand times, it's time to Ramble On.

[Chorus]

Mine's a tale that can't be told, my freedom I hold dear.

How years ago in days of old, when magic filled the air.

T'was in the darkest depths of Mordor, I met a girl so fair.

But Gollum, and the evil one crept up and slipped away with her, her, her....yeah.

[Chorus]

Gonna ramble on, sing my song. Gotta keep-a-searchin' for my baby...

Gonna work my way, round the world. I can't stop this feelin' in my heart

Gotta keep searchin' for my baby. I can't find my bluebird!

Stairway to Heaven by Led Zeppelin

That calm slow way we were doing at Gametones. See voice memo.

Heres a tab.

Riff 1 = 5th fret magiggy

Riff 2:

C / D / FM7 / Am

C / G / Dsus D /

Riff 3:

|-3---3-3-3--3--0-3-|-2-------2-------|-3--3-3-3--3--0-0---7-|--5---3---5----|

|-1---1-1-1--1--1-3-|-3--3--3---3-0-0-|-1--1-1-1--1--1-1---8-|--7---5---7----|

|-2---2-2-2--2--2-2-|-2-----------0-0-|-2--2-2-2--2--2-2---9-|--7---5---7----|

|-2---2-2-2--2--2---|---0-------------|-2--2-2-2--2--2-2---0-|-------------0-|

|-------------------|-----------------|----------------------|-------------0-|

|-------------------|-----------------|----------------------|---------------|

Am7 Dsus D Oooh it makes me wonder

Riff 4:

C / x2003x / Am / Am

C / x2003x / FM7 / Am

(The more correct way to play what Im calling a D is probably x2003x, but the D sounds nice)

[riff 1]

There's a lady who's sure all that glitters is gold

And she's buying a stairway to heaven.

When she gets there she knows, if the stores are all closed

With a word she can get what she came for.

[riff 2]

Ooh, ooh, and she's buying a stairway to heaven.

[Riff 2a]

There's a sign on the wall but she wants to be sure

'Cause you know sometimes words have two meanings.

In a tree by the brook, there's a songbird who sings,

Sometimes all of our thoughts are misgiven.

[Riff 3]

Ooh, it makes me wonder,

Ooh, it makes me wonder.

[Riff 1 or 2, I like 1]

There's a feeling I get when I look to the west,

And my spirit is crying for leaving.

In my thoughts I have seen rings of smoke through the trees,

And the voices of those who stand looking.

Ooh, it makes me wonder,

Ooh, it really makes me wonder.

[Riff 2]

And it's whispered that soon, if we all call the tune,

Then the piper will lead us to reason.

And a new day will dawn for those who stand long,

And the forests will echo with laughter.

[Riff 4]

If there's a bustle in your hedgerow, don't be alarmed now,

It's just a spring clean for the May queen.

Yes, there are two paths you can go by, but in the long run

There's still time to change the road you're on.

And it makes me wonder.

Your head is humming and it won't go, in case you don't know,

The piper's calling you to join him,

Dear lady, can you hear the wind blow, and did you know

Your stairway lies on the whispering wind?

And as we wind on down the road

Our shadows taller than our soul.

There walks a lady we all know

Who shines white light and wants to show

How everything still turns to gold.

And if you listen very hard

The tune will come to you at last.

When all are one and one is all

To be a rock and not to roll.

And she's buying a stairway to heaven.

Over the Hills and Far Away by Led Zeppelin

Hey lady--you got the love I need

Maybe more than enough.

Oh Darling... walk a while with me

You've got so much...

Many have I loved - Many times been bitten

Many times I've gazed along the open road.

Many times I've lied - Many times I've listened

Many times I've wondered how much there is to know.

Many dreams come true and some have silver linings

I live for my dream and a pocketful of gold.

Mellow is the man who knows what he's been missing

Many many men can't see the open road.

Many is a word that only leaves you guessing

Guessing 'bout a thing you really ought to know, ooh!

You really ought to know...

Ice Cream Man by Van Halen

Originally by John Brim

I think originally in D, with drop D tuning, but sounds good in E too. Play on low 3 strings, blues riff off the A. 12-bar blues.

E A E

Summertimes here, babe, you need something to keep you cool

A E

Ah, summertime's here, and you need something to keep you cool

B7 A E B7

Better look out now though, Ive got somethin' for you

I'm your ice cream man, stop me when I'm passin' by

I'm your ice cream man, stop me when I'm passin' by

See all my flavors are guaranteed to satisfy

[can keep it low here like other verses, going high is hard...]

I got bim bam banana pops, dixie cups, all flavors and pushups too

I'm your ice cream man, stop me when I'm passin' by

See now all my flavors are guaranteed to satisfy

Well I'm usually passin' by just about eleven o'clock

I'm usually passin' by just around eleven o'clock

And if ya' let me cool you one time, you'll be my regular stop

[keep low...]

I got bim bam banana pops, dixie cups, all flavors and pushups too

I'm your ice cream man, stop me when I'm passin' by

See now all my flavors are guaranteed to satisfy

I'm your ice cream man, stop me when I'm passin' by

I'm your ice cream man, stop me when I'm passin' by

They say all my flavors are guaranteed to satisfy

[Titty through a verse]

[nice to repeat the well im usually passin by verse]

I'm your ice cream man, stop me when I'm passin' by

I'm your ice cream man, stop me when I'm passin' by

They say all my flavors are guaranteed to satisfy

[Repeat that last one to taste]

Tumbling Tumbleweeds

Good tutorial

Intro = chorus pattern

Chorus:

D [D7]

See them tumbling down,

C# [C#7]

Pledging their love to the ground,

D A A#dim

Lonely but free I'll be found

E7 A A+

Drifting along with the tumbling tumbleweeds.

D [D7]

Cares of the past are behind,

C# [C#7]

Nowhere to go but I'll find

D A A#dim

Just where the trail will wind,

E7 A A+

Drifting along with the tumbling tumbleweeds.

Bridge (tough, can skip?)

Bm E7 A G#7 C#m E7

I know when night has gone that a new world's born at dawn,

D [D7]

I'll keep rolling along,

c# [C#7]

Deep in my heart is a song,

D A A#dim

Here on the range I belong,

E7 A A+

Drifting along with the tumbling tumbleweeds.

Repeat from Chorus to end

Last time add:

E7 A

Drifting along with the tumbling tumbleweeds.

Frank Sinatra by Cake

Intro riff, played throughout:

G-|-----------------------0~-------------------------------------------

D-|-------2~-----------------------------------------------------------

A-|-2-2-2-------2---2-2-2-------2---2-2-2-3~--------------3--2--0------

E-|---------------------------------------------3---3-3-3----------3---

D-|------------------5~------------4~-

A-|-----0-2---3---------2-0-2-------

E-|-3---------------------------------

Em

We know of an ancient radiation that

C

haunts dismembered constellations

G B

A faintly glimmering radio station

(same pattern throughout)

While Frank Sinatra sings Stormy Weather

The flies and spiders get along together

Cobwebs form on an old skipping record

Beyond the suns that guard this roost

Beyond your flowers of flaming truths

Beyond your latest ad campaigns

An old man sits collecting stamps

In a room all filled with Chinese lamps

He saves what others throw away, he says that he'll be rich someday

We know of an ancient radiation that

haunts dismembered constellations

A faintly glimmering radio station

Dont it Make my Brown Eyes Blue by Crystal Gayle

good cover, and another one (capod 6th fret!)

Capoing on the 6th fret makes it super easy to sing... Or see version in Ge below, way easier again.

And interesting how it uses the F/G (3x3211) as a turnaround chord instead of the G7...

B7-5 = x2323x

C/G = 3x2010

D7/F# = 2x021x

F/G = 3x3211

Melody starts on the 5th (G string open)

Intro:

C Am Dm7 G7 C Am Dm7 G7

C Am Dm7 G7

Don't know when I've been so blue

C Am7 Bm7-5 E7

Don't know what's come over you

Am C/G D7/F# D7

You've found someone new

F Em7 F G7

And don't it make my brown eyes blue

C Am Dm7 G7

I'll be fine when you're gone

C Am7 Bm7-5 E7

I'll just cry all night long

Am C/G D7/F# D7

Say it isn't true

F F/G C

And don't it make my brown eyes blue

Am Em7 F C

Tell me no secrets, tell me some lies

Am Em7 F C

Give me no reasons, give me alibis

Am Em7 F C

Tell me you love me and don't let me cry

Dm7 Em F F/G

Say anything but don't say goodbye

C Am Dm7 G7

I didn't mean to treat you bad

C Am7 Bm7-5 E7

Didn't know just what I had

Am C/G D7/F# D7

But honey now I do

F Em7 F Em7

And don't it make my brown eyes, don't it make my brown eyes

F F/G C Am Dm7 G7

Don't it make my brown eyes blue.

Repeat the last part to taste. End on the power C9 or C6...

Or in G, way easier to sing:

C/D = xx0010 or better yet xx0013

F#m7-5 = 2x221x (like an Am with F# in bass)

And the F#m should realy be F#m7-5

Intro: G Em Am7 D7

G Em Am7 D7

Don't know when I've been so blue,

G Em F#m7-5 B7

don't know what's come over you.

Em G/D A7

You've found someone new,

C Bm C D7

and don't it make my brown eyes blue.

G Em Am7 D7

I'll be fine when your gone,

G Em F#m7-5 B7

I'll just cry all night long.

Em G/D A7

Say it isn't true,

C D7 (or C/D) G

and don't it make my brown eyes blue.

Em Bm C G

Tell me no secrets, tell me some lies.

Em Bm C G

Don't give me no reasons, give me alibi's

Em Bm C G

Tell me you love me, and don't make me cry

Am Bm C D7

Say anything but don't say goodbye

G Em Am7 D7

I didn't mean to treat you bad,

G Em F#m7-5 B7

didn't know just what I had

Em G/D A7

But honey now I do,

C D7 (or C/D) G

and don't it make my brown eyes blue.

C Bm7

Don't it make my brown eyes,

C Bm7

Don't it make my brown eyes,

C C/D G

Don't it make my brown eyes blue.

G Em7 Am7 D7

ooo ooo

C Bm7

Don't it make my brown eyes,

C Bm7

Don't it make my brown eyes,

C C/D G

Don't it make my brown eyes blue.

Eyesight to the Blind by the Who

G#m

you talk about your woman, i wish you could see mine

F# G#m

you talk about your woman, i wish you could see mine

F# C# D#

every time she starts to love, she brings eyesight to the blind

you know her daddy gave her magic, i can tell by the way she walks

you know her daddy gave her magic, i can tell by the way she walks

every time she starts to shake, the dumb begin to talk

she's got the power to heal you, never fear

she has got the power to heal you, never fear

just one word from her lips and the deaf can hear

she's got the power to heal you, never fear

she has got the power to heal you, never fear

just one word from her lips and the deaf can hear

Tommy Can You Hear Me by the Who

G C G C/G C/G

Tommy can you hear me?

G C G C/G C/G

Can you feel me near you?

F Bb F

Tommy can you see me?

Em Am Em

Can I help to cheer you?

D D D D

Ooh, Tommy. Tommy Tommy Tommy

[repeat]

Magic Bus by the Who

A C/G D A G D

Every day I get in the queue (Too much, the Magic Bus)

To get on the bus that takes me to you (Too much, the Magic Bus)

I'm so nervous, I just sit and smile (Too much, the Magic Bus)

Your house is only another mile (Too much, the Magic Bus)

Thank you, driver, for getting me here (Too much, the Magic Bus)

You'll be an inspector, have no fear (Too much, the Magic Bus)

I don't want to cause no fuss (Too much, the Magic Bus)

But can I buy your Magic Bus? (Too much, the Magic Bus)

Nooooooooo!

I don't care how much I pay (Too much, the Magic Bus)

I wanna drive my bus to my baby each day (Too much, the Magic Bus)

*[Magic Bus, Magic Bus, Magic Bus

Magic Bus, Magic Bus, Magic Bus

Give me a hundred (Magic Bus)

I won't take under (Magic Bus)

Goes like thunder (Magic Bus)

It's a bus-age wonder (Magic Bus)

Magic Bus, Magic Bus, Magic Bus, Magic Bus

I want it, I want it, I want it...(You can't have it!)

Think how much you'll save...(You can't have it!)]

I want it, I want it, I want it, I want it ... (You can't have it!)

Thruppence and sixpence every day

Just to drive to my baby

Thruppence and sixpence each day

'Cause I drive my baby every way

Magic Bus, Magic Bus, Magic Bus, Magic Bus, Magic Bus...

I want the Magic Bus, I want the Magic Bus, I want the Magic Bus...

I said, now I've got my Magic Bus (Too much, the Magic Bus)

I said, now I've got my Magic Bus (Too much, the Magic Bus)

I drive my baby every way (Too much, the Magic Bus)

Each time I go a different way (Too much, the Magic Bus)

I want it, i want it, I want it, I want it ...

Jack and Dianne by John Couger Mellencamp

G - D - C - D throught song

1st Verse:

G D C D

A little ditty bout Jack and Diane

G D C D G

Two American kids grown up in the heartland

G D C D

Jack, he's gonna be a football star

G D C D G

Diane debutante, back seat of Jacky's car

G D C D G D C D G

2nd Verse:

Suckin' on chili dog outside the Tasty Freeze

Diane sittin' on Jacky's lap, he got his hands between her knees

Jacky says "Hey Diane, lets run off behind a shady tree"

Dribble off Bobby Brooks, let me do what I please, sayin'

Chorus (same as verses):

G D C D

Ooh yeah, Life goes on

G D C G D

Long after the thrill of livin' is gone, sayin'

G D C D

Ooh yeah, Life goes on

G D C G D

Long after the thrill of livin' is gone

3rd Verse:

Jack, he sits back, collects his thoughts for a moment

Scratches his head and does his best James Dean

"Well there Diane, we gotta run off to the city"

Diane says, "Baby we ain't nothing", but Jacky says

Chorus:

Ooh yeah, Life goes on

Long after the thrill of livin' is gone, sayin'

Ooh yeah, Life goes on

Long after the thrill of livin' is gone, rock on

Intro Lick

Drum Solo (A cappella):

Oh, let it rock, let it roll.

Let the Bible belt come and save my soul

Holdin' on to sixteen as long as you can

Change is comin' 'round real soon, make us women and men

G D C D G D C D G

Chorus:

Ooh yeah, Life goes on

Long after the thrill of livin' is gone, sayin'

Ooh yeah, Life goes on

Long after the thrill of livin' is gone, rock on

A little ditty bout Jack and Diane

Two American kids doin' the best they can

Intro Lick until End

Love Me Tender by Elvis Presley

Fun harmonies.

Melody starts on the 5th (open A string). In 3/4, nice to finger pick, two rounds per measure.

Verse 1:

D |E7 |A7 |D |

LOVE ME TENDER LOVE ME SWEET NE-VER LET ME GO,

% |E7 |A7 |D |

YOU HAVE MADE MY LIFE COM-PLETE AND I LOVE YOU SO.

Chorus (emphasize high e string):

D F#7 |Bm D7 |G Gm |D |

LOVE ME TENDER LOVE ME TRUE ALL MY DREAMS FUL-FILL,

D B7 |E7 |A7 |D |

FOR MY DARLIN' I LOVE YOU AND I AL-WAYS WILL.

Verse 2:

D |E7 |A7 |D |

LOVE ME TENDER LOVE ME LONG TAKE ME TO YOUR HEART,

% |E7 |A7 |D |

FOR IT'S THERE THAT I BE-LONG AND WE'LL NEVER PART.

Chorus:

D F#7 |Bm D7 |G Gm |D |

LOVE ME TENDER LOVE ME TRUE ALL MY DREAMS FUL-FILL,

D B7 |E7 |A7 |D |

FOR MY DARLIN' I LOVE YOU AND I ALWAYS WILL.

Verse 3:

D |E7 |A7 |D |

LOVE ME TENDER LOVE ME DEAR TELL ME YOU ARE MINE,

% |E7 |A7 |D |

I'LL BE YOURS THROUGH ALL THE YEARS TILL THE END OF TIME.

Chorus/Outro:

D F#7 |Bm D7 |G Gm |D |

LOVE ME TENDER LOVE ME TRUE ALL MY DREAMS FUL-FILL,

/ /

D B7 |E7 |A7 |D |

FOR MY DARLIN' I LOVE YOU AND I ALWAYS WILL.

I Cant Help Falling in Love With You by Elvis Presley

Intro: C G C G

C Em Am F C G

Wise men say, only fools rush in

F G Am F C G C

But I can't help falling in love with you

C Em Am F C G

Shall I stay, would it be a sin

F G Am F C G C

If I can't help falling in love with you

Bridge:

Em B7 Em B7

Like a river flows, surely to the sea

Em B7 Em A7 Dm G

Darling so it goes, some things are meant to be

C Em Am F C G

Take my hand, take my whole life too

F G Am F C G C

For I can't help falling in love with you

REPEAT BRIDGE

C Em Am F C G

Take my hand, take my whole life too

F G Am F C G C

For I can't help falling in love with you

F G Am F C G C

For I can't help falling in love with you

I Know You Rider by the Grateful Dead

Great for harmonies

D C G D

I know you rider, gonna miss me when I'm gone;

I know you rider, gonna miss me when I'm gone;

F C F C F D

Gonna miss your baby, from rollin' in your arms.

Lay down last night, Lord I could not take my rest;

Lay down last night, Lord I could not take my rest;

My mind was wanderin' like the wild geese in the west.

The sun will shine in my back door someday;

The sun will shine in my back door someday;

March winds will blow all my troubles away.

I wish I was a headlight, on a North bound train;

I wish I was a headlight, on a North bound train;

I'd shine my light through the cool Colorado rain.

I know you rider, gonna miss me when I'm gone;

I know you rider, gonna miss me when I'm gone;

Gonna miss your baby, from rollin' in your arms.

Scarlet Begonias by Greateful Dead

Play the whole thing barred, with a heavy ska beat. Sublime play it a step up in B.

Riff:

|------------------------------|

|------------------------------|

|------------------------------|

|---------4--5-----------------|

|---4---7----------------------|

|-5----------------------------|

Intro: ska'd out A (barre 5)

D A [riff]

As I was walkin' down Grosvenor Square,

D A

Not a chill to the winter but a nip to the air,

G D A G D

From the other direction she was calling my eye,

G D A G D A

Could be an illusion but I might as well try, might as well try.

D A [riff]

She had rings on her fingers and bells on her shoes,

D A

And I knew without askin' she was into the blues.

G D A G D

She wore scarlet begonias tucked into her curls,

G D A G D A

I knew right away she was not like other girls, other girls.

D A [riff]

In the heat of the evening when the dealin' got rough,

D A

She was too pat to open and too cool to bluff.

G D A G D

As I picked up my matches and was closin' the door,

G D A G D A

I had one of those flashes, I'd been there before, been there before.

Bridge:

E

Well I ain't often right but I've never been wrong,

A G D

Seldom turns out the way it does in the song.

E

Once in a while you get shown the light

A G D

In the strangest of places if you look at it right.

[Ba bad up bad up bad up bad dab up]

[Rap, over verse pattern]

D A [riff]

Well there ain't nothin' wrong with the way she moves,

D A

All scarlet begonias or a touch of the blues.

G D A G D

And there's nothing wrong with the look that's in her eyes

G D A G D A

I had to learn the hard way to let her pass by, let her pass by.

D A [riff]

The wind in the willow's playing "Tea for Two,"

D A

The sky was yellow and the sun was blue,

G D A G D

Strangers stopping strangers just to shake their hand,

G D A G D A

Everybody's playing in the heart of gold band, heart of gold band

I Never Felt More Like Singing the Blues by Marty Robbins

Original (in F)

Melody starts on the 5th (G2)

D G7 (bar)

Well I never felt more like singin the blues,

D A7

Cause I never thought that I'd ever lose.

G A7 D

Your love dear, why'd you do me this way.

D G7

Well I never felt more like cryin all night,

D A7

Cause everythings wrong and nothin ain't right.

G A7 D D7

Without you, you got me singin the blues.

Bridge:

G D

The moon and stars no longer shine,

G D

The dream is gone I thought was mine,

G D

There's nothin left for me to do,

D A7 (yodelled...)

But cry, over you.

D G7

Well I never felt more like runnin away,

D A7

But why should I go cause I couldn't stay.

G A7 D

Without you, you got me singin the blues.

Repeat

There Stands the Glass by Webb Pierce

original (in Eb)

Melody starts on F# (high E2), but goes down from there.

[NC] There stands the [D] glass ... [G]

That will ease all my [D] pain ... [G]

That will settle my [D] brain ... [A]

It's my first one to- [D] day ... [STOP]

[NC] There stands the [D] glass ... [G]

That will hide all my [D] tears ... [G]

That will drown all my [D] fears ... [A]

Brother, I'm on my [D] way. [D7] ...

CHORUS

[G] I'm wond'ring where you are tonight

I'm wond'ring if you all right

I [E7] wonder if you think of me

[A] In my mis-e-ry

[NC] There stands the [D] glass [G]

Fill it up to the [D] brim [G]

Till my troubles grow [D] dim

[A] It's my first one to- [D] day.

CHORUS

Great ending chord is the D6/9: x54455

You Are My Sunshine

A little high. Easier to sing in E. Its just 1-4-5. Starting note is 5th below (in G, thats the open D string. In E, thats A2)

G G7

The other night dear as I lay sleeping

C G

I dreamed I held you in my arms

C G

But when I woke dear I was mistaken

G D G

And I hung my head and I cried

G G7

You are my sunshine, my only sunshine

C G

You make me happy when skies are gray

C G

You'll never know dear, how much I love you

G D G

Please don't take my sunshine away

I'll always love you and make you happy

If you will only say the same

But if you leave me and love another

You'll regret it all some day

(chorus)

You told me once dear you really loved me

And no one could come between

But now you've left me to love another

You have shattered all of my dreams

(chorus)

In all my dreams you seem to leave me

When I awake my poor heart pains

So won't you come back and make me happy

I'll forgive dear I'll take all the blame

Jack-A-Row by the Grateful Dead

The dead do it in Am, but nice and easy to sing in Em here...

Nice way to do the main riff is to do the Em on 7th fret, then:

|------------------------------|

|------------------------------|

|------------------------------|

|-9-7--------------------------|

|-----10-9-7-------------------| then play alternating bass on A & E strings

|------------------------------|

Repeat same pattern throughout:

Em - G - G - B

Em - G - C - G

Em - B - Em - Em

Deads key:

Am - C - C - E

Am - C - F - C

Am - E - Am - Am

Em G B

There was a wealthy merchant, in London he did dwell

Em G C G

He had a beautiful daughter, the truth to you I'll tell

Em B Em

Oh the truth to you I'll tell

Em G B

She had sweethearts a plenty and men of high degree

Em G C G

But none but Jack the sailor her true lover e'er could be

Em B Em

Oh her true love e'er could be

Em G B

Now Jackie's gone a sailing with trouble on his mind

Em G C G

He's left his native country and his darling girl behind

Em B Em

Oh his darling girl behind

Em G B

She went down to a tailor's shop and dressed in man's array

Em G C G

She climbed on board a vessel to convey herself away

Em B Em

Oh convey herself away

Em G B

Before you get on board Sir, your name I'd like to know

Em G C G

She smiled all in her countenance they call me Jack A Roe

Em B Em

Oh they call me Jack A Roe

Em G B

I see your waist is slender, your fingers they are small

Em G C G

Your cheeks too red and rosy to face the cannonball

Em B Em

Oh to face the cannonball

Em G B

I know my waist is slender, my fingers they are small

Em G C G

My cheeks too red and rosy to face the cannonball

Em B Em

Oh to face the cannonball

Em G B

The war soon being over, she went and looked around

Em G C G

Among the dead and wounded her darling boy she found

Em B Em

Oh her darling boy she found

Em G B

She picked him up all in her arms and carried him to town

Em G C G

She sent for a physician who quickly healed his wounds

Em B Em

Oh who quickly healed his wounds

Em G B

This couple they got married, so well they did agree

Em G C G

This couple they got married, so why not you and me

Em B Em

Oh why not you and me

Jenny Jenkins from Garcia/Grishman

Garcia/Grishman version

Nice with jaw harp...

Male voice:

D

Will you wear white

A

Oh my dear, oh my dear

D A

Will you wear white, Jenny Jenkins?

Other voice:

D

No I won't wear white

G

For the color's too bright.

Chorus (harmonies with both voices):

D

I'll buy me a foldy-roldy, tildy-toldy

Seek-a-double, use-a-cozza roll to find me

A D

Roll, Jenny Jenkins, roll.

Will you wear green Oh my dear, oh my dear

Will you wear green, Jenny Jenkins?

No, I won't wear green its a shame to be seen.

[chorus]

[abbreviating the lyrics here, all same pattern as first verse though. And after every verse is the chorus.]

Will you wear blue...

No, I won't wear blue

For the color's too true.

[titty kazoo, one verse and one chorus]

Will you wear yellow...

No, I won't wear yellow

For I'd never get a fellow,

Will you wear brown...

No, I won't wear brown

For I'd never get around.

Will you wear beige

No, I won't wear beige

For it shows my age.

Will you wear orange

No, orange I won't wear

And it rhymes so there.

What will you wear?

Oh what do you care,

If I just go bare.

For outro repeat a few times:

A D

Roll, Jenny Jenkins, roll.

Wooly Bully by Sam The Sham And The Pharohs

For the strummed chord intro, nice to play the G7 as 320001

intro: G7

Uno, dos, one, two, tres, quatro

1st verse

G7

Matty told Hatty, about a thing she saw. Had two big horns and a wooly

C7 G7 D7 C7 G7 D7

jaw. Wooly bully, wully bully. wooly bully, wooly bully, wooly bully.

2nd verse

G7

Hatty told Matty "let's don't take no chance. Lets not be L-seven, come

C7 G7 D7

and learn to dance." Wooly bully, wooly,bully, wooly bully, wooly

C7 G7 D7

bully, wooly bully.

3rd verse

G7

Matty told Hatty, "that's the thing to do. Get you someone really to pull

C7 G7 D7 C7

the wool with you." Wooly Bully, wooly bully, wooly bully, wooly, bully

G7 D7

wooly bully.

outro

G7

Love is the Drug by Roxy Music

Album key is dm, so to play that, capo to 5th fret. I like it lower.

Am C Em

Ain't no big thing to wait for the bell to ring

Am G Em

Ain't no big thing, the toll of the bell

Am C

Aggravated - I spare for days

Em

I troll downtown the red light place

Am G

Jump up, bubble up, what's in store?

Em

Love is the drug and I need to score

Am C

Showing out, showing out, hit and run,

Em

Boy meets girl where the beat goes on

Bm D

Stitched up tight, can't shake free

Em

Love is the drug, got a hook on me

Am C

Oh oh catch that buzz

Em

Love is the drug Im thinking of

Bm D

Oh oh cant you see

Em

Love is the drug for me

B D C Bm Am G

Oh Oh

B D C Bm Am G

Oh Oh

Am C

Late that night I park my car

Em

Stake my place in the singles bar

Am G

Face to face, toe to toe

Heart to heart as we hit the floor

Lumber up, limbo down

The locked embrace, the stumble round

I say go, she say yes

Dim the lights, you can guess the rest

Am C

Oh oh catch that buzz

Em

Love is the drug im thinking of

Bm D

Oh oh cant you see

Em

Love is the drug, got a hook in me

Am C

Oh oh catch that buzz

Em

Love is the drug Im thinking of

Bm D

Oh oh cant you see

Em

Love is the drug for me

Harpos Blues (Wish I Was a Willow) by Pheobe Snow

Original, and Phoebe doing it live

[INTRO]

Cmaj7 Gm7 G7

Cmaj7 Gm7 G7

[VERSE 1]

Cmaj7 Gm7 Bbmaj7

I wish I was a willow

Ebmaj7 F7

And I could sway to the music in the wind

Cmaj7 Gm7 Cmaj7 Cmaj7/G

I wish I was a lover

G#7 G7 Cmaj7

I wouldn't need my costumes and pretend

Bbmaj7 Fmaj7

I wish I was a mountain

D7 G7

I'd pass boldly through the clouds and never end

Cmaj7 Gm7 Cmaj7

And I wish I was a soft refrain

G#7 G7 Cmaj7

When the lights were out I'd play and be your friend

[BRIDGE - nice to play on 8th fret]

Fm7 Cm7

I strut and fret

Fm7 Cm7

My hour upon the stage

Fm7 Cm7

The hour is up

Fm7 Cm7

I have to run and hide my rage

Fm7 Cm7

I'm lost again

Fm7 Cm7

I think I'm really scared

Fm7 Cm7

I won't be back at all this time

Fm7 G7

And have my deepest secrets shared (whoa whoa whoa whoa whoaaaa...)

Cmaj7 Gm7 Bbmaj7

I'd like to be a willow,

Ebmaj7 F7

A lover, a mountain, or a soft refrain

Cmaj7 Gm7 Cmaj7 Cmaj7/G

But I'd hate to be a grownup

G#7 G7 Cmaj7

And have to try and bear my life in pain

[TITTY KAZOO]

Cmaj7 Gm7 Bbmaj7

Ebmaj7 F7

Cmaj7 Gm7 Cmaj7

G#7 G7 Cmaj7

Bbmaj7 Fmaj7

D7 G7

Cmaj7 Gm7 Cmaj7 Cmaj7/G

I'd wish I was a soft refrain

G#7 G7 Cmaj7

When the lights were out I'd play and be your friend

[REPEAT BRIDGE]

Fm7 Cm7

I strut and fret

Fm7 Cm7

My hour upon the stage

Fm7 Cm7

The hour is up

Fm7 Cm7

I have to run and hide my rage

Fm7 Cm7

I'm lost again

Fm7 Cm7

I think I'm really scared

Fm7 Cm7

I won't be back at all this time

Fm7 G7

And have my deepest secrets shared (whoa whoa whoa whoa whoaaaa...)

Cmaj7 Gm7 Bbmaj7

I'd like to be a willow,

Ebmaj7 F7

A lover, a mountain, or a soft refrain

Cmaj7 Gm7 Cmaj7 Cmaj7/G

But I'd hate to be a grownup

G#7 G7 Cmaj7

And have to try and bear my life in pain

Cmaj7 Gm7 Bbmaj7

I'd like to be a willow,

Ebmaj7 F7

A lover, a mountain, or a soft refrain

Cmaj7 Gm7 Cmaj7 Cmaj7/G

But I'd hate to be a grownup

G#7 G7 Cmaj7

And have to try and bear my life in pain

G#7 G7 Cm7

And I have to try to bear my life in pain

G#7 G7 Cm7

And I have to try to bear my life in pain

G#7 G7 Cm7

And I have to try to bear my life in pain

G#7 G7 Cm7

And I have to try to bear my life in pain

Sodomy from Hair

I used to do it in D, now using movie key of G. Note that its in waltz time.

Intro: (gospel hum)

G / D7 G [bass D0 D2 G0 E3] [x4]

G Bm

Sodomy, Fellatio

Em A7 [Bass A0 A1 A2 A3, or play A, Bb, B, C chord]

Cunnilingus, Pederasty

C D7

Father, why do these words sound so nasty?

G Dm7

Masturbation can be fun

G7 C

Join the holy orgy

Am A#dim (xx2323)

Kama Sutra

G C G

Everyone!

(beatles chord at end)

Donna from Hair

Chord riff:

|-10----8---6---------------|

|-11----8---6---------------|

|-10----8---7---------------|

|---------------------------|

|---------------------------|

|---------------------------|

Verse 1:

Bb

Oh, once upon a looking-for-Donna-time

F

There was a sixteen year old virgin

Bb Bb7

Oh Donna, oh oh, Donna, oh oh oh

Eb Ab Eb

Looking for my Donna.

Bb

I just got back from looking for Donna

F

San Francisco psychedelic urchin

Bb Bb7

Oh Donna, oh oh, Donna, oh oh oh

Eb Ab Eb

Looking for my Donna.

Eb

Have you seen my sixteen year old tattooed woman?

Ab F Bb Bb7

Heard a story / She got busted for her beauty, oh oh oh

Verse 2:

Bb

I just got back from looking for Donna

F

San Francisco psychedelic urchin

Bb Bb7

Oh Donna, oh oh, Donna, oh oh oh

Eb Ab Eb

Looking for my Donna.

Bridge:

Eb C F

I've been to India and saw the yogi light

D Gm

In South America the Indian smoke glows bright

Bb Bb7 Eb

I'm reincarnated and so are we all

A7 Eb

And in this lifetime we'll rise

Ab F

Before we fall

Verse 3:

Bb

I just got back from looking for Donna

F

San Francisco psychedelic urchin

Bb Bb7

Oh Donna, oh oh, Donna, oh oh oh

Eb Ab Eb

Looking for my Donna.

Eb C F

And I'm gonna show her life on earth can be sweet

D Gm

Gonna lay my mutated head at her feet

Bb Bb7

And I'm gonna love her, make love to her

Eb

till the sky turns brown;

A7

I'm evolving, I'm evolving

Eb

Through the drugs

Ab F

That you put down (that you put down)

Ending:

Bb

Once upon a looking-for-Donna-time

F

There was a sixteen year old virgin

Bb Bb7

Oh Donna, oh oh, Donna, oh oh oh

Eb Ab Eb

Looking for my Donna.

Eb Ab Eb

Looking for my Donna.

Gm Bb C Gm

Donna!

Gm Bb C Gm

Hashish

Cocaine

Marijuana

Opium LSD

DMT STP, BLT

A&P, IRT APC, alcohol

cigarettes, shoe polish, cough syrup, peyote

Equanil, dexamyl, camposine, chemadrine,

Thorazine, trilafon, dexadrine, benzedrine,

meth a drine, meth a drine,

C

S-E-X Y-O-U WOW!

Midnight at the Oasis

good cover

Gb/Ab = Gb11 I think = 6x6544

B/Db= 9X987X or x44444

Uses that 11th chord a lot, and very nicely.

(need to go verses 2 on and drop the key to Dmaj7)

1st VERSE:

Dmaj7 G (or maj7) C9 (or dom7)

Midnight at the o - a - sis.

Dmaj7 G C9

Sing your camel to bed.

Dmaj7 G C9

Shadows painting our fa - ces,

F Bb9 F/G G/A (or A7)

tra - ces romance in our heads.

2nd VERSE:

Heaven holding a half moon.

Shining down just for us.

Let's slip off to a sand dune

real soon. Kick up a little dust.

BRIDGE:

D# F(6) G# A#/C

Come out the cactus is our friend.

D# F(6) G# A#/C

He'll point out the way.

D# F(6) G# A#/C

Come on 'till the evening ends,

F/G G/A (or A7)

'till the evening ends.

3rd VERSE:

You don't have to an - swer.

There's no need to speak.

I'll be your belly dan - cer,

pran - cer and you can be my sheik.

Titty kazoo (verse)

4th VERSE:

I know your daddy's a sul - tan.

A nomad known to all.

With fifty girls to attend him

they all send him.

They jump at his beck an call.

5th VERSE:

But you won't need no harem honey.

When I am by your side.

And you won't need no ca - mel No no

when I take you for a ride

PLAY BRIDGE:

PLAY 1st VERSE:

Woman in Love by Barbara Streissand

Written by the Bee Gees!

Nice cover (down 3 half steps)

Good version on Ultimate Guitar for transposing.

Capo 1st fret for album key.

Starting note is the 5th

INTRO

| Dm | Dm | Bbmaj7 | Bbmaj7 C | Dm | Dm | Bbmaj7 | Bbmaj7 |

Dm Gm Dm

Life is a moment in space

Gm Bb

When the dream is gone

C F

It's a lonelier place

Cm Bb

I kissed the morning goodbye

Bb/A Gm

But down inside

A

You know we never know why

Dm Gm Dm

The road is narrow and lone

Gm Bb

When eyes meet eyes

C F

And the feeling is strong

Cm F

I turn away from the wall

Bb F

I stumble and fall

Bb A

But I give you it all

Dm A Dm

I am a woman in love

A Dm

And I'd do anything

A Dm

To get you into my world

A Dm

And hold you within

C Gm

It's a right I defend

F

Over and over again

Dm Bbmaj7

What do I do

Dm Gm Dm

With you eternally mine

Gm Bb

In love there is

C F

No measure of time

Cm Bb

We planned it all at the start

Bb/D Gm

That you and I

A

Live in each other's heart

Dm Gm Dm

We may be oceans away

Gm Bb

You feel my love

C F

I hear what you say

Cm F

No truth is ever a lie

Bb F

I stumble and fall

Bb A

But I give you it all

Dm A Dm

I am a woman in love

A Dm

And I'd do anything

A Dm

To get you into my world

A Dm

And hold you within

C Gm

It's a right I defend

F

Over and over again

Dm Bb7

What do I do

D#m Bb D#m

I am a woman in love

Bb D#m

And I'm talking to you

Bb D#m

You know I know how you feel

Bb D#m

What a woman can do

C# G#m

It's a right I defend

Bb7

Over and over again

D#m Bb D#m

I am a woman in love

Bb D#m

And I'd do anything

Bb D#m

To get you into my world

Bb D#m

And hold you within

C# G#m

It's a right I defend

Bb7

Over and over again

(FADE)

Just a Gigolo

Great mellow cover, David Lee Roth version, Louis Prima version, nice slow instrumental, Louis Armstrong version,

David Lee Roth and Louis Prima do it in G#, but doing it in G for a bit easier singing since theres some high notes.

E7b9 = x7676x

Nice intro:

|------------------------------|

|------------------------------|

|------------------------------|

|------------------------------|

|-----2--5--2-----5------------|

|--3-----------5---------------|

For the last two, can play Am7 - D7 chords or Am7 - D9

[Verse 1]

G Gmaj7

I'm just a gigolo and everywhere I go,

G6 (Bbdim7) Am7 D7 (or D9)

people know the part I'm playin'.

Am7 D7 (or D9 or Am6)

Pay for every dance, sellin' each romance,

Am7 D7 (?) Gmaj7

Ooohh, what they're sayin'.

G7 F7 (or F6 or Dm7)

There will come a day, when youth will pass away,

E7 Am7

what will they say about me?

C Cm or Cm6 G E7 (or E7b9)

When the end comes I know, I was just a gigolo..

Am7 D7 G (D7)

life goes on without me.

[repeat first verse]

[Optional turnaround: G6 - Bbdim7 - Am7 - D7]

#3

(D7) G7 F#7 F7 E E7 Am7

Cause, I.....ain't got nobody..nobody cares for me..

D7 (Am7) (D7)

nobody cares for me.

G7 F#7 F7 E7 A7

I'.....m so sad and lonely.. won't some sweet Mama

D7

come and take a chance with me?

(Db7) D7

Cause I ain't so bad.

(INTERLUDE:)

G7 F#7 F7 E7 Am7

Cause, I.....ain't got nobody..nobody cares for me..

D7 (Am7) (D7)

nobody cares for me.

(INTERLUDE:SAX:)

#4.

G7 F#7 F7 E7 Am7

Cause, I.....ain't got nobody..nobody cares for me..

D7 (Am7) (D7)

nobody cares for me.

G7 F#7 F7 E7 Am7

I'.....m so sad and lonely.. won't some sweet Mama

D7

come and rescue me?

D7

Cause I ain't so bad.

OUTRO: (???)

G7 F#7 F7 E7 C G

I... ain't got nobody, and there's nobody cares for me..

G D7 G beatles

there's nobody cares for me.

Angelina by Louis Prima

Louis doing it,

(Can use same chords as Just a Gigollo...)

G Gmaj7

I eat antipasta twice

G6 Bbdim

just because she is so nice

Am7 D7

Angelina

Am7 D7

Angelina

Am7 D7 G

the waitress at the pizzeria

Or from robin:

Bb

I eat antipasta twice

F7

Just because she is so nice, Angelina

Bb

Angelina, the waitress at the pizzeria

I give up soup and minestrone

F7

Just to be with her alone, Angelina

Bb

Angelina, the waitress at the pizzeria

Eb

Ti vol-glio be-ne

Bb7

Angelina I adore you

E vol-glio be-ne

Eb

Angelina I live for you

C7

E un pas-sio-ne

Fm

You have set my heart on fire

Bb7

But Angelina

Eb----Gb--F7

Never listens to my song

Bb

I eat antipasta twice

--------------------------------------------------F7

Just because she is so nice, Angelina

--------------------------------------------Bb-----B7

Angelina, waitress at the pizzeria

Eb-----------------------------------Bb

If she'll be a my My Car-ra mi-a

-----------------------------F

Then I'll join in matrimony

-----------C7------------------------F7

With a girl who serves spumoni

-------------------------------Bb

And Angelina will be mine!

Felicia No Capiche by Louis Prima

On youtube

[verse]

C

I took Felicia to Las Vegas, here's my story,

G

she spent the weekend eating chicken cacciatore,

but when I said Id like to kiss ya...

C

Felicia... "no capisce"...

[verse pattern]

The way she gambled at the tables wasn't funny,

you should have seen the way she found to lose my money,

but when I said Id like to kiss ya...

Felicia... "no capisce"...

[chorus]

F

She understood (she understood),

C

she heard me good (she heard me good),

F

when I said Have some real imported cheese.

D7

But when I said (but when I said),

G

Give me a squeeze (Give me a squeeze),

G7

youd think that i was talking Japanese...

She never heard about the birds and bees...

[She was half abruzzese, half calabrese...]

[verse pattern]

You gotta see the things I bought her,

i took her out and spent my money just like water,

but when I said Id like to kiss ya...

Felicia... "no capisce" (no she didn't understand no she didn't understand)

[Trumpet solo]

[chorus pattern]

F

She heard me fine (she heard me fine),

C

when i said "Dine" (when i said "Dine"),

F

then she drank half a case of wine

D7

but when I said (but when I said)

G

Come on let's spoon (Come on let's spoon)

G7

youd think that i was asking for the moon...

That chick was really as crazy as a loon...

She was half siciliana, man what a gavoon...

[verse pattern]

I tried to make her feel relaxie,

it costed me 97 dollars for the taxi,

but when I said Id like to kiss ya...

Felicia... "no capisce".

G

She said Luigi... Lets get married

C C7 ending chord

and Luigi.... "no capisce..."

It Dont Mean a Thing by Duke Ellington

D7sus4 = xx0213

Can play B7#5 as x212x3 to keep the high G going...

Play the high G with the pinky so can keep it through all chords.

Em Em7

It don't mean a thing,

C7 B7 Em

if it aint go that swing

A7 (with high G) D7sus4

doo wah, doo wah, doo wah, doo wah,

G (or G6) B7#5

doo wah, doo wah, doo wah, doo wah

Em Em7

It don't mean a thing,

C7 B7 Em

all you got to do is sing

A7 D7sus4

doo wah, doo wah, doo wah, doo wah,

G

doo wah, doo wah, doo wah, doo wah

[BRIDGE]

Dm7 G7 Cmaj7

It makes no difference if its sweet or hot

Em7 A7 D7 B7

Just give the rhythm everything youve got

Em Em7

It don't mean a thing,

C7 B7 Em

if it aint go that swing

A7 D7sus4

doo wah, doo wah, doo wah, doo wah,

G (B7#5)

doo wah, doo wah, doo wah, doo wah

Jeepster by T-Rex

good cover 1, way slowed down acoustic version

E--3--3--3---------------------3--3--3--------------------|

B--2--2--2---------------------2--2--2--------------------|

G--2--2--2---------------------2--2--2--------------------|

D--2--2--2---------------------2--2--2--------------------|

A---------------------------------------------------------|

E------------------0--2--4--5-----------------0--2--4--5--|

You're so sweet, You're so fine

and an alternate run down.

E--------------------------------------------------------------3--3--3--|

B--------------------------------------------------------------2--2--2--|

G--------------------------------------------------------------2--2--2--|etc.

D-----5--------------------------------------------------------2--2--2--|

A-----5---------------------------------3--2--1--0----------------------|

E-----3---------------2-----------------------------0--2--4--5----------|

Oh girl I'm just a jeepster for your love

Intro: A7, with the bass run

[VERSE 1]

A7

You're so sweet you're so fine

C A

I want you all and everything justa to be mine 'cos

D A

you're my babe, 'cos you're my love~ Oh~

G G/F# (2x0033) C (x32033) B5 (x22033) Bb (x1x033)

girl I'm just a jeepster for your love

[riff]

[VERSE 2]

A7

You slide so good with bones so fair

C A

you've got the universe reclining in your hair 'cos

D A

you're my babe, 'cos you're my love Oh

G G/F# C B5 Bb A

girl I'm just a jeepster for your love

[VERSE 3]

A7

Just like a car, you're pleasing to behold

C A

I'll call you Jaguar if I may be so bold 'cos

D A

you're my babe, 'cos you're my love Oh

G G/F# C B5 Bb A

girl I'm just a jeepster for your love

[VERSE 4]

A7

The wild winds blow upon your frozen cheeks

C A

the way you flip your hip it always makes me weak 'cos

D A

you're my babe, 'cos you're my love~ Oh~

G G/F# C B5 Bb A

girl I'm just a jeepster for your love

[VERSE 5]

A7

Your motivation is so sweet

C A

your vibrations are all burning up my feet 'cos

D A

you're my babe, 'cos you're my love Oh

G G/F# C B5 Bb A

girl I'm just a jeepster for your love I said

G G/F# C B5 Bb A

girl I'm just a vampire for your love I'm gonna

Bb A

suck you

A

(ad lib out)

Get It On/Bang A Gong by T-Rex

Good cover, original, other cover (has good riff at start)

Nice to do the riff at start like this cover. In the chorus, could use a G6 instead of the G since the melody starts on the 6th. Nice to use 3x2001.

E

Well you're dirty and sweet

A

Clad in black

E

Don't look back, and I love you

A E

You're dirty and sweet oh yea

E

Well you're slim and you're weak

A E

You got the teeth of the Hydra upon you

A

You're dirty sweet

E

And you're my girl

[chorus melody starts on E, so dont go high, go lower - D string 2nd fret]

G

Get it on

A

Bang a gong

E

Get it on [2x]

E

You're built like a car

A E

You got a hubcap diamond star halo

A

You're built like a car

E

Oh yeah

E

You're an untamed youth

A E

That's the truth, with your cloak full of eagles

A

You're dirty sweet

E

And you're my girl

G

Get it on

A

Bang a gong

E

Get it on 2x

E

Well you're windy and wild

A E

You got the blues in your shoes and your stockings

A

You're windy and wild

E

Oh yeah

G

Get it on

A

Bang a gong

E

Get it on 2x

Hava Nagila

Let us Rejoice

nice version with chords

E (E7)

Hava nagila, hava nagila

Am E

Hava nagila, vay-nis-ma-cha

2x

E Dm

Hava na-ra-na-na, hava na-ra-na-na

* E

hava na-ra-na-na, vay-nis-ma-cha

2x

Am *

U-ru, u-ru a-chim

Am *

Uru achim b'lev sa-may-ach, uru achim b'lev sa-may-ach

E7 (?) *

Uru achim b'lev sa-may-ach, uru achim b'lev sa-me-ach

E E7 / / Am

Uru achim, Uru achim, b'lev sa - may - ah

(repeat song)

Hare Krishna

Interesting version..., and the version from Hair (starts around 2:20)

D

Hare krisha

A

Hare krisha

E

Krisha krisha

F#m

Hare hare

Hare Rama

Hare Rama

Rama Rama

Rama Rama

Or the awesome version from Hair:

| Cm7 | F7 | Bbmaj7 | Emaj7 |

| Am7b5 | D7 | Gm | Fm6 |

Cm7 F7

Hare Krisha

Bmaj7 Ebmaj7

Hare Krisha

Am7b5 D7

Krisha Krishna

Gm Fm6

Hare Hare

Brain Damage by Pink Floyd

D G7/D

The lunatic is on the grass.

D G7/D

The lunatic is on the grass.

D E

Remembering games and daisy chains and laughs.

A7 D Dsus2

Got to keep the loonies on the path.

D G7/D

The lunatic is in the hall.

D G7/D

The lunatics are in my hall.

D E

The paper holds their folded faces to the floor

A7 D Dsus2 D7

And every day the paper boy brings more.

G A

And if the dam breaks open many years too soon

C G

And if there is no room upon the hill

G A7

And if your head explodes with dark forebodings too

C G Bm7 Em7 A A7

I'll see you on the dark side of the moon.

D G7/D

The lunatic is in my head. (laughter)

D G7/D

The lunatic is in my head

D E

You raise the blade, you make the change

A7 D Dsus2

You re-arrange me 'till I'm sane.

D

You lock the door

E

And throw away the key

A7 D Dsus2 D7

There's someone in my head but it's not me.

G A

And if the cloud bursts, thunder in your ear

C G

You shout and no one seems to hear.

A A7 A

And if the band you're in starts playing different tunes

C G Bm7 Em A7

I'll see you on the dark side of the moon.

D G7/D D G7/D D E/D A7 D Dsus2 D E/D A7 D Dsus2

Eclipse by Pink Floyd

D

All that you touch,

D/C

All that you see,

Bbmaj7 (or Bb)

All that you taste,

A7

All you feel.

D

All that you love

D/C

All that you hate

Bbmaj7

All you distrust

A7

All you save.

D

All that you give

D/C

All that you deal

Bbmaj7

All that you buy,

A7

beg, borrow or steal.

D

All you create

D/C

All you destroy

Bbmaj7

All that you do

A7

All that you say.

D

All that you eat

D/C

everyone you meet

Bbmaj7

All that you slight

A7

everyone you fight.

D

All that is now

D/C

All that is gone

Bbmaj7

All that's to come

A7 D

and everything under the sun is in tune

D/C Bbmaj7 (Bbmaj7b5)??? D

but the sun is eclipsed by the moon.

Pigs on the Wing by Pink Floyd

G C Csus4 C

If you didn't care

G Gsus4 G

what happened to me

C Csus4 C

And I didn't care

G Gsus4 G

For you.

A (G just lift the A) A (G open)

We would zig-zag our way

A7

Through the boredom and pain.

G C D G

Occasionally glancing up through the rain

Am F Am F C Am7/B Am

Wondering which of the buggers to blame

D Dsus4 D G

And watching for pigs on the wing.

Verse 2:

You know that I care what happens to you,

And I know that you care for me.

So I don't feel alone,

Or the weight of the stone,

Now that I've found somewhere safe

To bury my bone.

And any fool knows a dog needs a home,

A shelter from pigs on the wing.

Dogs by Pink Floyd

To play it for reals, tune down a whole step as shown here. And heres a good youtube tutorial. But this mostly works too. Sounds good bossa nova stylee... Sounds really good down a whole step...

Dm9 = 022032

Csus4 = x33010

Bsus2add11 = xx4420

Bbsus2b11 = xx3310

Dm9 (x53555 or 022032)

You gotta be crazy, you gotta have a real need

Bb (or Csus4 = x33010)

Gotta sleep on your toes and when you're on the street

E7sus4 (or Bsus2add11 = xx4420)

You gotta be able to pick out the easy meat with your eyes closed

Then moving in silently downwind and out of sight

Bbmaj7 (or Bbsus2b11 = xx3310)

You gotta strike when the moment is right without thinking

And after a while you can work on points of style

Like the club tie and the firm handshake, a certain look in the eye and an easy smile

You have to be trusted by the people that you lie to

So that when they turn their backs on you

You'll get the chance to put the knife in

Titty (fun to sing the solo):

Dm9 Bb E7sus4 Bb7

You've gotta keep one eye looking over your shoulder

You know it's gonna get harder, harder and harder as you get older

And in the end you'll pack up and fly down south, hide your head in the sand

Just another sad old man, all alone and dying of cancer

[From here down is unconfirmed. The Am9(sus4) are probably really E7sus4.]

Bb Am9(sus4) Bb7 Dm

C Dm C Dm Bb F Eb F Eb Dm Dm9 C7 Dm A F Em

[Half tempo]

Dm C Dm C ... Bb C Bb C Bb C Bb C

[Guitar solo ad lib]

Dm C Dm C Dm C Bb C Bb C Dm A F Em

Dm C Dm C Dm C Dm C Dm C

And when you lose control you'll reap the harvest you have sown

Dm C Dm C Dm Bb A

And as the fear grows the bad blood slows and turns to stone

Dm C Dm C Dm C Dm

And it's too late to lose the weight you used to need to throw around

C Bb C Bb C Dm A

So have a good drown as you go down all alone

F A Dm

Dragged down by the stone

Bb7

Regular verse pattern:

Gotta admit that I'm a little bit confused

Sometimes it seems to me as if I'm just being used

Gotta stay awake, gotta try and shake off this creeping malaise

If I don't stand my own ground how can I find my way out of the maze

Deaf, dumb and blind you just keep on pretending

That everyone's expendable and noone has a real friend

And it seems to you the thing to do would be to isolate the winner

And everything's done under the sun

And you believe at heart everyone's a killer

Dm C Dm C Dm C Dm Bb F E F E Dm

[Half tempo]

F C Dm

Who was born in a house full of pain

C F C Dm

Who was trained not to spit in the fan

C F C Dm7

Who was told what to do by the man

C F C Dm

Who was broken by trained personnel

C F C Dm7

Who was fitted with collar and chain

C F C Dm

Who was given a pat on back

C F C Dm

Who was breaking away from the pack

C F C Dm

Who was only a stranger at home

C F C Dm

Who was ground down in the end

C F C Dm

Who was found dead on the phone

C F C Bb A

Who was dragged down by the stone

F A7 Dm9

Who was dragged down by the stone

Just What I Needed by the Cars

Originally in E, but doing in C (down a 4th) since E is way high for this, like all Cars stuff. See here for E.

Also nice in A. Verses are I - V - vi - III, chorus is I-V-IV-vi

Play with barres, power chord bassy sound. Melody starts on the 5th.

Verse:

C G Am E

I don't mind you coming here wasting all my time

'Cause when you're standing oh so near I kind of lose my mind

It's not the perfume that you wear it's not the ribbons in your hair

C G E F

I don't mind you coming here wasting all my time

Interlude (sounds nice to sing it):

C G Am E C G Am F

e|----------------8--7------------|----------------8---7--------------------------|

B|8------8------8------10-8--9----|8------8------8------10--8------10-----8------6|

G|----9-------9-------------------|----9-------9--------------9/10---8/9----6/7---|

D|--------------------------------|-----------------------------------------------|

A|--------------------------------|-----------------------------------------------|

E|--------------------------------|-----------------------------------------------|

Verse:

C G Am E

I don't mind you hanging out and talking in your sleep

It's doesn't matter where you've been as long as it was deep yeah

You always knew to wear it well, you look so fancy I can tell

C G E F

I don't mind you hanging out and talking in your sleep

Chorus (oof, high):

C G F Am

I guess you're just what I needed (what I needed)

I needed someone to feed

I guess you're just what I needed (what I needed)

I needed someone to please

[titty kazoo]

[repeat first verse]

[Chorus x 2]

And again, in A.

Verse:

A E F#m C#

I don't mind you coming here wasting all my time

'Cause when you're standing oh so near I kind of lose my mind

It's not the perfume that you wear it's not the ribbons in your hair

A E C# D

I don't mind you coming here wasting all my time

Interlude (sounds nice to sing it)

Verse:

A E F#m C#

I don't mind you hanging out and talking in your sleep

It's doesn't matter where you've been as long as it was deep yeah

You always knew to wear it well, you look so fancy I can tell

A E C# D

I don't mind you hanging out and talking in your sleep

Chorus (oof, high):

A E D F#m

I guess you're just what I needed (what I needed)

I needed someone to feed

I guess you're just what I needed (what I needed)

I needed someone to please

[titty kazoo]

[repeat first verse]

[Chorus x 2]

Garden Grove by Sublime

Reggae beat, A - G the whole time. Can sometimes go up to A - G - Bm7 ($5 dollars at the door...)

Transition to Get Up Stand Up.

We took this trip to garden grove

It smelt like lou dog in the van- o yeah

This ain't no funky reggae party $5 at the door

It gets so real sometimes who wrote my rhymes

I got the microwave got the vcr I got the duece duece

In the trunk of my car

If you only knew that all the love that I found

It's hard to keep my soul on the ground

You're a fool don't fuck around with my dog

All that i see I steal I filled up my garage

'cause in my mind music from jamaica

All the love that I found, pull over there's a reason

Why my soul is unsound

It's you it's that shit stuck under my shoe

It's that smell inside the van

It's my bed sheet covered with sand

Sitting through a shitty band

Getting dog shit on my hand

Getting hassled by the man

Waking up to an alarm

Sticking needles in your arm

Picking up trash on the freeway

Feeling depressed every day

Leaving without making a sound

Pickin up my dog at the pound

Livin in a tweeker pad

Getting yelled at by my dad

Saying I'm happy when I'm not

Finding roaches in the pot

All these things I do

They're waiting for you

Get Up Stand Up by Bob Marley

Do with same beat as with Garden Grove. A - G. Actual song uses Bm - F I think.

Get up, stand up: stand up for your rights!

Get up, stand up: stand up for your rights!

Get up, stand up: stand up for your rights!

Get up, stand up: don't give up the fight!

Preacher man, don't tell me,

Heaven is over the earth.

I know you don't know

What life is really worth.

It's not all that glitters is gold

Half that story has never been told

So now you see the light

Stand up for your rights (come on!)

Get up, stand up: stand up for your rights!

Get up, stand up: don't give up the fight!

Get up, stand up: stand up for your rights!

Get up, stand up: don't give up the fight!

Most people think,

Great god will come from the sky.

Take away everything

And make everybody feel high.

But if you know what life is worth,

You will look for yours on earth:

And now you see the light,

Stand up for your rights.

Get up, stand up: stand up for your rights!

Get up, stand up: don't give up the fight!

Get up, stand up: stand up for your rights!

Get up, stand up: don't give up the fight!

You know were sick and tired of your bullshit game

Die and go to heaven in-a Jesus' name

We know and we understand:

Almighty god is a living man.

You can fool some people sometimes,

But you can't fool all the people all the time.

So now we see the light (what you gonna do?),

We gonna stand up for our rights! (yeah, yeah, yeah!)

Get up, stand up: stand up for your rights!

Get up, stand up: don't give up the fight!

Get up, stand up: stand up for your rights!

Get up, stand up: don't give up the fight!

Waiting in Vain by Bob Marley

Two chords over and over, except bridge. Pretty high, can do in F as well.

Gmaj7 Cmaj7 (x2)

Chorus 1:

Gmaj7 Cmaj7

I don't wanna wait in vain for your love.

I don't wanna wait in vain for your love.

Verse 1:

From the very first time I rest my eyes on you, girl,

My heart says follow through.

But I know, now, that I'm way down on your line,

But the waitin' feel is fine.

So don't treat me like a puppet on a string,

'Cos I know how to do my thing.

Don't talk to me as if you think I'm dumb,

I wanna know when you're gonna come. See...

Chorus

Bridge 1:

C D Bm7 Am7

'Cos if summer is here, I'm still waiting there.

C D Bm7 Am7

Winter is here, and I'm still waiting there.

Solo:

Gmaj7 Cmaj7 (x4)

(Like I said)...

Verse 3:

It's been three years since I'm knockin' on your door,

And I still can knock some more.

Ooh girl, ooh girl, is it feasible, (I wanna know now),

For I to knock some more? Yah see...

In life, I know, there's lots of grief,

But your love is my re-lief.

Tears in my eyes burn, tears in my eyes burn,

While I'm waiting, while I'm waiting for my turn. See...

Chorus

(It's mylove that you're running from)

Coming in From the Cold by Bob Marley

Album key is A, which works for me but is a little high. Below this is the song again, in G.

Intro: A, D (x2)

Chorus 1:

A

In this life, in this life, in this life,

D

In this oh sweet life, we're, (we're coming in from the cold).

A

We're coming in, (coming in), coming in, (coming in),

D

Coming in, (coming in), coming in, (coming in), coming in from the cold.

A D E A

It's you, it's you, it's you I'm talkin' to.

F#m D E A

Well, you, (it's you), you, (it's you), you I'm talking to now.

Verse 1:

F#m D E A

Why do you look so sad, and for-saken?

F#m D E A

When one door is closed, don't you know; an-other is opened?

D

Would you let the system make you kill your brotherman?

Bm A F#m

(No, Dread, no!) No dread no!

D

Would you let the system make you kill your brotherman?

Bm A F#m

(No, Dread, no!) No dread no!

D

Would you let the system get on top of your head again?

Bm A F#m

(No, Dread, no!)

E

Well, the biggest man you ever did see was once just a baby.

Chorus 2:

A

In this life, in this life, in this life,

D

In this oh sweet life, we're, (we're coming in from the cold).

A

We're coming in, (coming in), coming in, (coming in),

D

Coming in, (coming in), coming in, (coming in), coming in from the cold.

A D

It's life, it's life, it's life, it's, wa-well! (Coming in from the cold).

A

We're coming in, (coming in), coming in, (coming in),

D

Coming in, (coming in), coming in, (coming in), coming in from the cold.

A D E A

It's you, you, you I'm talkin' to.

F#m D E A

Well, you, (it's you), you, (it's you), you I'm talking to now.

Verse 2:

F#m

Well, why do you look so, look so,

D E A

Look so sad, look, so sad and for-saken?

F#m

Don't you know; when one door is closed, when one door is closed,

D E A

Many more is opened?

Bridge 2:

D

Would you let the system get on top of your head again?

Bm A F#m

(No, Dread, no!) No dread no, oh!

D

Would you let the system make you kill your brotherman?

Bm A F#m

(No, Dread, no!) No dread no! Well...

D

Would you let the system get on top of your head again?

Bm A F#m

(No, Dread, no!)

E

Well, the biggest man you ever did see was, was just a baby.

Chorus 3:

A

In this life, in this life, in this life,

D

In this oh sweet life, we're, (we're coming in from the cold).

A

We're coming in, (coming in), coming in, (coming in),

D

Coming in, (coming in), coming in, (coming in), coming in from the cold.

A

We're coming in, (coming in), coming in, (coming in),

D

Coming in, (coming in), coming in, (coming in), coming in from the cold.

And again, in G:

Intro: G, C (x2)

Chorus 1:

G

In this life, in this life, in this life,

C

In this oh sweet life, we're, (we're coming in from the cold).

G

We're coming in, (coming in), coming in, (coming in),

C

Coming in, (coming in), coming in, (coming in), coming in from the cold.

G C D G

It's you, it's you, it's you I'm talkin' to.

Em C D G

Well, you, (it's you), you, (it's you), you I'm talking to now.

Verse 1:

Em C D G

Why do you look so sad, and for-saken?

Em C D G

When one door is closed, don't you know; an-other is opened?

C

Would you let the system make you kill your brotherman?

Am G Em

(No, Dread, no!) No dread no!

C

Would you let the system make you kill your brotherman?

Am G Em

(No, Dread, no!) No dread no!

C

Would you let the system get into your head again?

Am G Em

(No, Dread, no!)

D

Well, the biggest man you ever did see was once just a baby.

Chorus 2:

G

In this life, in this life, in this life,

C

In this oh sweet life, we're, (we're coming in from the cold).

G

We're coming in, (coming in), coming in, (coming in),

C

Coming in, (coming in), coming in, (coming in), coming in from the cold.

G C

It's life, it's life, it's life, it's, wa-well! (Coming in from the cold).

G

We're coming in, (coming in), coming in, (coming in),

C

Coming in, (coming in), coming in, (coming in), coming in from the cold.

G C D G

It's you, you, you I'm talkin' to.

Em C D G

Well, you, (it's you), you, (it's you), you I'm talking to now.

Verse 2:

Em

Well, why do you look so, look so,

C D G

Look so sad, look, so sad and for-saken?

Em

Don't you know; when one door is closed, when one door is closed,

C D G

Many more is opened?

Bridge 2:

C

Would you let the system get on top of your head again?

Am G Em

(No, Dread, no!) No dread no, oh!

C

Would you let the system make you kill your brotherman?

Am G Em

(No, Dread, no!) No dread no! Well...

C

Would you let the system get on top of your head again?

Am G Em

(No, Dread, no!)

D

Well, the biggest man you ever did see was, was just a baby.

Chorus 3:

G

In this life, in this life, in this life,

C

In this oh sweet life, we're, (we're coming in from the cold).

G

We're coming in, (coming in), coming in, (coming in),

C

Coming in, (coming in), coming in, (coming in), coming in from the cold.

G

We're coming in, (coming in), coming in, (coming in),

C

Coming in, (coming in), coming in, (coming in), coming in from the cold.

Could You be Loved by Bob Marley

See voice memo for a nice way to do this. Album key is D I think.

Intro (do the riff off G#m)

Chorus:

B G#m

Could you be loved

E B

And be loved

B G#m

Could you be loved

E B

And be loved

G#m C#m

Don't let them fool ya

G#m C#m

Or even try to school ya Oh, no!

G#m

We've got a mind of our own

E D#m C#m

So go to hell if what you're thinking is not right!

G#m

Love would never leave us alone,

E D#m F#

A-yin the darkness there must come out to light.

Chorus

G#m

The road of life is rocky and you may stumble too,

So while you point your fingers someone else is judging you

Love your brotherman!

Could you be, could you be, could you be loved

Could you be, could you be loved

Could you be, could you be, could you be loved

Could you be, could you be loved

G#m C#m

Don't let them change ya, oh!

G#m C#m

Or even rearrange ya! Oh, no!

G#m E D#m C#m

We've got a life to live. Ooh, ooh, ooh

G#m

They say: only, only

E D#m F#

Only the fittest of the fittest shall survive, stay alive! Eh!

Chorus

G#m

You ain't gonna miss your water, until your well runs dry

No matter how you treat him, hell never be satisfied

Say something! (Could you be, could you be, could you be loved

Could you be, could you be loved)

(repeat)

So Much Things to Say by Bob Marley

Album key is Bb, doing down 2 steps here.

Chorus:

G Am

They got so much things to say right now;

G Am

They got so much things to say.

G Am

They got so much things to say right now;

G Am

They got so much things to say.

Verse:

G Am G Am

Eh! But I'll never forget no way: they crucified Je-sus Christ;

G Am G Am

I'll never forget no way: they stole Marcus Garvey for rights.

G Am G Am

I'll never forget no way: they turned their back on Paul Bogle.

G Am

So don't you forget (no way),

G Am

Who you are and where you stand in the struggle.

Chorus

I'n'I nah come to fight flesh and blood,

But spiritual wickedness in 'igh and low places.

So while they fight you down,

Stand firm and give Jah thanks and praises.

'Cos I'n'I no expect to be justified

By the laws of men - by the laws of men.

Ooh, true they have found me guilty,

But through - through Jah proved my innocency.

Bridge:

Bm Em

Oh, when the rain fall, fall, fall now,

C D

It don't fall on one man's housetop. Remember that:

Bm Em

When the rain fall,

C D

It don't fall on one man's housetop.

Chorus

Hey, but I'n'I - I'n'I nah come to fight flesh and blood,

But spiritual wickedness in 'igh and low places.

So while, so while, so while they fight you down,

Stand firm and give Jah thanks and praises.

I'n'I no expect to be justified

By the laws of men - by the laws of men.

Oh, hey through Jah to prove my innocency,

I told you wicked think they found me guilty.

Chorus

Zimbabwe by Bob Marley

Verse 1:

Bm Am Em C

Every man gotta right to decide his own destiny

Bm Am Em C

And in this judgement there's no partiality

Bm Am Em C

So arm in arms, with arms, we will fight this little struggle

Bm Am Em C

Cause that's the only way we can overcome our little trouble

Chorus:

Bm

Brother you're right. You're right

Am Em C

You're right. You're right. You're so right

Bm Am

We gonna fight, we'll have to fight

Em C

We gonna fight, fight for our rights

C D

Natty Dread it ina Zimbabwe

C D

Set it up ina Zimbabwe

C D

Mash it up ina Zimbabwe

C D

Africans a liberate Zimbabwe

Verse 2:

No more internal power struggle;

We come together to overcome the little trouble.

Soon we'll find out who is the real revolutionary,

'Cause I don't want my people to be contrary.

Verse 3:

To divide and rule could only tear us apart;

In everyman chest, mm - there beats a heart.

So soon we'll find out who is the real revolutionaries;

And I don't want my people to be tricked by mercenaries.

Dont Rock My Boat by Bob Marley

Album key is A, which is really nice on guitar, since the A bar goes down to the C#m bar, to the F# bar, to the E. Its high to sing there, but maybe possible.E is here, which is low but easy, and G is below that, which might be nice. And A below that.

Intro: G Bm Am D7 (x2)

Chorus 1:

G Bm7 Am7 D7

Oh, please don't you rock my boat,

G Bm7 Am7 D7

'Cos I don't want my boat to be rocking, anyhow.

G Bm7 Am7 D7

Please don't you rock my boat, no,

G Bm7 Am7 D7

'Cos I don't want my boat to be rocking. [I'm telling you that]

Bridge 1:

C D7

Oh-ooh-oh, I like it a-like this,

C

And you should know, ooh oh,

D7

When I like it a-like a-this, ooh yeah.

Verse 1:

Am D

You satis, satis, satisfy my soul,

Am D

Morning time, satisfy my soul.

Am

Yes, I been a-telling you;

D7

We'll play the sweetest games.

C G

I'm happy inside, all the time.

C G

Oh, can't you see, what you've done for me?

You make me feel like...

Verse 2:

Am D

When we bend a new corners,

Am D

We feel like sweep-stake winners, yeah.

Am D

When we bend them new corners,

Am D

We feel like sweep-stake winner. And I said;

Bridge 2:

C D7

Oh-ooh-oh, I like it a-like this, (yes I do),

C

And you should know, ooh ah,

D7

When I like it, a-like a-this, I've got it; just can't miss.

Verse 3:

Am D

Satis, satis-fy my soul, darling,

Am D

Make me love you in the morning time.

Am D

If I ever treated you bad; make it up to me one time,

C G

'Cos I'm happy in-side, all the time.

C G

I want you be-side me, yeah, to be mine.

Verse 4:

Am

One thing you got to do;

D

Is when we're, holding hands together,

Am D

You got to know that; we love, a-love each other, yeah.

Am D

And if any time you should walk away from me now,

Am D

You'll know I'll need your sympathy.

Bridge 3:

C

Can you see; do you believe me?

D7

Oh darling, darling, I'm calling, calling.

C

Satisfy my soul, satisfy my soul,

D7

Never, never, never give it up now.

Coda:

Am D Am D

All in the same boat, rocking on the same rope,

Am D

We gotta get to-gether, loving each other.

C G

And can't you see what I've got for you, yeah?

C

I'm happy, happy, happy, happy, happy,

G

And not even time to be blue now,

Am

Come a little closer...

(Fade)

Hammer by Bob Marley

The whole song is Ab6 and Bb6. A couple of voicings that sound good:

Ab6: xx6564

Bb6: xx8786

Or:

Ab6: x6656x

Bb6: x8878x

Or of course just play Ab and Bb and forget the 6th.

I like to do it in G (G and F)

Intro: Ab6 Bb6 (x2)

Verse 1:

Ab6 Bb6

They just keep holdin' me; a-won't let go;

Ab6 Bb6

Holdin' me; won't let go.

Chorus 1:

Ab6

I need a hammer, a hammer, a hammer, a hammer,

Bb6

To hammer them down.

Ab6

I need a rammer, a rammer, a rammer, a rammer,

Bb6

To ram them down.

Verse 2:

They just keep teasin' me;

And, you know, they play like they don't know.

Pro-voking me; but this is all I know:

Chorus 2:

I need a rammer, a rammer, a rammer, a rammer,

To ram them down.

I need a hammer, a hammer, a hammer, a hammer,

To hammer them down.

Bridge:

Ab6 Bb6

Wee-ooh-ooh, ooh-ooh-ooh.

Ab6 Bb6

Ooh-ooh-ooh, ooh-ooh-ooh.

Chorus 2:

Ab6

Oh, I need a rammer, a rammer, a rammer, a rammer,

To ram them down.

I need a hammer, a hammer, a hammer, a hammer,

To hammer them down. Said I need,

A rammer, A rammer, A rammer, A rammer,

To ram them down.

I need a hammer, a hammer, a hammer, a hammer,

To hammer them down.

Verse 3:

Holdin' me, won't let go.

Holdin' me, won't let go.

Chorus 4:

I need a rammer, a rammer, a rammer, a rammer,

To ram them down.

I need a hammer, a hammer, a hammer, a hammer,

To hammer them down. (I need a rammer...)

Interlude:

Ab6 Bb6 (x2)

Chorus 5:

I need a hammer, a hammer, a hammer, a hammer,

To hammer them down.

I need a rammer, a rammer, a rammer, a rammer,

To ram them down.

Coming into Los Angeles by Arlo Gutherie

Very high, but sounds good low in Dm (see below)

Am Am/G D/F# F

Coming in from London from way over the pole

C E - E7

Flying in a big air-liner

Chicken flying everywhere a-round the plane

Could we ever feel much finer

CHORUS:

Am Am/G D

Coming into Los Angeles,

Am Am/G D

Bringin in a couple of keys

Am Am/G D/F#

Don't touch my bag if you please

F C - E - E7

mister customs man

There's a guy with a ticket to Mexico

No he couldn't look much stranger

Walking in the hall with his things and all

Smiling, said he was the Lone Ranger

CHORUS

There's a woman walking on the moving floor

Tripping on the escalator

There's a man in the line and she's blowing his mind

Thinking that he's already made her

CHORUS

----------------

In Dm:

Dm Dm/C G/B Bb

Coming in from London from way over the pole

F A - A7

Flying in a big air-liner

Chicken flying everywhere a-round the plane

Could we ever feel much finer

CHORUS:

Dm Dm/C G

Coming into Los Angeles,

Bringin in a couple of keys

Don't touch my bag if you please

Bb F A A7

mister customs man

There's a guy with a ticket to Mexico

No he couldn't look much stranger

Walking in the hall with his things and all

Smiling, said he was the Lone Ranger

CHORUS

There's a woman walking on the moving floor

Tripping on the escalator

There's a man in the line and she's blowing his mind

Thinking that he's already made her

CHORUS

Brother Can You Spare a Dime

Words & Music by E.Y. Harburg & Jay Gorney

Recorded by Bing Crosby, 1932

The Dm6 sounds nice as x20201, sounds like a half dim.

Am E7 A7

Once I built a railroad, made it run,

D G7 C E7

Made it race against time;

Dm/F E7 Am F7

Once I build a railroad -- now it's done.

Dm6 (or B half dim) E7 Am

Brother, can you spare a dime?

Am E7 A7

Once I built a tower to the sun,

D G7 C E7

Brick and rivet and lime;

Dm/F E7 Am F7

Once I build a tower -- now it's done.

Dm6 E7 Am

Brother, can you spare a dime?

Bridge:

A7

Once, in khaki suits, gee, we looked swell,

(Gm6) A7

Full of that Yankee Doodle de-dum;

D7

Half a million boots went sloggin' through Hell --

Am F7 E7

I was the kid with the drum.

Am E7 A7

Say, don't you remember, they called me Al?

D G7 C E7

It was Al all the time.

Dm/F E7 Am F7

Why don't you remember? I'm your pal.

Dm6 E7 (E7+5) Am

Say buddy can you spare a dime?

[bridge]

Unforgettable by Nat King Cole

Fmaj7 E7

Unforgettable, thats what you are

Gm7 D9sus4 (or D7)

Unforgettable, though near or far

Cm7 Ebm7 Bbmaj7

Like a song of love that clings to me

Ab7 G7

How the thought of you does things to me

C9 Am7 C9

Never before has someone been more

Fmaj7 E7

Unforgettable, in every way

Gm7 D9sus4

And forever more, thats how youll stay

Cm7 Ebm7 Bbmaj7

Thats why, darling, its incredible

Ab7 G7

That someone so unforgettable

C9 F Bb --- C# 7

Thinks that I am unforgettable too

---instrumental interlude---(one note higher)

Fmaj7# F7 G#m7 D#9sus4 C# m7 Em7

7 A7 G# 7

C#9 Am#7 C#9 -- D7

Never before has someone been more

Gmaj7 F# 7

Unforgettable, in every way

Am7 F9sus4

And forever more, thats how youll stay

Dm7 Fm7 Cmaj7

Thats why, darling, its incredible

Bb7 A7

That someone so unforgettable

Dm7 Fm7 G7 C-- Cmaj7

Thinks that I am unforgettable too

On a Foggy Night by Tom Waits

Really hard to sing while playing, but really fun to play for someone else singing.

Bm13 = x2x234

A7b13 = 5x566x

Same progression throughout:

Bm13 Bass:E0-E1-E2 F#7b13 A7b13 Ab7b13 G7b13 (or just G7 jazz) F#7b13

It was upon a foggy night, an abandoned road

In a twilight mirror mirage

With no indication

Of any kind of service station

Or an all night garage, I was misinformed

I was misdirected 'cause the interchange

Never intersected leaving me marooned

Beneath a bloodshot moon

All upon a foggy night, foggy night

All upon a foggy night, it's kind of an abandoned road

Blurred brocade collage

Is that a road motel? I can't really tell

You got to tell me is that a vacancy lodge

There's no consolation

What kind of situation

To be aimlessly skewed

Amidst a powder blue? No tell tail light clue

[Incomprehensible] is like a spell you spin

This precarious pandemonium

[Incomprehensible] I'm stranded, all upon a foggy night

Like a sweet thick [Incomprehensible] or a Broadway arcade

Heads you win, tails I loose and ramblin' and gamblin'

All upon a foggy night, foggy night

Foggy night, foggy night

You got to fight [Incomprehensible] on my personality

All upon a foggy night, all upon a foggy night

All upon a foggy night, on a foggy night

All upon a foggy, all upon a foggy night

Youre a Mean One, Mr. Grinch

Intro: Am / Dm [repeat in groove]

Verse #1:

Am6 F7 E7

You're a mean one, Mister Grinch

Am6 B7 E7

You really are a heel

Am Dm7

You're as cuddly as cactus

G7 C

You're as charming as an eel

F7 E7

Mister Gr - i - nch

(silence)

You're a bad banana with a

Am Dm

greasy black peel

[intro] Am Dm Am Dm E

Verse #2 (same chords for all verses):

Am F7 E7

You're a monster, Mister Grinch

Am6 B7 E7

Your heart's an empty hole

Am Dm7

Your brain is full of spiders

G7 C

You've got garlic in your soul

F7 E7

Mister Gr - i - nch

(silence)

I wouldn't touch you with a

Am Dm

Thirty-nine and a half foot pole

Verse #3:

Am F7 E7

You're a foul one, Mister Grinch

Am6 B7 E7

You're a nasty-wasty skunk

Am Dm7

Your heart is full of unwashed socks

G7 C

Your soul is full of gunk

F7 E7

Mister Gr - i - nch

(silence)

The three words that best describe you are as follows

Dm E Am

And I quote: Stink, stank, stunk

Verse #4:

Am F7 E7

You're a vile one, Mister Grinch

Am6 B7 E7

You have termites in your smile

Am Dm7

You have all the tender sweetness of

G7 C

B seasick crocodile

F7 E7

Mister Gr - i - nch

(silence)

Given the choice between the two of you

Am Dm

I'd take the seasick crocodile

Verse #5:

Am F7 E7

You're a rotter, Mister Grinch

Am6 B7 E7

You're the king of sinful sots

Am Dm7

Your heart's a dead tomato splotched

G7 C

With moldy purple spots

F7 E7

Mister Gr - i - nch

(silence)

Your soul is an appalling dump-heap, overflowing with the most disgraceful

assortment of deplorable rubbish imaginable

E Am Dm

Mangled-up and tangled-up knots

Verse #6:

Am F7 E7

You nauseate me, Mister Grinch,

Am6 B7 E7

With a nauseous super "naus"

Am Dm7

You're a crooked jerky jockey and you

G7 C

drive a crooked horse

F7 E7

Mister Gr - i - nch

(silence)

You're a three decker sauerkraut and toadstool sandwich

Am Dm

With arsenic sauce

Am6 Dm [repeat and end on nice Am6]

Cat In The Hat by Dr. Seus

(do as cat in the shack?)

F Dm7 Gm7 C

In English, cat, hat, In French, chat, chapeau.

F Dm7 Gm7 C

It really is quite obvious, don't you know.

F Dm7 Gm7 C

In English, cat, hat, In French, chat, chapeau.

F Dm7 Gm7 C

Un, deux, trois, quatre, cinq, here we go.

F Dm7 Gm7 C

I repeat, cat, hat, In French, chat, chapeau.

F Dm7 Gm7 C

In Spanish, el gato in a sombrero.

[half time on chords]

F

Kids: He's a cat in a hat,

Dm7

He's a chat in a chapeau.

G7 C6 C F

He's also is a gato in a sombrero.

Ol, Ol, Ol, Ol-o.

F Dm7 Gm7 C

The Cat in the Hat: Cat, hat, in French, chat, chapeau.

F Dm7 Gm7 C

In Spanish, el gato in a sombrero.

* F *half time chords

And i'll tell you something more,

Dm7

now you listen to me good.

G7 C6 C F

In German, I'm a katze und dies ist mein hut.

[skip this?

Ist das nicht ein katze hut?

Kids: Ya, das ist ein katze hut! Katze hut! Katze hut! Ya, das ist ein katze hut!]

[replace kids part with: "Ol, Ol, Ol, Ol-o."]

[spoken] Now, if you're in a receptive state, I'll recapitulate:

F Dm7 Gm7 C

Cat in the Hat: Cat, hat, In French, chat, chapeau.

F Dm7 Gm7 C

In Spanish, el gato in a sombrero.

F F7 Bb Bbm

In German, I'm a katze in a hut and don't you know.

F D7 C6 C F

I'm a gwunka in a bunka-kwunk in Eskimo.

[replace kids part with: "Ol, Ol, Ol, Ol-o."]

[kids, prob skip:]

Norval the Fish: You're a gwunka in a bunka-kwunk in Eskimo.

Kids: He's a gwunka in a bunka-kwunk in Eskimo.

Ist das nicht ein bunka-kwunk? Ya, das ist ein bunka-kwunk.

Gwunka-bunka. Gwunka-bunka. Yes indeedy, that is so.

He's a gwunka in a bunka-kwunk in Eskimo.

Norval the Fish: Cat, hat, in French, chat, chapeau. In Spanish, you're a gato in a sombrero.

In German, you're a katze in a hut, I also know. You're a gwunka in a bunka-kwunk in Eskimo.

Now, would you will allow me, sir, don't think, I'm pushin'. I think I can tell you what you are in Russian.

Shapka, shylapah. You're a shapka in a shylapa--Hey!

The Cat in the Hat: I'm a shapka in a shylapa, I'm a shapka in a shylapa, I'm a shapka in a shylapa, I'm a shapka in a shylapa, I'm a shapka in a shylapa, I'm a shapka in a shylapa, I'm a shapka in a shylapa, I'm a shapka in a shylapa.

Moondance by Van Morrison

Nice to do it spooky style, with that Gm6 - Am6 - Bb6 riff I like... Original uses Am7 - Bm7 - C

Gm6 Am6 Bb6 Am6

Well, it's a marvelous night for a moondance

With the stars up above in your eyes

A fantabulous night to make romance

'Neath the cover of October skies

And all the leaves on the trees are fallin'

To the sound of the breezes that blow

And I'm trying to please to the callin'

Of your heart strings that play soft and low

Cm6 Gm6 Cm6 Gm6

And all the nights magic seems to whisper and hush

Cm6 Gm6 Am6 D7

And all the soft moonlight seems to shine in your blush

Gm6 Am6 Bb6 Am6 Gm6 (Can do the F# variation)

Can I just have one more moondance with you, my love?

D7+5

Can I just make some more romance with you, my love?

Well, I wanna make love to you tonight

I can't wait 'til the morning has come

And I know now the time is just right

And straight in to my arms you will run

And when you come, my heart will be waiting

To make sure that you're never alone

There and then, all my dreams will come true, dear

There and then, I will make you my own

And every time I touch you, you just tremble inside

And I know how much you want me that you can't hide

Can I just have one more moondance with you, my love?

Can I just make some more romance with you, my love?

Well, it's a marvelous night for a moondance

With the stars up above in your eyes

A fantabulous night to make romance

'Neath the cover of October skies

And all the leaves on the trees are falling

To the sound of the breezes that blow

And I'm trying to please to the calling

Of your heart strings that play soft and low

And all the nights magic seems to whisper and hush

And all the soft moonlight seems to shine in your blush

Can I just have one more moondance with you, my love?

Can I just make some more romance with you, my love?

One more moon dance with you

In the moon light, on a magic night

All the moon light, on a magic night

Can I just have one more moondance with you, my love?

Borris the Spider by The Who

(Strum a G before starting?)

D Bb F G

Look, he's crawling up my wall

C G Bb F G

Black and hairy, very small

C G Bb F C

Now he's up above my head

C G Bb F G

Hanging by a little thread

[chorus]

|D Db C B Bb F |G

Boris the spider

Boris the spider

D Bb F G

Now he's dropped on to the floor

C G Bb F G

Heading for the bedroom door

C G Bb F C

Maybe he's as scared as me

C G Bb F G

Where's he gone now, I can't see

[repeat chorus]

|D Db C B Bb F |G

Boris the spider

Boris the spider

|F# G F# G F# G F# G|F# G F# G F# G F# G|

Cree-py, craw-ly Cree-py, craw-ly

|-------------------|-------------------|

|-------------------|-------------------|

|-------------------|-------------------|

|4-/5-/5-/5-/5|---------%---------|

|-------------------|-------------------|

|-------------------|-------------------|

D Bb F G

There he is wrapped in a ball

C G Bb F G

Doesn't seem to move at all

C G Bb F C

Perhaps he's dead, I'll just make sure

C G Bb F G

Pick this book up off the floor

|D Db C B Bb F |G

Boris the spider

Boris the spider

Creepy, crawly

Creepy, crawly

Creepy, creepy, crawly, crawly

Creepy, creepy, crawly, crawly

Creepy, creepy, crawly, crawly

Creepy, creepy, crawly, crawly

D Bb F G

He's come to a sticky end (creepy, crawly)

C G Bb F G

Don't think he will ever mend (creepy, crawly)

C G Bb F C

Never more will he crawl 'round (creepy, crawly)

C G Bb F G

He's embedded in the ground (creepy, crawly)

|D Db C B Bb F |G

Boris the spider

Boris the spider

At Last by Etta James

G7+5 = 3x344x

Verses play same riff over and over: (G7+5) C (maj7) - Am7 - Dm7 - G7+5

At last

my love has come along,

My lonely days are over

(Fdim) G7 C Am (Fdim) G7+5 (or G9?)

And life is like a song.

At last

the skies above are blue;

My heart was wrapped in clover

Fdim G7 C Fm Fdim C

The night I looked at you.

Bridge: (unconfirmed)

G7 C7 F+7 Fdim CM7 C6

I found a dream that I can speak to,

A#+ Am6 D#dim Em

A dream that I can call my own,

Am6 Cm6 D7 GM7 G6

I found a thrill to press my cheek to,

C Am7 A#dim G Dm7 (G7)

A thrill I've never known.

You smiled

and then the spell was cast,

And here we are in heaven,

First Time:

Fdim G7 C Am Dm Fdim (G7)

For you are mine at last.

Last Time:

Fdim G7 C6 Fm Fdim C6

For you are mine at last.

Darling Nikki by Prince

Intro

E------------------------------------------------| R

B------------------------------------------------| E

G--8--6--4--6----7-4-0-----8--6--4--6--7--4------| P

D--9--8--6--8----9-5-0-----9--8--6--8--9--4--4---| E

A--------------------------------------------4---| A

E------------------------------------------------| T

B G

I knew a girl named Nikki, I guess you could say she was a sex fiend

E B F#

I met her in a hotel lobby, masturbating with a magazine

G

She said how'd you like to waste some time,

F#

and I couldn't resist when I saw little Nikki grind

Fill power barre chord riff: BBBDB BBBDB D EDC# (x2)

B G

She took me to her castle And I just couldn't believe my eyes

E B F#

She had so many devices Everything that money could buy

G

She said sign your name on the dotted line

F#

The lights went out, and Nikki started to grind

B G

The castle started spinning or maybe it was my brain

E

I can't tell you what she did to me

B F#

but my body will never be the same

G

Her lovin' will kick your behind

F#

Just to show you no mercy

B G

Woke up the next morning Nikki wasn't there

E B F#

I looked all over and all I found was a phone number on the stairs

G

It said thank you for a funky time

F#

Call me up whenever you want to grind

When Doves Cry by Prince

Sounds nice with just the Am - G the whole song. I think technically theres an Em in there (see 2nd line), but I think it takes away from the nice minimal sound.

Am G

Dig if u will a picture

Am

Of u and I engaged in a kiss

G

The sweat of your body covers me

(Em?)

Can u my darling

(G? or E?) Am

Can u picture this?

Dream if u can a courtyard

An ocean of violets in bloom

Animals strike curious poses

They feel the heat

(E major?)

The heat between me and you

Chorus:

How can u just leave me standing?

Alone in a world that's so cold?

Maybe Im just 2 demanding

Em G

Maybe Im just like my father too bold

Am G

Maybe you're just like my mother

Shes never satisfied

Why do we scream at each other

This is what it sounds like

When doves cry

[Chords during solo, according to the shnitz: Am F G Am

I dont think thats right though, I like Dm - DmSus2 (xx0230) G]

Kiss by Prince

Would be fun to do harmonies...

E9sus4: x 12 x 11 12 12 or sounds better as

INTRO

|E9sus4 |A |A |A |A |

VERSE 1

A

U don't have 2 be beautiful 2 turn me on

I just need your body, baby, from dusk till dawn

D

U don't need experience 2 turn me out

A

U just leave it all up 2 me, I'm gonna show U what it's all about

CHORUS

E

U don't have 2 be rich 2 be my girl

D

U don't have 2 be cool 2 rule my world

E

Ain't no particular sign I'm more compatible with

D E9sus4

I just want your extra time and your

A

Kiss

VERSE 2

A

U got 2 not talk dirty, baby, if U wanna impress me

U can't be 2 flirty, mama, I know how 2 undress me

D

I want 2 be your fantasy, maybe U could be mine

A

U just leave it all up 2 me, we could have a good time

CHORUS

VERSE 3

A

Women, not girls, rule my world, I said they rule my world

Act your age, mama, not your shoe size, maybe we could do the twirl

D

U don't have 2 watch Dynasty 2 have an attitude, uh

A

U just leave it all up 2 me, my love will be your food

Little Red Corvette by Prince

Nice to use the GbMaj7...

Intro:

Gb Ab Bbm Bbm7 Gbmaj7 x2

Gb

I guess I should have known

Ab Bbm

by the way you parked your car sideways

Bbm7 Gbmaj7 Gb

That it wouldn't last. See you're the kinda person

Ab

That believes in makin' out once

Bbm Bbm7 Gbmaj7

love 'em and leave 'em fast.

Gb Ab

I guess I must be dumb 'cause you had a pocket full of horses

Bbm Bbm7 Gbmaj7

Trojan and some of them used

Gb

but it was Saturday night

Ab

I guess that makes it all right

Bbm Bbm7 Ab

and you say what have I got to lose".

And honey I say:

Gb Ab Db

Little red corvette

Gb Ab Bbm7

baby you're much too fast.

Gb Ab Db

Little red corvette

Gb Ab Absus Ab

you need a love that's gonna last.

Verse 2:

Guess I should have closed my eyes

when you drove me to the place

Where your horses run free

'cause I felt a little ill

When I saw all the pictures of the jockeys

that were there before me.

Believe it or not, I started to worry,

wondering if I had enough class.

But it was Saturday Night,

I guess that makes it alright.

And you said, Baby, have you got enough gas? Oh yeah!

Chorus

Bridge:

Bbm7

A body like yours ought to be in jail

Gb

'Cause it's on the verge of bein' obscene.

Move over baby

Ab

give me the keys.

Bbm7 Ab

I'm gonna try to tame your little red love machine.

Chorus

Money Dont Matter Tonight by Prince

The version I found has these goofy 9th chords. Super unconfirmed. Playing with regular Cm7, Dbmaj7 and Ebm7 is probably right.

As far as melody, starts on the 5th in the verses, starts on the 7th in the chorus.

CHORDS USED

Cm9 x 3 5 5 3 3

Dbmaj9 x 4 6 5 4 4

Ebm7 x 6 8 6 7 6

VERSE 1 (same pattern throughout song)

Cm7 (Cm9) Dbmaj7 (Dbmaj9)

One more card and it's 22

Ebm7 Dbmaj7 (Dbmaj9)

Unlucky 4 him again

Cm9 Dbmaj9

He never had respect 4 money it's true

Ebm7 Dbmaj9

That's why he never wins

Cm9 Dbmaj9 Ebm7 Dbmaj9

That's why he never ever has enough 2 treat his lady right

Cm7 Dbmaj9

He just pushes her away in a huff

Ebm7 Dbmaj9

And says Money don't matter 2night

Chorus:

Money don't matter 2night

It sure didn't matter yesterday

Just when U think U've got more than enough

That's when it all up and flies away

That's when U find out that U're better off

Makin' sure your soul's alright

Cuz money didn't matter yesterday

And it sure don't matter 2night

Look, here's a cool investment

They're tellin' him he just can't lose

So he goes off and tries to find a partner

But all he finds are users

All he finds are snakes of every color

Every nationality and size

Seems like the only thing he can do

Is just roll his eyes, and say....

Chorus

[titty kazoo]

(youll need a lot of breath here...)

Hey now, maybe we can find a good reason

To send a child off to war

So what if we're controlling all the oil?

Is it worth a child dying for?

If long life is what we all live for

Then long life will come to pass

Anything is better than the picture of the child

In a cloud of gas... and you think you got it bad

Chorus, repeat

Pop Life by Prince

Really hard to get the chord changes right, and its super high... See afterwards for it in D, easier.

I think the album is F, which is afterwards.

Pop Life, in D

Amaj7 = x02120 or 5x665x

F#m = 244322

C#m7 = x46454

Dmaj7 = xx0222 or x57675

VERSE 1

D Amaj7

What's the matter with your life

F#m C#m7

Is the poverty bringing U down?

Dmaj7 E

Is the mailman jerking U 'round?

F G

Did he put your million dollar check

F G

In someone else's box?

VERSE 2

D Amaj7

Tell me, what's the matter with your world

F#m C#m7

Was it a boy when U wanted a girl?

Dmaj7 E

Don't U know straight hair ain't got no curl

F G

Life it ain't real funky

F G

Unless it's got that pop

CHORUS

D Amaj7

Pop life, everybody needs a thrill

F#m C#m7

Pop life, we all got a space 2 fill

Dmaj7 E

Pop life, everybody can't be on top

F G

But life it ain't real funky

F G

Unless it's got that pop

D Amaj7

Tell me, what's that underneath your hair?

F#m C#m7

Is there anybody livin' there? (anybody livin' there?)

Dmaj7 E

You can't get over, if you just don't care (don't care)

F G

Show me a boy who stays in school

F G

And I'll show you a boy aware! Dig it

[chorus]

D Amaj7

What you putting in your nose?

F#m C#m7

Is that where all your money goes? (Is that where all your money goes?)

Dmaj7 E

The river of addiction flows (... you think its hot)

F G

But there won't be no water

F G

When the fire blows Dig it

[chorus]

Again, in F (album key but very high)

For the E - Bmaj7, nice to play the E as an E6 (079999)

Bmaj7 = x24342 or 7x887x

G#m = 466444

D#m7 = x68676

Emaj7 = x79897 (in other words, that Bmaj7 up 5)

F# = 244322

VERSE 1

E Bmaj7

What's the matter with your life

G#m D#m7

Is the poverty bringing U down?

Emaj7 F#

Is the mailman jerking U 'round?

G A

Did he put your million dollar check

G A

In someone else's box?

VERSE 2

E Bmaj7

Tell me, what's the matter with your world

G#m D#m7

Was it a boy when U wanted a girl?

Emaj7 F#

Don't U know straight hair ain't got no curl

G A

Life it ain't real funky

G A

Unless it's got that pop

CHORUS

E Bmaj7

Pop life

Everybody needs a thrill

G#m D#m7

Pop life

We all got a space 2 fill

Emaj7 F#

Pop life

Everybody can't be on top

G A

But life it ain't real funky

G A

Unless it's got that pop

E Bmaj7

Tell me, what's that underneath your hair?

G#m D#m7

Is there anybody livin' there? (anybody livin' there?)

Emaj7 F#

You can't get over, if you just don't care (don't care)

G A

Show me a boy who stays in school

G A

And I'll show you a boy aware!

Dig it

chorus

E Bmaj7

What you putting in your nose?

G#m D#m7

Is that where all your money goes? (Is that where all your money goes?)

Emaj7 F#

The river of addiction flows (... you think its hot)

G A

But there won't be no water

G A

When the fire blows

Dig it

chorus

Purple Rain by Prince

(unconfirmed)

Asus2 XX2200

F#m11 202200

Dsus2 XX0230

Asus2 F#m11

I never meant to cause you any sorrow

E Dsus2

I never meant to cause you any pain

Asus2 F#m11

I only wanted to one time see you laughing

E Asus2 (I think A)

I only wanted to see you laughing in the purple rain

Dsus2

Purple rain purple rain

Dsus2 Asus2

Purple rain purple rain

F#m11 E

Purple rain purple rain

E Asus2

I only wanted to see you bathing in the purple rain

Asus2 F#m11 E

I never wanted to be your weekend lover

Dsus2

I only wanted to be some kind of friend

Asus2 F#m11

Baby I could never steal you from another

E Asus2

Its such a shame our friendship had to end

Dsus2

Purple rain purple rain

Dsus2 Asus2

Purple rain purple rain

F#m11 E

Purple rain purple rain

E Asus2

I only wanted to see you underneath the purple rain

Asus2 F#m11

Honey, I know, I know, I know times are changin'

E Dsus2

It's time we all reach out for something new, (that means you too)

Asus2 F#m11

You say you want a leader, but you can't seem to make up your mind

E Asus2

And I think you better close it and let me guide you to the purple rain

Dsus2

Purple rain purple rain

Dsus2 Asus2

Purple rain purple rain

(If you know what I'm singin' about up here, come on raise your hand)

F#m11 E

Purple rain purple rain

E Asus2

I only want to see you, only want to see you in the purple rain

Rasberry Beret by Prince

A G D/F#

I was working part time in a five-and-dime,

G D G A

My boss was Mr. McGee.

G D/F#

He told me several times that he didn't like my kind,

G D G A

'Cause I was a bit 2 leisurely.

G D/F#

Seems that I was busy doing something close 2 nothing,

G D G A

But different than the day before.

G D/F#

That's when I saw her, ooh, I saw her

G

She walked in through the out door (out door).

[Chorus]:

A G D/F#

She wore a Raspberry beret

G D G A

The kind U find in a second hand store

G D/F#

Raspberry beret

G D A

And if it was warm she wouldn't wear much more

G D/F#

Raspberry beret

E A

I think I love her

A G D/F#

Built like she was, uh, she had the nerve 2 ask me

G D G A

If I planned 2 do her any harm

G D/F#

So, look here, I put her on the back of my bike and-a we went riding

G D G A

Down by old man Johnson's farm

G D/F#

I said now, overcast days never turned me on

G D G A

But something about the clouds and her mixed

G D/F#

She wasn't 2 bright but I could tell

G

When she kissed me

She knew how 2 get her kicks

[Chorus]:

A G D/F#

She wore a Raspberry beret

G D G A

The kind U find in a second hand store

G D/F#

Raspberry beret

G D A

And if it was warm she wouldn't wear much more

G D/F#

Raspberry beret

E A

I think I love her

D A/C# D A/C#

The rain sounds so cool when it hits the barn roof,

NC

And the horses wonder who U are.

D A/C# D A/C#

Thunder drowns out what the lightning sees

NC

U feel like a movie star

G F#m E

Listen, they say the first time ain't the greatest

NC

But I tell ya, if I had the chance 2 do it all again

G F#m

I wouldn't change a stroke 'cause baby I'm the most,

E

With a girl as fine as she was then.

Starfish and Coffee by Prince

A Bm E A

It was 7:45, we were all in line 2 greet the teacher Miss Kathleen

F#m Bm E A

First was Kevin, then came Lucy, third in line was me

A Bm E A

All of us were ordinary compared 2 Cynthia Rose

F#m Bm E A

She always stood at the back of the line, a smile beneath her nose

A Bm E A

Her favorite number was 20 and every single day

F#m Bm E A

If U asked her what she had 4 breakfast, this is what she'd say

A Bm E A

Starfish and coffee, maple syrup and jam

F#m Bm E A

Butterscotch clouds and a tangerine, a side order of ham

F#m Bm E A

If U set your mind free, baby, maybe U'd understand

A Bm E A

Starfish and coffee, maple syrup and jam

Cynthia wore the prettiest dress but different color socks

Sometimes I wondered if the mates were in her lunchbox (Oh ooh oh)

Me and Lucy opened it when Cynthia wasn't around (Oh ooh oh)

Lucy cried, I almost died, U know what we found

Starfish and coffee, maple syrup and jam

Butterscotch clouds, a tangerine and a side order of ham

If U set your mind free, baby, maybe U'd understand

Starfish and coffee, maple syrup and jam

Starfish and coffee

Cynthia had a happy face, just like the one she draws

On every wall, in every school, but it's alright, it's 4 a worthy cause

Go on, Cynthia!

Keep sayin':

Starfish and coffee, maple syrup and jam

Butterscotch clouds, a tangerine and a side order of ham

If U set your mind free, baby, maybe U'd understand

Starfish and coffee, maple syrup and jam

Sign of the Times by Prince

Can learn from this cover (https://www.youtube.com/watch?v=P3NY8i6n4DI) , and these chords maybe (http://prince.org/msg/15/27130).

Cm7. Riff throughout:

|--8----8----8----8----------------|

|--11---10---8----8----------------|

|--8----8----8----8----------------|

|--8----8----8----11---------------|

|--10---10---10---10---------------|

|--8----8----8----8----------------|

In fr died of

Can also do the bass riff on low E: 8 - 11~12

In France, a skinny man

Died of a big disease with a little name

By chance, his girlfriend came across a needle

And soon she did the same

At home there are seventeen year old boys

And their idea of fun

Is being in a gang called 'The Disciples'

High on crack, toting a machine gun

Time, times

Hurricane Annie ripped the ceiling off a church

And killed everyone inside

You turn on the telly and every other story

Is telling you somebody died

A sister killed her baby

'Cuz she couldn't afford to feed it,

and we're sending people to the moon

In September, my cousin tried reefer

For the very first time

Now he's doing horse, it's June

Times, times

Bridge:

Fm7

Is it silly no, when a rocket ship explodes

And everyone still wants to fly?

Some say that man ain't happy, unless a man truly dies

Gm7

Oh, why, oh, why?

Time, time

Baby, make a speech, Star Wars fly

Neighbors just shine it on

But if a night falls and a bomb falls

Will anybody see the dawn?

Time, time

Blue Light by Prince

Nice reggae beat, nice to do kind of like a Uke, like this great cover.

Nice riff during B section of verses count to 10...

Cm7:

|-10----8----8--------------------|

|-8-----8----11-------------------|

|-8-----8----8--------------------|

|-8-----8----8--------------------|

|-10----10---10-------------------|

|-8-----8----8--------------------|

Count to 10

Bb F

Oh well, here we are again

Cm7 Bb F

Lookin' 4 something 2 get us in the mood

Bb F

I tell each and every one of my friends

Cm7 Bb F

That the love we make is really pretty rude

Cm7

But they don't believe me

Bb F

cuz it's written all over my face

Cm7

Like Evian and the deep blue sea

Bb

U and me got different taste

F

U like it in the dark but I like a

CHORUS:

Bb

Blue light

F

Can u turn on a Blue light

Cm7

Then cuddle up 2 me So tight

Bb F

Just u and me all night allright

(repeat)

Bb F

U say u wish I was shy

Cm7 Bb F

I always take a simple thing and push it way too far

Bb F

But baby, that's the problem with u and I

Cm7 Bb F

U say not in public but I say in the car

Cm7

Say, we need to get wild again

Bb F

like it was when we first met

Cm7

Close your eyes and count 2 ten and when u open 'em -

Bb F

I'll be standing naked with nothing but a smile on

Chorus

[instrumental bridge]

Bb F

I'll be 117

Cm7 Bb F

You'll be still sayin' "Baby not tonite"

Bb F

It's easy to see us on the cover of a magazine

Cm7 Bb F

"Double heart attack, couple both die in a fight"

Cm7

Oh Baby! I don't wanna cross that road

Bb F

cuz I love u 2 much

Cm7

I'd do anything just 2 heat up your cold touch

Bb F

Anything I would do, but up until u tell me 2

Chorus

Alphabet Street by Prince

Sometimes theres a nice fill coming out of the choruses: Bb - A - Ab - G.

G

I'm goin' down 2 Alphabet Street

C

I'm gonna crown the first girl that I meet

A D

I'm gonna talk so sexy, she'll want me from my head 2 my feet

CHORUS

Gm F C

Yeah Yeah Yeah

Gm F C

Yeah Yeah Yeah

Gm F C

Yeah Yeah Yeah

I'm gonna drive my daddy's Thunderbird

A white rad ride, '66 [67] so glam - it's absurd

I'm gonna put her in the back seat and drive her 2 Tennessee

Chorus

(This part has a bit of a rap to it:)

Excuse me, baby

I don't mean 2 be rude

But I guess tonight I'm just not, I'm just not in the mood

So if U don't mind (Yeah, yeah, yeah)

I would like to...watch

Chorus

Well oh well, down, down, down, if that's the only way

To make this cruel, cruel world hear what we've got to say

Put the right letters together... and make a better day

Chorus

Maybe it's the only way

Yeah, yeah, yeah, yeah

Cat, we need U 2 rap

Cat, we need U 2 rap

Don't give 2 us slow

Cause we know U know

New Power Soul

Gotta gotta gotta go!

Same pattern during Cats rap:

Talk 2 me lover

Come on tell me what U taste

Didn't your mama tell U life is too good to waste?

Didn't she tell U

That Lovesexy was the glam of them all?

If U can hang, U can trip on it

U surely won't fall (Put your love down)

No side effects and

The feeling last 4-ever

Straight up - it tastes good

It makes U feel clever (Put your love down)

U kiss your enemies

Like U know U should

Then U jerk your body

Like a horny pony would (Put your love down)

U jerk your body like a horny pony would

Now run and tell your mama about that!

And while U're at it tell your papa about this

[Bridge: Dm6 - 10-x-9-10-10-10, strummed funky...]

Yeah-yeah

Put your love down there when u wanna get shot

No! (Yeah, yeah)

Put your love down there when u wanna get shot

Put your love down there when u wanna get shot

Put your love down there when u wanna get shot

Put your love down there...

Get home, Alphabet Street

No!

L-L-L-L-Lovesexy

Yea, Oh, Alphabet Street

Yea, Oh, Alphabet Street

A B C D E F H I love U

If I Was Your Girlfriend by Prince

Really low, since he does it in falsetto. Move up?

RIFF (unconfirmed)

|-----------------|-----------|-----------|-----------|

|-----------------|-----------|-----------|-----------|

|-3---------------|-----------|-----------|-----------|

|---6-6-4-4-3-----|-----------|----3------|----3----8-|

|-------------6-4-|-6h8p6---4-|-6-------4-|-6-----6---|

|-----------------|-----------|-----------|-----------|

VERSE 1

Bbm Ab

If I was your girlfriend, would U remember

Bbm Ab Bbm

2 tell me all the things U forgot when I was your man?

Ab Bbm

Hey hey, when I was your man

Ab Bbm

If I was your best friend, would U let me

Ab Bbm Ab Bbm

Take care of U and do all the things that only a best friend can?

Ab Bbm

Oh, only best friends can

If I was your girlfriend

If I was your girlfriend

VERSE 2

Bbm Ab

If I was your girlfriend, would U let me dress U

Bbm Ab Bbm

I mean, help U pick out your clothes before we go out?

Ab

Not that U're helpless

Bbm Ab

But sometime, sometime those are the things that bein' in love's about

If I was your one and only friend

Would U run 2 me if somebody hurt U even if that somebody was me?

Sometimes I trip on how happy we could be ... please!

If I was your girlfriend

If I was your girlfriend

Bridge:

Bb

Would u let me wash your hair

C#

Could I make u breakfast sometime

G#

Or then, could we just hang out, I mean

F7 I think?

Could we go 2 a movie and cry together

Bb

Cuz 2 me baby that would be so fine

If I was your girlfriend

Baby can I dress u

I mean, help u pick out your clothes

Before we go out

(if I was your girlfriend)

Listen girl, I aint sayin you're helpless

But sometimes, sometimes

Those are the things that bein in loves about (sugar)

Sugar do u know what Im saying 2 u this evening? (sugar)

Maybe u think Im being

A little self-centered (if I was your girlfriend)

But i, I said I want 2 be (sugar)

All of the things u are 2 me (sugar)

Surely, surely u can see (if I was your girlfriend)

{{title repeated in background}}

Is it really necessary 4 me 2 go out of the room

Just because u wanna undress?

I mean, we don't have 2 make children 2 make love

And then, we don't have 2 make love 2 have an orgasm

Your bodys what Im all about

Can I see u?

Ill show u

Why not?

U can think it's because Im your friend I'll do it 4 u

Of course I'll undress in front of u!

And when Im naked, what shall I do?

How can I make u see that it's cool?

Cant u just trust me?

If I was your girlfriend u could

Oh, yeah, I think so

Listen, 4 u naked I would dance a ballet

Would that get u off?

Then tell me what will!

If I was your girlfriend, would u tell me?

Would u let me see u naked then?

Would u let me give u a bath?

Would u let me tickle u so hard ud laugh and laugh

And would u, would u let me kiss u there

You know down there where it counts

Ill do it so good I swear I'll drink every ounce

And then I'll hold u tight and hold u long

And together well stare into silence

And well try 2 imagine what it looks like

Yeah, well try 2 imagine what, what silence looks like

Yeah, well try 2 imagine what silence looks like

Yeah, well try

Repeat verse 2

7 by Prince

A7sus2: x02203 or x02200 (thoroughly optional)

CHORUS:

A

All 7 and we'll watch them fall

They stand in the way of love and we will smoke them all

G A

With an intellect and a savoir-faire

No one in the whole universe will ever compare

E

I am yours now and U are mine

And 2gether we'll love through all space and time

So don't cry

A

One day all 7 will die

A (A7sus2) A (A7sus2)

And I saw an angel come down unto me

A (A7sus2) A (A7sus2)

And in her hand she holds the very key

G

Words of compassion, words of peace

A (A7sus2) A (A7sus2)

And in the distance an army's marching feet

E7 A (A7sus2)

But behold, we will watch them fall

And we lay down on the sand of the sea

And before us animosity will stand and decree

That we speak not of love only blasphemy

And in the distance, 6 others will curse me

But that's alright, (that's alright)

4 I will watch them fall(1,2,3,4,5,6,7)

CHORUS

And we will see a plague and a river of blood

And every evil soul will surely die in spite of

Their 7 tears, but do not fear

4 in the distance, 12 souls from now

U and me will still be here - we will still be here

There will be a new city with streets of gold

The young so educated they never grow old

And a, there will be no death 4 with every breath

The voice of many colors sings a song

That's so bold

Sing it while we watch them fall

CHORUS

Ballad of Dorothy Parker by Prince

A lot of this is super unconfirmed. Really interesting chord progression. Original that I took this from is here.

I dont really like these voicings, but including from that link:

Fmj7-5 x x 3 2 0 0

Ab-5 x x 0 1 1 0

Fmaj7 x x 3 2 1 0

Em7/11 0 0 0 0 0 0

Em9 0 2 2 0 0 2

B+ x 2 1 0 0 2

Am7

Dorothy was a waitress

Ab-5 (or maybe Ab+ ?)

On the promenade

Em7 F#m7

She worked the night shift

Fmaj7 B (or B7?)

Dishwater blonde, tall and fine

Em (I like the little fill: Em7-Ebm7-Dm7 - E7orB+)

She got a lot of tips

Am7

Well, earlier I'd been talkin' stuff

Ab-5

In a violent room

Em7 F#m7

Fightin' with lover's past

Fmaj7 B

I needed someone with a quicker wit than mine

Em

Dorothy was fast

Am7

Well, I ordered - "Yeah,

Ab-5

let me get a fruit cocktail, I ain't 2 hungry"

Em F#m7

Dorothy laughed

Fmaj7

She said - "It sounds like a real man 2 me

B

U're kinda cute,

Em

U wanna take a bath?"

Am7 Ab-5

Oh, I said - "Cool, but I'm leavin' my pants on

Em7

Cuz I'm kinda goin' with someone"

F#m7 Fmaj7

She said - "Sound like a real man 2 me

B Em

Mind if I turn on the radio?"

Bridge:

G

"Oh, my favorite song," she said

And it was Joni singing, "Help me, I think I'm falling"

(Ring) The phone rang and she said

"Whoever's calling can't be as cute as U"

Em7

Right then and there I knew I was through

[My pants were wet, they came off

But she didn't see the movie

Cuz she hadn't read the book first]

Am7 Ab-5

Instead she pretended she was blind

Em7 F#m7

An affliction brought on by a witch's curse

Fmaj7

Dorothy made me laugh

B Em

I felt much better so I went back 2 the violent room

Let me tell U what I did

Bridge (different ending)

G

I took another bubble bath

with my pants on

All the fighting stopped

G A

Next time I'll do it sooner

Am B+

This is the ballad of Dorothy Parker

|Am7 |Ab-5 |Em7 |F#m7 |

|Fmaj7 |B |Em |Em | Repeat To Fade

Mellow Yellow by Donovan

I think album key is D, but sounds good in Eb. Also fun to do it in the style of Chocolate Jesus, and use Ebm.

Eb Ab Eb Bb7

I m just mad about Saffron, Saffron s mad about me.

Eb Ab Eb Bb7

I m just mad about Saffron, she s just mad about me.

Eb Ab Bb7 Eb Ab

They call me Mellow Yellow, they call me Mellow Yellow,

Bb7 Eb Ab Bb7

They call me Mellow Yellow.

I m just mad about Frontine, Frontine s mad about me.

I m just mad about Frontine, she s just mad about me.

They call me Mellow Yellow, they call me Mellow Yellow,

They call me Mellow Yellow.

[I dont understand how to do this verse, skip it?]

Born high forever to fly, wind velocity nil.

Born high forever to fly, if you want your cup I will fill

They call me Mellow Yellow, they call me Mellow Yellow,

They call me Mellow Yellow.

Electrical banana, is going to be a sudden grace,

Electrical banana is bound to be the very next phase.

They call me Mellow Yellow, they call me Mellow Yellow,

They call me Mellow Yellow.

(repeat first verse:)

I m just mad about Saffron, Saffron s mad about me.

I m just mad about Saffron, she s just mad about me.

They call me Mellow Yellow, they call me Mellow Yellow,

They call me Mellow Yellow.

Careless Love 2 by Snooks Eaglin

Good cover 1,

G D7 G

Love, oh love oh, careless love

D7

Cant you see what careless loves doing to me?

G G7

She made me wrong,

C Cm

made me loose my happy home

G D7 G

It was love, oh love oh, careless love

You tied me to your apron string

You tied me to your apron string

You said that you loved me,

and it didnt mean a thing

It was love, oh love oh, careless love

Repeat last verse

Little Bird by Scott Matthews

Great version here, and studio here. Uke tab here.

Can duplicate the uke sound with some fingerpicking, no high E.

Can play the Am in 1st inversion 9th: x32200. Can play with just the middle 4 strings like a uke, and do the G as x2000x. Can do the chorus with those 4 strings too.

D6 = xx0202

Am

little bird on the high wire

G

wish you would content to offend

Am

peck a kiss upon my shoulder

G

leave a mark, and make me better

if you take half your most

i swear to you

i will cut my past

habits, and the end

i'd never start

A7

and i

D7 D6 Am

am absolutely sure

G

i'm all yours

happy songs, they've work for some

if i'm not wrong, this is my first one

now that i have stopped my crying

peck a kiss upon this smile

i am absolutely true

i love you

i love you

Sqeeze Box by the Who

I think album key is G, but really nice in E. Just I-IV-V all the way through.

E

Mama's got a squeeze box

She wears on her chest

And when Daddy comes home

He never gets no rest

B

'Cause she's playing all night

A

And the music's all right

B

Mama's got a squeeze box

A E

Daddy never sleeps at night

Well the kids don't eat

And the dog can't sleep

There's no escape from the music

In the whole damn street

'Cause she's playing all night

And the music's all right

Mama's got a squeeze box

Daddy never sleeps at night

E

She goes in and out and in and out and in and out and in and out

Cause' she's playing all night

And the music's all right

Mama's got a squeeze box

Daddy never sleeps at night

She goes, squeeze me, come on and squeeze me

Come on and tease me like you do

I'm so in love with you

Mama's got a squeeze box

Daddy never sleeps at night

She goes in and out and in and out and in and out and in and out

'Cause she's playing all night

And the music's all right

Mama's got a squeeze box

Daddy never sleeps at night

Mamas Dont Let Your Babies by Waylon Jennings

In 3/4 time.

Verse 1:

D G

Cowboys ain't easy to love and they're harder to hold

A D

They'd rather give you a song than diamonds or gold

G

Lonestar belt buckles and old faded Levi's and each night begins a new day

A

If you don't understand him and he don't die young

D

He'll probably just ride away

Chorus:

D G

Mamas don't let your babies grow up to be cowboys

A

Don't let them pick guitars and drive them old trucks

D

Make them be doctors and lawyers and such

G

Mamas don't let your babies grow up to be cowboys

A

They'll never stay home and they're always alone

D

Even with someone they love

Verse 2: (A tone higher)

E A

Cowboys like smokey ol' pool rooms and clear mountain mornings

B E

Little warm puppies and children and girls of the night

Them that don't know him won't like him and them that do

A

sometimes won't know how to take him

B

He ain't wrong, he's just different but his pride won't let him

E

Do the things that make you think he's right

Chorus:

E A

Mamas don't let your babies grow up to be cowboys

B

Don't let them pick guitars and drive them old trucks

E

Make them be doctors and lawyers and such

A

Mamas don't let your babies grow up to be cowboys

B

They'll never stay home and they're always alone

E

Even with someone they love

Deal by Grateful Dead

Going from the D7 to the Adim is just adding the 1st fret on D string.

Ddim = xx1212. Or sounds nice as xx4545

A C#7 F#m F#m/E D7 Ddim

Since it costs a lot to win, and even more to lose,

A (bass roll G#-G-F#) F# B D

You and me got to spend more time wonderin' what to choose.

Chorus:

A C#7

Just goes to show, you don't ever know,

F#m F#m/E D7 Ddim

Watch each card you play and play it slow.

A G D

Wait until that deal come 'round,

A G D A

Don't you let that deal go down, no no.

A C#7 F#m D7 Ddim

I've been gamblin' hereabouts for ten good solid years,

A F# B D

And if I told you all that went down it would burn off both your ears.

A C#7 F#m D7 Ddim

Since you poured the wine for me and tightened up my shoes,

A F# B D

I hate to leave you sittin' there composing lonesome blues.

Monkey and the Engineer by Grateful Dead

Intro rirff, which is used throughout, and at end:

|----333-0-------------------------------------|

|----------3-0---0-3-0---Achord Dchord Gchord--|

|--------------2-------------------------------|

|----------------------------------------------|

|----------------------------------------------|

|----------------------------------------------|

Intro riff is played over:

G A7 D7 G

G C G

Once upon a time there was an engineer,

G A7 D7

who drove a locomotive both far and near,

G C

Accompanied by a monkey who would sit on a stool,

G A7 D7 G

watching everything the engineer would do.

G C G

One day the engineer want(ed) a bite to eat,

G A7 D7

He left that monkey sitting in the driver's seat,

G C

The monkey pulled the throttle, the locomotive jumped the gun,

G A7 D7 G

did 90 miles an hour down the main line run.

Chorus:

G C G

Big locomotive is right on time,

G A7 D7

Big locomotive coming down the line,

G C

Big locomotive Number 99,

G A7 D7 G

left the engineer with a worried mind.

G C G

The engineer called up the dispatcher on the phone,

G A7 D7

told him all about his locomotive was gone,

G C

get on the wire, switch operator to right,

G A7 D7 G

cause' the monkeys got the main line sewn up tight.

G C G

(The) switch operator got the message in time,

G A7 D7

Said there's a north bound limit on the same main line,

G C

Open up the switch, were gonna let him through the hole,

G A7 D7 G

cause the monkey's got the locomotive under control.

CHORUS

TITTY KAZOO

CHORUS

Ending can repeat this line, or at least the pattern:

G A7 D7 G

left the engineer with a worried mind.

Just the lyrics:

G / C G

G / A7 D7

G / C

G A7 / D7 G

Once upon a time there was an engineer,

who drove a locomotive both far and near,

Accompanied by a monkey who would sit on a stool,

watching everything the engineer would do.

One day the engineer wanted a bite to eat,

He left the monkey sitting in the driver's seat,

The monkey pulled the throttle, locomotive jumped the gun,

did 90 miles an hour down the main line run.

Chorus:

Big locomotive is right on time,

Big locomotive coming down the line,

Big locomotive Number 99,

left the engineer with a worried mind.

The engineer called up the dispatcher on the phone,

told him all about his locomotive was gone,

get on the wire, switch operator to right,

cause' the monkeys got the main line sewn up tight.

(The) switch operator got the message in time,

Said there's a north bound limit on the same main line,

Open up the switch, were gonna let him through the hole,

cause the monkey's got the locomotive under control.

CHORUS

TITTY KAZOO

CHORUS

Dark Hollow by the Grateful Dead

For intro, play a verse and tickle that riff. And same chord pattern the whole song.

Bass riff, simple going between E and A:

|---------------|

|---------------|

|---------------|

|---------------|

|0-----0--------|

|----0----0-2-4-|

(E)(F#)(G#) A E A

I'd rather be in some dark hollow

D A

Where the sun don't ever shine

A7 D D7

Than to be in some big city

A E A

In a small room, with a girl on my mind

Chorus (lots o harmonies):

A E A

So blow your whistle freight train

D A

Blow it far on down the track

A7 D D7

I'm going away, I'm leaving today

A E A

I'm going but I ain't coming back

A E A

I'd rather be in some dark hollow

D A

Where the sun don't ever shine

A7 D D7

Than to see you another man's darling

A E A

And to know (that) you'll never be mine

(chorus)

A E A

I'd rather be in some dark hollow

D A

Where the sun don't ever shine

A7 D D7

Than to be home alone, knowing that you're gone

A E A

Would cause me to lose my mind

Outro:

A A7 D D7

I'm going away, I'm leaving today

A E A

I'm going but I ain't coming back

(can end on beatles chord, 12th fret)

Or nice little ending:

A E D A (x02255) or A7

I'm going but I ain't coming back

Dire Wolf by Grateful Dead

Intro:

G F C

------------3---|---------1----|-----------0----|---------|

--1-1-0-----0---|---------1----|-------1---1----|-1-1-0---|

--------2---0---|-0h1-2---2----|-0h2h4-----0----|-------2-|

------------0---|-------3-3----|-----------2----|---------|

------------2---|--------------|---------3-3----|---------|

----------3-3---|--------------|----------------|---------|

* Not positive what's happening on this chord. Could be the C with B bass (x20010) or maybe xx0010 or maybe E7 sometimes.

[Verse (A pattern)]

G

In the timbers of Fennario,

Bb F

The wolves are running 'round.

The winter was so hard and cold,

G

Froze ten feet 'neath the ground.

F G

Don't murder me,

C x20010* Am

I beg of you, don't murder me.

G F C

Please, don't murder me.

G

I sat down to my supper,

Bb F

'Twas a bottle of red whisky.

I said my prayers and went to bed,

C Bass run A3 A2 A1 A0 Am

That's the last they saw of me.

G F

Don't murder me,

C x20010 Am

I beg of you, don't murder me.

G F C Bass run A3 A2 A1 A0

Please, don't murder me.

[Verse (B pattern)]

Am G

When I awoke, the Dire Wolf,

C Bb F

Six hundred pounds of sin,

Was grinning at my window,

G

All I said was "Come on in".

Chorus:

F G

Don't murder me,

C x20010 Am

I beg of you, don't murder me.

G F C Bass run A3 A2 A1 A0

Please, don't murder me.

Am G

The Wolf came in, I got my cards,

C Bb F

We sat down for a game.

I cut my deck to the Queen of Spades,

G

But the cards were all the same.

Chorus:

F G

Don't murder me,

C E7 (or x20010) Am (or bass run A3 A2 A1 A0)

I beg of you, don't murder me.

G F C

Please, don't murder me.

[Titty over an A pattern verse and chorus]

[Verse 1 (A pattern)]

G

In the backwash of Fennario,

Bb F

The black are bloody mire

The dire wolf collects his dues

G

While the boys sing round the fire.

Chorus:

F G

Don't murder me,

C E7 Am

I beg of you, don't murder me.

G F C

Please, don't murder me.

[Repeat last chorus]

G F C

Please, don't murder me.

[Verse 1]

[chorus]

Just lyrics:

In the timbers to Fennario

The wolves are runnin' round

The winter was so hard and cold

Froze ten feet 'neath the ground

Don't murder me, I beg of you

Don't murder me, please, don't murder me

I sat down to my supper

It was a bottle of red whisky

I said my prayers and went to bed

That's the last they saw of me

[chorus]

When I awoke, the dire wolf

Six hundred pounds of sin

Was grinning at my window

All I said was, "Come on in"

[chorus]

The wolf came in, I got my cards

We sat down for a game

I cut my deck to the queen of spades

But the cards were all the same

[chorus]

In the backwash of Fennario

The black and bloody mire

The dire wolf collects his due

While the boys sing 'round the fire

[chorus]

[chorus]

The Race is On by the Grateful Dead

Hard to sing, lots of range, but can be fun.

G

I feel tears welling up from down deep inside,

C G

Like my heart's got a big break

And a stab of loneliness sharp and painful

A D

That I may never shake.

G

You might think that I'm taking it hard

C G

Since you broke me off with a call,

You might wager that I'll hide in sorrow

D G

And I might lay right down and bawl.

Chorus

G

Now the race is on and here comes pride up the back stretch,

C

Heartaches a goin' to the inside,

G

My tears are holding back,

A D

Tryin' not to fall.

G

My heart's out of the running,

C G

True love scratched for another's sake,

The race is on and it looks like heartaches,

D G

Where the winner loses all.

[titty time]

G

One day I ventured in love never once suspecting

C G

What the final result would be.

Now I live in fear of waking up each morning,

A D

And finding that you're gone from me.

G

There's an aching pain in my heart for the name

C

Of the one that I hated to face,

G

Someone else came out to win her,

D G

And I came out in second place.

[chorus]

Ending:

G

The race is on and it looks like heartaches,

D G G - C - D - Gbeatles

Where the winner loses all.

Bird Song by the Grateful Dead

Reckoning album key is E, but they did it in D other times. Nice to hit the D7 at the end of the melody line, since the melody hits that C note

Nice to do it finger picky style, see voice memo.

Intro/Riff: D7--C-D7--C-D7

Riff:

|-----------------------------------|

|-----------------------------------|

|----------------0------------------|

|--------2-0---0---2---0-(strum D)--|

|--0-2-3-----3-------3--------------|

|-----------------------------------|

Cam also do these on high strings

|------------------------------|

|--3-2-0------5----------------|

|---------3~5 -----------------|

D9? (xx0210) D7 [riff]

All I heard was something like a bird within her sing,

D9 D7

All I know she sang a little while and then flew on,

Bb F C G [Gsus] D7 Riff

Tell me all that you know and I'll show you snow and rain.

D9 D7 [riff]

If you hear that same sweet song again will you know why?

D9 D7 [riff]

Anyone who sings a tune so sweet is passing by.

Bb F C G D7 Riff

Laugh in the sunshine, sing, cry in the dark, fly through the night.

(bass roll: A-Bb-B)

Bm A G D A G D A G D

Don't cry now, don't you cry, don't you cry anymore, la da da da.

Bm A G D A G D A G D D7

Sleep in the stars, don't you cry, dry your eyes on the wind, la da da da, da.

Titty Time

Babe it Aint No Lie by the Grateful Dead

Written by Elizabeth Cotton

Great tutorial here

Dead version:

Nice riff he does before starting verses, under a C:

|--3-2-1-0---------------------|

|----------1-------------------|

|------------------------------|

|------------------------------|

|------------------------------|

|------------------------------|

*1 = when playing the C, add the D note, and the G for melody

*2 = F with D note (so no barre), then slide up to F# with Eb note, on way to the C

C *1 F *2

Been all around this whole round world

C F G

And I just got back today

C F

Work all the week, honey Id give it all to you

C F G C

Honey, babe, what more can I do?

Chorus:

(when doing this roll, can also do D shape 7-6-5)

G (no barre) F# F C

Oh, babe, it aint no lie

E7 F

Oh, babe, it aint no lie

F C C (x32013) C# (x43x24)

Oh, babe, it aint no lie

D (x54x35) C*(with G) C G C

You know this life Im livin is mighty fine

[titty kazoo]

C F

One old woman, Lord, in this town

C F G

Keep-a tellin her lies on me

C F

Wish to my soul that old woman would die

C F G C

Keep-a tellin her lies on me

China Doll by the Grateful Dead

Album key is Dm, but tough to sing, especially on chorus. Both Dm and Bm are here, and Dm is nice on the verses and maybe when warmed up

In Am:

Am Cmaj7 F#o7 F

A pistol shot at five o'clock; the bells of heaven ring.

If you can abide it let the hurdy-gurdy play.

E7 Am C G E7

Tell me what you done it for. No I won't tell you a thing.

Stranger ones have come by here before they flew away.

Am Cmaj7 F#o7 F

Yesterday I begged you before I hit the ground.

[titty] I will not condemn you nor yet would I deny.

E7 Am C G

All I leave behind me is only what I've found.

I would ask the same of you but failing, will not die.

1st time through -> E7

2nd time -> Em E7 A

Changes to 2/4 time:

A E D

Take up you china doll. It's only fractured;

A D C D A

Just a little nervous from the fall. La la la la la la la.

In Bm:

Bm Dmaj7 Abo7 G (bar)

A pistol shot at five o'clock; the bells of heaven ring.

If you can abide it let the hurdy-gurdy play.

F#7 Bm D A F#7

Tell me what you done it for. No I won't tell you a thing.

Stranger ones have come by here before they flew away.

Bm Dmaj7 Abo7 G

Yesterday I begged you before I hit the ground.

[titty] I will not condemn you nor yet would I deny.

F#7 Bm D A

All I leave behind me is only what I've found.

I would ask the same of you but failing, will not die.

1st time through -> F#7

2nd time -> F#m F#7 B

Changes to 2/4 time:

B F# E

Take up you china doll. It's only fractured;

B E B E B

Just a little nervous from the fall. La la la la la la la.

Album key:

Dm Fmaj7 Abo7 (or Bo7) Bb

A pistol shot at five o'clock; the bells of heaven ring.

If you can abide it let the hurdy-gurdy play.

A7 Dm F C A7

Tell me what you done it for. No I won't tell you a thing.

Stranger ones have come by here before they flew away.

Dm Fmaj7 Bo7 Bb

Yesterday I begged you before I hit the ground.

[titty] I will not condemn you nor yet would I deny.

A7 Dm F C

All I leave behind me is only what I've found.

I would ask the same of you but failing, will not die.

1st time through -> A7

2nd time -> Am A7 D

D A G

Take up you china doll. It's only fractured;

D G D G D

Just a little nervous from the fall. La la la la la la la.

Been All Around This World by the Grateful Dead

(traditional)

Intro plays a whole verse, with C noodling over it.

C

Up on the Blue Ridge Mountains, there I'll take my stand.

C7 F C

Up on the Blue Ridge Mountains, there I'll take my stand.

F C

A rifle on my shoulder, six-shooter in my hand;

G C

Oh Lord, I been all around this world.

Lulu, my Lulu come and open the door.

Lulu, my Lulu come and open the door.

Before I have to walk on in with my old forty-four.

Oh Lord, I been all around this world.

[titty time]

Hang me, oh, hang me, so I'll be dead and gone.

Hang me, oh, hang me, so I'll be dead and gone.

I wouldn't mind your hangin'boys, but you wait in jail so long.

Oh Lord, I been all around this world.

[Repeat first verse]

Deep Elem Blues by the Grateful Dead

Riff / Intro:

E E E

D--------2--2-0-----|------2-2-2-0------|--------2--2--0------

A------2--------4-2-|----2---------4--2-|-----2-----------4-2-

E--3-4--------------|3h4----------------|-3h4-----------------

E7 A7 E

D--------2-0-----------|-----------------2---4^5-2---2------

A-----2-------1^2------|---------0-0-0-4---4-------4--------

E-3h4--------------3--0|-0-2-3-4-----------------------3-4-0

B E

D-----------4-1---------------------------------------------

A-----0-1-2-----2---5^6--4--2-------2-----------------------

E-2^4--------------------------2h4-----0--------------------

E (riff)

Well if you go down to Deep Elem,

put your money in your shoes

E7

Women in Deep Elem got them Deep Elem blues

chorus

A7 E

Oh sweet mama, your daddy's got them Deep Elem blues

B E

Oh sweet mama, your daddy's got them Deep Elem blues

Once I had a girlfriend, she meant the world to me

She went down to Deep Elem, now she ain't what she used to be

When you go down to Deep Elem, have a little fun

Have that ten dollars ready when the police man comes

Once I knew a preacher, preached the bible through and through

Went down to Deep Elem now his preaching days are through

When you go down to Deep Elem, put your money in your pants

The women in Deep Elem they don't give a man a chance

When you go down to Deep Elem, put your money in your socks

The redheads in Deep Elem, they'll put you on the rocks

Cassidy by the Grateful Dead

Riff:

|-----------0----------------------------|

|-------------3-2-0---3-2-0--------------|

|---------------------------2------------|

|----------------------------------------|

|----------------------------------------|

|-0--Echord-------------------0 E chord--|

E A

I have seen where the wolf has slept by the silver stream.

E A

I can tell by the mark he left you were in his dream

Em7 (7th fret) Am

Ah, child of countless trees.

Em7 Am

Ah, chile of boundless seas

F#m(add G#) A

What you are; what you're meant to be

F#m(add G#) A

Speaks his name, though you were born to me

E Riff

Born to me, Cassidy

Lost now on the country miles in his Cadillac

I can tell by the way you smile, he is rolling back

Come wash the nightime clean.

Come grow the scorched ground green.

Blow the horn, tap the tambourine.

Close the gap of the dark years in between

You and me, cassidy.

A E A E

Quick beats of an icy heart, catch colt(?) draws a coffin cart

A E B

There he goes and now here she starts, hear her cry

F#m7 E B

Flight of the seabirds,

F#m7 E B

Scattered like lost words

B A E

Wheel to the storm and fly

(Go through the verse chords again)

E A

Faring the well now, let your life proceed by its own design

E A

Nothing to tell now, let the words be yours I'm done with mine

[repeat those 2 lines to taste]

Can be fun to a jam here going E - D. Then come out of it with flight of the seabirds...

Jailhouse Rock by Elvis

C# D

The warden threw a party in the county jail

prison band was there and they began to wail

band was jumpin' and the joint began to swing

should've heard thosed kocked out jail birds sing

Chorus:

G7

Lets Rock !

D

Lets Rock !

A7 G7

Everybody in the whole cell block

D (G7) D C C# D

Was a-dancin' to the Jail-house Rock!

Spider Murphy played the tenor saxophone

Little Joe was blowin' on the slide trombone

The drummer boy for Illinois went crash, boom, bang !

The whole rhythm section was the purple gang

Chorus

Number forty seven said to Number Three:

You're the cutest jailbird I ever did see.

I sure would be delighted with your company

Come on and do the jailhouse rock with me.

Chorus

The sad sack was a-sittin' on a block of stone

Way over in the corner weeping all alone

The warden said: " Hey, buddy, don't you be no square.

If you can't find a partner use a wooden chair !"

Chorus

Shifty Henry said to Bugs: "For Heaven's sakes,

No one's lookin'; now's our chance to make a break

Bugsy turned to Shifty and he said " Nix, nix;

I wanna stick around a while and get my kicks.

Chorus

Cest Magnifique by Cole Porter

G

When love comes in

And takes you for a spin

Ooh la la la

E7 Am

C'est magnifique

E7 Am

When every night your loved one holds you tight

D7

Oh la la la

D+ G D7

C'est magnifique

G

But when one day your loved one driffs away

Oh la la la

G7 C

It is so tradique

Am C Cm

But when once more

G C G

She whispers je tadore

A7 D7 G

C'est magnifique

Ooh la la la

C'est magnifique

Oh la la la

C'est magnifique

But when one day your loved one driffs away

Ooh la la la

It is so tradique

But when once more she whispers jet'adore

C'est magnifique

Trouble by Cat Stevens

Album key is F# (he plays as G, but tuned down half step)

Riff 1: A addEb/addC#/addB

(during that A, could also be F#m7)

Intro: B E (repeat)

E B/D#

Trouble, oh trouble set me free

F#m A

I have seen your face

F#m A * riff1

And it's too much too much for me

E B/D#

Trouble, oh trouble can't you see

F#m A

You're eating my heart away

F#m A * riff1

And there's nothing much left of me

C# F# E B

I've drunk your wine

E B

You have made your world mine

F#m A

So won't you be fair, so won't you be fair

C# F# E B

I don't want no more of you

E B

So won't you be kind to me

F#m A * riff1

Just let me go where, I'll have to go there

E B/D#

Trouble, oh trouble move away

F#m A

I have seen your face

F#m A * riff1

and it's too much for me today

E B/D#

Trouble, oh trouble can't you see

F#m A

You have made me a wreck

F#m A * riff1

Now won't you leave me in my misery

C# F# E B

I've seen your eyes

E B

and I can see death's disguise

F#m A

Hangin' on me, hangin' on me

C# F# E B

I'm beat, I'm torn

E B

Shattered and tossed and worn

F#m A

Too shocking to see, too shocking to see

E B/D#

Trouble, oh trouble move from me

F#m A

I have paid my debt

F#m A * riff1

Now won't you leave me in my misery

E B/D#

Trouble, oh trouble please be kind

F#m A

I don't want no fight

F#m A (or F#m7?)

And I haven't got a lot of time

If You Want to Sing Out by Cat Stevens

(unconfirmed). Lots of the riffs are tabbed out here.

(keep the G on the E string during the verses)

Intro:

If you...

|--0---0--0-0-0---0--0---0-0-0--|--0---0--0-0-0---0--0----0--0--|

|--8---8--3-3-3---1--1---1-3-3--|--8---8--3-3-3---1--1----1--3--|

|--9---9----4-4---2--2---2-4-4--|--9---9----4-4---2--2----2--4--|

|--10--10---5-5---3--3---3-5-5--|--10--10---5-5---3--3----3--5--|

|--10--10---5-5---3--3---3-5-5--|--10--10---5-5---3--3----3--5--|

|-------------------------------|-------------------------------|

Verse:

CaddG G Fadd9

want to sing out, sing out

CaddG G Am

And if you want to be free, be free

Dm Am G

Cause there's a million things to be

CaddG G

You know that there are

|----------------------------------|

|--0-0h1p0-----0----0h1p0----0--1--|

|--0-0------0--0----0--------0--0--|

|--0-0h2p0--0--0----0h2p0----0--2--|

|--------------------------2-------|

|--------------------------3-------|

Verse:

CaddG G Fadd9

And if you want to live high, live high

CaddG G Am

And if you want to live low, live low

Dm Am G

Cause there's a million ways to go

CaddG G

You know that there

.

Chorus:

CaddG Fadd9

You can do what you want

G/D CaddG

The opportunitys on

CaddG Fadd9

and if you find a new way

you can do it to-day

CaddG Fadd9

You can make it all true

G/D C Am Em

And you can make it undo, you see

Em Am Em

Ah ah ah it's easy

Em Am Em G

Ah ah ah you only need to know

Verse:

CaddG G Fadd9

Well, if you want to say yes, say yes

CaddG G Am

And if you want to say no, say no

Dm Am G

Cause theres a million ways to go

CaddG G

You know that there are

Verse:

CaddG G Fadd9

And if you want to be me, be me

CaddG G Am

And if you want to be you, be you

Dm Am G

Cause theres a million things to do

CaddG G

You know that there are

chorus

Verse:

CaddG G Fadd9

Well, if you want to sing out, sing out

CaddG G Am

And if you want to be free, be free

Dm Am G

Cause there's a million things to be,

CaddG G

You know that there are

C/G G G

You know that there are

C/G G G

You know that there are,

C/G G CaddG G Fadd9

You know that there ar - ar - are

G CaddG G Fadd9 G

You know that there ar - ar - are

Longer Boats by Cat Stevens

great live version

G C G

Longer boats are coming to win us

C G C G C

They re coming to win us, they re coming to win us

G C G C

Longer boats are coming to win us

G C G D C G

Hold on to the shore, they ll be taking the key from the door.

G C 6x

D

I dont want no God on my lawn

G D G C G

Just a flower I can help along

D

cause the soul of no body knows

G D C Em A C Em A

How a flower grows... oh how a flower grows.

G C G

Longer boats are coming to win us

C G C G C

They re coming to win us, they re coming to win us

G C G C

Longer boats are coming to win us

G C G D C G (G/C/G 4x)

Hold on to the shore, they ll be taking the key from the door.

G D

Mary dropped her pants by the sand

G D G C G

And let a parson come and take her hand

G D

But the soul of no body knows

G D C Em A C Em A

Where the parson goes, where does the parson go?

(G/C/G 4x)

G C G

Longer boats are coming to win us

C G C G C

They re coming to win us, they re coming to win us

G C G C

Longer boats are coming to win us

G C G D C G (G/C/G 4x)

Hold on to the shore, they ll be taking the key from the door.

Moonshadow by Cat Stevens

D G D G A7 D

Oh, I'm bein' followed by a moonshadow, moonshadow, moonshadow

G D G A7 D

Leapin and hoppin' on a moonshadow, moonshadow, moonshadow

G D G D G D Em A

And if I ever lose my hands, lose my plough, lose my land

G D G D Em A D Bm Em A D

Oh, if I ever lose my hands, Oh, if.... I won't have to work no more.

G D G D G D Em A

And if I ever lose my eyes, if my colors all run dry,

G D G D Em A D Bm Em A D

Yes, if I ever lose my eyes, Oh, if.... I won't have to cry no more.

D G D G A7 D

Oh, I'm bein' followed by a moonshadow, moonshadow, moonshadow

G D G A7 D

Leapin and hoppin' on a moonshadow, moonshadow, moonshadow

G D G D G D Em A

And if I ever lose my legs, I won't moan, and I won't beg

G D G D Em A D Bm Em A D

Yes, if I ever lose my legs, Oh, if.... I won't have to walk no more.

G D G D G D Em A

And if I ever lose my mouth, all my teeth, north and south

G D G D Em A D Bm Em A D

Yes, if I ever lose my mouth, Oh, if.... I won't have to talk...

D G D G A7 D 2x

E A E A

Did it take long to find me? I asked the faithful light.

E A E A

Did it take long to find me? And are you gonna stay the night?

D G D G A7 D

I'm bein' followed by a moonshadow, moonshadow, moonshadow

G D G A7 D

Leapin and hoppin' on a moonshadow, moonshadow, moonshadow

G A D

Moonshadow, moonshadow

G A7 D

Moonshadow, moonshadow

Wild World by Cat Stevens

Am D7 G Cmaj7 F Dm E

Am D7 G

Now that I ve lost everything to you

Cmaj7 F

You say you wanna start something new

Dm E

And it s breakin' my heart you re leavin'

Baby, I m grievin'

Am D7 G

But if you wanna leave, take good care

Cmaj7 F

Hope you have a lot of nice things to wear

Dm E G7

But then a lot of nice things turn bad out there

C G F

Oh, baby, baby, it s a wild world

G F C

It s hard to get by just upon a smile

C G F

Oh, baby, baby, it s a wild world

G F C Dm E

I ll always remember you like a child, girl

Am D7 G

You know I ve seen a lot of what the world can do

Cmaj7 F

And it s breakin' my heart in two

Dm E

Because I never wanna see you a sad, girl

Don t be a bad girl

Am D7 G

But if you wanna leave, take good care

Cmaj7 F

Hope you make a lot of nice friends out there

Dm E G7

But just remember there s a lot of bad, and beware

C G F

Oh, baby, baby, it s a wild world

G F C

It s hard to get by just upon a smile

C G F

Oh, baby, baby, it s a wild world

G F C Dm E

I ll always remember you like a child, girl

Am D7 G Cmaj7 F Dm E

Lalalalala....

Baby, I love you

Am D7 G

But if you wanna leave, take good care

Cmaj7 F

Hope you make a lot of nice friends out there

Dm E G7

But just remember there s a lot of bad, and beware

C G F

Oh, baby, baby, it s a wild world

G F C

It s hard to get by just upon a smile

C G F

Oh, baby, baby, it s a wild world

G F C Dm

I ll always remember you like a child, girl

Into the Mystic by Van Morrison

Capo II Ifor album key I think?

Riff:

And when that foghorn blows... (then move up to G)

|- 0- 2--3--5-----------------|

|-----------6-----------------|

|-0- 2--4---5-----------------|

|-----------------------------|

|-----------------------------|

|-----------------------------|

C

We were born before the wind

Also younger than the sun

G

'Ere the bonny boat was won

C

As we sailed into the mystic

C

Hark, now, hear the sailor's cry

Smell the sea and feel the sky

G

Let your soul and spirit fly

C

Into the mystic.

Em F

When that foghorn blows,

C

I will be comin' home, Mmm hmm hm

Em F

When that foghorn blows,

G

I wanna hear it, I don't have to fear it

C

And I wanna rock you gypsy soul

Just like way back in the days of old

G

And magnificently we will float

C

Into the mystic

C G C 2x

G

C

(riff)

Em F

When that foghorn blows,

C

you know I will be comin' home

Em F

And when that foghorn whistle blows,

G

I've gotta hear it, I don't have to fear it

C

And I wanna rock your gypsy soul

C

Just like way back in the days of old

G

And together we will float

G C

Into the mystic ............... Come on girl!

C G C 2x

G

C

C G C

....... Too late to stop now-o-ow!......

Sex and Candy

Nice cover.

THE RIFF: (h=hammer on, p=pull off)

e|------------------------------------|

B|------------------------------------|

G|--2-h4--2-------------------4-------|

D|-------------2-h4--2--p0----4-------|

A|----------------------------2-------|

E|------------------------------------|

B G F#

Hangin' round downtown by myself

B G F#

and I had so much time to sit and think about myself

B

and then there she was

G F#

like double cherry pie

B

yeah there she was

G F#

like disco super-fly

CHORUS:

-----riff----- B G A

I smell sex and candy here

B G A

Who's that loungin' in my chair?

B G A

Who's that casting devious stares in my direction?

D A

Mama this surely is a dream

B G D - A - B - G - F#

Yeah mama this surely is a dream

Hanging round downtown by myself

and I've had too much caffeine and I was thinkin bout myself

and then there she was

in platform double suede

yeah there she was

like disco lemonade

CHORUS (2x)

Love Shack by B-52s

Verse patterns are C - Gm, with a beat. See voice memo note. Nice to play the C as a C6 (x35555)

Chorus is C7 - Eb - F - Ab - Bb. Note that the chorus melody starts on the 7th (Bb), so nice to use the C7

Dont forget that bass line off the G

C is actually really low. Nice in E (E - Bm)

Verse 1:

(If you see a faded sign by the side of the road that says

15 miles to the, Love Shack! Love Shack yeah)

I'm headin' down the Bodega highway, lookin' for the weekend getaway

Heading for the crab shack,

I got me a camper, it's as big as a whale and we're headin' on down

[I got me a boat, it's as big as a whaler and we're headin' on down]

To the Crab Shack

I got me a Chinook, it seats about 20

So come on and bring your bait shack money

Chorus:

C7 Eb F Ab Bb

(or in E (all barre): E G A C D

The Crab Shack is a little old place where we can get together

C Gm C Gm

Crab Shack baby, Crab Shack bay-bee.

Love baby, that's where it's at, Oh love baby, that's where it's at

Sign says, Woo, stay away fools, 'cause love rules at the Love Shack!

Well it's set way back in the middle of a field,

Just a funky old shack and I gotta get back

Glitter on the mattress

Glitter on the highway

Glitter on the front porch

Glitter on the hallway

The Love Shack is a little old place where we can get together

Love Shack baby! Love Shack, that's where it's at!

Huggin' and a kissin', dancin' and a lovin', wearin' next to nothing

Cause it's hot as an oven

The whole shack shimmies! The whole shack shimmies when everybody's

Movin' around and around and around!

Everybody's movin', everybody's groovin' baby!

Folks linin' up outside just to get down

Everybody's movin', everybody's groovin' baby

Funky little shack! Funky little shack!

Hop in my Chrysler, it's as big as a whale and it's about to set sail!

I got me a car, it seats about 20

So come on up and bring your jukebox money.

Bang bang bang on the door baby! Knock a little louder baby!

Bang bang bang on the door baby! I can't hear you

Your what? Tin roof, rusted!

Love Shack, baby Love Shack!

Love baby, that's where it's at

Huggin' and a kissin', dancin' and a lovin' at the love shack

Groove is in the Heart by Dee Lite

Bass riff/intro:

G7 C7

G|-----------------|--- 3----5--3----------|

D|----5--3---5-3---|------5-------5--3-4-5-|

A|---------5----5--|--3--------------------|

E|--3--------------|-----------------------| (x4)

Verse 1:

G7 C7

The chills that you spill, up my back,

G7

Keep me filled with satisfaction, when we're done,

C7

Satis-faction of what's to come.

I couldn't ask for a-nother. (I-I-I-I-I I)

No I couldn't ask for a-nother.

Verse 2:

Your groove I do deeply dig, no walls only the bridge.

My supperdish, my succotash wish. (Sing it baby)

I couldn't ask for a-nother. (I-I-I-I-I I),

No I couldn't ask for a-nother.

Interlude: (?)

G7 C7 (x4)

Chorus:

G7 C7

Groove is in the heart, ah-ah-ah-ah,

Groove is in the heart, ah-ah-ah-ah.

Groove is in the heart.

Groove is in the heart, ah-ah-ah-ah.

Verse 3:

The depth, the hula groove; move us to the nth hoop.

We goin' through to Horton hears a who-ooh.

I couldn't ask for a-nother. (I-I-I-I-I I),

No I couldn't ask for a-nother.

Verse 4:

DJ Soul, (soul), was on a roll, I've been told he can't be sold.

He's not vicious or malicious, just de-lovely and delicious.

I couldn't ask for a-nother. (I-I-I-I-I I),

No I couldn't ask for a-nother.

[Chorus]

Sing me to Sleep by the Smiths

FM7 = Fmaj7 (xx3210)

When it goes G7 to G6, just do 320001 to 320000.

C FM7

Sing me to sleep

Am FM7

Sing me to sleep

G G7 G6

I'm tired and I

FM7

I want to go to bed

C FM7

Sing me to sleep

Am FM7 G

Sing me to sleep

G7 G6 FM7

And then leave me alone

G

Don't try to wake me in the morning

G7 G6 FM7 G

'Cause I will be gone

Don't feel bad for me

G7 G6 FM7

I want you to know

G

Deep in the cell of my heart

FM7

I will feel so glad to go

C FM7

Sing me to sleep

Am FM7

Sing me to sleep

G

I don't want to wake up

G7 G6 FM7

On my own anymore

[Repeat previous verse]

Don't feel bad for me

G7 G6 FM7

I want you to know

G

Deep in the cell of my heart

FM7

I really want to go

G FM7

There is another world

G C

There is a better world

FM7 Am

Well, there must be

FM7 G

Well, there must be

C FM7 Am FM7 G [repeated to fade]

How Soon Is Now by the Smiths

Georgia Rose cover

Play with moving E bar, leave B and high E open.

Nice to medly into Girls Just Wanna Have fun...

Melody starts on the 5th

F#

I am the son and the heir

A B F#

Of a shyness that is criminally vulgar

I am the son and heir

A B

Of nothing in particular

Chorus:

D A

You shut your mouth, how can you say

C#m E F#

I go about things the wrong way ?

D A

I am Human and I need to be loved

C#m E |F#|F#|F#|A/B/| (x2)

Just like everybody else does

F#

I am the son and the heir

A B F#

Of a shyness that is criminally vulgar

I am the son and heir

A B

Of nothing in particular

Chorus: (same as last time)

D A

You shut your mouth, how can you say

C#m E F#

I go about things the wrong way ?

D A

I am Human and I need to be loved

C#m E |F#|F#|F#|A/B/| (x2)

Just like everybody else does

D A

There's a club if you'd like to go

C#m E F#

You could meet somebody who really loves you

D

So you go, and you stand on your own

A

And you leave on your own

C#m E

And you go home, and you cry

|F#|F#|F#|A/B/|

And you want to die

D A

When you say it's gonna happen "now"

C#m E F#

Well, when exactly do you mean?

D A

See I've already waited too long

C#m E F# |F#|F#|F#|A/B/|

And all my hope is gone

D A

I am Human and I need to be loved

C#m E |F#|F#|F#|A/B/|

Just like everybody else does

(repeat to taste)

Girls Just Wanna Have Fun by Cindy Lauper

Nice to medly from How Soon is Now...

F#

I come home in the morning light

Ebm (or Ebm/Bb or Ebm7/Bb) (Ebm - Db - B)

My mother says 'when you gonna live your life right?'

B

Oh mother dear we're not the fortunate ones,

Ebm7 Db B

And girls, they want to have fun,

Ebm7 Db F#

Oh girls just want to have fun

F#

The phone rings in the middle of the night

Ebm7 (Ebm - Db - B)

My father yells 'what you gonna do with your life?'

B

Oh daddy dear, you know you're still number one,

Ebm7 Db B

But girls, they want to have fun,

Ebm7 Db F#

Oh girls just want to have fun

Chorus:

F#

That's all they really want.....

Ebm

some fun...

F#

When the working day is done

Ebm Db B

Oh girls they want to have fun

Ebm Db F#

Oh girls just want to have fun

F#

Some boys take a beautiful girl

Ebm7 (Ebm - Db - B)

And hide her away from the rest of the world

B

I want to be the one to walk in the sun

Ebm7 Db B

Oh girls just want to have fun

Ebm7 Db F#

Oh girls just want to have

Chorus: (same as last time)

F#

That's all they really want.....

Ebm

some fun...

F#

When the working day is done

(Ebm) Db B

Oh girls they want to have fun

Ebm Db F#

Oh girls just want to have fun

F# Ebm B Db

They just wanna, they just wanna...

F# Dm B Db

They just wanna, they just wanna...

F# Ebm B Db

Girls, girls just want to have fun

Tempted by Squeeze

Nice cover.

Nice intro (chorus pattern) : A - A/G - D - Dsus2

A C#m F#m

I bought a toothbrush, some toothpaste, a flannel for my face

B Dm

Pajamas, a hairbrush, new shoes and a case

Am Em F G

I said to my reflection, let's get out of this place

(C) D F

Passed the church and the steeple, the laundry on the hill

A (A7)

Billboards and the buildings

G B Am D

Memories of it still keep calling and calling

Am F D Dsus2

But forget it all I know I will

Chorus:

A A/G D Dsus2

Tempted by the fruit of another

A A/G D Dsus2

Tempted but the truth is discovered

B E

What's been going on now that you have gone

A A7

There's no other

D A A/G

Tempted by the fruit of another

D Bm Dm

Tempted but the truth is discovered

A C#m F#m

I'm at the carpark, the airport, the baggage carousel

B Dm

The people keep on writing, and wishing I was well

Am Em F G

I said, It's no occasion, it's no story I can tell

(C) D F

At my bedside, empty pocket, a foot without a sock

A A/G

Your body gets much closer

G B Am D

I fumble for the clock, alarmed by the seduction

Am F D Dsus2

I wish that it would stop

Chorus, repeated:

A A7 D Dsus2

Tempted by the fruit of another

A A7 D Dsus2

Tempted but the truth is discovered

B E

What's been going on now that you have gone

A A7

There's no other

D A A7

Tempted by the fruit of another

D Bm Dm

Tempted but the truth is discovered

A C#m F#m

I bought a novel, some perfume, a fortune all for you

B Dm

But it's not my conscience that hates to be untrue

Am Em F G

I asked of my reflection, tell me what is there to do

REPEAT CHORUS.

Black Coffee by Squeeze

I think album key is D, but this is way easier to sing. This is actually kind of low, so can capo it up?

Main riff:

-----------------------|

-----------------------|

-----------------------|

-----------------------|

-----0--0----------0-0-|

-0h2------2-0--0h2-----|

Verse 1:

There's a

A F#m |D A |

stain on my notebook where your coffee cup was. And there's

A F#m |D A |

ash in the pages, now I've got myself lost. I was

A F#m |D A |

writing to tell you that my feelings tonight, are a

A F#m |D A |

stain on my notebook that rings your goodbye. Oh but...

Chorus 1:

F#m |F#m |C# |C# |

Now she's gone, (*) and I'm back on my feet. A

G#m |G#m |E |E |

stain on my note-book says nothing to me. Oh-ho, but..

A |A |D |D |

Now she's gone, (*) and I'm out with a friend (out with a...

E |E |

friend). With lips full of passion

D |D |A

....(oooh).. and coffee ... in .. bed.

Verse 2:

A F#m D A

With the way that you left me I could hardly contain

A F#m D A

The hurt and the anger and the joy of the pain

A F#m D A

Now knowing I am single there'll be fire in my eyes

A F#m D A

And a stain on my notebook for a new love tonight

Chorus 2 (same as 1) (x1)

(Titty)

Chorus 3: (comes out of solo half way through)

A

Now she's gone (now she's gone)

D E

and I'm out with a friend (out with a friend)

E D A

With lips full of passion and coffee in bed

Verse 3:

A F#m D A

From lips without passion to the lips with a kiss

A F#m D A

There's nothing of your love that I'll ever miss

A F#m D A

The stain on my notebook remains all that's left

A F#m D A

Of the memory of late nights and coffee in bed

A F#m D A

Of the memory of late nights and coffee in bed

Mad World by Tears for Fears

This is the Gary Jules key. Tears for Fears do it in F#. Actually probably better to do it in F#...

I think the Gary Jules riff is:

|------------------------------|

|------------------------------|

|-1-1-0-------------------------|

|------3-1 0-------------------|

|------------------------------|

|------------------------------|

Which means were left with that that D note, which means an Fm6 works well instead of the Fm... (Note that I think the D is usually supported by the Bb, but the Fm6 is a nice crazy replacememtn)

Verses: Fm Ab Eb Bb

Chorus: Fm Bb

For intro, can hit that Fm6 hard...

Verse 1:

Fm (or Fm6...) Ab

All around me are familiar faces.

Eb Bb

Worn out places. Worn out faces.

Fm Ab

Bright and early for their daily races.

Eb Bb

Going nowhere. Going nowhere.

Fm Ab

And their tears are filling up their glasses.

Eb Bb

No expression. No expression.

Fm Ab

Hide my head; I want to drown my sorrow.

Eb Bb

No tomorrow. No tomorrow.

Chorus:

Fm Bb

And I find it kinda funny.

Fm

I find it kinda sad.

The dreams in which I'm dying

Are the best I've ever had.

I find it hard to tell you

Cuz I find it hard to take.

When people run in circles it's a very, very

Fm (Ab) Bb

Mad world.

(x4)

Verse 2:

Children waiting for the day they feel good.

Happy birthday. Happy birthday.

Made to feel the way that every child should.

Sit and listen. Sit and listen.

Went to school and I was very nervous.

No one knew me. No one knew me.

Hello, teacher tell me what's my lesson?

Look right through me. Look right through me.

Chorus

Fm (Ab) Bb

Mad world.

(x4)

Good ending chord: Fm6...

Thats Amore by Dean Martin

Written by Harry Warren in 1952.

In 3/4 time. Can play in any key since its all moveable shapes, and sounds great in Bb too. And fun to modulate, any of the E7s with the asterix can be used to go up a half step (so play F7, etc.). Especially at the end of the song.

Amaj7: 5x665x

A6: 5x465x

Cdim7: 8x787x

Bm7: 7x7777

E7: x7675x

BmMaj7: 798777

Intro: A Amaj7 A6 E7

Verse 1:

A Amaj7 A6 Cdim7 Bm7 E7 Bm7 E7

When the moon hits you eye like a big pizza pie, thats amore

Bm7 E7 Bm7 E7

When the world seems to shine like you've had too much wine

A Amaj7 A6 E7 (or E7/B)

That's amore

A Amaj7 A6

Bells will ring ting-a-ling-a-ling, ting-a-ling-a-ling

Cdim7 Bm7 E7 Bm7 E7

And you'll sing "Vita bella"

Bm7 E7 Bm7

Hearts will play tippy-tippy-tay, tippy-tippy-tay

E7 A Amaj7 A6 E7 (can modulate)

Like a gay tarantella

Verse 2:

A Amaj7 A6 Cdim7

When the stars make you drool just like a pasta fazool

Bm7 E7 Bm7 E7

That's amore

Bm7 E7 Bm7 E7

When you dance down the street with a cloud at your feet

C#7b5 F#7 C#7b5 F#7

You're in love

Bm BmMaj7 Bm7

When you walk (down in) a dream but you know you're not

Bm7b5 (E7) A Amaj7 A6 Cdim7

Dreaming signore

Bm7 E7 Bm7 E7

Scuzza me, but you see, back in old Napoli

A Amaj7 A6 E7* (or F7 if modulating to Bb)

That's amore

(Lucky fella)

[Repeat to taste, can even change key, up a half or whatever...]

Mambo Italiano by Dean Martin

Dean doing it (C#m), and nice cover (Cm). I think it sounds better in Dm.

Rosemary sometimes does it with verses as Dm - G7, but I think the i - iv7 sounds better.

Intro can do the Stairway to Heaven mambo on Dm 10th fret. Melody starts on the tonic (G 7th fret or D12)

Riff = Dm DmMaj7 Dm7 Dm6, either on 10th fret like Stairway to Heaven, or 5th fret like Michell.

Intro: (fast strum folky style)

Dm Gm A7 Dm

A boy went back to Napoli because he missed the scenery

Dm Gm

The native dances and the charming songs

E A7

But wait a minute something's wrong, cause now it's

Dm Gm

Hey mambo! Mambo Italiano!

Go go go! You mixed up Siciliano.

Hey mambo! Mambo Italiano!

Dm

All you Calabrese do the mambo like a crazy with the

Dm Gm

Hey mambo! Don't wanna tarantella.

Hey mambo! No more mozzarella.

Hey mambo! Mambo Italiano!

Dm

Try an enchilada with a fish baccala.

F D7 Gm7

Hey goomba, I love the way you dance the rhumba.

(RIFF) Dm DmMaj7 Dm7 Dm6

But take a some advice paisano learn a how to mambo.

Gm7 (can do xx8-10-10-10) A7

If you're gonna be a square you ain't a gonna go nowhere.

Dm Gm

Hey mambo! Mambo Italiano!

Go go Joe! Shake like a giovanno.

Hey mambo! Mambo Italiano!

Dm

E lo che se dice get a happy in the feetsa

Ending:

Em7 A7 Dm6 (10th fret)

Mambo Italianooooooooh!

[Repeat whole song to taste...]

Good ending chord: Dm6 or Dm7 with E added (10-12-10-10-10-12)

Man Next Door by John Holt & The Paragons

The Paragons do it in Cm, Massive Attack in Bbm. I like the Bbm better. Probably easier to play in Am, which is below this.

Bbm Db

There's a man that lives next door

Fm Bbm

In my neighbourhood,

Fm Bbm

In my neighbourhood

Ebm Ab

He gets me down

Bbm Db

He gets in so late at nights

Fm Bbm

Always a fuss and fight

Fm Bbm

Always a fuss and fight

Ebm Ab

All through the night

Chorus:

Ebm Bbm

I've got to get away from here

Ebm Bbm

This is not a place for me to stay

Ebm Bbm

I've got to take my family

Fm (roll down the bass: F-Eb-Db-C-Bb)

And find a quiet place

Bbm Db

Hear the pots and pans they fall

Fm Bbm

Bang! against the wall

Fm Bbm

Bang! against the wall

Ebm Ab

No rest at all

[Chorus]

Again, in Am:

Am C

There's a man that lives next door

Em Am

In my neighbourhood,

Em Am

In my neighbourhood

Dm G

He gets me down

Am C

He gets in so late at nights

Em Am

Always a fuss and fight

Em Am

Always a fuss and fight

Dm G

All through the night

Chorus:

Dm Am

I've got to get away from here

Dm Am

This is not a place for me to stay

Dm Am

I've got to take my family

Em (roll down the bass: E-D-C-B-A)

And find a quiet place

Am C

Hear the pots and pans they fall

Em Am

Bang! against the wall

Em Am

Bang! against the wall

Dm G

No rest at all

[Chorus]

Circus Song

I like to do it in E. Start with E 7th fret, then go to B.

Starts on the tonic (high e string)

See soundcloud for version with Payaso and Gametone.

Please No Squeeze The Banana by Louis Prima

Intro:

Riley the cop would always stop

On the corner at Tony's stand.

He'd help himself to anything

On which he could lay his hand.

Riley did this quite often;

Plenty of fruit he would soften

'Til Tony got sore,

And inwardly swore.

Then he began to shout:

Verse 1:

D A

"Hey! Please no squeeza da banana!

Because when-a you do dat,

D

you make her flat.

A

Hey! Please no squeeza da banana,

'Cause when you squeeza da plum,

D

You put-a him on the bum.

G

You touch-a dis, you touch-a dat,

D

You touch-a everyt'ing -

E7

You push-a dis, you push-a dat,

A

You never buy notting!

So please no squeeza da banana!

If you squeeza, Officer, please,

D

Squeeza da coconut!

Hey, please no squeeza da banana,

'Cause when you squeeza da grape,

You put-a him outta shape!

You squeeza dis, you squeeza dat;

Why don't you squeeza citroul?

Oh, please no squeeza da banana!

If you squeeza, Officer, please,

Squeeza da coconut!

Hey, please no squeeza da banana,

'Cause when-a you make-a da reach,

You break him uppa da peach!

You push-a dis, you push-a dat,

You muss 'em uppa da stand.

You take-a dis, you take-a dat,

Someday I break-a you hand!

So please no squeeza da banana.

If you squeeza, Officer, please,

Squeeza da coconut!

Hey, please no squeeza da banana,

'Cause when you squeeza da pear,

You act-a like a square.

You touch-a dis, you touch-a dat,

You flatten out-a da fig.

You squeeza dis, you eat-a dat,

You act-a like a pig!

So please no squeeza da banana!

If you squeeza, Officer, please,

Squeeza da coconut!

Hey! Squeeza da watermelon, hey,

But please no squeeza da banana!"

Muse Blues by Loudon Wainwright

Album version.

Bass riff: Am - Am/F# - G or Am/G

Intro:

Am D Am

I went down to library you know the big one way down town

D Am

I went down to the library you know the big one way down town

E7

I pulled out my spiral notebook and my scripto pencil

D7 Am (start bass riff)

These these these are the words that I did put down

Verse 1:

Am (with bass riff F# - G - A)

Im a dud firecracker I aint got any fuse

I aint got no inspiration since I lost my muse

Im a table with two legs, Im a spider with five

D

Im going down slow muse when will you arrive

Chorus:

Am

Oh muse where are you?

D

Oh muse where are you?

C/G D E

You know I eat, drink and I smoke stuff

I dont know what to do.

I went to the mountain and the desert too

I was there lady so where were you

Im a flattened out wave I aint got any curl

Im an empty old oyster I aint got any pearl

Chorus

Bridge:

Am

Sit up late, stay up wait. Its a rule of thumb shes got to come

Sit up late, stay up wait. Its a rule of thumb shes got to come

Verse 3:

I take lots of cold showers and I go for long walks

I wait for a pitch but the fickle bitch balks

Took a shot of whisky and a snort of cocaine

Opened up my head and stuck electrodes in my brain

Final chorus (has an extra line)

Am

Oh muse where are you?

D

Oh muse where are you?

C/G D

You know I eat, drink and I smoke stuff

C/G D

I eat, drink and I smoke stuff

C/G D

I eat, drink and I smoke stuff

E

I dont know what to do.

Ending:

Am/G Am/F# E Am7 (x02013)

Tonight You Belong to Me from The Jerk

Nice version

Riff off G chord: xxx787 to G sus. See that youtube link for it.

G

I know (I know)

G7 C Cm

You belong to somebody new

G D G (riff)

But Tonight you belong to me

Although (although) we're apart

Youre part of my heart. G7

And tonight you belong to me

Cm (8th fret)

Way down by the stream

How sweet it will seem

G. E7

Once more just to dream

A7. D

In the moonlight

G

My honey I know (I know)

G7 C Cm

With the dawn / that you will be gone

G D G

But tonight you belong to me

Ending:

D G

Just to little old me (beatles chord G)

Ukelele Lady

Melody starts on 5th (open G string)

If [C]you like Ukulele Lady, Ukulele Lady like a'you

If [G7]you like to linger where it's shady, Ukulele Lady linger too

If [C]you kiss Ukulele Lady, while you promise ever to be true

And [G7]she sees another Ukulele Lady, foolin' around with [C]you

[F]Maybe she'll sigh, [C]maybe she'll cry

[D]Maybe she'll find somebody else, [G]by and by

To [C]sing to when it's cool and shady, where the tricky wicky wacky woo

If [G]you like Ukulele Lady, Ukulele Lady like a'[C]you

[Titty, repeat whole]

[Repeat]

Ending, with harmonies:

If [G]you like Ukulele Lady, Ukulele Lady like a'[C]you [C beatles]

Whatll I Do by Irving Berlin

Great version from Northern Exposure (in Db)

Waltz time!

In C:

Cmaj7 Fm6 C Fm (Bb7)

What'll I do when you are far away

Cmaj7 Am7 Dm7 G7 C Fm6 C

And I am blue, what'll I do?

What'll I do when I am wondering who

Is kissing you, what'll I do? C7

Bridge:

Fmaj7 Gm7 (C7) Fmaj7 Bb7 (or Fm6)

What'll I do with just a photograph

Em7 A7 (D7) Dm7-G7 [G+ or G13]

To tell my troubles to?

When I'm alone, with only dreams of you

That won't come true, whatll I do?

[Titty over a verse]

Fmaj7 Gm7 C7 Fmaj7 Bb7 (or Fm6)

What'll I do with just a photograph?

Em7 A7 (D7) Dm7-G7

To tell my troubles to?

When I'm alone, with only dreams of you

That won't come true, what'll I do?

Cmaj7 (A7) Dm7 G7c (beatles, and hammer on D 8th fret or slide)

That won't come true, what'll I do?

Again, in D:

Dmaj7 Gm6 (C7) D Gm (C7)

What'll I do when you are far away

Dmaj7/F# (B7) Em7 A7 D (Em7) A7 (or Aaug)

And I am blue, what'll I do?

What'll I do when I am wondering who

Is kissing you, what'll I do? [D7 or Daug]

Bridge:

Gmaj7 Am7 D7 Gmaj7 C7 (or Gm6)

What'll I do with just a photograph

F#m7 B7 (E7) Em7-A7

To tell my troubles to?

When I'm alone, with only dreams of you

That won't come true, whatll I do?

[Titty over a verse]

Gmaj7 Am7 D7 Gmaj7 C7 (or Gm6)

What'll I do with just a photograph?

F#m7 B7 (E7) Em7-A7

To tell my troubles to?

When I'm alone, with only dreams of you

That won't come true, what'll I do?

Dmaj7/F# (B7) Em7 A7 D (beatles, and hammer on E 10th fret or slide)

That won't come true, what'll I do?

Just lyrics:

What'll I do? When you are far away

And I am blue, what'll I do?

What'll I do? When I am wond'ring who

Is kissing you What'll I do?

What'll I do with just a photograph

To tell my troubles to?

When I'm alone With only dreams of you

That won't come true What'll I do?

[instrumental]

What'll I do with just a photograph

To tell my troubles to?

When I'm alone With only dreams of you

That won't come true What'll I do?

Sunshine of Your Love

Album key is D

VERSE 1

E D E

It's getting near dawn

E D E

When lights close their tired eyes

E D E

I'll soon be with you my love

E D E

give you my dawn's surprise

A G A

I'll be with you darlin', soon

A G A

I'll be with you when the stars start falling D C D

Chorus

B D A B

I've been waiting so long

D A

To be where I'm goin'

B D A B E D E

In the sunshine of your love

2nd Verse

I'm with you my love

The light shining through on you

Yes, I'm with you my love

It's the morning and just we two

I'll stay with you darlin', now

I'll stay with you till my seas are all dried up

Chorus

Titty

[Repeat last verse and chorus]

Country Road by John Denver

Album key is A, but thats a bit high. Doing it G, A afterwards. John Denver album version. Nice harmonies in this versoin.

Intro: G

G Em

Almost heaven, West Virginia,

D C G

Blue Ridge Mountains, Shenandoah River.

Em

Life is old there, older than the trees,

D C G

Younger than the mountains, growin' like a breeze.

G D

Country roads, take me home,

Em C

To the place I belong:

G D

West Virginia, mountain momma,

C G

Take me home, country roads.

G Em

All my mem'ries, gather 'round her,

D C G

Miner's lady, stranger to blue water.

Em

Dark and dusty, painted on the sky,

D C G

Misty taste of moonshine, teardrop in my eye.

G D

Country roads, take me home,

Em C

To the place I belong:

G D

West Virginia, mountain momma,

C G

Take me home, country roads.

Bridge:

Em D G

I hear her voice, in the mornin' hours she calls me,

C G D

The radio reminds me of my home far away.

Em F

And drivin' down the road,

C G D

I get a feelin' that I should have been home yesterday,

D7

yesterday.

G D

Country roads, take me home,

Em C

To the place I belong:

G D

West Virginia, mountain momma,

C G

Take me home, country roads.

[repeat chorus]

D G

Take me home, country roads.

D G

Take me home, down country roads.

Again, in A (album key):

Intro: A

A F#m

Almost heaven, West Virginia,

E D A

Blue Ridge Mountains, Shenandoah River.

F#m

Life is old there, older than the trees,

E D A

Younger than the mountains, growin' like a breeze.

A E

Country roads, take me home,

F#m D

To the place I belong:

A E

West Virginia, mountain momma,

D A

Take me home, country roads.

A F#m

All my mem'ries, gather 'round her,

E D A

Miner's lady, stranger to blue water.

F#m

Dark and dusty, painted on the sky,

E D A

Misty taste of moonshine, teardrop in my eye.

A E

Country roads, take me home,

F#m D

To the place I belong:

A E

West Virginia, mountain momma,

D A

Take me home, country roads.

F#m E A

I hear her voice, in the mornin' hours she calls me,

D A E

The radio reminds me of my home far away.

F#m G

And drivin' down the road,

D A E

I get a feelin' that I should have been home yesterday,

E7

yesterday.

A E

Country roads, take me home,

F#m D

To the place I belong:

A E

West Virginia, mountain momma,

D A

take me home, country roads.

A E

Country roads, take me home,

F#m D

To the place I belong:

A E

West Virginia, mountain momma,

D A

take me home, country roads.

E A

Take me home, country roads.

E A

Take me home, down country roads.

Sugar Sugar by the Archies

Original

Riff:

Dchord Gchord

|----------------------------|

|-----3----0-----------------|

|---2---2----0---------------|

|----------------------------|

|----------------------------|

|----------------------------|

Intro: D G 2x

D G

Sugar,

D G

Oh, Honey Honey.

D G A

You are my candy girl,

D A (G A)

and you got me wanting you.

D G

Honey,

D G

Oh, Sugar, Sugar.

D G A

You are my candy girl

D

and you got me wanting you.

D G D

I just can't believe the loveliness of loving you.

D G D

(I just can't believe it's true).

D G D

I just can't believe the wonder of this feeling too.

D G A

(I just can't believe it's true).

[repeat first 2 verses]

D G D

When I kissed you girl, I knew how sweet a kiss could be.

D G D

(I know how sweet a kiss can be)

D G D

Like the summer sunshine pour your sweetness over me.

D G A

(Pour your sweetness over me).

Sweet Dreams are Made of This by the Eurithmics

Also nice in Am. This Cm is a bit high to sing in high register, nice in low though.

And for me nice in F#. And can go up the neck as get warmed up.

Cm G# G

Sweet dreams are made of this

Cm G# G

Who am I to disagree?

Cm G# G

Travel the world and the seven seas

Cm G# G

Everybody's looking for something

Some of them want to use you

Some of them want to get used by you

Some of them want to abuse you

Some of them want to be abused

Brigde: Fm / G# G / Cm / Fm / G# / G /

[Repeat Verse 1]

[Repeat Brigde]

Cm

Hold your head up, movin' on

F

Keep your head up, movin' on

Cm

Hold your head up, movin' on

F

Keep your head up, movin' on

Cm

Hold your head up, movin' on

F

Keep your head up, movin' on

Cm / G# G/ x4

[Repeat first verses to taste]

Tutti Frutti by Slim Gaillard

Original

Intro (optional): I dont want vanilla, I dont want chocolate. Bring me some of that good tutti frutti...

Sounds better barred.

Can play as C6 (x35555)

C Am7 Dm7 G7 or G9 (353435)

Tutti frutti, frutti

Tutti frutti, frutti

C C7 F Fm

Tutti frutti, frutti

C (G7 or G13)

Tutti frutti frutti frutti frutti frutti

[Repeat]

E7

Dont like vanilla

A7

Strawberry will do

Dm7 G7

But let me tell you, theres the tutti frutti frutti frutti one for me

[Repeat verse]

Right Down the Line by Gerry Rafferty

Pure 1977 goodness. Album key is Dm, but oof.

Intro:

Bm A F#m D (x3)

A E F#m->E->D

Bm A

You know I need your love

F#m D

You've got that hold over me

Bm A

Long as I got your love

F#m D

You know that I'll never leave

Bm A

When I wanted you to shape my life

F#m D

I had no doubt in my mind

A E

And it's been you, woman

F#m E D

Right down the line

Bm A

I know how much I lean on you

F#m D

Only you can see

Bm A

The changes that I've been through

F#m D

Have left a mark on me

Bm A

You've been as constant as a northern star

F#m D

The brightest light that shines

A E

It's been you, woman

F#m E D

Right down the line

Chorus:

B G#m E

I just want to say this is my way

C# F# D

Of telling you everything I could never

Bm

Say before

G#m E

Yeah this is my way

C# F# D

Of telling you that every day I'm loving you

Bm

so much more...

A

...'Cause you believed in me

F#m D

Through my darkest night

Bm A

Put something better inside of me

F#m D

You brought me into the light

Bm A

Threw away all those crazy dreams

I put them all behind

A E

It's been you, woman

F#m E D

Right down the line

[Titty over a verse]

Bm A

If I should doubt myself

F#m D

If I'm losing ground

Bm A

I won't turn to someone else

F#m D

They'd only let me down

Bm A

When I wanted you to shape my life

F#m D

I had no doubt in my mind

A E

It's been you, woman

F#m E D

Right down the line

B G#m E

Oooh ooohhh..Woooh... etc. (chorus chords x2 till fade out)

By the Rivers of Babylon

Fun to get the harmonies going

G

By the rivers of babylon

G

Where he sat down

D

and there he wept

G

when he remembered Zion

CHORUS:

[oh 'fore the wicked]

G

carry us away captivity

C

required from us a song

G

how can we sing King Alfa's song

D G

In a strange land

G D

So let the words of our mouth

G D

and the meditation of our heart

G D

be acceptable in thy sight

G

Over I

[opening riff]

Verse 1

Chorus

Minnie the Moocher by Cab Calloway

Fun to do an intro-ish thing with Em to 075570 or 875570 (so its Em - C7)

Em

Folks, now here's the story 'bout Minnie the Moocher,

C7 B7 Em

She was a red-hot hootchie-cootcher,

She was the roughest, toughest frail,

C7 B7 Em

But Minnie had a heart as big as a whale.

CHORUS:

Em

Hi-de-hi-de-hi-di-hi! (Hi-de-hi-de-hi-di-hi!)

Ho-de-ho-de-ho-de-ho! (Ho-de-ho-de-ho-de-ho!)

He-de-he-de-he-de-he! (He-de-he-de-he-de-he!)

Hi-de-hi-de-hi-de-ho! (Hi-de-hi-de-hi-de-ho!)

She messed around with a bloke named Smoky,

She loved him though he was cokie,

He took her down to Chinatown,

And he showed her how to kick the gong around.

She had a dream about the King of Sweden,

He gave her things that she was needin',

He gave her a home built of gold and steel,

A diamond car with a platinum wheel.

He gave her his townhouse and his racing horses,

Each meal she ate was a dozen courses;

She had a million dollars worth of nickels and dimes,

She sat around and counted them all a million times.

Let the Sun Shine In from Hair

Album key is Bm

Am

We starve, look at one another, short of breath

G

Walking proudly in our winter coats

Wearing smells from laboratories

Am C Am E7

Facing a dying nation of moving paper fantasy

Am

Listening for the new told lies

F C

With supreme visions of lonely tunes

Am

Somewhere, inside something there is a rush of

G

Greatness, who knows what stands in front of

Am C

Our lives, I fashion my future on films in space

Am E7

Silence tells me secretly

Am

Everything

F C

Everythi-i-i-ing

Manchester, England, England

Manchester, England, England

Across the Atlantic Sea

And I'm a genius, genius

I believe in God

And I believe that God believes in Claude

That's me, that's me, that's me

We starve, look at one another, short of breath

Walking proudly in our winter coats

Wearing smells from laboratories

Facing a dying nation of moving paper fantasy

Listening for the new told lies

With supreme visions of lonely tunes

Singing our space songs on a spider web sitar

Life is around you and in you

Answer for Timothy Leary, dearie

Chorus:

Am E7 Am

Let the sunshine, let the sunshine in

F C

The sunshine in

Friend of the Devil by the Grateful Dead

Good cover

Riff = xx5003 - xx4003 - xx2003 xx0003 / x32010 - x22010 - x02010 - G

I lit out from Reno I was trailed by twenty hounds

Didn't get to sleep that night till the morning came around

CHORUS:

D

Set out runnin' but I take my time

Am

a friend of the devil is a friend of mine

D

If I get home before day light

Am D [bass D up to G to restart riff]

I just might get some sleep tonight

Ran into the devil, babe, he loaned me twenty bills

I spent the night in Utah in a cave up in the hills

Ran down to the levee but the devil caught me there

took my twenty dollar bill and he vanished in the air

BRIDGE:

D

Got two reasons why I cry away each lonely night

C/G

The first one's named Sweet Anne Marie and she's my heart's delight

D

Second one is prison, baby, the shefiff's on my trail

Am C D [bass roll]

and if he catches up with me I'll spend my life in jail

Got a wife in Chino, babe, and one in Cherokee

First one says she's got my child, but it don't look like me

Where is my Mind by the Pixies

Album key is E (E-C#m-Ab-A). I like doing it in C.

Chords are C-Am-E-F, repeated over and over.

With your feet on the air and your head on the ground

Try this trick and spin it, yeah

Your head'll collapse

If there's nothing in it

And you'll ask yourself

Chorus:

Where is my mind?

Where is my mind?

Where is my mind?

C E F Fm Am.. G

Way out in the water, see it swimmin'

I was swimmin' in the Caribbean

Animals were hiding behind a rock

Except the little fish

Bumped into me

I swear he was trying

To talk to me coy koi

[Chorus]

Clandestino by Manu Chau

Same progression throughout: F#m - Bm - C#7. Original version

Translation

Intro: F#m with a beat

F#m

Solo voy con mi pena

Sola va mi condena

Correr es mi destino

Para burlar la ley

Perdido en el corazn

De la grande Babylon

Me dicen el clandestino

Por no llevar papel

Pa' una ciudad del norte

Yo me fui a trabajar

Mi vida la dej

Entre Ceuta y Gibraltar

Soy una raya en el mar

Fantasma en la ciudad

Mi vida va prohibida

Dice la autoridad

Solo voy con mi pena

Sola va mi condena

Correr es mi destino

Por no llevar papel

Perdido en el corazn

De la grande Babylon

Me dicen el clandestino

Yo soy el quiebra ley

Mano Negra clandestina

Peruano clandestino

Africano clandestino

Marijuana ilegal

Solo voy con mi pena

Sola va mi condena

Correr es mi destino

Para burlar la ley

Perdido en el corazn

De la grande Babylon

Me dicen el clandestino

por no llevar papel

Argelino, clandestino

Nigeriano clandestino

Boliviano clandestino

mano negra illegal

Verse 1:

F#m

Solo voy con mi pena

Bm

Sola va mi condena

C#7

Correr es mi destino

F#m

Para burlar la ley

Perdido en el corazn

De la grande Babylon

Me el clandestino

Por no llevar papel

Verse 2:

Pa una ciudad del norte

Yo me fui a trabajar

Mi vida la dej

Entre Ceuta y Gibraltar

Soy una raya en el mar

Fantasma en la ciudad

Mi vida va prohibida

dice la autoridad

[Verse 1]

Chorus:

Mano Negra clandestina

Peruano clandestino

Africano clandestino

Marijuana ilegal

[Verse 1]

Chorus:

Argelino clandestino

Nijeriano clandestino

Boliviano clandestino

Manu Negra ilegal

Who Can it Be by Men at Work

Colin does it in D. Melody starts on the 5th (G2). Nice to do finger picky, great tutorial here with proper fingerings and intro.

Intro = chorus pattern

D (can leave high E open) C (x30030)

Who can this be knocking at my door

Bm7 (x2403x) A (normal)

Go away, don't come round here no more

D C

Can't you see that its late at night

Bm A

I'm very tired, and I'm not feeling right

D C

All I wish was to be alone

Bm A

stay away, don't you invade my home

D C

Best off if you hang outside

Bm A

Don't come in, I'll only run and hide

Chorus:

Bm (x2403x) Asus4 (x0403x)

Who can it be now, who can it be now

(x2)

Bridge:

Em A

Is this the man come to take me away

Em A

Why do they follow me

Em A

Its not the future, that I can see

Em A (bass = A0 A2 A4) A

Its just my fantasy

Nice little jam at end (nice to strum):

D - C (x3x033)

A G

Aaaaah aaah ah

(x4)

Land Down Under by Men At Work

Colin does it in Bm (Am capod 2), but this is nice.

F#m is nice but pretty low. G is also nice.

In F#m:

F#m E F#m D E (nice as bars)

Traveling in a fried-out combie

On a hippie trail, head full of zombie

I met a strange lady, she made me nervous

She took me in and gave me breakfast

And she said,

Chorus:

A E F#m D E

"Do you come from a land down under?

Where women glow and men plunder?

Can't you hear, can't you hear the thunder?

You better run, you better take cover."

F#m E F#m D E

Buying bread from a man in Brussels

He was six foot four and full of muscles

I said, "Do you speak-a my language?"

He just smiled and gave me a vegemite sandwich

And he said,

A E F#m D E

"I come from a land down under

Where beer does flow and men plunder

Can't you hear, can't you hear the thunder?

You better run, you better take cover."

F#m E F#m D E

Lying in a den in Bombay

With a slack jaw, and not much to say

I said to the man, "Are you trying to tempt me

Because I come from the land of plenty?"

And he said,

A E F#m D E

"Oh! Do you come from a land down under? (oh yeah yeah)

Where women glow and men plunder?

Can't you hear, can't you hear the thunder?

You better run, you better take cover."

In Gm:

Gm F Gm Eb F

Traveling in a fried-out combie

On a hippie trail, head full of zombie

I met a strange lady, she made me nervous

She took me in and gave me breakfast

And she said,

Chorus:

Bb (1st fret) F Gm Eb F

"Do you come from a land down under?

Where women glow and men plunder?

Can't you hear, can't you hear the thunder?

You better run, you better take cover."

Gm F Gm Eb F

Buying bread from a man in Brussels

He was six foot four and full of muscles

I said, "Do you speak-a my language?"

He just smiled and gave me a vegemite sandwich

And he said,

Bb F Gm Eb F

"I come from a land down under

Where beer does flow and men plunder

Can't you hear, can't you hear the thunder?

You better run, you better take cover."

Gm F Gm Eb F

Lying in a den in Bombay

With a slack jaw, and not much to say

I said to the man, "Are you trying to tempt me

Because I come from the land of plenty?"

And he said,

Bb F Gm Eb F

"Oh! Do you come from a land down under? (oh yeah yeah)

Where women glow and men plunder?

Can't you hear, can't you hear the thunder?

You better run, you better take cover."

Again, in Am:

Am G Am F G

Traveling in a fried-out combie

On a hippie trail, head full of zombie

I met a strange lady, she made me nervous

She took me in and gave me breakfast

And she said,

Chorus:

C G Am F G

"Do you come from a land down under?

Where women glow and men plunder?

Can't you hear, can't you hear the thunder?

You better run, you better take cover."

Am G Am F G

Buying bread from a man in Brussels

He was six foot four and full of muscles

I said, "Do you speak-a my language?"

He just smiled and gave me a vegemite sandwich

And he said,

C G Am F G

"I come from a land down under

Where beer does flow and men chunder

Can't you hear, can't you hear the thunder?

You better run, you better take cover."

Am G Am F G

Lying in a den in Bombay

With a slack jaw, and not much to say

I said to the man, "Are you trying to tempt me

Because I come from the land of plenty?"

And he said,

C G Am F G

"Oh! Do you come from a land down under? (oh yeah yeah)

Where women glow and men plunder?

Can't you hear, can't you hear the thunder?

You better run, you better take cover."

Overkill by Men at Work

Good tutorial here.

D (x57700) D/C# (x47700)

I can't get to sleep

C (x35500) C/B (x25500)

I think about the implications

Of diving in too deep

And possibly the complications

Especially at night

I worry over situations

I know will be alright

Perhaps it's just imagination

Chorus:

Bm A Asus4

Day after day it reappears

Bm A A7

Night after night my heartbeat, shows the fear

F#sus4 F# G A Asus4

Ghosts appear and fade away

[Come back another day]

D D/C#

Alone between the sheets

C C/B

Only brings exasperation

It's time to walk the streets

Smell the desperation

At least there's pretty lights

And though there's little variation

It nullifies the night

From overkill

[chorus]

[titty over a verse]

[verse 1, done super high in Colin version

Parsley Sage Rosemary and Thyme by Simon & Garfunkel

Album key is Em I think.

Dm C Dm F Dm G Dm

Are you going to Scarborough Fair? parsley, sage, rosemary and thyme

F C Dm C Dm

Remember me to one who lives there, she once was a true love of mine

Dm C Dm F Dm G Dm

Tell her to make me a cambric shirt, parsley, sage, rosemary and thyme

F C Dm C Dm

Without no seams nor needlework, then she ll be a true love of mine

Dm C Dm F Dm G Dm

Tell her to find me an acre of land, parsley, sage, rosemary and thyme

F C Dm C Dm

Between the salt water and the sea strand, then she ll be a true love of mine

Dm C Dm F Dm G Dm

Tell her to reap it in a sickle of leather, parsley, sage, rosemary and thyme

F C Dm C Dm

And to gather it all in a bunch of heather, then she ll be a true love of mine

Dm C Dm F Dm G Dm

Are you going to Scarborough Fair? parsley, sage, rosemary and thyme

F C Dm C Dm

Remember me to one who lives there, she once was a true love of mine

Dont Ease Me In by the Grateful Dead

Actually its traditional.

Intro: E A E A E

Chorus:

E A E

Don't ease, don't ease,

B

Don't ease me in.

B A G#m F#m

I've been all night long comin' home,

B E

Don't ease me in.

I was standin on the corner, talkin' to Miss Brown

I turned around sweet mama, she was way across town

So I'm walkin down the street with a dollar in my hand

I've been lookin' for a woman, sweet mama, ain't got no man.

The girl I love, she's sweet and true,

And the dress she wears, sweet mama, it's pink and blue,

She brings me coffee, she brings me tea,

She brings me 'bout every damm thing but the jailhouse keys.

Sing About It - The Wood Brothers

Intro:

Fm C7 Fm

If you get too worried, what you ought to do is sing.

C7 Fm

If you get worried, what you ought to do is sing

F7 (C7 shape Bbm

If you get worried, what you ought to do is sing

Fm C7

Sing about your troubles, they just might pass.

Bbm Fm C7 Fm

Sing about your troubles, they just might pass.

If you get lost, what you ought to do is sing.

If you get lost, what you ought to do is sing.

If you get lost, what you ought to do is sing.

Sing about your troubles, they just might pass.

Sing about your troubles, they just might pass.

Ab

Sing about joy

Eb

And sing about love, and hoping it lasts

Fm Db7 (use C7 shape)

Sing about your troubles (troubles)

Ab7 Db7

They just might pass

Ab7 Db7 C7

Just might pass

And if you get broken, what you ought to is sing

If you get broken, what you ought to is sing

If you get broken, what you ought to is sing

Sing about your troubles, they just might pass.

Sing about your troubles, they just might pass.

[titty over the intro]

Sing about joy

And sing about love, and hoping it lasts

Sing about your troubles (troubles)

They just might pass

Just might pass

Just might, just might pass

Just might, just might pass

Reminiscing by Little River Band

good tutorial. And nice version in F

Intro:

Eb6 Fm9 Bb9

/ / / / / / / /

Eb6 Abm9 Db9

/ / / / / / / /

F#m9 B9 Em9 Em7 D G/D D D G/D D

/ / / / / / / / / / / / / / / /

Verse 1:

Gmaj7

Friday night it was late I was walking you home

we got down to the gate

C13#11 (x32332 or x3x332 or 8x877x)

and I was dreaming of the night

B9

Would it turn out right

Gmaj7

How to tell you girl

C13#11

I wanna build my world around you

B9

Tell you that it's true

Gmaj7

I wanna make you understand

Bb9 D Em7/D D (play regular D, then xx0433)

I'm talking about a lifetime plan

Verse 2:

Gmaj7

That's the way it began we were hand in hand

C13#11 (x32332 or x3x332 or 8x877x)

Glenn Miller's band was better than before

B9

We yelled and screamed for more

Gmaj7

And the Porter tune (Night and Day)

C13#11

Made us dance across the room

B9

It ended all too soon

Gmaj9

And on the way back home

Bb9 D Em7/D D

I promised you'd never be alone

Chorus:

Gmaj7

Hurry don't be late

C13/G x32335 or 8x89-10-x. Should put the G in the bass 3x335x

I can hardly wait

B9

I said to myself when we're old

Gmaj7

We'll go dancing in the dark

Bb9

Walking through the park

D Em7/D D

And reminiscing

Verse 3:

Gmaj7

Friday night it was late I was walking you home

we got down to the gate

C13#11 (x32332 or x3x332 or 8x877x)

and I was dreaming of the night

B9

Would it turn out right

Gmaj7

Now as the years roll on

C13#11

Each time we hear our favorite song

B9

The memories come along

Gmaj7

Oh the times we're missing

Bb9 D Em7/D D

Spending the hours reminiscing

Chorus:

Gmaj7

Hurry don't be late

C13/G x32335 or 8x89-10-x. Should put the G in the bass 3x335x

I can hardly wait

B9

I said to myself when we're old

Gmaj7

We'll go dancing in the dark

Bb9

Walking through the park

D Em7/D D

And reminiscing

Again, in F (partial):

Fmaj7

Friday night it was late I was walking you home

we got down to the gate

Bb13#11 (x1x110 or 6x655x)

and I was dreaming of the night

A9 (5x545x)

Would it turn out right

Fmaj7

How to tell you girl

Bb13#11

I wanna build my world around you

A9 (5x545x)

Tell you that it's true

Fmaj7

I wanna make you understand

Ab9 (4x434x) C Dm7/C(?) C

I'm talking about a lifetime plan

Smoke Two Joints

By the Toyes, but this is the Sublime version. Can also use in Sambos Reggae medley by just playing with Am to Dm. And when start doing the extra chords, have someone interrupt sayin ghey thats more than 2 chords!

Riff: E5 E5 E8 E8 E5 E5 E8 E5 E5 E0 E3

Verse 1:

Am

I smoke two joints in the morning

F G [G#]

I smoke two joint at night

I smoke two joint in the afternoon

It makes me feel alright

I smoke two joints in time of peace

And two in time of war

I smoke two joints before I smoke two joints

And then I smoke two more

Verse 2:

Daddy he once told me,

"Son, you be hard workin' man"

And momma she once told me,

"Son, you do the best you can"

G

Then one day I meet a man,

F

He came to me and said

G F

"Hard work good and Hard work fine,

E

but first take care of head"

[From the Toyes version:]

So now,

I smoke two joints when I get up, in the car I smoke two joints

I smoke two joints when I play video games. And at every ten thousand points

I smoke two joints in time of peace, and two in time of war

I smoke two joints before I smoke two joints, and then I smoke two more

[verse 2, Daddy he once told me son]

In the Name of Love by U2

Album key is B, with different style chords, but this version sounds nice.

See voice memo. For riff, Do open A and D string 11th fret, palm strings.

A [D] G Em

One man come in the name of love one man come and go

A [D] G Em

one man come he to justify One man to overthrow

Chorus: (can stay low, G string 2nd fret starting)

A [D] G Em

In the name of love! What more in the name of love?

In the name of love! What more in the name of love?

A [D] G Em

One man caught on a barbed wire fence. One man he resist

A [D] G Em

One man washed up on an empty beach. One man betrayed with a kiss.

[Chorus]

A D G Em

uh uh uh uh uh uh uh uh uh uh

A [D] G Em

Early morning, April 4. Shot rings out in the Memphis sky.

A [D] G Em

Free at last, they took your life, they could not take your pride.

[Chorus]

A D G Em

(oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh ooh)

Goodnight Sweetheart by the Spaniels

Original version

Riff (du du du du doh):

|------------------------------|

|--3 3 0 3---------------------|

|----------0-------------------|

|------------------------------|

|------------------------------|

|------------------------------|

Chorus:

G Em Am7 D7 [riff]

Goodnight, sweetheart, well it's time to go,

G Em Am7 D7

Goodnight, sweetheart, well it's time to go,

G G7 C Cm (or Cm6)

I hate to leave you, but I really must say,

G D7 G

Goodnight, sweetheart, goodnight.

[Repeat chorus]

Verse:

G7 C G G7

Well, it's three o'clock in the morning,

C G G7

Baby, I just can't get right,

C

Well I hate to leave you baby,

G E7 A7 D7

Don't mean maybe, because I love you so.

[Chorus x 2]

G7 ending chord

Home on the Range

G [G7] C [Cm]

Oh give me a home where the buffalo roam

G A7 D7

Where the deer and the antelope play

G [G7] C [Cm]

Where seldom is heard a discouraging word

G D7 G

And the skies are not cloudy all day

Chorus:

D7 G

Home home on the range

[Em] A7 D7

Where the deer and the antelope play

G [G7] C [Cm]

Where seldom is heard a discouraging word

G D7 G

And the skies are not cloudy all day

[optional verse]

G [G7] C [Cm]

How often at night when the heavens are bright

G A7 D7

With the light from the glittering stars

G [G7] C [Cm]

Have I stood there amazed and asked as I gazed

G D7 G

If their glory exceeds that of ours

[Chorus]

New lyrics:

Home, home on the bay

Where the elk and the harbor seals play

Where seldom is heard, a discouraging word,

and the skies may be foggy all day

Home, home at the shack

Where you eat, play music and slack

Take Zuma to sea

and hope there will be

Enough wind to blow your ass back!

Home, home at the shack

Where the tides either rage or are slack

We'll save some poor bloke

With the mighty shrimp boat

And hope the favors returned back.

Home, home on the bay

Where the cod and the halibut play

Where we change Ethan's luck

By him catching a duck

But for Razz, well he'll just have to wait

Home home at the Marriott

Where the nightlife is always hot

The dinner bell's ringin'

Then the Calypso band's swingin'

Their coconut bottoms and tops

Seawall living is great for your health

A life of real friends and true wealth

But to feel like a King

In the hot spring

You have to dig it yourself!

Where winds up! is heard, those are sailing words,

Ill see the Coast Guard a bit later today.

When surfs up! is heard, those are encouraging words,

Play in the mouth

New Slang by the Shins

Original, nice cover by James Mercer, who wrote it

Intro, with whistling or humelody:

Am C F C G C Am G (x2)

Verse 1:

Am Am/E C F

Gold teeth and a curse for this town

C G

Were all in my mouth

C F Am G

Only I don't know how they got out, dear

Am Am/E C F

Turn me back into the pet

C G

I was when we met

C F Am G

I was happier then with no mind set

Chorus:

G C

And if you'd a took to me like

F C G

A gull takes to the wind

G C

Well, I'd a jumped from my tree

F C F C

And I'd a danced like the king of the eyesores

F C G

And the rest of our lives would'a fared well

Verse 2:

Am Am/E C F

New slang when you notice the stripes

C G

The dirt in your fries

C F

Hope it's right when you die

Am G

Old and bo..ny

Am C F

Dawn breaks like a bull through the hall

C G

Never should'a called

C F

But my heads to the wall

Am G

And I'm lonely

[Chorus]

Verse 3:

Am C F

God speed all the baker's at dawn

C G

May they all cut their thumbs

C F

And bleed into their buns

Am G

'Till they melt away

Chorus 2:

G C

I'm looking in on the good life

F G

I might be doomed never to find

C

Without a trust or flaming fields

F G

Am I too dumb to refine?

C

And if you'd a took to me like

F C F C

Well I'd a danced like the queen of the eyesores

F C G

And the rest of our lives would'a fared well

Old Folks Boogie by Little Feat

Waiting for Columbus version

Intro: C7, sliding up from B7. I think they're playing the shape as x323xx

C7 [E] F7

Off our rockers, actin' crazy

C7

And with the right medication we won't be lazy

[E] F7 F#dim (2x1212)

Old folks boogie, down on the farm

C7

Wheelchairs, they / was locked arm in arm

G7 F7 G7

Paired off pacemakers with matchin' alarms

C7 G7

Gives us just one more chance to spin one more yarn

C7 [E] F7

And you know that you're over the hill

C7

When your mind makes a promise that your body can't fill

[E] F7 F#dim (2x1212)

Old folks boogie, and boogie we will

G7

'Cause to us the thought's as good as a thrill

C7 [E] F7

Back at the home, no time is your own,

C7

Facillities there, well they're all out on loan

[E] F7 F#dim (2x1212)

The bank forclose, and your bankruptcy shows

C7

And your credit creeps to an all-time low

G7 F7 G7

So you know, that you're over the hill

C G7

When your mind makes a promise that your body can't fill

Titty

C7 | % | F7 | % |

C7 | % | % | % | [x3]

C7 | % | F7 | G7 |

C7

Try and get a rise from an atrophied muscle,

F F#dim

And the nerves in your thigh just quivers and fizzles

G7 F7 G7

So you know, that you're over the hill

C G7

When your mind makes a promise that your body can't fill

Fat Man in the Bathtub

Nice cover

Can do with a Bo Diddley beat in G.

Intro: / G / D / G / G

G C

Spotcheck Billy got down on his hands and knees, and he said

G D G

"Hey, mama, hey, let me check your oil, all right?" and she said,

D G

"No, no, honey, not tonight. Come back Monday, come back Tuesday,

D G

and then I might."

G D7 G

I said Juanita, my sweet Juanita, what are you up to?

G D7 G

I said Juanita, my sweet taquito, what are you up to?

C

Don't want nobody who won't dive for dimes.

D

Don't want no speedballs cause I might die trying. Throw me a line

D7

Throw me a dime. Cause there's a

CHORUS:

G D G D

Fat man in the bathtub with the blues. I hear you moan, I hear you moan

G

I hear you moan.

[jam]

Bridge:

C

Billy got so sad dejected, put on his hat and started to run

G D G

Running down the street, yelling at the top of his lungs.

G D G

"All I want in this life of mine is some good clean fun.

G D G

All I want in this life and time is some hit and run."

G D7 G

I said Juanita, my sweet Juanita, what are you up to?

G D7 G

I said Juanita, my sweet taquito, what are you up to?

C

Put my money in your meter, baby, so it won't run down, but you

D

caught me in a squeeze play on the cheesy side of town, throw me a line

D7

Throw me a dime. Cause there's a...

You Make Me Feel Like Dancing by Leo Sayer

Do in style of Dannys awesome version

Or I can do the falsetto in D (down a step)

Alternate way to play verses:

E (7th fret) / C#min7 (8x8888) / F#m7 (9th fret) / B (7th fret)

Alternate way to play the choruses

F# (9th fret) / Ebm7 (11th fret) / B (7th fret) / C# (9th fret)

Intro: E C#m F#m B

Verse:

E C#m F#m B (same each line)

You've got a cute way of talkin'.

You got the better of me.

Just snap your fingers and I'm walking,

Like a dog hangin' on your leash.

Bridge (play first position chords)

[D] I'm in a spin you know, [E] Shakin' on a string you know.

Chorus: (verse pattern up 2)

F# Ebm7 B or Abm7 C# (same each line)

You make me feel like dancing. (I'm gonna dance the night away.)

You make me feel like dancing. (I'm gonna dance the night away.)

You make feel like dancing. I feel like dancin' (wooo).

F#m

Dancin' (wooo). Dance the night away (yeah).

[x24222] B

I feel like dancin' (wooo). Dancin', ahhh-ah-ah-ah.

E C#m F#m B (same each line)

Quarter to four in the mornin',

I ain't feeling tired, no, no, no, no, no.

Just hold me tight and put out the light,

'Cause I don't want to go home.

[D] You put a spell on me, [E] I'm right where you want me to be.

[Chorus]

E C#m F#m B (same each line)

(Doo doo doo doo, doo doo doo-doot.)

(repeat a few times)

[D] And if you'll let me stay, [E] We'll dance our lives away.

[Chorus]

Cole Slaw

Jesse Stone version, Louis Jordan version

Every verse has the same pattern, except the bridge.I also really like doing it in A.

Bb Eb

Down in Arkansas, they serve you coleslaw

Bb F

Chopped up finer than a bale of straw

When you crunch and gnaw, a bunch of coleslaw

Keep chew-chewin like a cross cut saw

Exercise you jaw, by eatin coleslaw

Best ol goodness that you ever saw

You can break no law, by wantin coleslaw

It ain't nothin but some cabbage raw

Bridge:

[A] It can't be beat, just the simplest of a treat

Its fine with meat, or with anything you eat

Your [F (or B)] chops flip flop, you'll enjoying every drop

Your teeth go bop, [F7] you'll never stop

Yes in Arkansas, they serve you coleslaw

That's good strategy without a flaw

It's a cinch to draw, a plate of coleslaw

It ain't nothin but some cabbage raw

[Bridge and verses to end and repeat stuff to taste]

Motion Picture Soundtrack by Radiohead

Nice acoustic version by Radiohead, and studio version

Csus2 = x32003 (I think its Cmaj7)

Bm6 = x20002

D/F# = 200232

Can also play the G to Cmaj7 as 3x0003 to 3x2003

G (b string open) Cmaj7 (x32003 - with high G)

White wine and sleeping pills

Bm6 (x20002) Cmaj7

Help me get back to your arms

G Cmaj7

Cheap sex and sad films

Bm6 Cmaj7

Help me get back where I belong

Chorus:

Em C G D/F#

I think you're craaaaazyyyyy, maayyybeee

I think you're craaaaazyyyyy, maayyybeee

[Can skip this verse and go to bridge]

G Cmaj7

Stop sending letters

Bm6 Cmaj7

Letters always get burned

G Cmaj7

It's not like the movies

Bm6 Cmaj7 (no high G)

They fed us on little white lies

[Chorus]

Bridge:

B7 Em7 C#m7b5 (x42000) Cmaj7(no high G)

I will see you in the neeexxt liiiiife

Hey Good Lookin by Hank Williams

C

Hey, hey, good lookin, whatcha got cookin'

D7 G7 C

How's about cookin' somethin' up with me

C

Hey, sweet baby. Don't you think maybe

D7 G7 C C7

We could find us a brand new recipe

F C

I got a hot-rod Ford and a two-dollar bill

F C

And I know a spot right over the hill

F C

There's soda pop and the dancin's free

D7 G7

So if you wanna have fun come along with me

C

Hey, good lookin', whatcha got cookin'

D7 G7 C

How's about cookin' somethin' up with me

C

I'm free and ready, so we can go steady

D7 G7 C

How's about savin' all your time for me

C

No more lookin', I know I've been tooken

D7 G7 C

How's about keepin' steady company

F C

I'm gonna throw my date-book over the fence

F C

And find me one for five or ten cents

F C

I'll keep it 'til it's covered with age

D7 G7

'Cause I'm writin' your name down on every page

C

Hey, hey, good lookin', whatcha got cookin'

D7 G7 C

How's about cookin' somethin' up with me

On The Bayou (Jambalaya) by Hank Williams

Helps to keep pinky on the high E3. Original is here. Fun to have one person do it low the whole time and a second do harmonies the whole time.

Intro: G / G7 (323003) / C

C G

Goodbye, joe, me gotta go, me oh my oh.

C

Me gotta go, pole the pirogue down the bayou.

[mid] [mid] G

My yvonne, the sweetest one, me oh my oh.

C

Son of a gun, we'll have big fun on the bayou.

Chorus:

[high] G

Well jambalaya and a crawfish pie and fillet gumbo

C

Cause tonight I'm gonna see my ma cher amio.

G

Pick guitar, fill fruit jar and be gayo,

C

Son of a gun, we'll have big fun on the bayou.

[Titty]

C G

Thibodaux to Fontaineaux, the place is buzzin',

C

Kinfolk come to see Yvonne by the dozen.

G

We dress in style and go hog wild, me oh my oh.

C

Son of a gun, we'll have big fun on the bayou.

[Chorus] [Titty] [Chorus]

A New England by Billy Bragg

F F/E(1fr)

I was twenty-one years when I wrote this song

-->C(8fr) -->Dm(10fr)

I'm twenty-two now but I won't be for long

Bb(6) F(1)

People ask me when will you grow up to be a man

-->C(8) Bb(6) F F/E...

But all the girls I loved at school are already pushing prams

I loved you then as I love you still

Though I put you on a pedestal, I put you on the pill

I don't feel bad about letting you go

I just feel bad about letting you know

Chorus:

Bb(6) Am(5) (or Bb/A?) F(1)

I don't want to change the world

F F/E Dm(5)

I'm not looking for A New England

Bb Am C Csus4 C

I'm just looking for another girl

I don't want to change the world

I'm not looking for A New England

Bb C F

I'm just looking for another girl

I loved the words you wrote to me

but that was bloody yesterday

I can't survive on what you send

Everytime you need a friend

I saw two shooting stars last night

I wished on them but they were only sattelites

Is It wrong to wish on space hardware?

I wish I wish I wish you'd care

[Chorus]

ends up with F(8fr)/C(8)/Bb(6)/C(8). last chord is an Fmaj7.

Ziggy Stardust by David Bowie

Early acoustic bowie version, and the great Seu Jorse version, and the AMAZING Gail Dorsey version and her doing it again.

Intro:

|--3-----2--3--2--3--2--3-----0--------------0--------------0-----------

|--3-----3-----3-----3--3-----3--------3-----3--------3-----1-----0-----

|--4-----2-----2-----2--2-----0--------0-----0--------0-----2-----0-----

|--5-----0-----------0--0-----2--------2-----0--------0-----2-----0-----

|--x--------------------------3--------------2--------------0-----------

|--3--------------------------------------------------------------------

Bass riff: A3 A2 ~A5 ~A7 A5 A2 A0 E3

G Bm

Ziggy played guitar, jamming good

C *basss D (Seu Jorse does an Am-D7 with F#bass)

with Wierd and Gilly and the Spiders from Mars.

G Em (Seu: Em7 with E2 to E0 on high)

He played it left hand, but made it too far

A (or A7 or Am7) C

became the special man, and we were Ziggy's band.

G Bm

Ziggy really sang, with screwed up eyes and

C D

screwed down hairdo like some cat from Japan.

G Em

He could lick 'em by smiling, he could leave 'em to hang.

A C

He came on so loaded man, well hung and snow-white tan.

(Can do as barres going down from 5th fret, or like Babe Im Going To Leave You)

Am G F F* F F* F F* F G

But where were the spiders,

while the fly tried to break our balls.

Just the beer light to guide us.

D (5th fret) E (7th fret))

And so we bitched about his fans and should we crush his sweet hands.

[intro]

G Bm

Ziggy played for time, jiving us that

C D

we were voodoo and the kid was just crass.

G Em

He was the nazz with God-given ass.

A C

He took it all too far but boy could he play guitar.

Am G F F* F F* F F* F G

Making love with his ego,

Ziggy sucked up into his mind

Like a leper messiah.

D E

When the kids had killed the man I had to break up the band.

Just lyrics:

Ziggy played guitar, jamming good with Wierd and Gilly,

And The Spiders from Mars.

He played it left hand, but made it too far,

Became the special man,

Then we were Ziggy's Band.

Ziggy really sang, screwed up eyes and screwed down hairdo

Like some cat from Japan, he could lick 'em by smiling

He could leave 'em to hang

He came on so loaded man, well hung and snow white tan.

So where were the spiders while the fly tried to break our balls?

Just the beer light to guide us.

So we bitched about his fans and should we crush his sweet hands?

Ziggy played for time, jiving us that we were Voodoo

The kids was just crass,

He was the naz

With God given ass

He took it all too far

But boy could he play guitar.

Making love with his ego Ziggy sucked up into his mind

Like a leper messiah

When the kids had killed the man

I had to break up the band

Man Who Sold the World

This is the Nirvana key (Dm)

Intro: riff over A7 / Dm / A7 / Dm

Verse 1:

(Dm) A7 Dm

We passed upon the stair, we spoke in was and when

.................. A7............................F

Although I wasn't there, he said I was his friend

.............. ..C....................... A

Which came as a surprise, I spoke into his eyes

.....................Dm.....................C (start C major scaling)

I thought you died alone, a long long time ago

Chorus:

C F Bbm F

Oh no, not me, we never lost control

C F Bbm (start intro riff)

You're face to face with The Man Who Sold The World

[intro]

Verse 2:

(Dm)......... ..........A7..........................Dm

I laughed and shook his hand, and made my way back home

.......................A7.............................F

I searched a foreign land, for years and years I roamed

......................C.........................A

I gazed a gazeless stare, we walked a million hills

............Dm...........................C

I must have died alone, a long long time ago

Chorus:

C F Bbm F

Who knows?> Not me. I never lost control.

C F Bbm (start intro riff)

You're face to face with The Man Who Sold The World

[intro]

[lastr chorus]

Just One of Those Things by Cole Porter / Pogues

loving the Pogues version

Compare to sheet music, and more research here.

Am E7

It was just one of those things,

C D [Fdim]

Just one of those crazy flings,

[or Em7b5] [Ebm6]

C C#dim Dm7 G7

One of those bells that now and then rings,

C6/9 G7 C Bm7b5 E7

C6/9 C#dim Bm7b5 E7

Just one of those things.

Am E7

It was just one of those nights,

C7 D Fdim

Just one of those fabulous flights,

C C#dim Dm7 G7

A trip to the moon on gossamer wings,

C G7 C

Just one of those things

[the bridge is way unconfirmed and wrong i think]

G

If we'd thought a bit

D

Of the end of it,

G D

When we started painting the town,

E

We'd have been aware

Am

That our love affair

G

Was too hot not to cool down.

Am E7

So goodbye, Dear, and Amen.

C D [Fdim]

Here's hoping we meet now and then,

Just one of those crazy flings,

[or Em7b5] [Ebm6]

C C#dim Dm7 G7

It was great fun,

C6/9 G7 C Bm7b5 E7

C6/9 C#dim Bm7b5 E7

But it was just one of those things

[verse 1 then last verse]

Big Bad Bill is Sweet William Now

Intro:

/ G E7 / A7 D7 / x2

/ G / G /

(or can do the / G Bbdim / Am7 D7 / x2)

(or first verse pattern)

G B7 E7

Well, way down yonder in Louisville, lived a cat named Big Bad Bill.

A7 D7 G E7 (or Bbdim) A7 (or Am7) D7

I want to tell ya, oh the cat was rough and tough, he would strut his stuff.

G B7 E7

Had the whole town scared to death. When he walked by they all held their breath,

A7 D7 C#7 (xx0101) D7

He's a fighting man, sure enough.

C E7 A7 Am7 D7 Daug (xx0312)

Well now, Bill took himself a wife. Now he leads a different life.

G D7 G E7 A7 D7

Big Bad Bill is Sweet William now.

G B7

Married life done changed him somehow,

C (or C7) C#dim (8x787x)

He's the man that they all used to fear,

G E7

Now they all call him Sweet Papa Willy Dear

A7 D7 Daug

Stronger than Samson, I declare, 'til a brown [or soft] skinned woman bobbed his hair.

G D7 G E7 A7 D7

Big Bad Bill don't fight anymore.

G B7

He's doin' the dishes and moppin' up that floor.

C7 C#dim

Well, he used to spend his evenings looking for a fight.

G E7

Now, he's gotta see that sweet woman every night.

A7 D7 G (nice fill, slide it down: G - F# - F - E7)

Big Bad Bill is Sweet William, now

Ending:

A7 D7 G

Big Bad Bill is Sweet William, now

(He's doin' the [E7] dishes!)

A7 D7 G

Big Bad Bill is Sweet William, now

(Moppin' up that [E7] floor!)

A7 D7 G

Big Bad Bill is Sweet William, now

Great ending (see vid): G-F#-G-F# G7 or G Beatles

The Time Warp

Album is Bb.

A B7

It's astounding, time is fleeting

G D A B7

madness takes its toll. But listen closely, not for very much longer

G D A

I've got to keep control.

B G D A

I remember doing the Time Warp, drinking those moments when

B

the blackness would hit me, and the void would be calling...

Chorus:

F C G D A

Let's do the Time Warp again! (x2)

E A

It's just a jump to the left and then a step to the right

E A

With your hands on your hips, you bring your knees in tight

D A

But it's the pelvic thrust, that really drives you insane

F C G D A

Let's do the Time Warp again! (x2)

A B G D A

It's so dreamy, oh fantasy free me! So you can't see me, no not at all.

B

In another dimension, with voyeuristic intention,

G D A

Well secluded, I'll see all.

B

With a bit of a mind flip, you're into the time slip

G D A

Nothing can ever be the same

B

You're spaced out on sensation, like you're under sedation!

F C G D A

Let's do the Time Warp again! (x2)

Well I was tapping down the street just-a having a think

A7 D

When a snake of a guy gave me an evil wink, well it shook me up,

A

it took me by surprise, he had a pick-up truck and the devil's eyes,

E D A

He stared at me and I felt a change, Time meant nothing never would again.

[Chorus]

Raindrops Keep Falling on My Head by Burt Bacharach

Versions are here in C (easy), D (a bit high) and F. I like the C.

C Cmaj7

Raindrops keep falling on my head

C7 F Em7

and just like the guy whose feet are too big for his bed,

A7 Em7 A7 Dm7 G7

nothing seems to fit, Those raindrops are fallin' on my head they keep fallin'

C Cmaj7

So I just did me some talkin' to the sun,

C7 F Em7

and I said I didn't like the way he got things done

A7 Em7 A7 Dm7 G7

Sleepin' on the job, Those raindrops are fallin' on my head they keep fallin'

Bridge:

G7 C Cmaj7

But there's one thing I know,

F G Em7

the blues they send to meet me, won't defeat me

A7 Dm7 G7

It won't be long till happiness steps up to greet me

C Cmaj7

Raindrops keep fallin' on my head,

C7 F Em7

but that doesn't mean my eyes will soon be turnin' red,

A7 Em7 A7 Dm7 G7

Cryin's not for me, cause I'm never gonna stop the rain by complainin'

C G7 C (C Beatles)

because I'm free, nothings worryin' me

Again, in D:

D Dmaj7

Raindrops keep falling on my head

D7 G F#m7

and just like the guy whose feet are too big for his bed,

B7 F#m7 B7 Em7 A7

nothing seems to fit, Those raindrops are fallin' on my head they keep fallin'

D Dmaj7

So I just did me some talkin' to the sun,

D7 G F#m7

and I said I didn't like the way he got things done

B7 F#m7 B7 Em7 A7

Sleepin' on the job, Those raindrops are fallin' on my head they keep fallin'

A7 D Dmaj7

But there's one thing I know,

G A F#m7

the blues they send to meet me, won't defeat me

B7 Em7 A7

It won't be long till happiness steps up to greet me

D Dmaj7

Raindrops keep fallin' on my head,

D7 G F#m7

but that doesn't mean my eyes will soon be turnin' red,

B7 F#m7 B7 Em7 A7

Cryin's not for me, cause I'm never gonna stop the rain by complainin'

D A7 D (D Beatles)

because I'm free, nothings worryin' me

Again, in F:

F Fmaj7

Raindrops keep falling on my head

F7 Bb Am7

and just like the guy whose feet are too big for his bed,

D7 Am7 D7 Gm7 C7

nothing seems to fit, Those raindrops are fallin' on my head they keep fallin'

F Fmaj7

So I just did me some talkin' to the sun,

F7 Bb Am7

and I said I didn't like the way he got things done

D7 Am7 D7 Gm7 C7

Sleepin' on the job, Those raindrops are fallin' on my head they keep fallin'

C7 F Fmaj7

But there's one thing I know,

Bb C Am7

the blues they send to meet me, won't defeat me

D7 Gm7 C7

It won't be long till happiness steps up to greet me

F Fmaj7

Raindrops keep fallin' on my head,

F7 Bb Am7

but that doesn't mean my eyes will soon be turnin' red,

D7 Am7 D7 Gm7 C7

Cryin's not for me, cause I'm never gonna stop the rain by complainin'

C7 F C7

because I'm free, nothings worryin' me

Singing in the Rain by Gene Kelley

Gene Kelley did it in F#. Nice to get all barrelly on the singing style.

Can do an intro as:

Do pee do doo bee do, etc.

Gmaj7 G6 / Am7 D7

G Em7 Am7 D

I'm singin' in the rain

Just singin' in the rain

What a glorious feelin'

Am7 D7

I'm happy again

Am7 D7 Am7 D7

I'm laughin' at clouds, so dark up above

Am7 D7 G D

The sun's in my heart and I'm ready for love

G Em7 Am7 D

Let the stormy clouds chase

Everyone from the place

Come on with the rain

Am7 D7

I've a smile on my face

Am7 D7 Am7 D7

I walk down the lane with a happy refrain

Am7 D7 G

Just dancinin' and singin' in the rain

[Intro or just G / Em7 / Am7 / D7]

Runnin With the Devil by Van Halen

Riff 1 (chorus):

(Play the open low E as a heartbeat)

C D

|------------------------------|

|-5--7----7--8--10--9----------|

|-5--7----7--7--9---9----------|

|-5--7----7--9--11--9----------|

|-3--5-------------------------|

|------------------------------|

Riff 2 (verses):

|-------------------------------|

|-2---2-------------------------|

|-2---2---4--2--2---------------|

|-2---2---5--4--2---------------|

|-0---0---0--0--0---------------|

|---3---------------------------|

Riff 3 (bridge):

A

|----9-10--12--10-9----9----9---------| Then repeat down two frets (G)

|-10----------------10---10---10------| Then repeat whole riff, this time

|---------------------------------9---| ending on high A (E17). Then

|-------------------------------------| repeat, climbing up E10-E11-E12

|-------------------------------------|

|-------------------------------------|

Intro: chorus pattern (riff1)

Riff2 (descending A):

I live my life like there's no tomorrow

And all I've got I had to steal (12th fret harmonics DGBE)

Least I don't need to beg or borrow

Yes, I'm living at a pace that kills

Chorus:

Runnin' with the devil

Runnin' with the devil

I found the simple life ain't so simple

When I jumped out on that road

I got no love, no love you'd call real

Ain't got nobody waiting at home

[chorus]

[verse 2]

Gimme Three Steps by Lynryd Skynrd

Good ol 1976. Some lessons here.

Intro riff:

D

|---------------------| Then repeat, moving

|--7-7-7----7-----7---| down to 2nd fret (B)

|--7-7-7----7-----7---|

|--7-7-7----7-----7---|

|---------9----7-9----|

|---------------------|

For solo, start on G9 and bend up 2. Nice

D

I was cutting the rug down at a place called The Jug

A

with a girl named Linda Lou

D

When in walked a man with a gun in his hand

E A

he was looking for you know who.

D

He said "Hey there fellow with the hair coloured yellow,

G (walk down to E) E

watcha tryin' to proove?

D

Cuz' thatsa' my woman there and I'm a man who cares

A D

and this might be all for you" (I said "excuse me!")

D

I was scared and fearing for my life

A

shaking like a leaf on a tree

D

Cuz' he was lean and mean and big and bad, Lord,

E A

pointing that gun at me

D

I said "wait a minute mister, I didn't even kiss her,

G E

don't want no trouble with you

D

and I know you don't owe me but I wish you would let me

A D

ask one favour from you:

Chorus:

D

Say won't you Gimme 3 steps, gimme 3 steps mister,

A

gimme 3 steps toward the door?

D

Gimme 3 steps, gimme 3 steps mister

A D

and you'll never see me no more."

D

well the crowd cleared away and I began to pray

A

and the water fell down to the floor

D

and I'm telling you, son, it ain't no fun,

E A

staring straight down a fourty-four.

D

Well, he turned and screamed at Linda Lou,

G E

and that's the break I was looking for

D

and you could hear me screaming a mile away

A D

as I was headed out toward the door.

(CHORUS)

Locomotive Breath by Jethro Tull

Em Em G D Em

In the shuffling madness

of Locomotive Breath

Runs the all-time loser

B B B D Em

Headlong to his death

Em Em G D Em

Oh He feels the pistons scraping

Em Em G D

Steam Breaking on his brow

G A

Old Charlie stole the handle

B B D Em

And the train it won't stop going no way to slow down

Em Em G D Em

He sees his children jumping off

At stations one by one

His woman and his best friend

B B B D Em

In bed and having fun

Em Em G D Em

Oh he's crawling down the corridor

Em Em G D

On his hands and knees

G A

Old Charlie stole the handle

B B D Em

And the train it won't stop going no way to slow down

Em Em G D Em

He hears the silence howling

G A

Catches angels as they fall

And the all-time winner

B B B D Em

Has got him by the balls

Em Em G D Em

Oh he picks up gideon's Bible

Em Em G D

Open at page one

G A

I thank god He stole the handle

B B D Em

And the train it won't stop going no way to slow down

St. Stephen by the Grateful Dead

Nice to do slow and with harmonies like with Raz, see voice memo.

Riff 1:

E D A

E---------------------------------------------------------

B---------------------------------------------------------

G-9--9--9^11/9--7--7--------7-------7--9^11/9--7---7------

D----------------------7h9-----7h9---------------9--------

A---------------------------------------------------------

E---------------------------------------------------------

E---------------------------------------------------------

B---------------------------------------------------------

G-9--9--9^11/9--7--9--7-----9--7--9--7--------------------

D---------------------------------------9--7--9p7-----7---

A--------------------------------------------------10---10

E---------------------------------------------------------

More tabs here

E D

Saint Stephen with a rose,

A E

In and out of the garden he goes,

E D

Country garland in the wind and the rain,

A

Wherever he goes the people all complain.

Did Stephen prospered in his time?

Well he may and he may decline.

Did it matter, does it now?

A B

Stephen would answer if he only knew how.

[Riff 1]

Wishing well with a golden bell,

Bucket hanging clear to hell,

Hell halfway twixt now and then,

Stephen fill it up and lower down and lower down again.

Bridge:

E D A E

Lady finger, dipped in moonlight,

D A E D

Writing "What for?" across the morning sky.

E D A E

Sunlight splatters, dawn with answer,

D A E D

Darkness shrugs and bids the day goodbye.

E D A E

Speeding arrow, sharp and narrow,

D A E D

What a lot of fleeting matters you have spurned.

E D A E

Several seasons with their treasons,

D A E D

Wrap the babe in scarlet colors, call it your own.

E D

Did he doubt or did he try?

A E

Answers aplenty in the bye and bye,

E D

Talk about your plenty, talk about your ills,

A

One man gathers what another man spills.

Saint Stephen will remain,

All he's lost he shall regain,

Seashore washed by the suds and foam,

Been here so long, he's got to calling it home.

E

Fortune comes a crawlin', calliope woman,

D A E

Spinnin' that curious sense of your own.

E D

Can you answer? Yes I can.

A E D E

But what would be the answer to the answer man?

I Feel Good by James Brown

James does it in D (funky D), but I like it in A.

First note is D (B3). [D] I [E] feel...

Riff 1 (arpegiate the tonic):

|------------------------------|

|------------------------------|

|----------4-------------------|

|-------5-----7----------------|

|---4-7---------7--------------|

|-5----------------------------|

A7

I feel good, I knew that I would

D7 A7

I feel good, I knew that I would

E7 D7 A7 (arpegiate the A7 - see above)

So good, so good, I got you

I feel nice, like sugar and spice (x2)

So nice, so nice, I got you

D7 A7

When I hold you in my arms, I know that I can do no wrong

D7 E7

and when I hold you in my arms, my love won't do you no harm

And I feel nice, like sugar and spice (x2)

So nice, so nice, I got you

D7 A7

When I hold you in my arms, I know that I can do no wrong

D7 E7

and when I hold you in my arms, my love won't do you no harm

And I feel nice, like sugar and spice (x2)

So nice, so nice, I got you

Up In Smoke by Cheech & Chong

The song, and awesome tutorial.

Good intro tutorial (tabbed below)

Intro:

e|-----------------5--------------------------------------10--9---7--5--3---2--

B|-----------------5--4/5--7--5--3--2---------------------12--10--8--7--5---3--

G|-----------------6--5/6--7--6--4--2---------------------------------------2--

D|-----------------7----------------2---------------------------------------0--

A|-------------4---7----------------0----9--10--7--9---------------------------

E|--55--77--8------5----------------------------------10-----------------------

Later part of intro:

G G D A7 D

e|----------3---------------------------3----2----0----2--3--2--0----------

B|----------0---------------------------0----3----2----3--3--3--3--3-------

G|----------0---------------------------0----2----0----2-----------2-------

D|----------0-----------0--3--2--0------0----0----2----0-------------------

A|----------2--------2------------------2---------0------------------------

E|-0--2--3--3--2--3-----------------3---3---------0------------------------

D G D

Up in smoke - that's where my money goes

D A7

In my lungs and sometimes up my nose [loud sniff]

D D7 G (can do a G#dim slide to Bdim etc)

When troubled times begin to bother me

D A7 D Dsus

I take a toke [toke sound] and all my cares go up in smoke

[key change] E Esus

E A E

Up in smoke - donde todos es mi rey

E B7

There are no signs que dice no fumer

E E7 A

So I roll un "bomber" - y me doy, un buen toke-ay

E B7 E Esus

Y despues I choke y todos mis cares go up in smoke -

E A E

Up in smoke - that's where I wanna be

E B7

Cause when I'm high the world below don't bother me

E E7 A

When life begins to be one long and dangerous road

E B7 E Esus

I take a toke and all my cares go up in smoke

E B7 E

I take a toke and all my cares go up in smoke...

Dim All the Lights by Donna Summer

She originally wrote it for Rod Stewart! Nice version here. Sounds good with all barres. Can conceivably play the D/C# as an F#m, but that loses a lot of flavor. Lots of bass movement here.

D D/C# (x4777x) C G

Dim all the lights, sweet darling, cause tonight is on its way,

D D/C# C G

turn up the old Victrola, gonna dance the night away.

C Bm C Bm

Love just don't come easy, no it seldom does,

A/C# D A/C# C

when you find the perfect love, let it fill you up.

/ C / C/B (x20010) / Bb / Asus (or A11) / A7

Hey baby...

[repeat first verse]

D D/C# C G

Dim all the lights, sweet darlin, cause tonight it's you and me,

D D/C# C G

no need to worry, sugar, cause it's for eternity.

Bridge1:

C C/B (x2555x) Bb F

Let yourself go freely of this I think you'll understand.

C C/B (x2555x) Bb F

I want to be your woman, if you'll be my man.

C C/B (x2555x) Bb F

Let yourself go freely and I'll show you things that you've dreamed of,

C G Bb F

don't think that youre dreaming, we've found the perfect love.

A11 (5x5433) A7

and I'm like a cup, so fill me up.

[verse 1]

Bridge2:

D F

Do what you want, you can use me all up,

G D

take me bottom to top, don't leave even one drop!

D F

Do it tonight, you know the moments so right,

G D

turn my brown body white, come on, dim all the lights.

Rubber Ducky from Sesame Street

Original version, and a great cover

Intro: Bb Gm7 / Cm7 F7

Verse 1:

Bb Bdim Cm7 F7

Rubber Duckie, you're the one,

Bb Bb7+5 Eb Ebm6

you make bathtime lots of fun

Bb Gm7 Cm7 F7 Bb Gm 7 Cm7

Rubber Duckie, I'm awfully fond of you,

F7

Vo, vo, dee-oh. (Or Rub a dub ducky)

Verse 2:

Bb Bdim Cm7 F7

Rubber Duckie, joy of joys,

Bb Bb7+5 Eb Ebm6

When I sqeeze you, you make noise.

Bb Gm7 Cm7 F7 Bb Gm7 Em7-5 A7

Rubber Duckie, you're my very best friend it's true

Bridge:

Dm A7 Dm (walk bass up to F)

Oh, ev'ry day when I make my way to the tubby

F Gm7 C F7

I find a little fellow who's cute and yellow and chubby,

Verse 3:

Bb Bdim Cm7 F7

Rubber Duckie, you're so fine,

Bb Bb7+5 Eb Ebm6

and I'm lucky that you're mine.

Bb Gm7 Cm7 F7 Bb Gm7 Cm7 F7

Rubber Duckie, I'm awfully fond of you.

[Whistling titty over a verse]

[Bridge, then verse 3 with different ending]

Ending:

Bb Gm7 Cm7 F7

Rubber Duckie, I'm awfully fond of

Bb Gm7 Cm7 F7

Rubber Duckie, I'd like a whole pond of

Bb Gm7 Cm7 F7

Rubber Duckie, I'm awfully fond of

Bb (Bb beatles: x10011)

you.

Again, in A:

Intro: A F#m7 / Bm7 E7

Verse 1:

A Bbdim Bm7 E7

Rubber Duckie, you're the one,

A A7+5 D Dm6

you make bathtime lots of fun

A F#m7 Bm7 E7 A F#m7 Bm7

Rubber Duckie, I'm awfully fond of you,

E7

Vo, vo, dee-oh. (Or "Rub a dub ducky")

Verse 2:

A Bbdim Bm7 E7

Rubber Duckie, joy of joys,

A A7+5 D Dm6

When I sqeeze you, you make noise.

A F#m7 Bm7 E7 A F#m7 D#m7-5 (x6767x) G#7

Rubber Duckie, you're my very best friend it's true

Bridge:

C#m G#7 C#m (walk bass up to E)

Oh, ev'ry day when I make my way to the tubby

E F#m7 B E7

I find a little fellow who's cute and yellow and chubby,

Verse 3:

A Bbdim Bm7 E7

Rubber Duckie, you're so fine,

A A7+5 D Dm6

and I'm lucky that you're mine.

A F#m7 Bm7 E7 A F#m7 Bm7 E7

Rubber Duckie, I'm awfully fond of you.

[Whistling titty over a verse]

[Bridge, then verse 3 with different ending]

Ending:

A F#m7 Bm7 E7

Rubber Duckie, I'm awfully fond of

A F#m7 Bm7 E7

Rubber Duckie, I'd like a whole pond of

A F#m7 Bm7 E7

Rubber Duckie, I'm awfully fond of

A (A beatles)

you.

Stand by Me by Ben E. King

Nice to do it slow and mellow, like the voice note. Ben did it in A, but I like it in E and sparse, like voice memo.

Melody starts on the 3rd. [3rd] When [5th] the [6th] night

Whole song is I - vi - IV - V. I like it in E. Play the E as 076xxx, sounds nice.

E C#m

When the night has come, and the land is dark

A B E

And the moon is the only light we'll see

No I won't be afraid, oh I wont be afraid

Just as long as you stand, stand by me

So darling, darling, stand by me, oh stand by me

Oh stand, stand by me, stand by me

If the sky that we look upon, should tumble and fall

All the mountains should crumble to the sea

I won't cry, I won't cry, no, I won't shed a tear

Just as long as you stand, stand by me

[Chorus]

[Chorus variation to end:]

So darling, darling, stand by me, oh stand by me

Oh stand now, stand by me, stand by me

Whenever you're in trouble won't you stand by me

Oh stand by me, oh won't you stand now, stand

Stand by me

[Repeat to taste]

Immigrant Song

Nice to do slow and unzeppeliny, like Dread Zeppelin (alternate version), though not necessarily with the reggae beat. Can hear riff here.

Riff: F#m

Ah [C], ah [C#],

E

We come from the land of the ice and snow,

F#m

From the midnight sun where the hot springs flow.

The hammer of the gods will drive our ships to new lands,

E F#m

To fight the horde, singing and crying: Valhalla, I am coming!

A B C

On we sweep with threshing oar, our only goal will be the western shore.

F#m (riff)

Ah, ah,

E

We come from the land of the ice and snow,

F#m

From the midnight sun where the hot springs blow.

How soft your fields so green, can whisper tales of gore,

E

Of how we calmed the tides of war. We are your overlords.

A B C

On we sweep with threshing oar, our only goal will be the western shore.

[optional:]

So now you'd better stop and rebuild all your ruins,

For peace and trust can win the day despite of all your losing.

Got My Mojo Workin by Muddy Waters

Nice in E blues. Good riff here or see voice memo. Sprinkle with 9th chords.

|-------------------------------------------------------|

|-------------------------------------------------------|

|-------------------------------------------------------|

|-------------------------------------------------------|

|-----------5 6 7 [E7]----------------------------------|

|[E7]---7 7--------------7 7 7 6 5-[A7]--0 3 4 5 [A7]---|

E7

Got my mojo working, but it just won't work on you

A7

Got my mojo working, but it just won't work on you

B7 A7

I wanna love you so bad till I don't know what to do

I got my black cat bones all cured and dry

I got my 4 leaf clover all hanging high

I got my Mojo working but it just won't work on you

I wanna love you so bad till I don't know what to do

I got my hoodoo ashes all around your bed

Got my black snake roots underneath your head

I got my Mojo working...

I got a gypsy woman givin' me advice

I got some red-hot tips I have to keep on ice

I got my rabbit foot, I know it's workin right

I got this strand of hair I'll keep day and night

Red Solo Cup by Toby Keith

Country party time! Original version, and a great cover

Verse 1:

A

Now, red solo cup is the best receptical

For barbecues, tailgates, fairs, and festivals

Bm7

And you, sir, do not have a pair of testicals

E A

If you prefer drinkin' from glass

A

Hey, red solo cup is cheap and disposable

And in fourteen years, they are decomposable

Bm7

And unlike my home, they are not foreclosable

E A

Freddy Mac can kiss my ass [Whoo!]

Chorus:

A

Red solo cup, I fill you up

Bm7 E

Let's have a party, lets have a party

A

I love you, red solo cup, I lift you up

Bm7 E

Proceed to party, proceed to party

Verse 2:

Now, I really love that you're easy to stack

But I really hate how you're easy to crack

'Cause when beer runs down the front of my back

Well, that, my friends, is quite yucky

But I have to admit that the ladies get smitten

Admirin' at how sharply my first name is written

On you with a Sharpie when I get to hittin'

on them to help me get lucky

[Chorus]

Verse 3:

Now, I've seen you in blue and I've seen you in yellow

But only you, red, will do for this fellow

'Cause you are the Abbot to my Costello

And you are the Fruit to my Loom

Hey red solo cup, you're more than just plastic

You're more than amazing, you're more than fantastic

And believe me that Im not the least bit sarcastic

When I look at you and say

Chorus, modulate up a step:

B

Red solo cup, I fill you up

C#m7 F#

Let's have a party, lets have a party

B

I love you, red solo cup, I lift you up

C#m7 F#

Proceed to party, proceed to party

Down on the Corner by Creedence Clearwater

Album is C I think, but I like it in A. Its the loweset key that the riff still works, too.

A E A

Early in the evenin' just about supper time

E A

Over by the courthouse they're starting to unwind

D [F# note] A

Four kids on the corner trying to bring you up

E A

Willy picks a tune out and he blows it on the harp

[Chorus]

D A E A

Down on the corner, out in the street

D A

Willy and the Poorboys are playin'

E A

Bring a nickel; tap your feet

Rooster hits the washboard and people just got to smile

Blinky, thumps the gut bass and solos for a while

Poorboy twangs the rhythm out on his kalamazoo

Willy goes into a dance and doubles on kazoo. Down on the corner...

You don't need a penny just to hang around

But if you've got a nickel, won't you lay your money down?

Over on the corner there's a happy noise

People come from all around to watch the magic boy

Big Balls by AC/DC

Original version, and funny uke version

For verses, slide back and forth between the E (barre 7th fret) and the C (barre 3rd fret), hitting the Eb and D.

Intro:

E Eb D C D Eb E

E Eb D C D Eb E

D B7

(verse pattern, with a B7 on 7th fret at end)

E C

Well I'm upper upper class high society,

E C

god's gift to ballroom notoriety

E C

And I always fill my ballroom, the event is never small

D B7

The social pages say I've got the biggest balls of all

[Chorus]

E C#m

I've got big balls, I've got big balls

E C#m

They're such big balls, and they're dirty big balls

E C#m

And he's got big balls, and she's got big balls

C D A B

But we've got the biggest balls of them all!

[Verse 2 (not writing out the slides]

E C

And my balls are always bouncing, my ballrooms always full

E C

And everybody cums and cums again.

E C

If your name is on the guest list, No one can take you higher

D/F# B

Everybody says I've got great balls of fire

[Chorus]

E C#m

I've got big balls, I've got big balls

E C#m

They're such big balls, and they're dirty big balls

E C#m

And he's got big balls, and she's got big balls

C D A B

But we've got the biggest balls of them all!

[Verse 3]

E C

Some balls are held for charity, and some for fancy dress

E C

But when they're held for pleasure, they're the balls that I like best

E C

My balls are always bouncing, to the left and to the right

D/F# B7

It's my belief that my big balls should be held every night

Chorus:

E C#m

We've got big balls, we've got big balls

E C#m

We've got big balls, dirty big balls

E C#m

He's got big balls, she's got big balls

C D A B

But we've got the biggest balls of them all!

[Chorus pattern, shout it]

E C#m

Ball Sucker!

Ball Sucker!

Ball Sucker!

Ball Sucker!

Kiss Off by the Violent Femmes

Great recent live version, and the original

Starting note is low B (A string 2nd fret)

Intro and verse pattern is an Em with a E3 - E0 riff. Can play just as E5. Good example here.

Em

I need someone, a person to talk to, someone who'd care to love

C/G Em

Could it be you, could it be you

Situation gets rough, then I start to panic

It's not enough, it's just a habit

C Em

Hey kid you're sick, darling this is it

[Chorus (satrting note D2)]

C D C

You can all just kiss off into the air

Behind my back I can see them stare

They'll hurt me bad but I won't mind

They'll hurt me bad they do it all the time (yeah yeah) [sing G0 note]

Yeah they do it all the time (Yeah yeah)

They do it all the time (do it all the time)

They do it all the time (do it all the time)

They do it all the time, do it all the tiiiiiiiime

[Verse 2 (starting note open G string)]

Em

I hope you know that this will go down on your permanent record

C

Oh yeah, well don't get so distressed

Em

Did I happen to mention that I'm impressed

[jam off Em. Fun to move the Em up to 4th fret then to 7th. Or A string jam.]

[Bridge]

Em

I take one, one, one 'cause you left me

And two, two, two for my family

And three, three, three for my heartache

And four, four, four for my headaches

And five [note D2], five, five for my lonely

And six, six, six for my sorrow

And seven, seven [note open B] for n'n'no tomorrow

And eight, eight, I forget what 8 was for

but nine, nine, nine for a lost god

Ten, ten [note D2], ten, ten, for everything everything everything everything

Blister in the Sun by the Violent Femmes

Intro/riff pattern:

e|--------------|

B|--------------|

G|--------------|

D|--------------|

A|-----2--3--2--|

E|--3-----------|

[Nice to sometimes hit the 12th fret harmonic after the riff.]

Verse 1:

G C G C G C G

When I'm a walkin' I strut my stuff, then I'm so strung out.

I'm high as a kite, I just might stop to check you out.

Chorus:

Em C/G

Let me go on, like a blister in the sun.

Em C/G D

Let me go on, big hands I know your the one.

Verse 2:

Body beats, I stain my sheets. I don't even know why.

My girlfriend she at the end, she is starting to cry.

Chorus

[Repeat whole song to taste]

The Joker by Steve Miller Band

Album key is F, which is great, especially on uke. They sometimes do it live in G.

F Bb C Bb [fill]

Some people call me the space cowboy [yeah]

Some call me the gangster of love

Some people call me Maurice

Cause I speak of the pompitous of love

People talk about me, baby

Say I'm doin' you wrong, doin' you wrong

Well, don't you worry baby

Don't worry

Cause I'm right here, right here, right here, right here at home

[Chorus]

Cause I'm a picker, I'm a grinner

I'm a lover, and I'm a sinner

I play my music in the sun

I'm a joker, I'm a smoker

I'm a midnight toker, I sure don't want to hurt no one

I'm a picker, I'm a grinner, I'm a lover

And I'm a sinner, I play my music in the sun

I'm a joker, I'm a smoker

I'm a midnight toker, I get my lovin' on the run Wooo wooooo

You're the cutest thing that I ever did see

I really love your peaches, want to shake your tree

Lovey-dovey, lovey-dovey, lovey-dovey all the time

Ooo-eee baby, I'll sure show you a good time

[chorus]

People keep talking about me baby

They say I'm doin' you wrong

Well don't you worry, don't worry, no don't worry mama

Cause I'm right here at home

You're the cutest thing I ever did see

Really love your peaches want to shake your tree

Lovey-dovey, lovey-dovey, lovey-dovey all the time

Come on baby and I'll show you a good time

Fly Like an Eagle by Steve Miller Band

Great tutorial here and another super R&B style one here, nice cover here

During strum pattern 1, can play the A5 as 577xxx and the G5 as 377xxx, with two finger barre. Sounds nice and percussive that way.

And can play the Dm7 as x00565. And for the chorus, can do the D with an A bass.

For strum pattern 1, can do a xx777x - xx555x riff after the second tick.

Great alternative way to play the chorus, maybe use an ending?

Am7

|-5---------5----5--------5-----|

|-5---------5----5--------5-----|

|-5---------5----5--------5-----|

|-5---------5----5--------5-----|

|-7---------9----8--------7-----|

|-5---------5----5--------5-----|

Fly like an eagle, to the sea.

Intro riff (can play verse pattern behind it)

|--------------------------------|

|-----5-5------7-5-----5-5----5--|

|-----5-5------7-5-----5-5----5--|

|-----5-5------7-5-----5-5----5--|

|-7h9------7h9-----7h9----7h9----|

|--------------------------------|

[strum pattern 1] [can play the intro riff in bg]

A5 G5 A5 A5 G5 A5

[Tick, tock, tick], do do doo doo (x2)

Time keeps on slippin' slippin' slippin' into the future (x2)

Chorus (nice as barres or open):

Am D/A Dm7/A Am/A

[I wanna] fly like an eagle, to the sea.

Fly like an eagle, let my spirit carry me,

I want to fly like an eagle, 'til I'm free.

Fly right through the revolution.

[strum pattern 1]

A5 G5 A5 A5 G5 A5

Feed the babies, who don't have enough to eat,

Shoe the children, with no shoes on their feet.

House the people, livin' in the streets.

Am D/A Dm7/A

Oh, there's a solution.

[Chorus]

Time keeps on slippin' slippin' slippin' into the future (x6)

Do do doo doo (x2)

[Chorus]

Take the Money And Run by Steve Miller Band

G F C

This heres a story about billy joe and bobbie sue

G F C

Two young lovers with nothin better to do

G F C

Than sit around the house, get high, and watch the tube

G F Bb/F

And here is what happened when they decided to cut loose

They headed down to, ooh, old el paso

Thats where they ran into a great big hassle

Billy joe shot a man while robbing his castle

Bobbie sue took the money and run

[Chorus]

Go on take the money and run [x4]

Billy mack is a detective down in texas

You know he knows just exactly what the facts is

He aint gonna let those two escape justice

He makes his livin off of the peoples taxes

Bobbie sue, whoa, whoa, she slipped away

Billy joe caught up to her the very next day

They got the money, hey

You know they got away

They headed down south and theyre still running today

[Chorus]

I Will Survive by Gloria Gaynor

Great chords. Pure 1978 goodness.

Can do as barres (Am on 5th fret, etc). Also for the Cake version feel dont have to do the maj7s.

Verse 1:

Am Dm

At first I was afraid, I was petrified,

G Cmaj7

Kept thinking I could never live without you by my side.

Fmaj7 Bm7b5 (x2323x)

But then I spent so many nights, thinking how you did me wrong,

Esus4 E

And I grew strong; and I learned how to get along.

Am Dm

But now you're back, from outer space,

G Cmaj7

I just walked in, to find you here, with that sad look upon your face.

Fmaj7

I should have changed that stupid lock,

Bm7b5

I should have made you leave your key,

Esus4 E

If I had known for just one second, you'd be back to bother me.

[Chorus]:

Am Dm

Go on now, go; walk out the door;

G Cmaj7

Just turn a-round now, 'cos you're not welcome any more.

Fmaj7 Bm7b5

Weren't you the one who tried to hurt me with goodbye?

Esus4 E

Did you think I'd crumble; did you think I'd lay down and die?

Am Dm

Oh no, not I; I will sur-vive,

G Cmaj7

Oh, as long as I know how to love, I know I'll stay alive.

Fmaj7 Bm7b5

I've got all my life to live, and I've got all my love to give,

Esus4 E (Am)

And I'll sur-vive, I will sur-vive, I will sur-vive...

[Titty Kazoo Time! Nice to do as barres (Am 5thfret, etc)]

Am Dm G Cmaj7, Fmaj7 Bm7b5 Esus4 E

Verse 2:

Am Dm

Only the Lord could give me strength not to fall apart,

G Cmaj7

Though I tried hard to mend the pieces of my broken heart.

Fmaj7 Bm7b5

And I spent oh, so many nights, just feeling sorry for myself,

Esus4 E7

I used to cry, but now I hold my head up high.

Am Dm

And you see me; somebody new,

G Cmaj7

I'm not that chained up little person, still in love with you.

Fmaj7 Bm7b5

And so you felt like dropping in and just ex-pect me to be free,

Esus4 E

Well, now I'm saving all my loving, for some-one who's loving me.

[Chorus]:

Am Dm

Go on now, go; walk out the door;

G Cmaj7

Just turn a-round now, 'cos you're not welcome any more.

Fmaj7 Bm7b5

Weren't you the one who tried to crush me with goodbye?

Esus4 E

Did you think I'd crumble; did you think I'd lay down and die?

Am Dm

Oh no, not I; I will sur-vive,

G Cmaj7

And as long as I know how to love, I know I'll stay alive.

Fmaj7 Bm7b5

I've got all my life to live, and I've got all my love to give,

Esus4 E (Am)

And I will survive, I-I-I will sur-vive.

Break:

Am, Dm

[Chorus]:

Am Dm

Go on now, go; walk out the door;

G Cmaj7

Just turn a-round now, 'cos you're not welcome any more.

Fmaj7 Bm7b5

Weren't you the one who tried to crush me with goodbye?

Esus4 E

Did you think I'd crumble; did you think I'd lay down and die?

Am Dm

No no, not I; I will sur-vive,

G Cmaj7

And as long as I know how to love, I know I'll stay alive.

Fmaj7 Bm7b5

I've got all my life to live, and I've got all my love to give,

Esus4 E (Am)

And I'll sur-vive, I will sur-vive, I will sur-vive...

Interlude:

Am Dm G Cmaj7, Fmaj7 Bm7b5 Esus4 E

[repeat verse 2]

[chorus]

Another way of writing it:

Am / Dm / G / Cmaj7 / Fmaj7 / Bm7b5 / Esus4 / E

Verse 1:

At first I was afraid, I was petrified,

Kept thinking I could never live without you by my side.

But then I spent so many nights, thinking how you did me wrong,

And I grew strong; and I learned how to get along.

But now you're back, from outer space,

I just walked in, to find you here, with that sad look upon your face.

I should have changed my fucking lock,

I would have made you leave your key,

If I had known for just one second, you'd be back to bother me.

[Chorus]:

Go on now, go; walk out the door;

Just turn a-round now, 'cos you're not welcome any more.

Weren't you the one who tried to break me with goodbye?

Did you think I'd crumble; did you think I'd lay down and die?

Oh no, not I; I will survive,

Oh, as long as I know how to love, I know I'll stay alive.

I've got all my life to live, and I've got all my love to give,

And I'll survive, I will survive, I will survive...

[interlude, one verse]

Verse 2:

Only the Lord could give me strength not to fall apart,

Though I tried hard to mend the pieces of my broken heart.

And I spent oh, so many nights, just feeling sorry for myself,

I used to cry, but now I hold my head up high.

And you see me; somebody new,

I'm not that chained up little person, still in love with you.

And so you felt like dropping in and just expect me to be free,

Well, now I'm saving all my loving, for someone who's loving me.

[Repeat Chorus to taste]

Feelin' Alright by Traffic

I like to play it with A7(5th fret) to D7 (C7 shape), but Joe Cocker and Traffic played it in C. See voice memo for a good beat and style of doing it.

Seems I've got to have a change of scene

Cause every night I have the strangest dream

Imprisoned by the way it couldn't be

Left here on my own or so it seems

I've got to leave before I start to scream

But someone's locked the door and took the key

Chorus:

Ya feelin' alright?

I'm not feelin' too good myself

Well, ya feelin' Alright?

I'm not feelin' too good myself

Well boy you sure took me for one big ride

And even now I sit and wonder why

That when I think of you I start to cry

I just can't waste my time I must keep dry

Got to stop believin' in all your lies

Cause there's too much to do before I die

[Chorus]

Don't get too lost in all I say

Like the time I really felt that way

But that was then and now it's today

Can't get off yet and so I'm here to stay

Till' someone comes along and takes my place

With a different name, yes, and a different face

[Chorus]

Whatd I Say by Ray Charles

Original version, and Lighting Hopkins

That riff, in E. One cycle per para.

Hey mama, don't you treat me wrong

Come and love your daddy all night long

All right now, hey hey, all right

See the girl with the diamond ring

She knows how to shake that thing

All right now hey hey, hey hey

Tell your mama, tell your pa

I'm gonna send you back to Arkansas

Oh yes ma'm, you don't do right, don't do right

When you see me in misery

Come on baby, see about me

Now yeah, all right, all right, aw play it, boy

See the girl with the red dress on

She can do the Birdland all night long

B section:

Tell me what'd I say

Tell me what'd I say right now

I want to know

I want to know right now

You make me feel so good now

You make me feel so good now yeah

Love Rein Oer Me

Interesting turotial

Nice to play as movable E (E = 079900, D = 057700)

Em7 Cmaj7 Am7 Em/B Bsus4 B B7

Love, reign o'er me Rain on me, rain on me

Only love can bring the rain that makes you yearn to the sky

Only love can bring the rain that falls like tears from on high

[repeat chorus]

Bridge (see that video, aroun d8 minute mark)

G Gsus4/A

On the dry and dusty road

G Gsus4/A

The nights we spent apart alone

G Gsus4/A

I need to get back home

E A/E B/E A/E

To cool, cool rain

I can't sleep and I lay and I think, the night is hot and black as ink

Oh, god, I need a drink of cool, cool rain

[repeat chorus]

[end]

B | B7 Bsus4 | B | B7 | Em

Love....

Crazy by Gnarles Barkeley

Em G

I remember when, I remember, I remember when I lost my mind

C

There was something so pleasant about that phase.

Even your emotions had an echo

Bsus B

In so much space

Em

And when you're out there, without care,

G

Yeah, I was out of touch

C

But it wasn't because I didn't know enough

Bsus B

I just knew too much

Em

Does that make me crazy?

G

Does that make me crazy??

C

Does that make me crazy???

Bsus B

Probably.

E C

And I hope that you are having the time of your life

G Bsus B

But think twice, that's my only advice

Em G

Come on now, who do you, who do you, who do you, who do you think you are,

C

Ha ha ha bless your soul

Bsus B

You really think you're in control

Well, I think you're crazy!

I think you're crazy!

I think you're crazy,

Just like me.

My heroes had the heart to lose their lives out on a limb

And all I remember is thinking, I want to be like them

Ever since I was little, ever since I was little it looked like fun

And it's no coincidence I've come

And I can die when I'm done

Maybe I'm crazy

Maybe you're crazy

Maybe we're crazy

Probably

Take It Easy by the Eagles

G

Well I'm a runnin' down the road try'n to loosen my load

D C

I've got seven women on my mind

G D

Four that wanna own me, two that wanna stone me

C G

One says she's a friend of mine

Em C G

Take it easy, take it easy

Am C Em

Don't let the sound of your own wheels drive you crazy

C G

Lighten up while you still can

C G

Don't even try to understand

Am C G

Just find a place to make your stand, and take it easy

G

Well, I'm a standin' on a corner in Winslow, Arizona

D C

Such a fine sight to see

G D

It's a girl my lord in a flat-bed Ford

C G

Slowin' down to take a look at me

Em C G

Come on, baby, don't say maybe

Am C Em

I gotta know if your sweet love is gonna save me

C G C G

We may lose and we may win, though we may never be here again

Am C G

So open up I'm climbin' in, so take it easy

G

Well, I'm a runnin' down the road tryin' to loosen my load

D C

Got a world of trouble on my mind

G D C G

Lookin' for a lover who won't blow my cover, she's so hard to find

Em C G

Take it easy, take it easy

Am C Em

Don't let the sound of your own wheels make you crazy

C G C G

Come on baby, don't say maybe

Am C G C Em

I gotta know of your sweet love is gonna save me

Allison by Elvis Costello

Great cover

Definitely barre chords all the way.

Intro (can see timing here):

E B / G#m A C#m B / F#m G#m / G#m B

A E

Oh its so funny to be seeing you after so long girl

A G#m7 C#m B A

And by the way you look i understand that you were not impressed

G#m7 C#m B [or C#m/B]

But i heard you let that little friend of mine

D B7sus4 B7

Take off your party dress

A G#m7 C#m B

I'm not gonna get too sentimental

A G#m7 C#m B

Like those other sticky valentines

A G#m7 C#m B

Cause i don't know if you were loving somebody

D B7sus4 B7

I only know it isn't mine

A E A B G#m7 [G#?] C#m B

Alison i know this world is killing you

A E A B E

Oh Alison my aim is true

A E

Well i see you've got a husband now

A G#m C#m B

Did he leave your pretty fingers lying in the wedding cake

A G#m C#m

You used to hold him right in your hand

D B7sus4 B7

But he took all that he could take

A G#m C#m B

Sometimes i wish that i could stop you from talking

A G#m C#m B

When i hear those silly things that you say

A G#m C#m

I think somebody better put out the big light

D B7sus4 B7

(Be)cause i can't stand to see you this way

A E A B G#m7 C#m B

Alison... I know this world is killing you

A E

Oh Alison...

A B E A

my aim is true,

D B E A

my aim is true,

D B E A

my aim is true,

D B E A

my aim is true,

(Repeat last line to taste)

Just lyrics:

Oh, it's so funny to be seeing you after so long, girl

And with the way you look, I understand that you were not impressed

But I heard you let that little friend of mine

Take off your party dress

I'm not gonna get too sentimental

Like those other sticky valentines

'Cause I don't know if you are loving somebody

I only know it isn't mine

Allison, I know this world is killing you

Oh, Allison, my aim is true

Well, I see you've got a husband now

Did he leave your pretty fingers lying in the wedding cake?

You used to hold him right in your hand

But it took all that he could take

Sometimes I wish that I could stop you from talking

When I hear the silly things that you say

I think somebody better put out the big light

'Cause I can't stand to see you this way

Allison, I know this world is killing you

Oh, Allison, my aim is true

Wave White Flag by Elvis Costello

For album key, capo on 1.

Good tutorial, and good cover that has some nice variations.

Baug = x2100x

Intro:

[arpegiate C for "take off your"]

F G C

Take off your shoes, hang up your wings

C7 F G

Stack up the chairs, roll up the rug

E7 Am

Savor the things that sobriety brings

D7 G7 (G7#5...)

Drain in the last from a jug

Verse 1:

C G7 (or Baug) C G7

But when I hit the bottle, there's no tellin' what I'll do

C G7 C C7

'Cause something deep inside me wants to turn you black and blue

F Fm6 C Baug C

I can't resist you, I can't wait

D7 G7 (G7#5 sounds nice...)

To twist your loving arms 'til you capitulate

C G7 C G7

Beat me in the kitchen, and I'll beat you in the hall

C G7 C C7

There's nothing I love better than a free for all

F Fm6 C Baug C

To take your pretty neck and see which way it bends

D7 G7

But when it is all over we will still be friends

Am AmMaj7 G7 Am G7

Wave a white flag, put away the pistol

Am G7 C C7

Too many people just can't get kissed

F Fm6 A A7

But if there's nothin' I can do to make amends, baby

Dm G7 C C7

Hope you don't mur-der me

Am AmMaj7 Am AmMaj7

Oh, was it all right, or was it o--kay

Am E7 Am C7

I'll make it all up to you someday

Dm E7 Am

Oh, but you didn't have to laugh that way

D7 G G7

Oh, no, you didn't have to laugh that way

Am AmMaj7 G7 Am G7

Wave a white flag, put away the pistol

Am G7 C C7

Too many people just can't get kissed

F Fm6 A A7

But if there's nothin' I can do to make amends, baby

Dm G7 C

Hope you don't mur-der me

A7 Dm G7 C

Gee, baby, hope you don't mur---der me

Accidents Will Happen by Elvis Costello

F#m7-5: 202210

D D/C# D/B D/A

Oh, I just don't know where to begin

G G/F# Em7 A

Though he says he'll wait forever - it's now or never

D F#m7-5 B7 G G/F#

But she keeps him hanging on - the silly champion

Em Em/D (Em7)

She says she can't go home

A D

without a chapter one

Chorus:

Dm F G

Accidents will happen, we only hit and run

C F Bb C

he used to be your victim, now you're not the only one

Dm F G

Accidents will happen, we only hit and run

C F Bb C Bb/D(?) Bb

I don't want to hear it, 'cause I know what I've done

D D/C# D/B D/A

There's so many fish in the sea

G G/F# Em7 A

That only rise up in the sweat and smoke like mercury

D F#m7-5 B7 G G/F#

But they keep you hanging on - they say you4re so young

Em Em7 A D

Your mind is made up, but your mouth is undone

[Chorus]

Bridge:

Bm Em

And it's the damage that we do and never know

Bm Asus4 A A6 A

It's the words that we don't say that scare me so

D D/C# D/B D/A

There's so many people to see

G G/F# Em7 A

So many people you can check upon and add to your collection

D F#m7-5 B7 G G/F#

But they keep you hanging on - until your well hung

Em Em7 A D

Your mouth is made up but your mind is undone

[Chorus with ending]

Dm F G

Accidents will happen, we only hit and run

C F Bb C

He used to be your victim, now you're not the only one

Dm F G

Accidents will happen, we only hit and run

C F Bb C

I don't want to hear it, 'cause I know what I've

Bb C Bb C D D(no 3rd) Dsus2 D(no 3rd) Dsus2

I know what I've, I know what I've done

Not sure what this is:

F6 Fmaj7 F6 Fmaj7

I know, I know

D/F# Dsus2/F# D/F# Dsus2/F#

I know, I know

Gods Comic by Elvis Costello

Good cover, and awesome live version

Intro:

Em F#dim [B7] x2

Em G Am C7 B7

Em B7 Em B7

I wish you'd known me when I was alive

G [walk] Em C D

I was a funny fellow

Am7 B7 C B7

The crowd would hoot and holler for more

Am7 B7 C B7

I wore a drunks red nose for applause

G Em C D

Oh yes I was a comical priest With a

G Em C D

joke for the flock and a hand up you fleece

Em B7 Em D

Drooling the drink and the lipstick and grease paint

G Em C D C G

Down the cardboard front of my dirty dog collar

Chorus:

B7 Em B7 Em D

Now I'm dead now I'm dead now I'm dead now I'm dead

G Em C D

And I'm going on to meet my reward

Em B7 Em D

I was scared I was scared I was scared I was scared

G Em C D C G B7

He might never heard Gods Comic

Em B7 Em B7

So there he was on a water bed

G C D

drinking a cola of a mystery brand

Am7 B7 C B7

reading an airport novellette

Am7 B7 C B7 Em

listening to Andrew Lloyd Webber's requiem

G C D

He said before it had really begun

G C D

I prefer the one about my son

Em B7 Em D

I've been wading through all this unbelievable junk

G C D C G

and wondering if I should have given it all to the monkeys.

[Chorus]

Bridge

C D

I'm going to take a little trip

C D GG

down paradises endless shores

G

the say that travel broadens the mind

B7 E

till you cant get you head out of doors

Chorus:

B7 Em B7 Em D

Now I'm dead now I'm dead now I'm dead now I'm dead

G C D

And I'm going on to meet my reward

Em B7 Em D

I was scared I was scared I was scared I was scared

G C D C G B7

He might never heard Gods Comic

Em B7 Em B7

I'm sitting here on the top of the world

G C D

I hang around in the longest night

Am7 B7 C B7

Until each beast has gone to bead

Am7 B7 C B7

and then I say god bless and turn out the light

G C D

While you lie in the dark afraid to breathe

G C D

and you beg and you promise and you bargain and you plead

G C D

sometimes you confuse me with Santa Claus

G C D

its the big white beard I suppose

Em B7 Em D

I'm going up to the pole where you folks die of cold

G C D C

I might be gone for a while if you need me

Chorus:

G B7 Em B7 Em D

Now I'm dead now I'm dead now I'm dead now I'm dead

G C D

And I'm going on to meet my reward

Em B7 Em D

I was scared I was scared I was scared I was scared

G C D C G B7

He might never heard Gods Comic

Little More Love by Olivia Newton John

Original version. Taken from here, well transcribed with good chords.

Dbadd11: x468xx or (much harder) x4684x

Intro:

2/4 | Gm | Bb | C | Bb |Gm | Bb | C | Bb |

Gmin Bb C Ab D7 C D7 C D

Night is draggin' her feet

Gmin Bb C Ab D7 C D7 C D

I wait a-lone in the heat

Eb Cm7 Eb Dbadd11 (or Db)

I know, know that you'll have your way

Bbmin7 Dbmin7

Till you have to go home

Dbmin Eb

No's a word I can't say

Chorus:

Ab Dbmin6

'Cos it gets me nowhere to tell you no

Ab Dbmin6

And it gets me nowhere to make you go

Ab Abmaj7 Db Dbmin

Will a little more love make you start de-pending

Ab Abmaj7 Fdim7 (1x0101)

Will a little more love bring a happy ending

Bbmin Db Eb Db

Will a little more love make it right

Bbmin Db B

Will a little more love make it right

Gmin Bb C Ab D7 C D7 C D

Where, where did my innocence go

Gmin Bb C Ab D7 C D7 C D

How, how was a young girl to know

Eb Cm7 Eb Dbadd11 (or Db)

I'm trapped, trapped in the spell of your eyes

Bbmin7 Dbmin7

In the warmth of your arms

Dbmin Eb

In the web of your lies

[Chorus x Lots]

Trenchtown Rock by Bob Marley

Bob did it in G, super high as usual, Sublime did it in F#.

Nice to the progression with all barres, E on 7th fret. Better to get that beat.

Intro (heavy skank beat):

/ Bass: A7 A6 E9 / E7 E2

F# / C# / E (7th fret) / B

Verse

F# C# E B

One good thing about music, when it hits you, you feel no pain.

F# C# E B

One good thing about music, when it hits you, you feel no pain.

F# C# E B

So hit me with music, hit with music, now, yeah.

F# C# E B

Hit me with music, brutalize me with music.

Chorus:

B

Trench town rock, don't turn your back

F# E

Trench town rock, give the slum a try

B

Trench town rock, never let the children cry

F# E

Trench town rock, cause you got to tell Jah, Jah why

Bridge

Abm

While your movin (Kingston town), movin' (Kingston town).

C#m Abm

whoa in kingston town, movin (Kingstone town)

One little thing I've found,

is that you can't fool Jah, I know

C#m

One little thing I've found,

Abm

is that you can't fool Jah, I know.

cause their movin' yes their movin

Verse

F# C# E B

I said, One good thing about music, when it hits you, you feel no pain.

F# C# E B

One good thing about music, when it hits you, you feel no pain.

Wonder Woman Theme

Here it is on YouTube. See voice memo with Gametone for nice beat.

Intro: Gsus4 G7

Cm7 F Cm7

Wonder Woman, Wonder Woman!

Cm7 F Cm7

All the world is waiting for you

Cm7 F Cm7

and the power you possess

Fm7 Bb7

In your satin tights

EbM7 AbM7

fighting for your rights

Fm7 Bhalfdim Gsus4 G7 G7+

And the old red white and blue

Wonder Woman, Wonder Woman!

Now the world is ready for you

and the wonders you can do

Make a hawk a dove

stop a war with love

Make a liar tell the truth

[optionally modulate up a step]

Get us out from under, Wonder Woman

All our hopes are pinned upon you

and the magic that you do

Stop a bullet cold

make the axis fold

change their minds and change the world

Other verses from season 2:

Wonder Woman, Wonder Woman!

All of us are counting on you

And the power you possess

Putting all your might

On the side of right

And our courage to the test

Here to fight the force of evil

And your chance wont be denied

Woman of the hour

With her super power

Were so glad youre on our side

To taste:

Wonder Woman, Wonder Woman!

Youre a wonder, wonder woman!

Popeye Theme

Aka The Sailor's Hornpipe. Intro theme video here. Also sounds kind of nice in G for a lower feel, but C is nice too, and the original key. Keywords: childrens

[Not Done!]

** = play a C7 with the high G, to sound like the pipe tooting.

C G7 C F [Adim] C **

I'm Popeye the Sailor Man, I'm Popeye the Sailor Man.

F [F#dim or Adim] C A7

I'm strong to the finich, cause I eats me spinich.

Dm7 G7 C G7+

I'm Popeye the Sailor Man.

F G7 C Am7

I'm one tough gazookus, which hates all palooks

F G7 C

What's ain't on the up and square.

F G7 (or Dm7?) C Am7

I biffs 'em and buffs 'em, and always out roughs em

F G7 C

But none of them gets nowhere.

[Can skip this verse]

F G7 C A7

If anyone chances to risk me fist,

Dm7 XX XXX D7

It's boff and its wham, understand?

F Dm7 C A7

So keep good behavior, thats your one lifesaver.

Dm7 G7 C G7

With Popeye the Sailor Man.

[Verse 1]

Mighty Mouse Theme

Youtube vid

Note that the melody for here I come to save the day is an arpegiated Am. Keywords: childrens

G

Mister Trouble never hangs around

E7 Am

When he hears this Mighty sound.

[Can arpegiate the Am]

"Here I come to save the day"

D7 (or F#dim - D7) G

That means that Mighty Mouse is on the way.

G

Yes sir, when there is a wrong to right

E7 Am (or A7?)

Mighty Mouse will join the fight.

On the sea or on the land,

D7 G

He gets the situation well in hand.

[skipping the bridge]

G

[No sir,] We're not worrying at all...

E7 Am

We're just listening for his call.

"Here I come to save the day!"

D7 G

That means that Mighty Mouse is on the way.

Hong Kong Fooey Theme

Sublime do it in Dm, original is Cm. Play as barre on 3rd fret so the bass can go from E3 E7 A3.

Cm

Hong Kong Phooey, number one super guy.

G

Hong Kong Phooey, quicker than the human eye.

Cm

He's got style, a groovy style,

and a car that just won't stop.

When the going gets rough, he's super tough,

G

with a Hong Kong Phooey chop (Hi-Ya!)

Cm

Hong Kong Phooey, number one super guy.

G

Hong Kong Phooey, quicker than the human eye.

Chik chong, chiki chong, chiki chakka, chik chong.

Chika bak chak chakkin' and a bow wow wow.

Cm6 (nice ending)

Hong Kong Phooey, he's fan-riffic (gong!)

Tequilla by The Champs

Can play in any key, but the original is F, to make it easier on the sax I think. Or do it in G fingerstyle, like this...

Verses (play barre 8th fret):

/ F Eb / F Eb / F Eb / F Eb /

Bridge (play the B7 with pinky on 7th):

/ Bb7 / F / Bb7 / G C7 / (Tequilla!)

For verses, can have 2nd guitar playing a D chord on 5th fret to 3rd fret.

During verses, nice to do this riff:

---------------------------------|

---------------------------------|

-----------------------0---------|

--1--3--3--1--1--3--3----3--1----|

------------------------------3--|

---------------------------------|

Straighten up and Fly Right

For the main progression, play a regular A (x0222x), and then add the F# note for an F#m7 (2x222x). Ridiculously awesome version (in Ab) here. Keywords: jazz

Intro = first two lines

Ab Fm7 Db9 Ddim7 (xx0101)

A buzzard took a monkey for a ride in the air,

Ab Fm7 E9 Eb9

The monkey thought that evrything was on the square.

Ab Fm7 Db9 Ddim7

The buzzard tried to throw the monkey off of his back,

Ab Fm7 E9 (or Bb7+) Eb9

But the monkey grabbed his neck and said, "Now listen, Jack.

Chorus:

Ab Fm7 Bbm7 Eb7

"Straighten up and fly right,

Ab Fm7 Bbm7-5 Eb7

Straighten up and fly right,

Ab Ab7 Db Ddim

Straighten up and fly right, --

Ab Fm7 E9 Eb9

Cool down, Papa, don't you blow your top.

Ab Fm7 Bbm7 Eb7

Aint no use in divin

Ab Fm7 Bbm7-5 Eb7

Whats the use in drivin?

Ab Ab7 Db Ddim

Straighten up and fly right, --

Ab Fm7 E9 Eb9 Ab

Cool down, Papa, don't you blow your top.

Bridge:

C7 [C9]

The buzzard told the monkey, "You are chokin' me;

F7 [F9 Gb9 F9]

Release your hold and I will set you free."

Bb9

The monkey looked the buzzard right dead in the eye,

[Bb7] Eb9 [Bbm7-5] E9 Eb9

And said, "Your story's so touchin but it sounds like a lie."

[Chorus]

Again, in A:

Intro = first two lines

A A/F# (or F#m) D9 D#dim7 (xx1212)

A buzzard took a monkey for a ride in the air,

A A/F# (or F#m7) F9 E9

The monkey thought that evrything was on the square.

A A/F# D D#dim7 (xx1212)

The buzzard tried to throw the monkey off of his back,

A A/F# F9 (or B7+) E9

But the monkey grabbed his neck and said, "Now listen, Jack.

Chorus:

A A/F# Bm7 E7

"Straighten up and fly right,

A A/F# Bm7-5 E7

Straighten up and fly right,

A A7 D D#dim (xx1212)

Straighten up and fly right, --

A A/F# F9 E9

Cool down, Papa, don't you blow your top.

A A/F# Bm7 E7

Aint no use in divin

A A/F# Bm7-5 E7

Whats the use in drivin?

A A7 D D#dim (xx1212)

Straighten up and fly right, --

A A/F# F9 E9 A

Cool down, Papa, don't you blow your top.

Bridge:

C#7 C#9

The buzzard told the monkey, "You are chokin' me;

F#9 (or 7) [F#9 G9 F#9]

Release your hold and I will set you free."

B9

The monkey looked the buzzard right dead in the eye,

[B7] E9 Bm7-5 F9 E9

And said, "Your story's so touchin but it sounds like a lie."

[Chorus]

Grey by Alice Phoebe Lou

Her amazing live version

Ab (xx6544) / Cm / Bm / Fm

Calm the fuck down, and unclench your fist

I can't see you through the mist

How did it come to this?

Wipe the tears from inside your head.

Your eyes are looking dead.

Was it something I said?

Take back those words, I'm not as strong as I look.

Its my soul that you shook.

And my heart that you took.

Leave me in my misery, hopefully I'll forget you some day.

I can't stay.

I have to stop my soul's decay.

You've taken all my dignity, its clear to me that this ain't child's play.

I'll be on my way.

Before my world turns grey.

Hey! Hey you! Yes you standing there.

Is this fair? [?]

Oh would you give me care?

Hey! Hey you! Yes you with the smile.

Would you take me under your wing for awhile?

Mmmm Mmmmm

Romeos Tune (Meet Me in the Middle of the Day) by Steve Forbert

Some nice 1979 goodness. For original key, capo on 2. Keywords: yacht rock.

G G/F#

Meet me in the middle of the day

Em Em7

Let me hear you say everythings ok.

C G D

Bring me southern kisses from your room.

G G/F#

Meet me in the middle of the night

Em Em7

Let me hear you say everythings aright.

C G D

Let me smell the moon in your perfume.

C G Am D

Oh, gods and years will rise and fall and theres always something more

C G Am D

Lost in talk, I waste my time, and its all been said before.

C G Am D

While further down behind the masquerade, the tears are there.

C G Am D

I dont ask for all that much I just want someone to ca-a-a-are! Thats right, now!

G G/F#

Meet me in the middle of the day

Em Em7

Let me hear you say everythings ok.

C G D

Come on out beneath the shining sun.

G G/F#

Meet me in the middle of the night

Em Em7

Let me hear you say everythings all right.

C G D D7

Sneak on out beneath the stars and run! Yeah! Oh, yeah, yeah!

C G AM D

Its king and queen and we must go down, now, beyond the chandelier

C G AM D

Where I wont have to speak my mind and you wont have to hear

C G AM D

Shreds of news and after thoughts and complicated scenes.

C G AM D

Well weather down behind the light and fade like magazines!

D7

Ah-yaya-yay! I ******* to go now!

G G/F#

Meet me in the middle of the day

Em Em7

Let me hear you say everythings ok.

C G D

Bring me southern kisses from your room.

G G/F#

Meet me in the middle of the night

Em

Let me hear you say everythings aright.

C G D

Let me smell the moon in your perfume.

G G/F#

Meet me in the middle of the day

EM

Let me hear you say everythings OK.

C G D

Let me see you smiling back at me.

G G/F#

Meet me in the middle of the night

EM

Let me hear you say everythings all right.

C G D

Hold me tight. In loving, love is free.

Magic by Olivia Newton John

D7b5 = xx0112

Intro: D / D7b5

D D7b5 D D7b5

Come take my hand

Dmaj7

You should know me

F#m7 Am Em

I've always been in your mind

Am Em

You know I will be kind

Asus4 A D

I'll be guiding you

D D7b5 D D7b5

Building your dream

Dmaj7

Has to start now

F#m7 Am7 Em7

There's no other road to take

Am7 Em7

You won't make a mistake

Asus4 A D

I'll be guiding you

[Intro]

Chorus:

Dm Bb C

You have to believe we are magic

Bb C Dm

Nothing can stand in our way

Dm Bb C

You have to believe we are magic

Bb C Am

Don't let your aim ever stray

D7 Gm

And if all your hopes survive

Bbm Asus4

Destiny will arrive

D Em7b5 (078780) A D

I'll bring all your dreams alive For you

D Em7b5 A D

I'll bring all your dreams alive For you

D D7b5 D D7b5

From where I stand

Dmaj7

You are home free

F#m7 Am Em

The planets align so rare

Am Em

There's promise in the air

Asus4 A D

And I'm guiding you

[Chorus]

D D7b5 D D7b5

Through every turn

Dmaj7

I'll be near you

F#m7 Am Em

I'll come any time you call

Am Em

I'll catch you when you fall

Asus4 A D

I'll be guiding you

[Chorus]

Lucky Old Sun

Actually written by Beasley Smith in 1949. Heres the Jerry Lee Lewis version, and Johnny Cash (in A), and nice from Frankie Lane (in D), nice cover (in A), Japanese couple (in G, great guitar)

Heavy 6/8 feel. Keywords: jazz

F#dim = xx1212 or 2x1212

[*fill = C / Cmaj7 (x32000) / C7]

C E7

Up in the mornin', out on a job,

C F C [*fill] C7

Work like the devil for my pay.

F F#dim C [Em7] A7

But that lucky old sun got nothin' to do,

F G C G7 [G7+ xx3443]

But roll around heaven all day.

C E7

Ill toil for my woman, Ill sweat for my kids,

C F C C7

Work till I'm wrinkled and gray.

F F#dim C Em7 A7

While that lucky old sun got nothin' to do,

F G C G7

But roll around heaven all day.

Bridge:

C E7 F C

Good Lord above, can't you hear me cryin'?

Dm7 G7 C G7 [bass roll from G to C]

Tears all in my eyes.

C E7 F C

Send down a cloud with your silvery linin',

D7 G G7 [G7+ xx3443]

Lift me on up to paradise, oh

C E7

Show me that river, take me across,

C F C C7

wash all my troubles away.

F F#dim C Em7 A7

Like that lucky old sun, gimme nothin' to do,

F G C G7

But roll around heaven all day.

[Instrumental, using bridge then verse]

[Bridge]

[Last verse]

Ending verse (different):

C E7

Show me that river, take me across,

C F C C7

wash all my troubles away.

F F#dim C Em7 A7

Like that lucky old sun, gimme nothin' to do,

F G C Em7 A7

Let me roll around heaven, just roll around your heaven.

F G7 C

Let me roll around heaven, all day.

[Bridge instrumental]

Raising Arizona Theme

Nice and yodelly. See here. Good yodelling exercsie here (make Eee sound starting on xx2x5x and move up a half step at a time, alternating between chest and head/falsetto voice)

D /

G / G / G / G / / A Ab

Perhaps Perhaps Perhaps by Cake

Nice to do it a step up, in Dm.

Cm Fm

You won't admit you love me, and so

Fm Cm Fm

How am I ever, to know

Fm Cm Ab G Cm

You only tell me, perhaps, perhaps, perhaps

Cm Fm

A million times I ask you, and then

Fm Cm Fm

I ask you over, again

Fm Cm Ab G Cm

You only answer, perhaps, perhaps, perhaps

Chorus

G

If you can't make your mind up

G C

We'll never get started

C G

And I don't wanna' wind up

G C

Being parted, broken hearted

Verse 3

Cm Fm

So if you really love me, say yes

Fm Cm Fm

But if you don't, dear, confess

Fm Cm Ab G Cm

And please don't tell me, perhaps, perhaps, perhaps

[Chorus]

[Verse 3]

Fm Cm Ab G Cm

And please don't tell me, perhaps, perhaps, perhaps

[repeat to taste]

Honky Cat by Elton John

Elton does it in G (up a step). Great cover by Danny McEvoy. Sounds good to tap your foot hard and get a good beat going. And Danny does a good riff on the F chord to simulate Elton:

Riff 1 (when goes to the F)

|--1---1---1-------------|

|--1---3---1-------------|

|--2---2---2---2--0------|

|--3---3---3-------3-----|

|------------------------|

|------------------------|

Riff 1 solo

|---1-1----------------------------------------------|

|--1-----3-3---1-3-1---------------------------------|

|-2-------------------2-2---0-0----------------------|

|3--------------------------------3-3---0-3-0--------|

|-----------------------------------------------3----|

|----------------------------------------------------|

C7

When I look back, boy I must have been green

F [riff 1]

Boppin in the country, fishing in a stream

C7

Looking for an answer, trying to find a sign

F

Until I saw your city lights, honey I was blind.... They said

Chorus:

A7

Get back honky cat, better get back to the woods

D7

Well I quit those days, and my redneck ways-and-a

C7 F

Mmm mmm mmm mmm oh the change is gonna do me good

A7

Get back honky cat, living in the city ain't where its at,

D7

It's like, trying to find gold in a silver mine, its like

C7 F

Trying to drink whisky, from a bottle of wine

C7

Well I read some books and some magazines about those

F

High class ladies down in new Orleans and all the

C7

All the folks back home, well, they said I was a fool, they said

F

Better believe in the lord, its the golden rule

[titty over a verse]

[Chorus]

[can skip this verse, but its at 3:00 here]

C7

They said stay at home, boy you got to tend the farm,

F

Living in the city boy is, gonna break your heart

C7

But, how can you stay when your heart says no, ah-ah

F

How can you stop when your feet say go

[Chorus, repeated to taste]

Deep River Blues by Doc Watson

Doc Watson doing it, Jorma doing it

Theres a tab here, and a tutorial here

[E7] [Eflat6] [E7]

-------7---------------6-------------7---|

-------5---------------5-------------5---|

-------7---------------6-------------7---|

-------6---------------5-------------6---|

-------x---------------x-------------x---|

-------0---------------0-------------0---|

Picking pattern:

-7----------7-----------|---6----------6------------------|

-------5----------------|----------5----------------------|

-----7------------------|--------6------------------------|

-------6------------6---|----------5----------------------|

------------------------|---------------------------------|

-0--------------0-------|---0--------------0--------------|

Chorus:

[E7]Let it rain, [Eflat6]let it pour,

[E7]Let it rain a [A7]whole lot more,

'Cause [E]I got them deep river [B7]blues.

[E7]Let the rain [Eflat6]drive right on,

[E7]Let the waves [A7]sweep along,

'Cause [E]I got them deep river [B7]blues. [can slide up a fret]

My old gal's a good old pal,

And she looks like a water fowl,

When I get them deep river blues.

Ain't no one to cry for me,

And the fish all go out on a spree

When I get them deep river blues.

Give me back my old boat,

I'm gonna sail if she'll float,

'Cause I got them deep river blues,

I'm goin' back to Muscle Shoals,

Times are better there I'm told,

Cause I got them deep river blues.

[Chorus]

If my boat sinks with me.

I'll go down, don't you see,

Cause I got them deep river blues,

Now I'm gonna say goodbye,

And if I sink, just let me die,

'Cause I got them deep river blues.

[Chorus]

Heartbreaker by Pat Benetar

For album key, capo up 1. Original version,

Intro: Em G! (or I kind of like Em D)

Em D C A C D

Your love is like a tidal wave, spinning over my head,

Em D C A C D

drowning me in your promises, that are left unsaid.

Em D C A B

You're the right kind of sinner, to release my inner fantasy.

Em D C A B

The invincible winner and you know that you were born to be.

Chorus:

Em (F#) G A

You're a heartbreaker, dream maker, love taker,

C B

don't you mess around with me.

Em (F#) G A

You're a heartbreaker, dream maker, love taker

C B

don't you mess around with me.

No! No! No!

[Intro]

Em D C A C D

Your love has set my soul on fire, burning out of control.

Em D C A C D

You taught me the way of desire, now it's taken its toll.

Em D C A B

You're the right kind of sinner, to release my inner fantasy.

Em D C A B

The invincible winner and you know that you were born to be.

[Chorus]

Em D C A B

You're the right kind of sinner, to release my inner fantasy.

Em D C A B

The invincible winner and I know that you were born to be.

[Then do chorus acapella, with just the bass walking up the E string]

I Guess Thats Why They Call It The Blues by Elton John

Intro:

C Em F (2 times)

Verse 1:

G

Don't wish it away

Em F C F C F C F

Don't look at it like it's forever

C G Bm

Between you and me I could honestly say

F C F C F C F

That things can only get better

C G

And while I'm away

B7 Em

Dust out the demons inside

G7/D C G

And it won't be long before you and me run

Am F G Am7

To the place in our hearts where we hide

Chorus:

G7/B C G/B F

And I guess that's why they call it the blues

C G F

Time on my hands could be time spent with you

C G Am

Laughing like children, living like lovers

C/E F D/F#

Rolling like thunder under the covers

F F/G C Em F

And I guess that's why they call it the blues

Verse: 2

G

Just stare into space

Em F C F C F C F

Picture my face in your hands

C G Bm

Live for each second without hesitation,

F C F C F C F

and never forget I'm your man

C G

Wait on me girl

B7 Em

Cry in the night if it helps

G7/D C G

But more than e_ver I simply love you

Am F G Am7

More than I love__life itself

[chorus]

[2nd half of verse 2, wait no me girl...]

Muppet Show Theme

regular version, long version

Ab+ = 4x455x

G13-9 = 3x345x

C Ebdim G7

It's time to play the music

C Ebdim G7

It's time to light the lights

C C7 F Fm Am [Ab+] G

It's time to meet the muppets on the muppet show tonight

C Ebdim G7

It's time to put on make up

C Ebdim G7

It's time to dress up right

C C7 F Fm Am [Ab+] G

It's time to raise the curtain on the Muppet show tonight

[joke / bridge]

F C F C

Why do we always come here? I guess we'll never know.

F A7 D7 G7

Its like a kind of torture, to have to watch the show

[OR Kermit:]

To introduce our guest stars

That's what I'm here to do

It really makes me happy,

To introduce to you.... [Mr. Guest Star!]

C Ebdim G7

C Ebdim G7

C C7 F Fm

But now lets get things started,

C C7 F Fm

Why don't we get things started,

C C7 F Fm

It's time to get things started

C F#m7-5 Fmaj7 F

on the most sensational inspirational celebrational muppetstaional

Dm7 G13-9 C (or C6) [C beatles]

This is what we call the muppets show

Manha Manha by the Muppets

The original, and a nice uke version, and amazing jazz version. Nice tab for fingerstyle (from here)

Intro:

D Bm7

Da doo doo / doo doo doo doo

G7 A7 E7 A7

doo doo doo doo / doo doo doo

D

doo doo

Verses (play the A7 as x02223 since the melody is there)

E7 A7 D [Bm7]

Mahna mahna doo doo do doo doo

E7 A7 D [Bm7]

Mahna mahna doo doo do doo doo

E7 A7 D Bm7

Mahna mahna doo doo do doo doo

E7 A D G D

do doo do do doo do da da da da da da da

Again, in E:

Intro:

E C#m7

Da doo doo / doo doo doo doo

A7 B9 F#7 B7

doo doo doo doo / doo doo doo

E

doo doo

Verses:

(sometimes play the B7 as xx4445 since the melody is there)

(also sometimes play the B7 as a B9)

F#7 B7 E [C#m7]

Mahna mahna doo doo do doo doo

F#7 B7 E [C#m7]

Mahna mahna doo doo do doo doo

F#7 B7 E C#m7

Mahna mahna doo doo do doo doo

F#7 B7 E A7 E

do doo do do doo do da da da da da da da

Variations:

F#7 B7 F#7 B7 E

F#7 B7 F#7 F7 E

do doo do do doo do da da da da da da da

Mickey Mouse March Theme

Some fine Walt Disney nazi style. "Forever let us hold your banner high! High! High! High! Written in 1955.

Original is in F, but nice in G. Good cover1, and good cover 2 (both in G).

I like to do it in C, barred off 8th fret.

In C (G is below):

C D7 G7

Who's the leader of the club that's made for you and me!?!

C [C7] F [Fm]

m i c k e y

C G7 C

m o u s e!

C D7 G7

Hey, there! Hi, there! Ho, there! You're as welcome as can be!!!

C [C7] F Fm

m i c k e y

C G7 C

m o u s e!

C F C

Mickey Mouse [Donald Duck], Mickey Mouse [Donald Duck]

D D7 G7

Forever let us hold our banner high (High! High! High!)

C D7 G7

Come along and sing a song and join the jamboree!

C [C7] F Fm

m i c k e y

C G7 C

m o u s e!

[Ending]

C C7

m i c (See you real soon!)

F Fm

k e y (Why? Because we like you!)

C G7 F (for ending)

m o u s e!

C [During rolling C ending chord:]

[Yay Mickey! Yay Mickey! Mickey Mouse Klub!]

In G (kind of low):

G A7 D7

Who's the leader of the club that's made for you and me!?!

G [G7] C Cm

m i c k e y

G D7 G

m o u s e!

G A7 D7

Hey, there! Hi, there! Ho, there! You're as welcome as can be!!!

G [G7] C Cm

m i c k e y

G D7 G

m o u s e!

G C G

Mickey Mouse [Donald Duck], Mickey Mouse [Donald Duck]

A A7 D7

Forever let us hold our banner high (High! High! High!)

G A7 D7

Come along and sing a song and join the jamboree!

G [G7] C Cm

m i c k e y

G D7 G

m o u s e!

[Ending]

G G7

m i c (See you real soon!)

C Cm

k e y (Why? Because we like you!)

G D7 C (for ending)

m o u s e!

G [During rolling G ending chord:]

[Yay Mickey! Yay Mickey! Mickey Mouse Klub!]

Still Crazy After All These Years by Paul Simon

Album key is G, but nice in D. Nice cover (in D), James Taylor doing it (in D), Paul Simon doing it on the Dick Cavett Show (in D)

G#dim = 4x3434

Dbdim = x4565x

Bdim = 7x6767

Gm6 = 3x233x

Intro: D Dsus4 / D Dsus4 / Gm6 / A7 / D Dsus4 [etc not album way of doing it, but works]

D D7 G C9 (or Gm6)

I met my old lover on the street last night

D Dbdim F# F#7 Bm

She seemed so glad to see me, I just smiled

[Bbm] Am D9 G G#dim (or E7)

And we talked about some old times And we drank ourselves some beers

D A7 Bm Bdim (or xxx767)

Still crazy after all these years Oh...

D A7 Gm6 (no high E) A7 D Dsus

Still crazy after all these years

D D7 G C9 (or Gm6)

Im not the kind of man who tends to socialize

D Dbdim F# F#7 Bm

I seem to lean on old familiar ways

Am D9 G G#dim

And I aint no fool for love songs that whisper in my ears

D A7 Bm Bdim

Still crazy after all these years Oh...

D A7 D9

Still crazy after all these years

Emaj7 B6 [Bmaj7 or Bm?]

Four in the morning tapped out, yawning

D#m7 G# C#maj7

Longing my life away

Bm7 F# G F# G D

Ill never wor-ry Why should I?

G F# [G A7 D Dsus D]

Its all gonna fade

D D7 G C9 (or Gm6)

Now I sit by my window and I watch the cars

D Dbdim F# F#7 B [MODULATE]

I fear Ill do some damage one fine day

E E7 A A#dim

But I would not be convicted by a jury of my peers

E B7 C#m C#dim7

Still crazy after all these years, Oh

E Esus4 A Asus4 A

Still crazy Still crazy

E B E A E

Still crazy after all these years

Cakewalk Into Town by Taj Mahal

C F

I had the blues, so bad one time it put my face in a permanent frown

C G

Now I'm feeling so much better, I could cakewalk into town

C F

I woke up this mornin' feelin' so good, you know I laid back down again

C G

Throw your big leg over me mama, I might not feel this good again

C F

My baby, oh my baby, I love the way she walks

C G

And when my girl gets sleepy, I love the way she baby-talks

C F

My work done got scarce, honey, my work it done got hard,

C G

I spend my whole day stealin' chickens, mama, from the rich folks yard

Whistling - C, F, C, G

C F

I got the blues, so bad one time it put my face in a permanent frown

C G

You know I'm feeling so much better, I could cakewalk into town

C F

I want to go on a picnic in the country, mama, and stay all day

C G

I don't care if I don't do nothing, just while my time away

C F

I got the blues so bad one time it put my face in a permanent frown

C G

You know I'm feelin' so much better I could cakewalk into town

Fishing Blues by Taj Mahal

Heres Taj doing it, heres the original version by Henry Thomas (in Ab) in I think the 1920s

Nice in drop D somewhat fingerstyle.

D

I betcha goin' fishin' all of the time,

A D

Baby goin' fishin' too.

Bet your life, your sweet wife

E7 A (with pinky on high E5)

gonna catch more fish than you.

Chorus:

D D7

Many fish bites if you got good bait,

G D

Here's a little tip that I would like to relate.

More fish bite if you got good bait,

D G D G

I'm a goin' fishin', yes I'm goin' fishin'

D A D

And my baby's goin' fishin' too.

D

I went on down my favorite fishin' hole

A D

And I grabbed me a pole and line

Throwed my pole on in, caught a nine pound catfish

E7 A

And I brought him home for supper time Proving...

[Chorus]

D

Baby brother 'bout to run me up outta my mind

A D

Sayin', "Can I go fishin' with you?"

So I took him on down to the fishin' hole

E7 A

Now what do you think that he did do?

D

Caught a seven poun' catfish, off the bottom yes he got him

G D

Took him on home he was real gone

With his pole and his line

D G D G

He was goin' fishin', yes he goin' fishin'

D A D

And baby goin' fishin' too

D

Put him in the pot, baby put him in the pan

A D

And cook him till he nice and brown

Make a batch of buttermilk, whole cakes mama

E7 A

And you chew them things and you chomp em on down

[Chorus]

[Titty over a verse]

[Verse 1]

[Chorus]

Bad Bad Leroy Brown by Jim Croce

G A7

Well, the south side of Chicago, is the baddest part of town

B7 C7 D7 C7 G D7

And if you go down there you better just beware of a man name of Leroy Brown.

G A7

Now, Leroy more than trouble, you see he stand about 'bout six foot four.

B7 C7 D7 C7 G D7

All the downtown ladies call him "treetop lover.", all the men just call him "sir".

Chorus:

G A7

And he's bad, bad, Leroy Brown, the baddest man in the whole damn town.

B7 C7 D7 C7 G D7

Badder than old King Kong, And meaner than a junkyard dog.

Now, Leroy, he a gambler, and he like his fancy clothes.

And he like to wave diamond rings in front of everybody's nose

He got a custom Continental. He got an Eldorado too.

He got a thirty-two gun in his pocket for fun, he got a razor in his shoe.

[Chorus]

Well, Friday 'bout a week ago, Leroy's shootin' dice.

And at the edge of the bar sat a girl name of Doris, and oh, that girl look nice

Well, he cast his eyes upon her and the trouble soon began.

And Leroy Brown, he learned a lesson 'bout messin' with the wife of a jealous man

[Chorus]

Well, the two men took to fightin', and when they pulled them from the floor,

Leroy looked like a jigsaw puzzle with a couple of pieces gone.

[Chorus x 2]

Outro:

B7 C

Yes, you were badder than old King Kong

D7 C7 G

And meaner than a junkyard dog.

Satisfied and Tickled Too

Good version: https://www.youtube.com/watch?v=L21P75dw-RM

Ab

Baby now I'm satisfied, and tickled too

Eb

Baby just to know that I'm in love with you

[x2]

Chorus:

Baby now... I been...

I am..... You got me....

You like me... You keep me...

You want me.... Pray god you got me!

Honey, I'm going downtown, with my hat caved in

I'm coming back home with a pocket full of tin

[x2]

Well, the little red hen said to the little red rooster

Rooster, you don't come round my chicken shack as much as you used to.

[x2]

And I ain't been... No I ain't....

Uh oh, no nobody been here, not since you was here last....

Put your arm around me baby, like you circle around the sun [?]

[main chorus]

Bad Moon Rising by Creedence Clearwater Revival

Original is in D, but nice and mellow in G

G D G

I see the bad moon arising.

G D G

I see trouble on the way.

G D G

I see earthquakes and lightnin.

G D G

I see bad times today.

Chorus:

C

Well dont go around tonight,

G

Its bound to take your life,

D C G

Theres a bad moon on the rise.

G D G

I hear hurricanes ablowing.

I know the end is coming soon.

I fear rivers over flowing.

I hear the voice of rage and ruin.

Chorus

G D G

Hope you got your things together.

Hope you are quite prepared to die.

Looks like were in for nasty weather.

One eye is taken for an eye.

Chorus

9 to 5 by Dolly Parton

Released in 1980 for the movie. Great in E but a bit high, so D is below this. Album key is F#.

In D:

VERSE:1

D

Tumble outta bed and a'stumble to the kitchen

G

Pour myself a cup of ambition

D A

And yawn n' stretch n' and try to come to life

D

Jump in the shower and the blood starts pumpin'

G

Out on the streets the traffic starts jumpin'

D A D

With folks like me on the job from 9 to 5

CHORUS:

G

Workin' 9 to 5 - what a way to make a livin'

D

Barely gettin' by - it's all takin' and no givin'

G

They just use your mind - and they never give you credit

E A

It's enough to drive you crazy if you let it

G

9 to 5 - for service and devotion

D

You would think that I would deserve a fair promotion

G

Want to move ahead but the boss won't seem to let me

E A D

I swear sometimes that man is out to get me mmmmmmm

VERSE:2

D

They let you dream just to watch 'em shatter

G

You're just a step on the boss man's ladder

D A

But you got dreams he'll never take away

D

In the same boat with a lot of your friends

G

Waitin' for the day your ship'll come in

D A D

And the tide's gonna turn an' it's all gonna roll your way

CHORUS 2:

G

Workin' 9 to 5 - what a way to make a livin'

D

Barely gettin' by - it's all takin' and no givin'

G

They just use your mind - and you never get the credit

E A

It's enough to drive you crazy if you let it

G

9 to 5, yeah - they got you where they want you

D

There's a better life - and you think about it don't you

G

It's a rich man's game - no matter what they call it

E A

And you spend your life putting money in his wallet

G

9 to 5 - what a way to make a livin'

D

Barely gettin' by - it's all takin' and no givin'

G

They just use you mind - and they never give you credit

E A

It's enough to drive you crazy if you let it

G

9 to 5, yeah - they got you where they want you

D

There's a better life - and you dream about it don't you

G

It's a rich man's game - no matter what they call it

E A

And you spend your life putting money in his wallet

Again, in E:

VERSE:

E

Tumble outta bed and a`stumble to the kitchen

A

Pour myself a cup of ambition

E B

And yawnin, stretchin, trying to come to life

E

Jump in the shower and the blood starts pumpin`

A

Out on the streets the traffic starts jumpin`

E B E

With folks like me on the job from 9 to 5

CHORUS:

A

Workin` 9 to 5 - what a way to make a livin`

E

Barely gettin` by - it`s all takin` and no givin`

A

They just use your mind - and they never give you credit

F# B

It`s enough to drive you crazy if you let it

A

9 to 5 - for service and devotion

E

You would think that I would deserve a fair promotion

A

Want to move ahead but the boss won`t seem to let me

F# B E

I swear sometimes that man is out to get me mmmmmmm

E

They let you dream just to watch `em shatter

A

You`re just a step on the boss man`s ladder

E B

But you got dreams he`ll never take away

E

In the same boat with a lot of your friends

A

Waitin` for the day your ship`ll come in

E B E

And the tide`s gonna turn an` it`s all gonna roll your way

CHORUS 2:

A

Workin` 9 to 5 - what a way to make a livin`

E

Barely gettin` by - it`s all takin` and no givin`

A

They just use your mind - and you never get the credit

F# B

It`s enough to drive you crazy if you let it

A

9 to 5, yeah - they got you where they want you

E

There`s a better life - and you think about it don`t you

A

It`s a rich man`s game - no matter what they call it

F# B

And you spend your life putting money in his wallet

A

9 to 5 - what a way to make a livin`

E

Barely gettin` by - it`s all takin` and no givin`

A

They just use you mind - and they never give you credit

F# B

It`s enough to drive you crazy if you let it

A

9 to 5, yeah - they got you where they want you

E

There`s a better life - and you dream about it don`t you

A

It's a rich man`s game - no matter what they call it

F# B

And you spend your life putting money in his wallet

Grease is the Word by Barry Gibb

Written by Barry Gibb!

Album key is Bbm, but oof. Heres a good version that is transposable. Em is below, which is easy, and then Gm, still doable, and then Am.

In Em:

Verse 1:

Em A Em

I solve my problems and I'll see the light

A Em Bm

We got a lovin' thing, we gotta feed it right

Am G F Em

There ain't no danger we can go too far

A Em Bm

We start believin' now that we can be who we are

C D

Grease is the word (LICK)

Verse 2:

Em A Em

They think our love is just a growin' pain

A Em Bm

Why don't they understand? It's just a cryin' shame

Am G F Em

Their lips are lyin', only real is real

A Em Bm

We stop the fight right now, we got to be what we feel

Chorus:

Em7

Grease is the word, is the word that you heard

Am7

It's got groove, it's got meaning

Em7

Grease is the time, is the place, is the motion

Am7 C D

Grease is the way we are feeling

Verse 3:

Em A Em

We take the pressure, and we throw away

A Em Bm

Conventionality, belongs to yesterday

Am G F Em

There is a chance that we can make it so far

A Em Bm

We start believin' now that we can be who we are

[Chorus]

Bridge:

Am7 Bm7 C

This is a life of illusion, wrapped up in troubles,

B Em

Laced in confusion, what are we doin' here? (LICK)

[Verse 3]

[Chorus x2 or whatever]

Em

Grease is the word, is the word, is the word ... (repeat and fade)

In Gm:

Verse 1:

Gm C Gm

I solve my problems and I'll see the light

C Gm Dm

We got a lovin' thing, we gotta feed it right

Cm A# G# Gm

There ain't no danger we can go too far

C Gm Dm

We start believin' now that we can be who we are

D# F

Grease is the word (LICK)

Verse 2:

Gm C Gm

They think our love is just a growin' pain

C Gm Dm

Why don't they understand? It's just a cryin' shame

Cm A# G# Gm

Their lips are lyin', only real is real

C Gm Dm

We stop the fight right now, we got to be what we feel

Chorus:

Gm7

Grease is the word, is the word that you heard

Cm7

It's got groove, it's got meaning

Gm7

Grease is the time, is the place, is the motion

Cm7 D# F

Grease is the way we are feeling

Verse 3:

Gm C Gm

We take the pressure, and we throw away

C Gm Dm

Conventionality, belongs to yesterday

Cm A# G# Gm

There is a chance that we can make it so far

C Gm Dm

We start believin' now that we can be who we are

[Chorus]

Bridge:

Cm7 Dm7 D#

This is a life of illusion, wrapped up in troubles,

D Gm

Laced in confusion, what are we doin' here? (LICK)

[Verse 3]

[Chorus x2 or whatever]

Gm

Grease is the word, is the word, is the word ... (repeat and fade)

Again, in Am:

Verse 1:

Am D Am

I solve my problems and I'll see the light

D Am Em

We got a lovin' thing, we gotta feed it right

Dm C A# Am

There ain't no danger we can go too far

D Am Em

We start believin' now that we can be who we are

F G

Grease is the word (LICK)

Verse 2:

Am D Am

They think our love is just a growin' pain

D Am Em

Why don't they understand? It's just a cryin' shame

Dm C A# Am

Their lips are lyin', only real is real

D Am Em

We stop the fight right now, we got to be what we feel

Chorus:

Am7

Grease is the word, is the word that you heard

Dm7

It's got groove, it's got meaning

Am7

Grease is the time, is the place, is the motion

Dm7 F G

Grease is the way we are feeling (brass)

Verse 3:

Am D Am

We take the pressure, and we throw away

D Am Em

Conventionality, belongs to yesterday

Dm C A# Am

There is a chance that we can make it so far

D Am Em

We start believin' now that we can be who we are

[Chorus]

Bridge:

Dm7 Em7 F

This is a life of illusion, wrapped up in troubles,

E Am

Laced in confusion, what are we doin' here? (LICK)

[Verse 3]

[Chorus x2]

Am

Grease is the word, is the word, is the word ... (repeat and fade)

Look At Me Im Sandra Dee from Grease

I think album key is A

E E7 A

Look at me, I'm Sandra Dee

F# F#7 B B7

Lousy with virginity

E E7 A F#7 [? or Adim?]

Won't go to bed 'til I'm legally wed

E B7 E

I can't; I'm Sandra Dee

E E7 A

Hey I'm Doris Day

F# F#7 B B7

I was not brought up that way

E E7 A F#7 [? or Adim?]

Won't come across, even Rock Hudson lost

E B7 E E7

His heart to Doris Day

Bridge (spoken):

Am7 D7

I don't drink (no), or swear (no)

G Em7

I don't rat my hair (eew)

F#m7 B7 E E7

I get ill from one cigarette (cough, cough, cough)

Am7 D7 E C#7

Keep your filthy paws, off my silky drawers

F#7 B7 [B+]

Would you pull that crap with Annette?

E E7 A

As for you Troy Donahue,

F# F#7 B B7

I know what you wanna do

E E7 A F#7 [? or Adim?]

You got your crust, I'm no object of lust

E B7 E

I'm just plain Sandra Dee

E E7 A

Elvis, Elvis, let me be!

F# F#7 B B7

Keep that pelvis far from me!

E E7 A F#7 [? or Adim?]

Just keep your cool, now your starting to drool

E B7 E

Hey Fongool, I'm Sandra Dee!

Summer Nights from Grease

Heres the original, and heres the cast doing it live years later.

Bass: A5 D5 D7

D G A G

Summer lovin' had me a blast

D G A G

Summer lovin', happened so fast

D G A B

I met a girl crazy for me

E A E A

Met a boy, cute as can be

D G A B Em7 A D

Summer days driftin' away, to uh-oh those summer nights

D D

bass:A0 A2 A4 A5

[oh-ela-ela-ela-ooh]

Chorus:

G E A D

Tell me more, tell me more, did you get very far?

G E A D

Tell me more, tell me more, like, does he have a car?

D G A G D G A G

[aha--tu-dub-aha--tu-dub-aha--tu-dub-tu-dub-dub]

Verse 2: (background vocals: aha, aha, aha...)

D G A G

She swam by me, she got a cramp

D G A G

He ran by me, got my suit damp

D G A B

I saved her life, she nearly drowned

E A E A

He showed off, splashing around

D G A B Em7 A D

Summer sun, something's begun, but uh-oh those summer nights

D D

bass:A0 A2 A4 A5

[oh-ela-ela-ela-ooh]

Chorus:

G E A D

Tell me more, tell me more, was it love at first sight?

G E A D

Tell me more, tell me more, did she put up a fight?

D G A G D G A G

[dub--tu-bee-dub--tu-bee-dub--tu-bee-du-bee-du-bee-]

D G A G D G A G

[dub--tu-bee-dub--tu-bee-dub--tu-bee-du-bee-du-bee-dub]

Verse 3:

D G A G

Took her bowlin' in the Arcade

D G A G

We went strollin', drank lemonade

D G A B

We made out under the dock

E A E A

We stayed up `til ten o'clock

D G A B Em7 A Bb

Summer fling don't mean a thing, but uh-oh those summer nights

D#

bass:A1 A3 A5 A6

[oh-ela-ela-ela-ooh]

Chorus [modulate up a half step]:

D# G# F A# D#

Tell me more, tell me more, but you don't gotta brag

G# F A# D# G#

Tell me more, tell me more, cause he sounds like a drag

D# G# A# G# D# G# A# G#

[shoo-ba-pa--shoo-ba-pa--shoo-ba-pa--shoo-ba-pa]

[shoo-ba-pa--shoo-ba-pa--shoo-ba-pa--shoo-ba-pa]

Verse 4:

D# G# A# G#

He got friendly, holdin' my hand

D# G# A# G#

Well she got friendly, down in the sand

D# G# A# C

He was sweet, just turned eighteen

F A# F A#

Well she was good, you know what I mean

D# G# A# C Fm A# B [modulate]

Summer heat, boy and girl meet, but uh-oh those summer nights

Chorus [modulate up another 1/2 step]:

E A F# B E

Tell me more, tell me more, how much dough did he spend?

A F# B E A

Tell me more, tell me more, could she get me a friend?

Verse 5 [modulate back to D]:

D G A G

It turned colder - that's where it ends

D G A G

So I told her we'd still be friends

D G A B

Then we made our true love vow

E A E A

Wonder what she's doing now

D G A B Em7 A D

Summer dreams ripped at the seams, bu-ut oh, those su-ummer nights....

D G D

Tell me more, tell me more!

Youre the One That I Want from Grease

Heres the original, and heres them doing it live in 2009 (a half step down). Really nice in Em.

Good bass line while holding the Am, / A0 / E0 / A0 / E0 E3 /

Am F C

I got chills, they're multiplyin', and I'm losin' control

E Am

'Cause the power you're supplyin', it's electrifyin'

C G Am F

You better shape up, 'cause I need a man, and my heart is set on you

C G Am F

You better shape up, you better understand, to my heart I must be true

F

Nothing left, nothing left for me to do

CHORUS:

C F

You're the one that I want (you are the one I want), ooh ooh ooh, honey

C F

The one that I want (you are the one I want), ooh ooh ooh, honey

C F

The one that I want (you are the one I want), ooh ooh ooh

F G

The one I need (the one I need), oh yes indeed (yes indeed)

Am F C

If you're filled with affection, you're too shy to convey

E Am

Meditate my direction, feel your way

C G

I better shape up, cause you need a man I need a man,

Am F

who can keep me satisfied

C G

I better shape up, if I'm gonna prove You better prove,

Am F

that my faith is justified

F

Are you sure? / Yes I'm sure down deep inside

[Chorus repeasts to taste]

There Are Worse Things I Could Do from Grease

Soundtrack key is G (and Glee version), but thats pretty high or low for me. This is the key from the songbook I bought, oddly. Works much better for me. The songbook has the sheetmusic if needed.

keywords: jazz

Intro: arpegiate G13 (10 9 10 10 12)

Cmaj7 Am7 Dm7 Bm7b5 E7

There are worse things I could do, than go with a boy or two.

Am7 D7

Even though the neighborhood thinks I'm trashy,

Gmaj7 Cmaj7 or Em7 A7

And no good, I suppose it could be true,

D7 G

But there are worse things I could do.

Am Am/G Fmaj7

I could flirt with all the guys,

Bm7b5 E7

Smile at them and bat my eyes.

Am7

Press against them when we dance,

D7 Gmaj7

Make them think they stand a chance,

Em7 A7

Then refuse to see it through.

D7 G

That's a thing I'd never do.

Gm Cm7 Cm7/A# F7

I could stay home every night,

A#maj7 D#maj7

Wait around for Mr. Right.

Cm

Take cold showers every day,

Cm7/Bb D7

And throw my life away,

D/F# G7sus G7

On a dream that won't come true.

Am Am/G Fmaj7

I could hurt someone like me,

Bm7b5 E7

Out of spite or jealousy.

Amaj7

I dont steal and I don't lie,

F#m7 Bm7b5

But I can feel and I can cry.

E7 Am Am/G Fmaj7

A fact I'll bet you never knew.

Bm7b5 G7

But to cry in front of you,

C F Fm6 C6/9 (arpegiate)

That's the worse thing I could do.

Beauty School Dropout from Grease

Franki Avalon epicness from Grease. Heavy 6/8 feel after the intro.

Intro: arpegiate E6/9

E C#m7 F#m7 B

Your story's sad to tell, a teenage ne'er-do-well

G#m7 C#m7 F#m7 B

Most mixed up non-delinquent on the block

G#m7 C#7

Your future's so unclear now,

F#m7 D9

what's left of your career now

E C#m7 Am6 (or Am6/C) A/B (A11)

Can't even get a trade-in on your smock

[Heavy 6/8 feel, and background vocals: Dum, de dum, de dum dum dum]

E / C#m7 / F#m7 / B

G#m7 / C#m7 / F#m7 / B

E C#m7 F#m7 B

Beauty school drop-out, no graduation day for you

E C#m7 A

Beauty school drop-out, missed your midterms

B E

and flunked shampoo. Well at least you could have

C#m7 F#m7 B

taken time to wash and clean your clothes up

G#m C#m F#m7

After spending all that dough to have the doctor

B

fix your nose up

E C#m F#m7 B

Baby get moving, why keep your feeble hopes alive

E C#m A B

What are you proving? You've got the dream, but not the drive

E E+ A D9 (or Am)

If you go for your diploma, you could join the steno pool

[progression goes quickly here]

E C#m F#m7 B E

Turn in your teasin' comb and go back to high school

E / C#m / Bb11 / C [modulation]

F Dm Gm7 C

Beauty school drop-out, hangin' around the corner store

F Dm A# C

Beauty school drop-out, it's about time you knew the score

F Dm Gm7 C

Well they couldn't teach you anything, you think you're such a looker

Am Dm Gm C

But no customer would go to you, unless she was a hooker

[swirly interlude]

F Dm Gm7 C

Baby don't sweat it, you're not cut out to hold a job

F Dm A# C

Better forget it, who wants their hair done by a slob

F F+

Now your bangs are curled, your lashes twirled,

A# D#9

But still the world is cruel

F Dm Gm7 C F C7

Wipe off that angel face and go back to high school

F Dm Gm7 C7

Baby don't blow it, don't put my good advice to shame

F Dm A# C

Baby you know it, Even Dear Abby'd say the same

F F+ A# D#9

Now I've called the shot, get off the pot, I really gotta fly

F Dm Gm7 C F

Gotta be goin' to that maltshop in the sky

/ Dm / F / Dm / F

F Dm

Beauty school drop-out,

F Dm

go back to high school

[repeat and fade, then arpegiate F6/9]

Sugar in My Bowl by Bessie Smith / Nina Simone

Original in Bb. Nice cover (in A), another good onre, and Nina doing it live.

G is nice and easy, A (which is below) is more singy but need to be warmed up.

Heavy 6/8 feel.

Vesre 1:

G B7 E7

I want a little sugar in my bowl,

A7

I want a little sweetness down in my soul

D7

I could stand some lovin', oh so bad

G D7

I feel so funny, I feel so sad

Verse 2:

G B7 E7

I want a little steam on my clothes

A7

Maybe I can fix things up, so they'll go

C C#dim G B7/F# E7

What's the matter daddy, come on save my soul

A7 D7 G B7/F# E7

I need some sugar in my bowl, I ain't fooling

A7 D7 G D7

I want some sugar in my bowl

[First two lines of verse 1 as instrumental]

G B7 E7

A7

D7

You been acting different, I've been told

G D7

Sue me, I want some sugar in my bowl

[Verse 2]

Again, in A:

Verse 1:

A C#7 F#7

I want a little sugar in my bowl,

B7

I want a little sweetness down in my soul

E7

I could stand some lovin, oh so bad

A E7

I feel so funny, I feel so sad

Verse 2:

A C#7 F#7

I want a little steam on my clothes

B7

Maybe I can fix things up, so theyll go

D D#dim A C#7/G# F#7

Whats the matter daddy, come on save my soul

B7 E7 A C#7/G# F#7

I need some sugar in my bowl, I aint fooling

B7 E7 A E7

I want some sugar in my bowl

[First two lines of verse 1 as instrumental]

A C#7 F#7

B7

E7

You been acting different, Ive been told

A E7

Sue me, I want some sugar in my bowl

[Verse 2]

Good ending chord = A7 (x02023)

Nobody Knows You When Youre Down and Out

The version in C in uke songs is good too, but I really like it in G. Careful of doing it near Sugar in My Bowl, since its almost the same chords.

Eric doing it in C live, Also really nice in A (capo2?)

Intro: verse pattern

G B7 E E7

I once lived the life of a millionaire

Am E7 Am (turnaround: x43x x32x x21x E7)

Spent all my money, didn't have any cares

C C#dim G (can walkdown G7 to E7) E7

Took all my friends out for a mighty good time

A7 D7 [D7+]

We bought bootleg liquor, champagne and wine

G B7 E E7

Then I began to fall so low

Am E7 Am

Lost all my good friends, had nowhere to go

C C#dim G E7

If I get my hands on a dollar again

A7 D7 [D7+]

I'll hang on to it till that old eagle grins, because

Chorus:

G B7 E E7

Nobody knows you

Am E7 Am

When you're down and out

C C#dim G E7

In your pocket, not one penny

A7 D7 [D7+]

And as for friends, well, you aint got any

G B7 E E7

When you get back on your feet again

Am E7 Am

Everybody wants to be your long lost friend

C C#dim G E7

I said it straight without any doubt

A7 D7 [D7+]

Nobody knows you when you're down and out

[Titty over a verse]

[Chorus]

[Last verse again]

YMCA by the Village People

Original key is F#, sung high and shouting. I like C below, and G is below that.

C

Young man, there's no need to feel down

Am

I said, young man, pick yourself off the ground

F

I said, young man, 'cause you're in a new town

G/B F/A G F Em G/D

There's no need to be unhap-py

C

Young man, there's a place you can go

Am

I said, young man, when you're short on your dough

F

You can stay there, and I'm sure you will find

G/B F/A G F Em Dm G

Many ways to have a good time

Chorus:

[tacet] C

It's fun to stay at the Y.M.C.A.

Am

It's fun to stay at the Y.M.C.A.

Dm Dm7

They have everything that you need to enjoy,

G [G7]

You can hang out with all the boys

C

It's fun to stay at the Y.M.C.A.

Am

It's fun to stay at the Y.M.C.A.

Dm Dm7

You can get yourself clean, you can have a good meal

G [G7]

You can do whatever you feel

Verse 2:

C

Young man, are you listening to me?

Am

I said, young man, what do you want to be?

F

I said, young man, you can make real your dreams

G/B F/A G F Em G/D

But you've got to know this one thing!

C

No man does it all by himself

Am

I said, young man, put your pride on the shelf,

F

Dnd just go there, to the Y.M.F.D.

G/B F/A G F Em Dm G

I'm sure they can help you to--day

[Chorus]

Verse 3:

C

Young man, I was once in your shoes

Am

I said, I was down and out with the blues

F

I felt no man cared if I were alive

G/B F/A G F Em G/D

I felt the whole world was so jive

C

That's when someone came up to me,

Am

And said, young man, take a walk up the street

F

It's a place there called the YMCA

G/B F/A G F Em Dm G

They can start you back on your way

[Chorus]

In G (low):

Verse 1:

G

Young man, there's no need to feel down

Em

I said, young man, pick yourself off the ground

C

I said, young man, 'cause you're in a new town

D/F# C/E D C Bm D/A

There's no need to be unhap-py

G

Young man, there's a place you can go

Em

I said, young man, when you're short on your dough

C

You can stay there, and I'm sure you will find

D/F# C/E D C Bm Am D

Many ways to have a good time

Chorus:

[tacet] G

It's fun to stay at the Y.M.C.A

Em

It's fun to stay at the Y.M.C.A.

Am Am7

They have everything that you need to enjoy,

D [D7]

You can hang out with all the boys

G

It's fun to stay at the Y.M.C.A..

Em

It's fun to stay at the Y.M.C.A.

Am Am7

You can get yourself clean, you can have a good meal

D [D7]

You can do whatever you feel

Verse 2:

G

Young man, are you listening to me?

Em

I said, young man, what do you want to be?

C

I said, young man, you can make real your dreams

D/F# C/E D C Bm D/A

But you've got to know this one thing!

G

No man does it all by himself

Em

I said, young man, put your pride on the shelf,

C

And just go there, to the Y.M.C.A.

D/F# C/E D C Bm Am D

I'm sure they can help you to--day

[Chorus]

Verse 3:

G

Young man, I was once in your shoes

Em

I said, I was down and out with the blues

C

I felt no man cared if I were alive

D/F# C/E D C Bm D/A

I felt the whole world was so jive

G

That's when someone came up to me,

Em

And said, young man, take a walk up the street

C

It's a place there called the YMCA

D/F# C/E D C Bm Am D

They can start you back on your way

[Chorus]

Blueberry Hill by Fats Domino

See the Warner Williams and Jay Summerour

version, great.

[arpegiate c]

F C

I found my thrill, on Blueberry Hill

G7 C

On Blueberry Hill, where I found you

The moon stood still, on Blueberry Hill

( nice turnaround F / Fm / C )

And lingered till, my dreams came true

Bridge:

G C

The wind in the willow played

G7 C

Love's sweet melody

B7 Em B7 Em

But all of those vows we made

B7 E7 G7

Were never to be

N.C. F C

Tho' we're apart, you're part of me still

G7 C

For you were my thrill, on Blueberry Hill

Georgia on My Mind

The Willie Nelson (and more standard) version is at the top, but note the Warner Williams version below that, much bluesier and funkier. Ray Charles did it in G, same structure as Willies version.

keywords: jazz

Intro (use Werner Williams version as intro? Words just to help the pacing):

C (with high E3) E7 (with B3) C7 (barre) B7 Bb7 A7

Georgia, Georgia, no peace I find

D9 (fill: E9 Eb9 D9) G7 C F Fm6 C G+

An old sweet song I know keeps Georgia on my mind

Verse:

C (with E3) E7 (with B3) Am7 Am7/G F F#dim

Georgia, Georgia, the whole day through

C x20010 Am7 Dm7 G7 E7 A7 D7 G7 G+

just an old sweet song keeps Georgia on my mind

C E7 Am7 Am7/G F F#dim

Georgia, Georgia, a song of you

C x20010 Am7 Dm7 G7 C F Fm6 C E7

Comes sweet and clear as moonlight through the pines

Bridge:

Am7 Dm7 Am7 F

Other arms reach out to me

Am7 Dm7 Am7 D7

Other eyes smile tenderly

Am7 F C x20010 A7 Dm7 C#dim (xx0101) G7 [G+]

Still in peaceful dreams I see the road leads back to you

Verse 2:

C E7 Am7 Am7/G (or G7) F F#dim or Fm6

Georgia, Georgia, no peace I find

C x20010 Am7 Dm7 G7 C F Fm C G7

just and old sweet song keeps Georgia on my mind

[titty]

Verse:

C E7 Am7 Am7/G (or G7) F F#dim or Fm

Georgia, Georgia, no peace I find

C x20010 Am7 Dm7 G7 E7 A7

Just and old sweet song keeps Georgia on my mind

Dm7 G7 C C Bb F

Just and old sweet song keeps Georgia on my mind

[Willie Ending:]

C C Bb F

On my mind

C C Bb F

On my mind

C C Bb F

On my mind

C C Bb F

On my mind

And the Warner Williams version:

Verse:

C (with high E3) E7 (with B3) C7 (barre) B7 Bb7 A7

Georgia, Georgia, no peace I find

D9 (fill: E9 Eb9 D9) G7 C F Fm6 C G+

An old sweet song I know keeps Georgia on my mind

C (with high E3) E7 (with B3) C7 (barre) B7 Bb7 A7

Georgia, Georgia, no peace I find

D9 (fill: E9 Eb9 D9) G7 C F Fm6 C G+

An old sweet song I know keeps Georgia on my mind

[titty x2]

Emotional Rescue by the Rolling Stones

Riff: A5 E8 E6 (Bb chord)

Bb

Is there nothing I can say, nothing I can do?

To change your mind, I'm so in love with you

You're too deep in, you can't get out

You're just a poor girl in a rich man's house

Ooh ooh ooh ooh ooh ooh ooh

Ooh ooh ooh ooh ooh ooh ooh

G F

Yeah, baby, I'm crying over you

VERSE:

Don't you know promises were never made to keep

Just like the night, dissolve away in sleep

I'll be your savior, steadfast and true

I'll come to your emotional rescue

I'll come to your emotional rescue

Ooh ooh ooh ooh ooh ooh ooh

Ooh ooh ooh ooh ooh ooh ooh

BREAK:

G F

Yeah, the other night, crying

G F

Crying baby, yeah I'm crying

G

Yeah I'm like a child baby

F

I'm like a child baby

G F

Child yeah, I'm like a child, like a child

G

Like a child

VERSE:

You think you're one of a special breed

You think that you're his pet Pekinese

I'll be your savior, steadfast and true

I'll come to your emotional rescue

I'll come to your emotional rescue

Ooh ooh ooh ooh ooh ooh ooh

Ooh ooh ooh ooh ooh ooh ooh

BREAK:

I was dreaming last night

Last night I was dreaming

How you'd be mine, but I was crying

Like a child, yeah, I was crying

Crying like a child

You will be mine, mine, mine, mine, mine, all mine

You could be mine, could be mine

Be mine, all mine

VERSE:

I come to you so silent in the night

So stealthy, so animal quiet

I'll be your savior, steadfast and true

I'll come to your emotional rescue

I'll come to your emotional rescue

Ooh ooh ooh ooh ooh ooh ooh

G F G

Yeah, you should be mine, whew

Im Not In Love by 10cc

In the verses, can play Amaj7 to Am6, but probably easier to sing to the A to Am. But not sure, I really like the sound of the Amaj7 to Am6

keywords: yacht rock

Great tutorial with original playing in background here.

A* = x07655

Am* = x07555

Intro: A/B B A/B B A/B B A/B B (x09870) Cdim (xxx0 10 870 or can use xx7878)

Verse 1:

A* or Amaj7 Am* or Am6

I'm not in love, so don't forget it.

Abm7 Ab7 C#m C#m7

It's just a silly phase I'm going through.

A Am

And just because I call you up,

Abm7 Ab7 C#m C#m7

Don't get me wrong, don't think you've got it made.

Amaj7 B E 0422x0 055400 0422x0

I'm not in love, no no, it's because...

Verse 2:

A Am

Id like to see you, but then again,

Abm7 Ab7 C#m C#m7

That doesn't mean you mean that much to me.

Amaj7 Am6

So if I call you, don't make a fuss;

Abm7 Ab7 C#m C#m7

Don't tell your friends about the two of us.

Amaj7 B E C#m

I'm not in love, no no, it's because...

[spacey bridge all about big boys don't cry. Or play chorus...]

[Chorus (play in first position):

Am7 Am7/G D D7 G G/F# Em Em7

Ooh, you'll wait a long time for me.

Am7 Am7/G D7 E

Ooh, you'll wait a long time.]

Verse 3:

A Am

I keep your picture upon the wall.

Abm7 Ab7 C#m C#m7

It hides a nasty stain that's lying there.

A Am

So don't you ask me to give it back.

Abm7 Ab7 C#m C#m7

I know you know it doesn't mean that much to me.

Amaj7 B E

I'm not in love, no no, it's because...

Chorus (play in first position):

Am7 Am7/G D D7 G G/F# Em Em7

Ooh, you'll wait a long time for me.

Am7 Am7/G D7 E

Ooh, you'll wait a long time.

Verse 1:

A* or Amaj7 Am* or Am6

I'm not in love, so don't forget it.

Abm7 Ab7 C#m C#m7

It's just a silly phase I'm going through.

A Am

And just because I call you up,

Abm7 Ab7 C#m C#m7

Don't get me wrong, don't think you've got it made.

Amaj7 B E 0422x0 055400 0422x0

I'm not in love, no no, it's because...

A Am

I'm not in love, I'm not in love!

Outro: A/B B A/B B

The Things We Do For Love by 10cc

Capo 1st fret for album key

keywords: yacht rock

LINK (verse 1 to verse 2)

e|----------------|

B|----------------|

G|----------------|

D|----------------|

A|--------2-3-----|

E|------------3-4-|

INTRO

| F#/G# | C#/G# | D#m/G# | C#/G# |

| F#/G# | C#/G# | G#m7 | % |

VERSE 1

Am7 F

Too many broken hearts have fallen in the river

C Em7 D

Too many lonely souls have drifted out to sea

F E

You lay your bets and then you pay the price

Dm7 C

The things we do for love

F C LINK

The things we do for love

VERSE 2

Am7 F

Communication is the problem to the answer

C Em7 D

You've got her number and your hand is on the phone

F E

The weather's turned and all the lines are down

Dm7 C

The things we do for love

F C

The things we do for love

BRIDGE

C C/G

Like walking in the rain and the snow when there's

C C/G

Nowhere to go when you're

Dm7 Dm/C G7/B G7

Feeling like a part of you is dying

Am G F Am6

And you're looking for the answer in her eyes

G E

You think you're gonna break up

Am Fm6

Then she says she wants to make up

MIDDLE 8

F#/G# C#/G#

Ooh you make me love you

D#m/G# C#/G#

Ooh you've got a way

F#/G# C#/G#

Ooh you had me crawling

| G#m7 | % | % | % |

On the floor (oooh oooh ...)

BRIDGE

VERSE 3

Am7 F

A compromise would surely help the situation

C Em7 D

Agree to disagree but disagree before

F E

When after all it's just a compromise

Dm7 C

Of the things we do for love

F C

(The things we do for love)

Dm7 C

The things we do for love

F C

(The things we do for love)

(repeat and fade)

Steal Away by Robbie DuPree

Original version

keywords: yacht rock

Intro: A Aaug (x0322x) A6 (x0422x) Aaug (2x)

A Aaug

C'mon and hold me, Just like you told me

A6 A7

Then show me... What I want to know

CHORUS:

DM7

Why don't we steal away

Dm7 A F#m7

Why don't we steal away Into the night

Bm7 G7

I know it ain't right

A Aaug

Tease me, Why don't you please me

A6 A7

Then show me, What you came here for

CHORUS:

DM7

Why don't we steal away

Dm7 A F#m7

Why don't we steal away Into the night

Bm7 G7

I know it ain't right

A F#m7

Into the night, babe

Bm7 A6

Make it tonight

Bridge (intro a 4th up, with sitar sound):

D Daug (xx0221) D6 (xx0202) D7

Ooohhhhh

GM7 G/A (?)

I caught you glancing my way

Bm

And I know what you're after

Bm/A D7

(...no second chances tonight)

Ddim (xx1212)? GM7

Why...don't we steal away

Gm7

Why dont we steal away

GM7

Why dont we steal away

Gm7

Why dont we steal away

D Bm7

Into the night

Em7 Gm7 D Bm7

I know it ain't right, Into the night

Em7 Gm7 D Bm7

I know it ain't right, Why don't we steal away

Em7 Gm7 D - Bm7- Em7 - Gm7-

I know it ain't right,

D Bm7- Em7 - Gm7-

Into the night, babe

D Bm7- Em7 - Gm7-

Why don't we steal away,

Em7 - Gm7-

Make it tonight

D Bm7- Em7 - Gm7-

Why don't we steal away

Afternoon Delight by Starland Vocal Band

keywords: yacht rock

I think sometimes the 4 chord should be a 2m7 So not G, but Em7.

Album key is F (below). I like it in D.

D

Gonna find my baby, gonna hold her tight

G A

Gonna grab some afternoon delight

D

My mottos always been when it's right it's right

G A

Why wait until the middle of a cold dark night

G A

When everything's a little clearer in the light of day

G A

And we know the night is always gonna be here anyway

D

Thinking of you's working up my appetite

G A

Looking forward to a little after noon delight

D

Rubbing sticks and stones together makes the sparks ignite

G A

And the thought of rubbing you is getting so exciting

D A G D

Sky rockets in flight,

A F# Bm

After noon delight

G A D G A D

Afternoon delight, afternoon delight

D

Started out this morning feeling so polite

G A

I always thought a fish could not be caught who didn't bite

D

But you got some bait awaitin' and I think I might

G A

Like nibbling a little after noon delight

D A G D

Sky rockets in flight,

A F# Bm

After noon delight

G A D G A D

Afternoon delight, afternoon delight

D G

G A

Be waiting for me baby when I come around

G A

We can make a lot of loving 'fore the sun gone down

D

Thinking of you's working up my appetite

G A

Looking forward to a little after noon delight

D

Rubbing sticks and stones together makes the sparks ignite

G A

And the thought of rubbing you is getting so exciting

D A G D

Sky rockets in flight,

A F# Bm

After noon delight

G A D G A D

Afternoon delight, afternoon delight

Again, in F:

F

Gonna find my baby, gonna hold her tight

Bb C

Gonna grab some afternoon delight

F

My mottos always been when it's right it's right

Bb C

Why wait until the middle of a cold dark night

Bb C

When everything's a little clearer in the light of day

Bb C

And we know the night is always gonna be here anyway

F

Thinking of you's working up my appetite

Bb C

Looking forward to a little after noon delight

F

Rubbing sticks and stones together makes the sparks ignite

Bb C

And the thought of rubbing you is getting so exciting

F C Bb F

Sky rockets in flight,

C A Dm

After noon delight

Bb C F Bb C F

Afternoon delight, afternoon delight

F

Started out this morning feeling so polite

Bb C

I always thought a fish could not be caught who didn't bite

F

But you got some bait awaitin' and I think I might

Bb C

Like nibbling a little after noon delight

F C Bb F

Sky rockets in flight,

C A Dm

After noon delight

Bb C F Bb C F

Afternoon delight, afternoon delight

F Bb

Bb C

Be waiting for me baby when I come around

Bb C

We can make a lot of loving 'fore the sun gone down

F

Thinking of you's working up my appetite

Bb C

Looking forward to a little after noon delight

F

Rubbing sticks and stones together makes the sparks ignite

Bb C

And the thought of rubbing you is getting so exciting

F C Bb F

Sky rockets in flight,

C A Dm

After noon delight

Bb C F Bb C F

Afternoon delight, afternoon delight

Besame Mucho

keywords: jazz

Means kiss me a lot. Written in 1940, and the most popular Mexican song in the world according to the shnitz.

The Elvis version is nice (and same key as here).

Intro used by Elvis:

Dm7 / Em7b5 A7 / (x3)

Dm7 / A7 /

Verse 1:

Dm7 Gm7 (riff down to Gm7maj7 etc)

Besame, besame mucho

Gm D7 Gm7 Gm6 Dm [A7]

each time I cling to your kiss I hear music devine

D7 Gm

(So) Besame, Besame mucho,

Dm7 Dm7/C A#7 (or Dm7/Bb) A7 Dm [A7]

Hold me my darling and say that you'll always be mine.

Verse 2:

Dm7 Gm7 (riff down through Gm6)

Dearest one, if you ever should leave me,

Gm D7 Gm7 Gm6 Dm [A7]

My little heart would take flight and this life would be through.

D7 Gm

(So) Besame, Besame mucho,

Dm7 Dm7/C A#7 (or Dm7/Bb) A7 Dm

love me forever and make all my dreams come true..

Bridge (shift to 3/4 time):

Gm Dm

Oh, this love is something new, my arms enfolding you,

A Dm

Never knew this thrill before.

Gm Dm

Whoever thought I'll be / holding you close to me,

E A

And Whisper it's you I adore.

[Verse 2 (shift back to 4/4)]

[Titty over a verse]

[Verse 2]

Ending chord: Dm6

The Vietnam Song by Country Joe and the Fish

Actually called I Feel Like I'm Fixing To Die Rag

Woodstock version is a step up, in A, and he used a capo on 2. Album version is another half step up, in Bb.

Intro: G

D7

Come on all of you big strong men

G

Uncle Sam needs your help again

D7

he's got himself in a terrible jam

G

way down yonder in Viet Nam so

E7 A7

put down your books and pick up a gun we're

D7 G

gonna have a whole lotta fun

Chorus:

A7 xx0101 D7 G

And it's one, two, three, what are we fighting for?

D7 G

Don't ask me I don't give a damn, next stop is Viet Nam

A7 xx0101 D7 G

And it's five, six, seven, open up the pearly gates

E7 A7 D7 G

Ain't no time to wonder why, whoopee we're all gonna die

D7

Well, come on generals, let's move fast

G

your big chance has come at last

D7

Now you can go out and get those reds

G

cos the only good commie is the one that's dead and

E7 A7

You know that peace can only be won when we've

D7 G

blown 'em all to kingdom come

[Chorus]

D7

Come on wall street don't be slow

G

man this war is a go-go

D7

There's plenty good money / to be made by

G

supplying the army with the tools of the trade

E7 A7

Let's hope and pray that if they drop the bomb,

D7 G

they drop it on the Viet Cong

[Chorus]

D7

Come on mothers throughout the land

G

pack your boys off to Viet Nam

D7

Come on fathers don't hesitate

G

send your sons off before it's too late

E7 A7

Be the first ones on your block

D7 G

to have your boy come home in a box

Chorus:

A7 xx0101 D7 G

And it's one, two, three, what are we fighting for?

D7 G

Don't ask me I don't give a damn, next stop is Viet Nam

A7 xx0101 D7 G

And it's five, six, seven, open up the pearly gates

E7 A7 D7 G

Ain't no time to wonder why, whoopee we're all gonna die

Mr. Sandman by the Chordettes

Intro riff:

e|----------4--2-------------2--5--4---|

B|-----2--5------5--2------3-----------|

G|---2----------------2--4-------------|

D|-------------------------------------|

A|-------------------------------------|

E|-------------------------------------|

A

Bum bum bum bum bum bum bum bum

Bm E

bum bum bum bum bum

A G#7

Mr. Sandman, bring me a dream.

C#7 F#7

make him the cutest that I've ever seen.

B7 E7

Give him two lips like roses and clover,

A F E7

then tell him that his lonesome nights are over.

A G#7

Mr. Sandman, I'm so alone.

C#7 F#7

Don't have nobody to call my own.

Bm Dm

Please turn on your magic beam,

A B7 E7 A

Mr. Sandman, bring me a dream.

#2 [in original it modules].

A G#7

Mr. Sandman, bring me a dream.

C#7 F#7

Make him the cutest that I've ever seen.

B7 E7

Give him the word that I'm not a rover,

A F E7

then tell him that his lonesome nights are over.

A G#7

Mr. Sandman, I'm so alone.

C#7 F#7

Don't have nobody to call my own.

Bm Dm

Please turn on your magic beam..

A B7 E7 A

Mr. Sandman, bring me a dream..

[Intro]

A G#7

Mr. Sandman bring us a dream.

C#7 F#7

Give him a pair of eyes with a come-hither gleam.

B7 E7

Give him a lonely heart like Pagliacci,

A F E7

and lots of wavy hair like Liberace.

A G#7

Mr. Sandman, someone to hold,

C#7 F#7

would be so peachy before we're too old.

Bm Dm

So please turn on your magic beam.

A B7 A B7

Mr. Sandman, bring us, please, please, bring us

A B7 E7 A

Mr. Sandman, bring us a dream.

Goodnight Irene

Recorded by Ernest Tubb, written by George Vaughn. Leadbelly did it in Bb. Nice to do in A also.

3/4 time

Chorus:

G D7

Irene Goodnight

G [G7]

Irene goodnight goodnight Irene

C

Good night Irene

D7 G

I'll see you in my dreams

D7

Last Saturday night I got married

G

Me and my wife settled down

C

Now me and my wife have parted

D7 G

Gonna take another stroll down town

[Chorus]

D7

Sometimes I live in the country

G

Sometimes I live in town

C

Sometimes I take a fool notion

D7 G

To jump in the river and drown

[Chorus]

D7

Stop rambling stop gambling

G

Stop staying out late at night

C

Go home to your wife and family

D7 G

And stay by the fireside bright

Chorus:

G D7

Irene Goodnight

G [G7]

Irene goodnight goodnight Irene

C

Good night Irene

D7 G

I'll see you in my dreams

Leadbellys lyrics:

I asked your mother for you

She told me that you was too young

I wish to the Lord I'd never seen your face

or heard your lying tongue

Irene goodnight, Irene goodnight

Goodnight Irene, Goodnight Irene

I'll see you in my dreams

Sometimes I live in the country

Sometimes I live in the town

Sometimes I have a great notion

to jump into the river and drown

Stop ramblin', stop your gamblin'

stop stayin' out late at night

Go home to your wife and your family

sit down by the fireside bright

I love Irene God knows I do

love her till the sea run dry

And if Irene turns her back on me

I'm gonna take morphine and die

Is She Really Going Out With Him by Joe Jackson

Good ol 1978 goodness. The album version is here. Great live version here.

The live version has a nice intro, and a way of doing the verses:

Bb Bb F Ab Eb

|-6----10---8---8---6-----------|

|-6----11---10--9 --8-----------|

|-7----10---10--8 --8-----------|

|-8-----------------------------|

|-8-----------------------------|

|-6-----------------------------|

And to get the beat, best to do the Bb on 1st freet. Get a groove going.

Should be done in B, up a step! onalbum they were tuned down!

Intro:

|Dm7 |Eb |F7sus | Riff: B3 B1 G3 B1 |

|Bb F |Ab Eb :|

Bb F Ab Eb Bb F Ab Eb

Pretty women out walking with gorillas down my street.

Bb F Ab Eb Bb F Ab Eb

From my window I'm staring while my coffee grows cold.

Bb F

Look over there! (Where?)

Ab Eb Bb F Ab Eb

There's a lady that I used to know.

Bb Eb Bb F Bb F Ab Eb

She's married now, or engaged, or something, so I am told.

Chorus:

Eb F Bb

Is she really going out with him?

Eb Dm Gm [F] Eb

Is she really gonna take him home tonight?

Eb F Gm

Is she really going out with him?

Eb

'Cause if my eyes don't deceive me,

F Bb

There's something going wrong around here.

Bb F Ab Eb Bb F Ab Eb

Tonight's the night when I go to all the parties down my street.

I wash my hair and I kid myself I look real smooth.

Look over there! (Where?)

Here comes Jeanie with her new boyfriend.

They say that looks don't count for much.

If so, there goes your proof.

[Chorus]

Bridge:

Dm7 Eb F7sus G7sus Dm7

But if looks could kill, there's a man there who's more down as dead.

Eb F7sus G7sus Dm7

'Cause I've had my fill, "Listen you, take your hands off her head!"

Eb F7sus G7sus F7sus G7sus F7sus

I get so mean around this scene! Hey, hey, hey.

|:Bb F |Ab Eb :|

Chorus:

Eb F Bb

Is she really going out with him?

Eb Dm Gm [F] Eb

Is she really gonna take him home tonight?

Eb F Gm

Is she really going out with him?

Eb

'Cause if my eyes don't deceive me,

F Bb

There's something going wrong around here.

|:Bb F |Ab Eb :|

Sexy Sadie by The Beatles

Originally written about the Maharishi, but changed to sexy sadie. Written in the airport as they were leaving India.

Intro:

G F# F D

G F# Bm

Sexy Sadie, what have you done

C D G F#

You made a fool of everyone

C D G F#

You made a fool of everyone

F D

Sexy Sadie, ooh what have you done

G F# Bm

Sexy Sadie, you broke the rules

C D G F#

You layed it down for all to see

C D G F#

You layed it down for all to see

F D

Sexy Sadie, oooh you broke the rules

G Am Bm C

One sunny day the world was waiting for a lover

G Am Bm C

She came along to turn on everyone

A7 G# G

Sexy Sadie the greatest of them all

G F# Bm

Sexy Sadie, how did you know

C D G F#

The world was waiting just for you

C D G F#

The world was waiting just for you

F D

Sexy Sadie, oooh how did you know

G F# Bm

Sexy Sadie, you'll get yours yet

C D G F#

However big you think you are

C D G F#

However big you think you are

F D

Sexy Sadie, oooh you'll get yours yet

G Am Bm C

We gave her everything we owned just to sit at her table

G Am Bm C

Just a smile would lighten everything

A7 G# G

Sexy Sadie she's the latest and the greatest of them all

G F# Bm C D G F#

C D G F#

She made a fool of everyone

F D

Sexy Sadie

G F# Bm C D G F#

C D G F#

However big you think you are

F D

Sexy Sadie

Just lyrics:

Sexy Sadie, what have you done

You made a fool of everyone

You made a fool of everyone

Sexy Sadie, ooh what have you done

Sexy Sadie, you broke the rules

You layed it down for all to see

You layed it down for all to see

Sexy Sadie, oooh you broke the rules

One sunny day the world was waiting for a lover

She came along to turn on everyone

Sexy Sadie the greatest of them all

Sexy Sadie, how did you know

The world was waiting just for you

The world was waiting just for you

Sexy Sadie, oooh how did you know

Sexy Sadie, you'll get yours yet

However big you think you are

However big you think you are

Sexy Sadie, oooh you'll get yours yet

We gave her everything we owned just to sit at her table

Just a smile would lighten everything

Sexy Sadie she's the latest and the greatest of them all

She made a fool of everyone

Sexy Sadie

However big you think you are

Sexy Sadie

If You Want Me To Stay by Sly and the Family Stone

Album version is Bb, this is the awesome live version from Soul Train.

Nice riff, bang the bass

Am7 (barre 5) / Gm7 C9 / Fmaj7 /

|------------------------------|

|------------------------------|

|--0----4 3 2------------------|

|----2-------------------------|

|------------------------------|

|------------------------------|

Or:

|------------------------------|

|------------------------------|

|------------------------------|

|------------------------------|

|------------------------------|

|-3 3 0 0 --7 7 6 6 5-------|

Am7

If you want me to stay,

Gm7 C9 (or C7)

I'll be around today,

Fmaj7 E7

to be available for you to see.

But I am about to go,

And then you'll know,

For me to stay here I got to be me.

You'll never be in doubt,

That's what it's all about,

You can't take me for granted and smile.

Count the days I'm gone

Forget reachin' me by phone

Because I promise I'll be gone for a while.

And when you see me again,

I hope that you have been,

The kind of person....that you really are now.

Got to get in straight,

How could I ever be late,

When you're my woman taking up my time.

Whoa, oh how could I ever allow,

I guess I wonder how,

I could get out a pocket for fun. HOW HOW!!

When you know that you're never number two,

Number one's gonna be number one,

ohh oww oohh

I'll be good,

I wish I could

I get this message over to you now.

ahhh, yeah, message, mmmm

When you see me again,

I hope that you have been,

The kind of person you really are now.

I'll be so good, oh

I wish I could,

I get this message over to you now.

Good ending chord: Am6

No Scrubs by TLC

1999 goodness. Album key is Abm (4 half steps up).

Am7 Em7

A scrub is a guy that thinks he's fly

B7 Em7

And is also known as a buster

Always talkin' about what he wants

And just sits on his broke ass

So no, I don't want your number (no)

I don't want to give you mine and (no)

I don't want to meet you nowhere (no)

I don't want none of your time and (no)

Chorus:

I don't want no scrub

A scrub is a guy that can't get no love from me

Hangin' out the passenger side

Of his best friend's ride

Tryin' to holla at me

I don't want no scrub

A scrub is a guy that can't get no love from me

Hangin' out the passenger side

Of his best friend's ride

Tryin' to holler at me

Verse 2:

There's a scrub checkin' me

But his game is kinda weak

And I know that he cannot approach me

Cuz I'm lookin' like class and he's lookin' like trash

Can't get wit' a dead-beat ass

[Chorus]

Bridge (approximately):

Am7

If you have a car and you're walking

Bm7 Em7

Oh yes son I'm talking to you

Am7

If you live at home wit' your momma

Bm7 Em7

Oh yes son I'm talking to you (baby)

Am7

If you have a shorty but you don't show love

Bm7 Em7

Oh yes son I'm talking to you

Em7 Em7/D

Wanna get with me with no money

[C] B7

Oh no I don't want no (oh)

Chorus, etc.

Twinkle Twinkle Little Star

keywords: childrens

Nice to play barre off 8.

C F C

Twinkle, twinkle little star.

F or G7 C G C

How I wonder what you are.

C F C G

Up above the world so high,

C F C G

Like a diamond in the sky.

C F C

Twinkle, twinkle little star.

F or G7 C G C

How I wonder what you are.

C F C

When the blazing sun is gone,

F C G C

When he nothing shines upon,

C F C G

Then you show your little light,

C F C G

Twinkle, twinkle, all the night.

C F C

Twinkle, twinkle, little star,

F C G C

How I wonder what you are!

C F C

Then the traveler in the dark

F C G C

Thanks you for your tiny spark;

C F C G

He could not see which way to go,

C F C G

If you did not twinkle so.

C F C

Twinkle, twinkle, little star,

F C G C

How I wonder what you are!

C F C

In the dark blue sky you keep,

F C G C

While you thro' my window peep,

C F C G

And you never shut your eye,

C F C G

Till the sun is in the sky,

C F C

Twinkle, twinkle, little star,

F C G C

How I wonder what you are!

Ants Go Marching One By One

keywords: childrens

Dm C

The ants go marching one by one, hurrah, hurrah

Dm F [A7]

The ants go marching one by one, hurrah, hurrah

Dm C

The ants go marching one by one,

Bb (?) A7

The little one stops to suck her thumb

Dm C Bb A Dm

And they all go marching down to the ground

To get out of the rain, BOOM! BOOM! BOOM!

The ants go marching two by two,

The little one stops to tie her shoe

The ants go marching three by three,

The little one stops to climb a tree

The ants go marching four by four,

The little one stops to shut the door

The ants go marching five by five,

The little one stops to take a dive

The ants go marching six by six,

The little one stops to pick up sticks

The ants go marching seven by seven,

The little one stops to pray to heaven

The ants go marching eight by eight,

The little one stops to shut the gate

The ants go marching nine by nine,

The little one stops to check the time

The ants go marching ten by ten,

The little one stops to say "The End",

Let the Sunshine In by Pebbles and BamBam

Pebbles and BamBam doing it here.

G C G

Mommy told me something a little girl should know,

D7 G D7 G

It's all about the devil and I've learned to hate him so.

G C G

She said he causes trouble when you let him in the room,

D7 G D7 G

He will never ever leave you if your heart is filled with gloom.

(Chorus)

G D7 G7 * C G [* can just roll pinky down E3 E2 E1 C]

So let the sunshine in, face it with a grin,

D7 G D7 G

smilers never lose, and frowners never win.

G-D7-G7 C G

So let the sunshine in, face it with a grin,

D7 G D7 G

open up your heart and let the sunshine in.

G C G

When you are unhappy the devil wears a grin,

D7 G D7 G

But oh, he starts to running / when the light comes pouring in.

G C G

I know he'll be unhappy cause I'll never wear a frown,

D7 G D7 G

Maybe if we keep on smiling he'll get tired of hanging 'round.

E7 (modulate)

A D A

If I forget to say my prayers the devil jumps with glee,

E7 A E7 A

But he feels so awful, awful when he sees me on my knees.

A D A

So if you're full of trouble and you never seem to win,

E7 A E7 A

Just open up your heart and let the sunshine in.

(Chorus)

A E7 A7 * D A [E5 E4 E3 D]

So let the sunshine in, face it with a grin,

E7 A E7 A

smilers never lose, and frowners never win.

A-E7-A7 D A

So let the sunshine in, face it with a grin,

E7 A E7 A

open up your heart and let the sunshine in.

A-D-A A

Let The sunshine in

When You Wish Upon a Star

Keywords: jazz, childrens

(The telescope song). Nice instrumental version here, and another here.

C#dim = xx0101

CM7 C#dim or A7 Dm7 [___]

When you wish upon a star

G [Cdim (xx1212)] C

Makes no difference who you are

C C/B A7

Anything your heart desires

Dm7 G7 C C#dim Dm7 G+

Will come to you.

If your heart is in your dream

No request is too extreme

When you wish upon a star

As dreamers do.

[titty]

Like a bolt out of the blue

Fate steps in and sees you through.

When you wish upon a star

Your dreams come true

Nice ending:

C C/B A7

Anything your heart desires

Dm7 G7 Fm6 C6/9

Will come to you.

Marry A Lighthouse Keeper

Nice version from Clockwork Orange Soundtrack, which I think it was written for? By Erika Eigen

Neat to do an intro as a whole verse a step down

Nice intro (similar to last line of verse, see here for nice timing):

G F# F E7 / A7 D7 G / D7 (5th fret)

Or do the first verse a step down, and then rise up for the verse:

F D7 / G7 C7 F /

G C G

I wanna marry a lighthouse keeper, and keep him company

G A7 D7

I wanna marry a lighthouse keeper, and live by the side of the sea

G G7

I'll polish his lamps by the light of day

C Cm

So ships at night can find their way

G [bass roll] E7 A7 D7 G

I wanna marry a lighthouse keeper, won't that be okay?

Bridge (and see alternate at end):

C Cm G [G7]

We'll take walks along the moonlit bay, maybe find treasure too

C Cm A7 D7

I'd love living in a lighthouse, how bout you?

[Titty over a verse]

G C G

I dream of living in a lighthouse baby, every single day

G A7 D7

I dream of living in a lighthouse, the white one by the bay

G G7

So if you want to make my dreams come true

C Cm

You'll be a lighthouse keeper too

G E7 A7 D7 G

We could live in a lighthouse, the white one by the bay

E7 A7 D7 G

Hey hey! Won't that be okay?

E7 A7 D7 G

Yat dat ba ba ba!

Alternate bridge:

C [Cm] G [G7]

Well have parties on a coral reef and clam bakes on the shore

C [Cm] A7 D7

Well invite the neighbors in, seagulls by the score.

Cant Get Enough of Your Love by Bad Company

Keywords: 80s

Album key is C

Intro:

/ A / A G /

/ D / G D /

Verse 1

A G D

Well I'll take whatever I want

And baby, I want you

You give me something I need

Now tell me I got something for you

E

Come on, come on, come on and come on and do it

G D C A

Come on and do what you do

Chorus

A D

I can't get enough of your love

I can't get enough of your love

I can't get enough of your love

E A E

[Intro]

Verse 2

A G D

Well it's late and I want love

Love is gonna break me in two

Don't hang me up at your doorway

Don't hang me up like you do

E

Come on, come on, come on and come on and do it

G D C A

Come on and do what you do

[Chorus]

Freebird by Lynyrd Skynrd

G D Em [Em7]

If I leave here tomorrow,

F C D

Would you still remember me

For I must be travelin on now

Cause theres too many places I've got to see

If I stay her with you girl

Well things just couldnt be the same

Cause I'm as free as a bird now

F C D

And this bird you'll never chain

And this bird you cannot chain

And this bird you cannot chain

Lord knows I cant change

G D Em [Em7]

Bye, bye, baby, it's been a sweet love, yeah,

F C D

Though this feeling I can't change.

But please don't take it so badly,

'Cause Lord knows I'm to blame.

But if I stayed here with you, girl,

Things just couldn't be the same.

'Cause I'm as free as a bird now,

F C D

And this bird you'll never change, oh, oh, oh, oh.

And this bird you cannot change.

And this bird you cannot change.

Lord knows, I can't change.

Lord, help me, I can't change.

La Cucaracha by Los Panchos

The great Los Panchos version is in C. Heres a nice video tab for the finger picking (in C)

Heavy 3/4 feel:

Verse 1:

C

La cucaracha, la cucaracha

G

ya no puede caminar

por no tiene, porque le falta

C

un cigarro que fumar

[verse 1]

C

Con las barbas de Carranza

G

voy a hacer una boquilla

pa' ponerla en el sombrero

C

del famoso Pancho Villa

[verse 1]

C7 (modulate to F)

F

Ahi viene la cucaracha

C7

ahi viene por el camino

Bb

ya se mira muy borracha

C7

con su botella de vino

Ahi viene la cucaracha

F

cayndose en el camino

F C F

Que si Adelita se llama la joven

Bb C7

a quien yo quiero y no la puedo olvidar

F

en el mundo yo tengo una rosa

Bb F

que con el tiempo la voy a cortar

F Bb F

Que si Adelita quisiera ser mi esposa

Bb C7

que si Adelita fuera mi mujer

F

le comprara un vestido de seda

C7 F

para llevarla a bailar al cuartel

[jam over a verse]

F Bb F

Que si Adelita se fuera con otro

Bb C7

la seguira por tierra y por mar

F

si por mar en un buque de guerra

C7 F

si por tierra en un tren militar

F Bb F

Que si acaso yo muero en campaa

Bb C7

y mi cadver lo van a sepultar

F

Adelita por Dios te lo ruego

C7 F

que a mi tumba me vayas a llorar

English version (doesnt have the change though):

F

La Cucaracha, La Cucaracha

C7

See him scuttle, scamper, scoot

La Cucaracha, La Cucaracha

F

In his yellow dancing boots

F

La Cucaracha, La Cucaracha

C7

Dances on the kitchen floor

La Cucaracha, La Cucaracha

F

Dances underneath the door

F

La Cucaracha, La Cucaracha

C7

Watch him scoot across the rug

La Cucaracha, La Cucaracha

F

Watch him do the jitterbug

F

La Cucaracha, La Cucaracha

C7

See him scuttle, scamper, scoot

La Cucaracha, La Cucaracha

F

In his yellow dancing boots

Take Me Out to the Ball Game

And the pump up lets go Giants! riff can be played with a moving A barre, starting on 7th fret. E B C# Eb, etc. Then modulate up a step. For the charge! can play B5 E4 E7.

For an intro, can play the now its 1, 2, 3 strikes youre out part.

D / A /

Take me out to the ball game

D / A /

Take me out with the crowd

B7 / Em /

Buy me some peanuts and cracker-jacks

E7 / A A7

I don't care if I ever get back

D / A7 /

Well it's root, root, root for the home team

D D/C# B7 /

If they don't win it's a shame

G G#dim D B7

Now it's 1, 2, 3 strikes - you're out

E7 A7 D [A7 to repeat]

at the old ball game

Again, in c:

F#dim = xx1212

C / G /

Take me out to the ball game

C / G /

Take me out with the crowd

A7 / Dm /

Buy me some peanuts and cracker-jacks

D7 / G G7

I don't care if I ever get back

C / G7 /

Well it's root, root, root for the home team

C C/B A7 /

If they don't win it's a shame

F F#dim C A7

Now it's 1, 2, 3 strikes - you're out

D7 G7 C [G7 to repeat]

at the old ball game

What I Got by Sublime

Solo:

e 10

B 6 7 5 3 3 10h12 12 12h10 13 12 10

G 5 7 7 5 7 7 5 4 4 11h12 12

D 7

A

E

[start low voice]

D G D G

Early in the morning, risin' to the street

Light me up that cigarette and I strap shoes on my feet

Got to find a reason, a reason things went wrong

Got to find a reason why my money's all gone

I got a dalmation, and I can still get high

I can play the guitar like a mother fucking riot

[high voice]

Well, life is (too short), so love the one you got

'Cause you might get runover or you might get shot

Never start no static I just get it off my chest

Never had to battle with no bulletproof vest

Take a small example, take a tip from me

Take all of your money, give it all to charity

Love is what I got

It's within my reach

And the Sublime style's still straight from Long Beach

It all comes back to you, you'll finally get what you deserve

Try and test that you're bound to get served

Love's what I got

Don't start a riot

You'll feel it when the dance gets hot

Lovin', is what I got, I said remember that

Lovin', is what I got, I said remember that

Lovin', is what I got, I said remember that

Lovin', is what I got

(That's) why I don't cry when my dog runs away

I don't get angry at the bills I have to pay

I don't get angry when my Mom smokes pot

Hits the bottle and goes right to the rock

Fuckin' and fightin', it's all the same

Livin' with Louie dog's the only way to stay sane

Let the lovin', let the lovin' come back to me

Lovin', is what I got, I said remember that

Lovin', is what I got, I said remember that

Lovin', is what I got, I said remember that

Lovin', is what I got, I got I got I got

Santeria by Sublime

Album key is E. Do is also good if warmed up.

Intro:C E Am G

C E

I don't practice santeria I ain't got no crystal ball

Am G

I had a million dollars but I'd, I'd spend it all

C E

If I could find that Heina and that Sancho she's found

Am G

Well I'd pop a cap in Sancho and I'd slap her down

Chorus 1:

F G C Am

All I really wanna know my baby

F G C Am

All I really wanna say I can't define

F G C Am

It's love that I need

F G

But my soul will have to

Verse 2:

C E

Wait 'till I get back, find a Heina of my own

Am G

Daddy's gonna love one and all

C E

I feel the break, feel the break, feel the break

Am G

And I gotta live it up Oh yeah, uh huh, well I swear that I

Chorus 2:

F G C Am

All I really wanna know my baby

F G C Am

All I really wanna say I can't define

F G C Am

That love will make it go

F G

My soul will have to...

[Solo over a verse]

[Prev Chorus]

Verse 3:

C E

He knows what is good for him he best go run and hide

Am G

Daddy's got a new 45

C E

And I won't think twice to stick that barrel straight down Sancho's throat

Am G

Believe me when I say that I've got something for his punk ass

[Chorus 3]

F G C Am

Well I really wanna know my baby

F G C Am F

What I really wanna say is there's just one way back

G C Am

And I'll make it

F G

yeah my soul will have to wait

Pretty Woman by Roy Orbison

Riff 1: Riff 2:

E|----------------------- E|-------------------------|

B|----------------------- B|-------------------------|

G|----------------------- G|-------------------------|

D|-----------0----------- 2x D|-------------0--4--2--0--| 4x

A|---------2------------- A|----------2--------------|

E|-0--0--4--------------- E|-0--0--4-----------------|

Verse 1:

A F#m A F#m

Pretty Woman, walking down the street, Pretty Woman, the kind I like to

D E

meet, Pretty woman, I don't believe you your not the truth, no one could

look as good as you

(riff 2)

A F#m A F#m

Pretty woman, won't you pardon me, Pretty woman, I couldn't help but see,

D E

Pretty woman, you look lovely as can be, are you lonely just like me?

(Riff 2)

Dm G7 C Am Dm G7

Pretty woman, stop a while, Pretty woman, talk a while, Pretty woman, give

C Am Dm G7 C Am

your smile to me. Pretty woman, yeah,yeah,yeah, Pretty woman look my way,

Dm G7 C A F#m D

Pretty woman, say you'll stay with me-eee, Coz' I need you, I'll treat you

E A F#m D E

right. Come with me baby, be mine tonight. (riff 2 play during "tonight"):

A F#m A F#m

Pretty woman, don't walk on by, Pretty woman, don't make me cry, Pretty

D E

woman, don't walk away, hey, okay, if that's the way it must be okay.

I guess I go on home, it's late, there'll be tommorrow night but wait

(pause)

What do I see? (riff 1) 2x (Riff 2) 10x (during the rest of the song)

Is she walking back to me? Yeah, shes walking back to me. Oh, Oh Pretty

I Love You For Sentimental Reasons by Nat King Cole

Nice version (in C). Nice vocals here (in F). Keywords: jazz

Nat did it in Db, but thats kind of low for me. D works better? Also really nice in F.

Nice intro chord: A13

Mostly keeping the I vi ii V thing going, with some nice variations. In other words:

Eb7#9: x6567x (hendrix chord)

D7b9: x6565x (like in Breathe) - very similar to Bbdim

Ab7b9: 5x545x

/ Dmaj7 / Bm7 / Fm7 / A7 (or A7+)

Variations:

/ Dmaj7 / D7 / G7 / C9

/ Dmaj7 / Ebm7b5 / Em7 / A7

/ Dmaj7 / Ebm7b5 / Em7 / A7

/ Dmaj7 / Eb7#9 / Em7 / A7

/ Dmaj7 / Bm7 / Em7 / Eb7#9 Eb7b9 D (used in Breathe)

For the V: A7b9 is nice

Verse 1:

Dmaj7 Bm7 Em7 A7 Dmaj7 Bm7 Em7

I love you for sentimental reasons

A7 Dmaj7 Bm7 Em7

I hope you do believe me

A7 Dmaj7 Bm7 Em7 A7+

I'll give you my heart.

Verse 2:

Dmaj7 Bm7 Em7 A7 Dmaj7 Bm7 Em7

I love you and you alone were meant for me

A7 Dmaj7 Bm7 Em7

Please give your loving heart to me

A7 Dmaj7 Gm6 Dmaj7 Am7

And say we'll never part

Bridge:

Em7 A7 Dmaj7 Bm7

I think of you every morning

Em7 A13 Dmaj7 Bm7

Dream of you every night

Dbm7b5 Gb7 Bm BmMaj7

Darling, I'm never lonely

E9 A11 A+

Whenever you are in sight

[verse 1]

Again, in F (easier to sing I think):

Fmaj7 Dm7 Gm7 C7 Fmaj7 Dm7 Gm7

I love you for sentimental reasons

C7 Fmaj7 Dm7 Gm7

I hope you do believe me

C7 Fmaj7 Dm7 Gm7 C7+

I'll give you my heart.

Verse 2:

Fmaj7 Dm7 Gm7 C7 Fmaj7 Dm7 Gm7

I love you and you alone were meant for me

C7 Fmaj7 Dm7 Gm7

Please give your loving heart to me

C7 Fmaj7 Bbm6 Fmaj7 Cm7

And say we'll never part

Bridge:

Gm7 C7 Fmaj7 Dm7

I think of you every morning

Gm7 C13 Fmaj7 Dm7

Dream of you every night

Em7b5 A7 Dm DmMaj7

Darling, I'm never lonely

G9 C11 C+

Whenever you are in sight

[verse 1]

Again, in Db (Nats key):

Verse 1:

Dbmaj7 Bbm7 Ebm7 Ab7 Dbmaj7 Bbm7 Ebm7

I love you for sentimental reasons

Ab7 Dbmaj7 Bbm7 Ebm7

I hope you do believe me

Ab7 Dbmaj7 Bbm7 Ebm7 Ab7+

I'll give you my heart.

Verse 2:

Dbmaj7 Bbm7 Ebm7 Ab7 Dbmaj7 Bbm7 Ebm7

I love you and you alone were meant for me

Ab7 Dbmaj7 Bbm7 Ebm7

Please give your loving heart to me

Ab7 Dbmaj7 Gbm6 Dbmaj7 Abm7

And say we'll never part

Bridge:

Ebm7 Ab7 Dbmaj7 Bbm7

I think of you every morning

Ebm7 Ab13 Dbmaj7 Bbm7

Dream of you every night

Cm7b5 F7 Bbm BbmMaj7

Darling, I'm never lonely

Eb9 Ab11 Ab+

Whenever you are in sight

[verse 1]

Case Of You by Joni Mitchell

Joni key is C# on Blue and live in C (ish, since her Apalacian dulcimer isnt tuned to A440). This is a kind of loose arrangement I made, using Blackbird style chording to get a bit of that Joni dulcimer sound.

G* = x 10 0 10 x

G* D/F# (x900 10 x)

Just before our love got lost you said

Em7 (x7008x)

"I am as constant as the northern star"

Am (X3005X) G (X2003X)

And I said, "Constantly in the darkness

Am7 [Em7] D/F#

[Where's that at?] If you want me I'll be in the bar"

G D/F#

On the back of a cartoon coaster

Em7

In the blue TV screen light

Am G

I drew a map of Canada

G D/F# Em7

Oh Ca - na - da

Am7 D/F#

With your face sketched on it twice

Chorus:

C (x3005x) Bm (x2003x)

Oh, youre in my blood like holy wine

Am7 G

You taste so bitter and so sweet

G D/F# Em7

Oh I could drink a case of you and

Am7 [G] D/F#

Still I'd be on my feet

G

I'd still be on my feet

G D/F#

Oh I am a lonely painter

Em7

I live in a box of paints

Am G

I'm frightened by the devil

Am7 [Em7] D/F#

And I'm drawn to those ones that ain't afraid

G D/F#

I remember that time that you told me, you said

Em7

"Love is touching souls" [Surely you touched mine]

Am G

Cause part of you pours out of me

Am7 [Em7] D/F#

In these lines from time to time

Chorus:

C (x3005x) Bm (x2003x)

Oh, youre in my blood like holy wine

Am7 G

You taste so bitter and so sweet

G D/F# Em7

Oh I could drink a case of you and

Am7 [G] D/F#

Still I'd be on my feet

G

I'd still be on my feet

G D/F#

I met a woman, she had a mouth like yours

Em7

She knew your life, she knew your devils and your deeds, and she said

Am G

"Go to him, stay with him if you can

Am7 D/F#

But be prepared to bleed"

Dear Mr. Fantasy by Traffic

Really high, but beltable I think. Probably great practice for singing high and belting.

Intro: A G D A

Bass riff: E0 E3 A0 A3 A0 A3 A

A G

Dear Mister Fantasy play us a tune,

D A

something to make us all happy

A G

Do anything take us out of this gloom

D

Sing a song, play guitar,

A

make it snappy

A G

You are the one who can make us all laugh,

D A

but doing that you break out in tears

A G

Please don't be sad if it was a straight mind you had,

D A

we wouldn't have known you all these years

F#m A

Oh Ah 3x

G E7

Oh Ah Ah

[repeat to taste]

Oompa Loompa from Willy Wonka

In the movie, each part is in a different key, at different times in the movie.

Intro: Dm like the blow wind blow, alternating bass

Part 1:

Dm [Dm/A] Gm

Oompa loompa doompety doo

Em7b5 Dm A#7 A7

I've got a perfect puzzle for you

Dm Gm

Oompa loompa doompety dee

Em7b5 Dm A#7 A7 Dm

If you are wise you'll listen to me

Gm GmMaj7 Gm7 F

What do you get when you guzzle down sweets

Gm7 C7 (or C9) F

Eating as much as an elephant eats

Gm GmMaj7 C9 F

What are you at, getting terribly fat

E7 [Em7b5] A7

What do you think will come of that

Riff: D7-D8 D5-D7 D3-D5 D2

I don't like the look of it

Dm Gm

Oompa loompa doompety da

Em7b5 Dm A#7 A7

If you're not greedy, you will go far

Dm Gm

You will live in happiness too

Dm Dm/C Dm/B Dm/A# A7 Dm A7 Dm6

Like the Oompa Loompa Doompety do Doompety do

Part 2:

Dm Gm

Oompa loompa doompety doo

Em7b5 Dm A#7 A7

I've got another puzzle for you

Dm Gm

Oompa loompa doompeda dee

Em7b5 Dm A#7 A7 Dm

If you are wise you'll listen to me

Gm GmMaj7 C9 F

Gum chewing's fine when it's once in a while

Gm7 C9 (or C7) F

It stops you from smoking and brightens your smile

Gm GmMaj7 C9 F

But it's repulsive, revolting and wrong

E7 Em7b5 A7

Chewing and chewing all day long

Riff

The way that a cow does

Dm Gm

Oompa loompa doompety da

Em7b5 Dm A#7 A7

Given good manners you will go far

Dm Gm

You will live in happiness too

Dm Dm/C Dm/B A7 Dm

Like the Oompa Loompa Doompety do

Part 3:

Dm Gm

Oompa loompa doompety doo

Em7b5 Dm A#7 A7

I've got another puzzle for you

Dm Gm

Oompa loompa doompety dee

Em7b5 Dm A#7 A7 Dm

If you are wise you'll listen to me

Gm GmMaj7 C9 F

Who do you blame when your kid is a brat

Gm7 C9 (or C7) F

Pampered and spoiled like a siamese cat

Gm GmMaj7 C9 F

Blaming the kids is a lie and a shame

E7 Em7b5 A7

You know exactly who's to blame

Riff

The mother and the father

Dm Gm

Oompa loompa doompety da

Em7b5 Dm A#7 A7

If you're not spoiled then you will go far

Dm Gm

You will live in happiness too

Dm Dm/C Dm/B A7 Dm

Like the Oompa Loompa Doompety do

Part 4:

Dm Gm

Oompa loompa doompety doo

Em7b5 Dm A#7 A7

I've got another puzzle for you

Dm Gm

Oompa loompa doompeda dee

Em7b5 Dm A#7 A7 Dm

If you are wise you'll listen to me

Gm GmMaj7 C9 F

What do you get from a glut of TV

Gm7 C9 (or C7) F

B pain in the neck and an IQ of three

Gm GmMaj7 C9 F

Why don't you try simply reading a book

E7 Em7b5 A7

Or could you just not bear to look

Riff

You'll get no commercials

Dm Gm

Oompa loompa doompety da

Em7b5 Dm A#7 A7

If you're not greedy you will go far

Dm Gm

You will live in happiness too

Dm Dm/C Dm/B A7 Dm A7 Dm

Like the - Oompa - Oompa Loompa Doompety do

Again, in the movie keys:

F#m F#mMaj7 F#m7 Bm

Oompa loompa doompety doo

G#m7b5 F#m D7 C#7

I've got a perfect puzzle for you

F#m F#mMaj7 F#m7 Bm

Oompa loompa doompety dee

G#m7b5 F#m D7 [C#7] F#m

If you are wise you'll listen to me

Bm BmMaj7 Bm7 A

What do you get when you guzzle down sweets

Bm7 E9 (or E7) A7

Eating as much as an elephant eats

Bm BmMaj7 Bm7 A

What are you at, getting terribly fat

G#7 [G#m7b5] C#7

What do you think will come of that

Riff

I don't like the look of it

F#m F#mMaj7 F#m7 Bm

Oompa loompa doompety da

G#m7b5 F#m D7 C#7

If you're not greedy, you will go far

F#m F#mMaj7 F#m7 Bm

You will live in happiness too

F#m F#m/E F#m/D C#7 F#m C#7 F#m6 ending

Like the Oompa Loompa Doompety do Doompety do

I Want It Now from Willy Wonka

Db B

I want a feast

Db B [or Eb7]

I want a bean feast

Db

Cream buns and doughnuts

Bbm7 Eb7

And fruitcake with no nuts

Cm7 F7

So good you could go nuts

Ab7

Give it to me now

[up a step]

Eb Db

I want a ball

Eb Db [or F7]

I want a party

Eb

Pink macaroons

Cm7 F7

And a million balloons

Dm7 G7

And performing baboons and

Bb7

Give it to me now

[back down a step]

Db B

I want the world

Db B [or Eb7[

I want the whole world

Db

I want to lock it

Bbm7 Eb7

All up in my pocket

Cm7 F7

It's my bar of chocolate

Ab7

Give it to me now

[up a step]

Eb Db

I want today

Eb Db [or F7]

I want tomorrow

Eb

I want to wear 'em

Cm7 F7

Like braids in my hair and

Bb7

I don't want to share 'em

Bridge (Eb / Db the whole time, changing twice as fast):

Eb Db Eb Db

I want a party with roomfuls of laughter

Eb Db Eb Db

Ten thousand tons of ice cream

Eb Db Eb Db

And if I don't get the things I am after

Eb F7

I'm going to scream

[up a step]

Eb Db

I want the works

Eb Db [or F7]

I want the whole works

Eb

Presents and prizes

Cm7 F7

And sweets and surprises

Dm7 G7

Of all shapes and sizes

Ending (dissonanty):

Bb7 (or Ebm6!) Eb

Don't care how, I want it now

Bb7 Eb

Don't care how, I want it now

(nice ending chord Ebm6)

The Candy Man

The Candy Man from Willy Wonka

By Sammy Davis Jr.! Movie version on YouTube, and heres Sammy doing it (Eb).

Keywords: jazz

Cmaj7 [/ C6 / Cmaj7 / C6]

Who can take a sun rise

Dm7 G7

Sprinkle it with dew

F [Fm6] C Am7

Cover it in chocolate and a miracle or two

D7sus4 D7 C Am7

The Candy Man, the Candy Man can

[D9] D7sus4 D7 Dm7 G7

The Candy man can because he mixes it with love and makes the

C G7

world taste good

Cmaj7

Who can take a rainbow

Dm7 G7

Wrap it in a sigh

F [Fm6] C Am7

Soak it in the sun and make a strawberry pie

D7sus4 D7 C Am7

The Candy Man, the Candy Man can

[D9] D7sus4 D7 Dm7 G7

The Candy man can because he mixes it with love and makes the

C G7

world taste good

Bridge

F F#dim

Willy Wonka makes makes everything he bakes

C/G Am7

Satisfying and delicious

B7 E7

Talk about good childhood wishes

Dm7 G7

You can even eat the dishes

Cmaj7

Who can take tomorrow

Dm7 G7

Dip it in a dream

F [Fm6] C Am7

Separate the sorrow and collect up all the cream

D7sus4 D7 C Am7

The Candy Man, the Candy Man can

[D9] D7sus4 D7 Dm7 G7

The Candy man can because he mixes it with love and makes the

C

world taste good

Dm7 G7 Fm6 [C6/9]

And the world tastes good because the Candy Man thinks it should....

Lean on Me by Bill Withers

Verse

[Slow and low, finger picky]

C F

Sometimes in our lives

C

we all have pain

Em7 G

We all have sorrow

C F

But if we are wise

C G C

We know that there's always tomorrow

Chorus

C F

Lean on me, when you're not strong

C

And I'll be your friend

Em G

I'll help you carry on

C F

For it won't be long

C

'Til I'm gonna need

G C

Somebody to lean on

Verse

C F

Please swallow your pride

C

If I have things

Em G

you need to borrow

C F

For no one can fill

C

those of your needs

G C

That you don't let show

Chorus

G C

So just call on me brother, when you need a hand

C G C

We all need somebody to lean on

C G C

I just might have a problem that you'd understand

C G C

We all need somebody to lean on

Verse

C F

If there is a load

C

you have to bear

Em G

That you can't carry

C F

I'm right up the road

C

I'll share your load

G C

If you just call me

C G C

So just call on me brother, when you need a hand

C G C

We all need somebody to lean on

C G C

I just might have a problem that you'd understand

C G C

We all need somebody to lean on

Cold As Ice by Foreigner

Keywords: 80s

Album key is Eb, super super high. Capo 6 for album key, or capo on any fret to adjust.

B+ = x2100x

Fdim = 1x0101

Riff:

Am7sus (x02030) - Am7 (E0 E3 A0) / F6 (xx3231) F

Verse 1

Am (riff) F Am F

You're as cold as ice; you're willing to sacrifice our love

Am F Dm

You never take advice, someday youll pay the price, I know

C B+ (or Em)

Ive seen it before, it happens all the time

Dm F [G]

Youre closing the door, you leave the world behind

C B+

Youre digging for gold, youre throwing away

Dm E Am F

A fortune in feelings, but someday youll pay

Verse 2

Am F Am F

Youre as cold as ice; youre willing to sacrifice our love

Am F Dm

You want paradise, but someday youll pay the price, I know

C B+

Ive seen it before, it happens all the time

Dm F G

Youre closing the door, you leave the world behind

C B+

Youre digging for gold, youre throwing away

Dm E F

A fortune in feelings, but someday youll pay

Solo

Am F Dm C E

Bridge:

Am E7 Fdim

Cold as ice - you know that you are

Am E7 Fdim

Cold as ice - as cold as ice to me

Am E7 Fdim F Am F

F

Cold as ice

Am F Am F

Youre as cold as ice, cold as ice, I know, yes I know

Am F Am F

Youre as cold as ice, cold as ice, I know, oh yes I know

Am F Am F

Youre as cold as ice, cold as ice, I know, oh yes I know

Am F

Youre as cold as ice... (to fade)

Glory Box by Portishead

Good ol 90s goodness. Is this the sound that the 90s will be remembered for? Awesome cover by Faith No More in Em.

Album key is Ebm, but thats high for the chorus. Moveable shape so do in whatever key. I like Cm.

Whole song pattern:

Cm / Cm7/A# / Am7b5 / G#maj7 [G]

[Verse 1]

I'm so tired, of playing, playing with this bow and arrow,

Gonna give my heart away, leave it to the other girls to play,

For I've been a temptress too long,

[Chorus]

Give me a reason to love you,

Give me a reason to be,

a woman

I just wanna be a woman!

[Verse 2]

From this time, unchained, we're all looking at a different picture,

Through this new frame of mind, a thousand flowers could bloom,

Move over, and give us some room, yeah!

[Chorus]

[Solo over 2 bars]

[Verse 3]

So don't you stop being a man,

Just take a little look, from outside, when you can,

Sow a little tenderness,

It don't matter if you cry

[Chorus]

Bridge:

Cm Cm7/A# Am7b5 G#maj7

This is the beginning of forever, and ever!

Dm7/A (can play riff with pinky on high E string descending from 8th fret)

It's time to move on-------!

So wanna be....

[Verse 1]

[Chorus]

Dont You forget About Me by Simple Minds

Keywords: 80s

Intro:

D (5th fret) E (7th fret) C (8th fret) D E

- - Hey hey hey hey - - Oooooooooooooh, oh...oh

[Verse]

E D A D

Won't you come see about me - I'll be alone dancing you know it baby

Tell me your troubles and doubts - giving me everything inside and out, and

Love's strange so real in the dark - think of the tender things that we were working on

Slow change may pull us apart - when the light gets into your heart, baby

[Chorus]

E D A D

Don't you forget about me, don't don't don't don't

E D A A

Don't you forget about me

[Bridge]

C G

Will you stand above me - look my way never love me

D A

Rain keeps falling - rain keeps falling down down down

C G

Will you recognize me - call my name or walk on by

D A

Rain keeps falling - rain keeps falling down down down down

[Intro]

[Verse]

E D A D

Don't you try to pretend - it's my feeling we'll win in the end - I won't

harm you or touch your defenses - vanity and security

Don't you forget about me - I'll be alone dancing you know it baby

Going to take you apart - I'll put us back together at heart baby

[Chorus]

E D A D

Don't you forget about me, don't don't don't don't

E D A A

Don't you forget about me

[Pre Outro]

A E D A D

As you walk on by - - will you call my name -

E D A D

As you walk on by - - will you call my name -

E D A D

When you walk away - - -

E D A D

Or will you walk away - will you walk on by - -

E D A D

Come on call my name - will you call my name - -

[Outro]

E D A D

I say la la la la la... la la la la... la la la la la la la la la

E D A D

la la la la la... la la la la... la la la la la la la la la

E D A D

- When you walk on by - -

E D A D

- And you call my name - - -

E D A D

(fade out)

Summertime by George Gershwin

Nice version in G/Em. I think I like it better in Em?

Keywords: jazz

Verse 1:

Em F#dim G6 / Em

Summertime, and the livin' is easy

Am / Am7Maj7 etc.

Fish are jumpin'

B7 C7 B7

And the cotton is high

Your daddy's rich

And your mamma's good lookin'

Gmaj7 Cmaj7

So hush little baby

F#m7b5 B7 Em7 x754xx x554xx x323xx x212xx

Don't you cry

Verse 2:

One of these mornings

You're going to rise up singing

Then you'll spread your wings

And you'll take to the sky

But until that morning

There's a'nothing can harm you

With your daddy and mammy standing by

[verse 1]

Tennessee Stud by Johnny Cash

Johnny Cash does it in B. Doc Watson does it in D (actually in G, capo 7)

D

Along about eighteen twenty-five

C

I left Tennessee very much alive

D

I never would've made it through the Arkansas mud

A D

If I hadn't been riding on the Tennessee Stud

D

Had some trouble with my sweetheart's Pa

C

One of her brothers was a bad outlaw

D

I wrote her a letter to my Uncle Spud

A D

And I rode away on the Tennessee Stud

Chorus:

D C D

The Tennessee Stud was long and lean

G F A

The color of the sun and his eyes were green

D

He had the nerve and he had the blood

A D

There never was a horse like Tennessee Stud

D

We drifted on down into no man's land

C

We crossed the river called the Rio Grande

D

Raced my horse with the Spaniard's fole

A D

Til I got me a skin full of silver and gold

D

Me and a gambler, we couldn't agree

C

We got in a fight over Tennessee

D

We pulled our guns and he fell with a thud

A D

And I rode away on the Tennessee Stud

[chorus]

D

I rode right back across Arkansas

C

I whipped her brother and I whipped her Pa

D

I found that girl with the golden hair

A D

She was riding on a Tennessee Mare

D

Pretty little baby on the cabin floor

C

Little horse colt playing round the door

D

I loved the girl with the golden hair

A D

And the Tennessee Stud loves the Tennessee Mare

Chorus:

D C D

The Tennessee Stud was long and lean

G F A

The color of the sun and his eyes were green

D

He had the nerve and he had the blood

A D

There never was a horse like Tennessee Stud

Ending:

D

He had the nerve and he had the blood

A D

There never was a horse like Tennessee Stud

Johnny does something like:

G / F / E (or Em?) / D

Just lyrics:

Back about eighteen and twenty-five

I left Tennessee very much alive

I never would've made it through the Arkansas mud

If I hadn't been riding on the Tennessee Stud

Had some trouble with my sweetheart's Pa

One of her brothers was a bad outlaw

I wrote a letter to my Uncle Spud And

I rode away on the Tennessee Stud

The Tennessee Stud was long and lean

The color of the sun and his eyes were green

He had the nerve and he had the blood

There never was a horse like Tennessee Stud

Drifted on down into no man's land

Across the river called the Rio Grande

Raced my horse with the Spaniard's foe

Til I got me a skin full of silver and gold

Me and the gambler, we couldn't agree

We got in a fight over Tennessee

Pulled our guns and he fell with a thud

And I rode away on a Tennessee Stud

[chorus]

I rode right back across Arkansas

I whipped her brother and

I whipped her Pa

I found that girl with the golden hair

She was riding on a Tennessee Mare

Pretty little baby on the cabin floor

Little horse colt playing round the door

I loved the girl with the golden hair

And the Tennessee Stud loves the Tennessee Mare

[chorus]

Ending: G / F / Em / D

I Walk The Line by Johnny Cash

For Johnny key, capo on 1.

Intro:

e|-----------------------------|------------------------|

B|-----------------------------|------------------------|

G|-----------------------------|------------------------|

D|---------------------0-----0-|-0----------------------|

A|-------0-----0-0-2-4----0----|---4-2-0-----0-0--------|

E|-0-2-4----0------------------|----------0------4-2-0--|

e|--------------------------------|

B|--------------------------------|

D|-------------1------------------|

A|-2-2-------2-2-2-0--------2-----|

E|-----0-2-4---------4-2-0-----0--|

E

[mmmmmm - D2, high, "close watch" starts on D4]

B7 E

I keep a close watch on this heart of mine

B7 E

I keep my eyes wide open all the time.

A E

I keep the ends out for the tie that binds

B7 E

Because you're mine, I walk the line

A|--------0-

Then walk up to A.... E|--0-2-4--- etc...

[mmmmmm - A0, low, "very, very" starts on A2]

E7 A

I find it very, very easy to be true

E7 A

I find myself alone when each day is through

D A

Yes, I'll admit I'm a fool for you

E7 A

Because you're mine, I walk the line

D|--------0-

Then walk up to D... A|--0-2-4--- etc...

[mmmmmm - D0, high, "night is" starts on D2]

A7 D

As sure as night is dark and day is light

A7 D

I keep you on my mind both day and night

G D

And happiness I've known proves that it's right

A7 D

Because you're mine, I walk the line

D|--0--------

Back down to A... A|----4-2-0-- etc...

[mmmmmm - A0, low, "way" starts on A2]

E7 A

You've got a way to keep me on your side

E7 A

You give me cause for love that I can't hide

D A

For you I know I'd even try to turn the tide

E7 A

Because you're mine, I walk the line

A|-0--------

And back to E again... E|---4-2-0-- etc...

[mmmmmm - A2, very low, "close watch" starts on E2. Maybe do high like last E verse?]

B7 E

I keep a close watch on this heart of mine

B7 E

I keep my eyes wide open all the time.

A E

I keep the ends out for the tie that binds

B7 E

Because you're mine, I walk the line

A|-2---2----2---2-----

Then out on.... E|---0----0---0------- fade

Stray Cat Strut by the Stray Cats

80s goodness.

Intro (can just skip):

Cm7 Bb7 Ab7 G7

Oooh Oooh

[Starting note is the tonic]

Cm7 Bb7 Ab7 G7

Black and orange stray cat sittin' on a fence.

Ain't got enough dough to pay the rent.

I'm flat broke but I don't care,

Cm7

I strut right by with my tail in the air.

Fm7 Eb Db7 C7

Stray cat strut I'm a ladies cat,

I'm a feline Casanova hey man that's that.

Get a shoe thrown at me from a mean old man.

Fm

I get my dinner from a garbage can.

(instrumental)

Cm Bb | Ab G7| Cm(tacet)

Bridge:

Fm Fm7 Cm

I don't bother chasing mice around.

Fm

I slink down the alley looking for a fight

D7 G7 (or Eb7 or Gaug)

howlin' to the moonlight on a hot summer night.

Verse 2:

Cm7 Bb7 Ab7 G7

Singin' the blues while the lady cats cry.

Wild stray cat you're a real gone guy.

I wish I could be as care-free and wild,

Cm7

but I got cat class and I got cat style.

solo

|Cm Bb |Ab G7 | etc.

repeat verse 2

Nice ending chord:

8x78 10 10 (a Cm6 with pink on B and E 10th fret)

Crosstown Traffic by Jimi Hendrix

Take the chord colors with a grain of salt. Uncompleted.

The C7#9 is the Jimi Hendrix chord.

Good bass riff:

C7#9 F7

|-------------------------|

|-------------------------|

|-------------------------|

|-------------------------|

|-------1-3-1-------------|

|---1~3-------3--F7-------|

[C7#9]You jump in front of my car when you, [F7]you know all the time, that a

[C7#9]Ninety mi-les an hour girl is the [F7]speed I drive

[Bb7]You tell me it's al-right, [Eb7b9]you don't mind a little pain

[Ab7]You say you just want me to [G7b5]take you for a drive

You're just like

[C7#9](Crosstown traffic) so hard to [F7]get through to you

[C7#9](Crosstown traffic) I don't need to [F7]run over you

[C7#9](Crosstown traffic) all you do is [F7] slow me down

and I'm [Bb7]trying to get to the other side of town

[C7#9]I'm not the only soul who's [F7]accused of hit and run

[C7#9]Tyre tracks all across your back I can [F7](heh) I can see you had your fun

But ah, [Bb7#9] darlin' can't you see my [Eb7b9]signals turn from green to red

[Ab7#9]and with you I see a traffic jam [G7b5]straight up ahead

Little Wing by Jimi Hendrix

Nice rhythm tutorial here.

**fill** = Gadd2 ~ Aadd2 ~ Gadd2 ~ Fadd2 ~ Gadd2 ~ C (high G)

Verse 1:

Em G

Now she's walking through the clouds

Am7 Em

With a circus mind that's running wild

Bm7 Bbm7 Am7 C

Butterflies and zebras and moonbeams, and fairy tales

G **fill*** Fadd2 C (high G)

All she ever thinks about is

D5

Riding with the wind

Verse 2:

Em G

When I'm sad she comes to me

Am7 Em

With a thousand smiles she gives to me free

Bm7 Bbm7 Am7 C

It's alright, it's alright she says

G **fill*** Fadd2 C (high G)

Take anything you want from me

D5

Anything

Outro:

Fly on little wing, fly on...

Just lyrics:

Well, she's walking through the clouds,

With a circus mind that's running wild,

Butterflies and Zebras,

And Moonbeams and fairy tales.

That's all she ever thinks about.

Riding with the wind.

When I'm sad, she comes to me,

With a thousand smiles she gives to me free.

It's alright, she says it's alright,

Take anything you want from me,

Anything.

Fly on little wing.

Our House by Madness

Original on YouTube. 80s goodness.

Intro:

C Gm, Dm Fm (x3)

Verse 1:

C Gm

Father wears his Sunday best,

Dm Fm

Mother's tired she needs a rest, the kids are playing up downstairs.

C Gm

Sister's sighing in her sleep,

Dm Fm

Brother's got a date to keep; he can't hang around.

Chorus:

D Am Em G D

Our house, in the middle of our street,

Am Em G

Our house, in the middle of our...

Verse 2:

C Gm

Our house it has a crowd,

Dm Fm

There's always something happening, and it's usually quite loud.

C Gm

Our mum she's so house-proud.

Dm Fm

Nothing ever slows her down, and a mess is not allowed.

Chorus:

D Am Em G D

Our house, in the middle of our street,

Am Em G

Our house, in the middle of our...

Bridge (extended chorus, with harmony)

B F#m C#m E B

Our house, in the middle of our street,

B F#m C#m E B

Our house, in the middle of our street

Something tells you that you've got to get a-way from it.

Verse 3:

C Gm

Father gets up late for work,

Dm Fm

Mother has to iron his shirt, then she sends the kids to school.

C Gm

Sees them off with a small kiss.

Dm Fm

She's the one they're going to miss, in lots of ways.

Interlude:

G F#m, A Bm (x2)

Solo:

C Gm, Dm Fm (x2)

Chorus 3:

D Am Em G D

Our house, in the middle of our street,

Am Em G

Our house, in the middle of our...

Middle 8:

C

I remember way back then, when everything was true, and when,

Gm

We would have such a very good time;

Dm Fm

Such a fine time, such a happy time.

C

And I remember how we'd play,

Gm

Simply waste the day away, then we'd say;

Dm Fm

Nothing would come be-tween us; two dreamers.

Verse 4:

C Gm

Father wears his Sunday best,

Dm Fm

Mother's tired she needs a rest, the kids are playing up downstairs.

C Gm

Sister's sighing in her sleep,

Dm Fm

Brother's got a date to keep; he can't hang around.

Chorus 4:

D Am Em G D

Our house, in the middle of our street,

Am Em G (B) [modulate]

Our house, in the middle of our street.

B F#m C#m E B

Our house, in the middle of our street,

F#m C#m E

Our house, in the middle of our...

C Gm Dm Fm C

Our house, was our castle and our keep,

Gm Dm Fm (C)

Our house, in the middle of our street.

D Am Em Gm D

Our house, that was where we used to meet,

Am Em Gm (B)

Our house, in the middle of our street.

(Fade)

Morning Train by Sheena Easton

Nice cover here. 80s goodness.

Intro:

G Em Am7 Dsus4 D7

Da na na na na na na na.... [To the tune of the chorus, one full run]

[starting note on "wake" is F, can do low D3]

Dm7 G7 Dm7 G7

I wake up every mornin', I stumble out of bed

Dm7 G7 Dm7 G7

Stretchin' and yawnin', another day ahead

Bbmaj7 Am7 Dsus4 D

It seems to last for ever, and time goes slowly by

Bbmaj7 Am7 Dsus4 D

Till babe and me's together, then it starts to fly

Dm7 G7 Dm7 G7

Cause the moment that he's with me, time can take a flight

Dm7 G7 Dm7 G7

The moment that he's with me, everything's alright

Bbmaj7 Am7 Dsus4 D

Nighttime is the right time, we make love

Bbmaj7 Am7 Dsus4 D

Then it's his and my time, we take up

Chorus:

G

My baby takes the morning train

Em7

He works from nine 'til five and then

Am7 Dsus4 D7

He takes another home again to find me waiting for him

[x2]

Dm7 G7 Dm7 G7

He takes me to a movie or to a restaurant

Dm7 G7 Dm7 G7

To go slow dancing, anything I want

Bbmaj7 Am7 Dsus4 D

Only when he's with me I catch a light

Bbmaj7 Am7 Dsus4 D

Only when he gives me, makes me feel alright

Chorus:

G

My baby takes the morning train

Em7

He works from nine 'til five and then

Am7 Dsus4 D7

He takes another home again to find me waiting for him

Bridge:

Bm7 B7 Emaj7 Amaj7

All day I think of him, dreaming of him constantly

F#m B7 Emaj7 E

I'm crazy, mad for him and he's crazy, mad for me

Amaj7 Dmaj7 Gmaj7 Cmaj7

When he steps off the train, amazingly full of fight

Gmaj7 Cmaj7 Gmaj7 Cmaj7 Gmaj7 Cmaj7 Dsus4 D7

Works all day to earn his pay so we can play all night

Chorus:

G

My baby takes the morning train

Em

He works from nine 'til five and then

Am7 Dsus4 D7

He takes another home again to find me waiting for him

Chorus up a step:

A

My baby takes the morning train

F#m

He works from nine 'til five and then

Bm7 Esus4 E7

He takes another home again to find me waiting for him

Chorus up two steps:

B

My baby takes the morning train

G#m

He works from nine 'til five and then

C#m7 F#sus4 F#7

He takes another home again to find me waiting for him

Baby Let Me Follow You Down by Bob Dylan

Capo 2, or just traponse up to A

G F C/g

: . . . : . . . : . . .

---|-----3-------3---3-------|-------1---------1-------|-------------------------|

---|-0---0-------0---0-------|-------1---------1-------|-------1-----1---1-----x-|

---|-0---------0-------------|-----------2-----------0-|-----------------------x-|

---|-------------------------|-------------------------|-----2-----2-------------|

---|-------------------------|-------------------------|-------------------------|

-0-|-3-----3-----3-----3-----|-0--h1-1-----1-----1-----|-3-----3-----3-----3-----|

Eb/g G/b D/a C/e D/f#

: . . . : . . . : . . .

|-3-----3---3-------3-----|-7-----7-----5---5-------|-3---3-3---2-------------|

|-4-----4---4-------4---x-|-8-----8--(0)7---7----(0)|-5---5-5---3-------------|

|-----3-----------3-----x-|-----7----(0)---------(0)|-----------------2-----0-|

|-------------------------|-------------------------|-------------------------|

|-------------------------|-------------------------|-------------------------|

|-3-----3-----3-----3-----|-7-----7-----5-----5-----|-0-----0-----2-----2-----|

C/g D/f# G

: . . . : . . .

|(0)----------2-----------|-------3---------3-------|

|-1-----------3-----------|-------------------------|

|-----0-----0-----2-------|-----0-------0-----------|

|-----------------------0-|-------------------------|

|-------------------------|-------------------------|

|-3-----3-----2-----2-----|-3-----3-----3-----3-----|

For Eb/G, can do D 3rd fret with G bass. Then for the G/B move it up to 9th fret. Then for D/A xx0775. CAN USE THAT PATTERN AS A JAM DURING INSTRUMENTAL SECTIONS.

G F C/G Eb/G

Baby let me follow you down, baby let me follow you down

G/B D/A C/E D/f#

Well I'll do anything in this godalmighty world

C/G D/F# G

If you just let me follow you down.

G F C/G Eb/G

Can I come home with you, baby can I come home with you?

G/B D/A C/E D/f#

Yes I'll do anything in this godalmighty world

C/G D/F# G

If you just let me come home with you.

G F C/G Eb/G

Baby let me follow you down, baby let me follow you down

G/B D/A C/E D/f#

Well I'll do anything in this godalmighty world

C/G D/F# G

If you just let me follow you down.

G/B D/A C/E D/f#

Yes I'll do anything in this godalmighty world

C/G D/F# G

If you just let me follow you down.

Additional verses:

G F C/G Eb/G

I'll buy you a diamond ring, I'll buy you a wedding gown

G/B D/A C/E D/f#

Yes I'll do anything in this godalmighty world

C/G D/F# G

If you just let me follow you down.

G F C/G Eb/G

I just want you to understand, baby please understand,

G/B D/A C/E D/f#

Well I'll do anything in this godalmighty world

C/G D/F# G

if you just let me be your man.

G F C/G Eb/G

I'll buy you a broken twine, honey, just for you to climb

G/B D/A C/E D/f#

I'll do anything in this godalmighty world

C/G D/F# G

if you just once drive me out of my mind

G F C/G Eb/G

I'll buy you a serpent skirt, I'll buy you a velvet shirt

G/B D/A C/E D/f#

I'll do anything in this godalmighty world

C/G D/F# G

if you just don't make me hurt.

Just lyrics:

Baby let me follow you down, baby let me follow you down

Well I'll do anything in this godalmighty world

If you just let me follow you down.

Can I come home with you, baby can I come home with you?

Yes I'll do anything in this godalmighty world

If you just let me come home with you.

I'll buy you a diamond ring, I'll buy you a wedding gown

Yes I'll do anything in this godalmighty world

If you just let me follow you down.

I just want you to understand, baby please understand,

Well I'll do anything in this godalmighty world

if you just let me be your man.

I'll buy you a broken twine, honey, just for you to climb

I'll do anything in this godalmighty world

if you just once drive me out of my mind

I'll buy you a serpent skirt, I'll buy you a velvet shirt

I'll do anything in this godalmighty world

if you just don't make me hurt.

I'll Be Your Baby Tonight by Bob Dylan

Nice version in D, also nice in G (high). Linda does it in Bb, nice to experiment with keys.

Intro: verse pattern

Verse 1:

F

Close your eyes, close the door

G G7

You don't have to worry any more

Bb C F C7

I'll be your baby tonight

Verse 2:

F

Shut the light, shut the shade

G G7

You don't have to be afraid

Bb C F

I'll be your baby tonight

Bridge:

Bb

Well, that mockingbird's gonna sail away

F

We're gonna forget it

G

That big fat moon is gonna shine like a spoon

C

But we're gonna let it, you won't regret it

Verse 3:

F

Kick your shoes off, do not fear

G G7

Bring that bottle over here

Bb C F C7

I'll be your baby tonight

Titty over a vesre

Just lyrics:

Close your eyes, close the door

You don't have to worry any more

I'll be your baby tonight

Shut the light, shut the shade

You don't have to be afraid

I'll be your baby tonight

Well, that mockingbird's gonna sail away

We're gonna forget it

That big fat moon is gonna shine like a spoon

But we're gonna let it, you won't regret it

Kick your shoes off, do not fear

Bring that bottle over here

I'll be your baby tonight

Times They Are A Changing by Bob Dylan

3/4 time. Can get a nice bass 2 3 strum going.

G Em C G

Come gather round people wherever you roam

G Em C D

And admit that the waters aound you have grown

G Em C G

And accept it that soon you'll be drenched to the bone.

G Am D D D2/C

If your time to you Is worth savin. Then you better start swimmin'

G/B D/A G C D G

Or you'll sink like a stone For the times they are a-changin'.

G . . | Em . . | C . . | G . . | . . . | . . . | . . .

G Em C G

Come writers and critics Who prophesize with your pen

G Em C D

And keep your eyes wide The chance won't come again

G Em C G

And don't speak too soon For the wheel's still in spin

G Am D D D2/C

And there's no tellin' who that it's namin'. 'Cause the loser now

G/B D/A G C D G

Will be later to win For the times they are a-changin'.

G Em C G

Come senators, congressmen Please heed the call

G Em C D

Don't stand in the doorway Don't block up the hall

G Em C G

For he that gets hurt Will be he who has stalled

G Am D D D2/C

The battle outside ragin' Will soon shake your windows *)

G/B D/A G C D G

And rattle your walls For the times they are a-changin'.

G Em C G

Come mothers and fathers Throughout the land

G Em C D

And don't criticize What you can't understand

G Em C G

Your sons and your daughters Are beyond your command

G Am D D D2/C

Your old road is rapidly agin'. Please get out of the new one

G/B D/A G C D G

If you can't lend your hand For the times they are a-changin'.

G Em C G

The line it is drawn The curse it is cast

G Em C D

The slow one now Will later be fast

G Em C G

As the present now Will later be past

G Am D D D2/C

The order is rapidly fadin'. And the first one now

G/B D/A G C D G

Will later be last For the times they are a-changin'.

She Caught The Katy by Taj Majal

The Katy is the Missouri -> Kansas railroad. Original, and a good tutorial

Edim = x7868x

Can do bass riff during verses: E6 A5 A6 A7 A8, E1 A0 A1 A2 A3, etc.

For the Bb7, its nice to slide up from 5th fret.

Or do with thtat Bb7 blues thing with pinky. And can play it with the 6567xx form too.

[verse 1:]

Bb7 F7 or F9 Bb7

She caught the katy, left me a mule to ride

Bb7 F7 or F9 Bb7

She caught the katy, left me a mule to ride

Bb Bb7

She caught the katy, left me a mule to ride

Eb Edim

The train pulled out and I swung on behind

Bb F7 Bb

Crazy 'bout her, that hard-headed woman of mine

Bass turnaround: E6 E4 E3 E1 [x2]

[verse 2:]

Man, my baby long. Great God, she mighty, she tall

You know my baby long. Great God, she mighty, she tall

Well, my baby, she long. My baby, she tall.

She sleep with her head in the kitchen

And her feet's out in the hall

Crazy 'bout her, that hard-headed woman of mine

Bass turnaround: E6 E4 E3 E1 [x2]

[Bridge:]

Eb

Well, I love my baby. She's so fine

Bb

Wish she'd come and see me sometime

Ab

She don't believe I love her, look what a hole I'm in

F (1st fret) F7

She don't believe I'm sinking, look what shape I'm in

[Instrumental break]

[Verse 1]

Bb F7 Eb Bb

Crazy 'bout her, that hard-headed woman, hard-headed woman of mine

Bass turnaround: E6 E4 E3 E1 [x2]

Armagedion Time by the Clash

Bm F#m7 Bm F#m7

A lot of people won't get no supper tonight

A lot of people won't get no justice tonight

The battle is gettin hotter

In this iration, Armegideon time

A lot of people runnin and a hiding tonight

A lot of people won't get no justice tonight

Remember to kick it over

No one will guide you - Armegideon time

Stardust by Hoagy Carmichael

Mostly the Willie version, from here. Heres a nice playalong, and heres another.

INTRO (picking)

Am AmM Am7 F#dim7 G C(m?)G

E----0----0----0----5---------------3----|

B---1----1----1-----4--------0----0-0----|

G--2--2-1--1-0--0--5--------0---0---0----|

D-----------------4---4----0---1----0----|

A------------------------------3----2----|

E-------------------------3---------3----|

Intro (needs fixin):

Am AmM Am7 F#dim7 G Cm G

Verse 1:

C6

Sometimes I wonder

Eb(b5) (or F9) (or xx7887) (is actually CmMaj7!)

Why I spend the lonely nights, dreaming of a song.

Gmaj7 Bm7 Bbm7

The melody haunts my memory,

Am7 E+ (AmMaj7 or xx0110) Am

And I am once again with you.

D7 D7sus (can roll down the bass, xx0032, xx4x32 etc)

When our love was new,

Bb+ (xx2332) G Bb+ G [G#]

And each kiss an inspiration.

A7

But that was long ago

D Eb D

And now my consolation, is in stardust of song.

Verse 2:

C6

Beside the garden wall

Eb(b5) (or F9) (or xx7887)

When stars are bright, You are in my arms.

G Bm6

The nightingale tells his fairy tales,

Am E+ Am

Of paradise where roses grew.

Bridge:

Cm6 F9

And though I dream in vain,

G E9 (or E7 first position) (or xxx434)

In my heart, there always will remain

Am7

My stardust memory,

D G Cm G

The memory of loves refrain.

C6 Eb(b5) F9 G Bm6 Am E+ Am

GUITAR SOLO

[bridge]

[bridge]

Just lyrics:

Sometimes I wonder why I spend

The lonely nights dreaming of a song

The melody haunts my reverie

And I am once again with you

When our love was new

And each kiss an inspiration

Ah but that was long ago

Now my consolation is in the stardust of a song

Beside the garden wall

When stars are bright, you are in my arms

The nightingale tells his fairy tale

Of paradise where roses grew

Though I dream in vain

In my heart it will remain

My stardust melody

The memory of love's refrain

INTRO (lead)

Am E+ C F#dim7 G C G

E--5-3-------------------------|

B-----3h5-3/5--3-5-3-----------|

G--------5--------5-4-5--------|

D----------------------4---5---|

A------------------------------|

E------------------------------|

LEAD SOLO (second solo is almost identical too)

C6 Eb(b5) F9 G Bm6

E--2-3-4-5--3---------------7/9-9-------5-3-------3--3--3-3-2-2-2---------

B------------3h5---------3h5---------------4---------------------1/3-3-3--

G----------------5-2--5-------------------5-2-----------------------4-

D-------------------------------------------------------------------------

A-------------------------------------------------------------------------

E-------------------------------------------------------------------------

Am E+ Am

E-----3----------------|

B--3h5-5-3-------------|

G-------5-4-4h5p4-2----|

D----------------------|

A----------------------|

E----------------------|

Lullabye by Loudon Wainwright III

Eaug7/C = x3213x

Fmaj7 = xx3210

intro: Fmaj7, C, Fmaj7, C, E7, Fmaj7, C, G, G7

Fmaj7 C

shut up and go to bed

Fmaj7 C

put the pillow under your head

E7

im sick and tired

F C G

of all of your worries

Fmaj7 C

shut up and say goodnight

Fmaj7 C

say ur prayers and turn out the light

Eaug7/C

im sick and tired

F C G

of all of your sob stories

Fmaj7 C

shut up and shut your eyes

Fmaj7 C

no more historyonics no more college tries

Eaug7/C

stop pushing

F C G

stop shoving stop straining

Fmaj7 C

shut your mouth and button your lip

Fmaj7 C

your a late night foset thats got a drip

Eaug7/C

all your doing

F C G

is merely complaining

Bridge:

Eaug7/C C

the excuse that your crazy is useless

Eaug7/C C

your not biting your barking...your toothless

G G7

but your ruthless

[solo]

Fmaj7 C

shut up and count some sheep

Fmaj7 C

do me a favour dont bitch in your sleep

Eaug7/C

no more agony...

F C G

please no more sorrow

Fmaj7 C

shut up and catch some z's

Fmaj7 C

ice cream with a cherry and a big prety please

Eaug7/C

i promise we will

F C G

resume tomorrow

G

goodnight

Just lyrics:

Shut up and go to bed

Put the pillow under your head

I'm sick and tired of all your worries

Shut up and say goodnight

Say your prayers and turn off the light

I'm sick and tired of all your sob-stories

Shut up and shut your eyes

No more histrionics, no more college tries

Stop pushing, stop shoving, stop straining

Shut your mouth and button your lip

You're a late night faucet that's gotta drip

All you're doing is merely complaining

The excuse that you're crazy is useless

You're not biting you're barking you're toothless

But you're ruthless (you're Rufus)

Shut up and count some sheep

And do me a favor, don't bitch in your sleep

No more agony, please no more sorrow

Shut up and catch some Zs

Ice cream with a cherry plus a big pretty please

I promise we'll resume tomorrow...Goodnight.

Lets Stay Together by Al Green

Nice tutorial.

I experiemnted with it in D, sounds nice (down 3 half steps)

Gm9 = 353335 (can sub Bbmaj7 sometimes)

Dm9 = 10 12 10 10 10 12

Intro:

Gm9 Am7 Gm7 Am7

Gm9 Am7 Gm7 C7

Verse 1:

F Dm9 (place and remove pinky)

I, I'm so in love with you

Bb

Whatever you want to do

Bbm9 / Eb11

Is all right with me

Am7 Gm7 Fmaj7 Em7 Am [D9?]

'Cause you make me feel so brand new

Am7 Gm7 Fmaj7 Em7 Am [D9?]

And I want to spend my life with you

Verse 2:

F Dm9 (place and remove pinky)

Since, since we've been together

Bb

Loving you forever

Bbm9 / Eb11

Is what I need

Am7 Gm7 Fmaj7 Em7 Am [D9?]

Let me be the one you come running to

Am7 Gm7 Fmaj7 Em7 Am [D9?]

I'll never be untrue

Bridge:

Gm[9] Am7

Let's, let's stay together

Gm[9]

Lovin' you whether, whether

Bbmaj7 Am7 Dm7 C7

Times are good or bad, happy or sad

String break:

Gm9 Abm9 Ab Gm9 Ab

/ / / / / / / / / / / / / / / / / / / / / / / /

Bb[maj7] Am7 Dm7 C7

Whether times are good or bad, happy or sad

Verse 3:

F Dm9 (place and remove pinky)

Why, why some people break up

Bb

Then turn around and make up

Bbm9 / Eb11

I just can't see

Am7 Gm7 F[maj7] Em7 Am [D9?]

You'd never do that to me (would you, baby)

Am7 Gm7 Fmaj7 Em7 Am [D9?]

Staying around you is all I see (Here's what I want us to do)

Coda (repeat to fade):

Gm9 Am7

Let's, we oughta stay together

Gm9

Loving you whether, whether

Bbmaj7 Am7 Gm7 C7

Times are good or bad, happy or sad

San Diego Serenade by Tom Waits

Tuned 1/2 step down

Original, and a great cover. Nice cover down in E.

Here it is in E (much easier). Like this great version:

E G#7 C#m7 E7 (play as 020130)

Never saw the morning, 'til I stayed up all night

A B7 E G#7 Cm7 E7

Never saw the sunshine, 'til you turned out the light

A B7 E G#7 Cm7 E7

Never saw my hometown, until I stayed away too long

A B7 A B7 E

Never heard the melody, 'til I needed a song

/ A - B7 / E - - / A - B /

E G#7 C#m7 E7

Never saw the white line, 'til I was leaving you behind

A B7 E G#7 Cm7 E7

Never knew I needed you, 'til I was caught up in a bind

A B7 E G#7 Cm7 E7

Never spoke I love you, until I cursed you in vain

A B7 A B7 E

Never felt my heart-strings, 'til I nearly went insane

/ A - B7 / E - - / A - B /

E G#7 C#m7 E7

Never saw the east coast 'til I moved to the west

A B7 E G#7 Cm7 E7

Never saw the moonlight, until it shone off of your breast

A B7 E G#7 Cm7 E7

Never saw your heart, 'til someone tried to steal it away

A B7 A B7 E

Never saw your tears, until they rolled down your face

/ A - B7 / E - - / A - B /

I never saw the mornin' 'til I stayed up all night

I never saw the sunshine 'til you turned out the light

I never saw my hometown until I stayed away too long

I never heard the melody until I needed the song

I never saw the white line 'til I was leavin' you behind

I never knew I needed you until I was caught up in a bind

I never spoke "I love you" 'til I cursed you in vain

I never felt my heart strings until I nearly went insane

I never saw the east coast until I moved to the west

I never saw the moonlight until it shone off of your breast

I never saw your heart until someone tried to steal it, tried to steal it away

I never saw your tears until they rolled down your face

Can Do G7 as 3x3003

G B7 Em7 G7

Never saw the morning, 'til I stayed up all night

C D G 020200 Em G7

Never saw the sunshine, 'til you turned out the light

C D G Em7 G7

Never saw my hometown, until I stayed away too long

C D C [G0 G2] G

Never heard the melody, 'til I needed a song

/ C - D / G - - / C - D /

G B7 Em7 G7

Never saw the white line, 'til I was leaving you behind

C D G [Em7] G7

Never knew I needed you, 'til I was caught up in a bind

C D G Em7 G7

Never spoke I love you, until I cursed you in vain

C D C G

Never felt my heart-strings, 'til I nearly went insane

/ C - D / G - - / C - D /

G B7 Em7 G7

Never saw the east coast 'til I moved to the west

C D G [Em7] G7

Never saw the moonlight, until it shone off of your breast

C D G Em7 G7

Never saw your heart, 'til someone tried to steal it away

C D C G

Never saw your tears, until they rolled down your face

/ C - D / G - - / C - D /

Comes a Time by Neil Young

Original is much higher, in G. This is nice and easy though. Sounds nice to capo up from here to raise it a bit.

D F#m A

(1)Comes a time, When your driftin

(2)You and I, We were captured

Em7 G

Comes a time, When you settle down

We took our souls, And we flew away

D

Comes a light

We were right

F#m A

Feelins liftin

We were giving

Em7 G

Lift that baby right up off the ground

Thats how we kept what we gave away

Chorus:

D C G D

Oh, this old world keeps spinnin round

C G D

Its a wonder tall trees aint laying down

Am7 [C D]

There comes a time

Cowgirl in the Sand by Neil Young

Original is way up in Am, but this makes it really singable.

Nice to capo up 1 or 2.

Riff:

|-0------------------------|

|----3 0-------------------|

|---------2 0-------------|

|---------------0----------|

|--------------------------|

|--------------------------|

Em C

Hello cowgirl in the sand

Em C

Is this place at your command

G D Cmaj7 D

Can I stay here for awhile

G D Cmaj7 D

Can I see your sweet sweet smile

CHORUS:

Am7 Bm7 G C

Old enough now to change your name

Am7 Bm7 G C

When so many love you is it the same

Am

Its the woman in you that makes you want to

G C [Riff] C G D? Em

Play this game

Em C

Hello ruby in the dust

Em C

Has your band begun to rust

G D Cmaj7 D

After all the sin we've had

G D Cmaj7 D

I was hoping that we'd turn bad

Em C

Hello woman of my dreams

Em C

Is this not the way it seems

G D Cmaj7 D

Purple words on a gray background

G D Cmaj7 D

To be a woman and to be turned down

Peel Me a Grape by Diana Krall

Main version from Diana Krall, awesome live version tuned half step down. There a nice chart on jazzstudies.us

Verse 1:

Am7 Bb13 Am7 Bb13

Peel me a grape, crush me some ice

Am7 G#m7 Gm7 C9 F9 E7#9

Skin me a peach, save the fuzz for my pillow

Am7 Bb13 Am7 G#m7 Gm7

Talk to me nice, talk to me nice

C9 F9 C7

You've got to wine / and dine me

F9 C7

Don't try to fool me / bejewel me

F9 C9

Either amuse me / or lose me

Bm7b5 E7#9 Am7 Bb13

I'm getting hungry, peel me a grape

Verse 2:

Am7 Bb13 Am7 Bb13

Pop me a cork, french me a fry

Am7 G#m7 Gm7 C9 F9 E7#9

Crack me a nut, bring a bowl full of bon-bons

Am7 Bb13 Am7 G#m7 Gm7

Chill me some wine, keep standing by

C9 F9 C7

Just entertain me, champagne me

F9 C7

Show me you love me, kid glove me

F9 C9

Best way to cheer me, cashmere me

Bm7b5 E7#9 Am7 Bb13

I'm getting hungry, peel me grape

Bridge:

Here's how to be an agreeable chap

Love me and leave me in luxury's lap

Hop when I holler, skip when I snap

When I say, "do it," jump to it

Verse 3:

Am7 Bb13 Am7 Bb13

Send out for scotch, boil me a crab

Am7 G#m7 Gm7 C9 F9 E7#9

Cut me a rose, make my tea with the petals

Am7 Bb13 Am7 G#m7 Gm7

Just hang around, pick up the tab

C9 F9 C7

Never out think me, just mink me

F9 C7

Polar bear rug me, don't bug me

F9 C9

New Thunderbird me, you heard me

Bm7b5 E7#9 Am7 Bb13

I'm getting hungry, peel me a grape

Down a step:

Gm7 G#13 Gm7 G#13

Peel me a grape, crush me some ice

Gm7 F#m7 Fm7 A#9 D#9 D7#9

Skin me a peach, save the fuzz for my pillow

Gm7 G#13 Gm7 F#m7 Fm7

Talk to me nice, talk to me nice

A#9 D#9 A#7

You've got to wine / and dine me

D#9 A#7

Don't try to fool me / bejewel me

D#9 A#9

Either amuse me / or lose me

Am7b5 D7#9 Gm7 G#13

I'm getting hungry, peel me a grap

And down in D, for super easy singing:

Dm7 D#13 Dm7 D#13

Peel me a grape, crush me some ice

Dm7 C#m7 Cm7 F9 A#9 A7#9

Skin me a peach, save the fuzz for my pillow

Dm7 D#13 Dm7 C#m7 Cm7

Talk to me nice, talk to me nice

F9 A#7 F7

You've got to wine / and dine me

A#7 F7

Don't try to fool me / bejewel me

A#9 F9

Either amuse me / or lose me

Em7b5 A7#7 Dm7 D#13

I'm getting hungry, peel me a grap

Verse 2:

Pop me a cork, french me a fry

Crack me a nut, bring a bowl full of bon-bons

Chill me some wine, keep standing by

Just entertain me, champagne me

Show me you love me, kid glove me

Best way to cheer me, cashmere me

I'm getting hungry, peel me grape

Here's how to be an agreeable chap

Love me and leave me in luxury's lap

Hop when I holler, skip when I snap

When I say, "do it," jump to it

Send out for scotch, boil me a crab

Cut me a rose, make my tea with the petals

Just hang around, pick up the tab

Never out think me, just mink me

Polar bear rug me, don't bug me

New Thunderbird me, you heard me

I'm getting hungry, peel me a grape

Cant Take My eyes off of You by Frankie Vallie

Frankie does it in F, Lauryn does it in E

Verse 1

D

You're just too good to be true

Dmaj7

Can't take my eyes off you

D7sus4

You'd be like heaven to touch

G

I wanna hold you so much

Gm

At long last love has arrived

D

And thank God I'm alive

E Em7

You're just too good to be true

D

Can't take my eyes off you

Verse 2

D

Pardon the way that I stare

Dmaj7

There's nothing else to compare

D7sus4

The sight of you leaves me weak

G

There are no words left to speak

Gm

But if you feel like I feel

D

Please let me know that it's real

E Em7

You're just too good to be true

D Bm7

Can't take my eyes off of you

Chorus (fun to do as funky bars)

Em7 A7

I love you baby, and if it's quite alright

F#m7 Bm7

I need you baby, to warm the lonely nights

Em7 A7 D Bm7

I love you baby, trust in me when I say

Em7 A7

Oh pretty baby, don't bring me down I pray

F#m7 Bm7

Oh pretty baby, now that I've found you stay

Em7 A7 D

And let me love you, let me love you

[verse 1, modulated minor 3rd optionally]

[chorus]

Piggies by the Beatles

Capo 1 for album key. To play what I think is the official way, capo on 5 and play in D. Sounds nice to do that way over someone playing in first position.

Riff:

G D

|---------------------------|

|--0---1 3 1 --------------|

|----------------2----------|

|---------------------------|

|---------------------------|

|---------------------------|

Intro: riff

G D7 G D

Have you seen the little piggies crawling in the dirt

G D7 Em A

And for all the little pigies life is getting worse

Em7 A7 D D7 (fill: B3 B1 B0 G2)

Always having dirt, to play around in

[intro]

G D7 G D

Have you seen the bigger piggies in their starched white shirts

G D7 Em A

You will find the bigger piggies stirring up the dirt

Em7 A7 D D7

Always have clean shirts, to play around in

[intro]

Am B7

In their sties with all their backing

C G D

They don't care what goes on around

Am B7

In their eyes there's something lacking

C D D7

What they need's a damn good whacking!

Instrumental harpsichord bridge ??? (or just intro)

G D7 G D

Everywhere there's lots of piggies living piggy lives

G D7 Em A

You can see them out for dinner with their piggy wives

Em7 A7 D D7

Clutching forks and knives, to eat their bacon

Ending

G D Gm D Gm D A7 D

Glass Onion by the Beatles

Intro chord: G7?

Am F7

I told you 'bout Strawberry fields,

Am F7

you know the place where nothing is real

Am Gm7 C7

Well here's another place you can go

Gm7 C7

Where everything flow - ows

F7 D7

Looking through the bent backed tulips

F7 D7

To see how the other half lives

F7 G7

Looking through a glass onion

Am F7

I told you 'bout the Walrus and me man

Am F7

You know that we're as close as can be man

Am Gm7 C7

Well here's another clue for you all

Gm7 C7

The Walrus was Paul

F7 D7

Standing on a cast iron whore yeah

F7 D7

Lady Madonna tryin' to make ends meet yeah

F7 G7

Looking through a glass onion

BRIDGE

Am F Am Am7

oh yeah oh yeah oh yeah

F7 G7

Looking through a glass onion

Am F7

I told you 'bout the Fool on the Hill

Am F7

I tell you that he's living there still

Am Gm7 C7

Well here's another place you can be

Gm7 C7

Listen to me

F7 D7

Fixing a hole in the ocean

F7 D7

Trying to make a dove tail joint

F7 G7

Looking through a glass onion

[fun to repeat bridge, with a beat]

If you want to try the dissonant outro, try:

E3 A4 / / / E3 E2 E1

E0 A2 / / /

[repeaet]

Royals by Lorde

Puddles the Clown version is down a step in C (great live version here)

Verse 1

D

I've never seen a diamond in the flesh

I cut my teeth on wedding rings in the movies

And I'm not proud of my address - in the torn up town

No postcode envy

Chorus

D

But every song's like: gold teeth, grey goose, trippin' in the bathroom

Blood stains, ballgowns, trashin' the hotel room

C G

We don't care - we're driving Cadillacs in our dreams

D

But everybody's like Cristal, Mayback, diamonds on your timepiece

Jet planes, islands, tigers on a gold leash

C G

We don't care - we aren't caught up in your love affair

D

And we'll never be royals - It don't run in our blood

C

That kind of lux just ain't for us

G

We crave a different kind of buzz

D

Let me be your ruler - you can call me Queen Bee

C

And baby I'll rule, I'll rule, I'll rule, I'll rule

G D

Let me live that fantasy

Verse 2

D

My friends and I we've cracked the code

We count our dollars on the train to the party

And everyone who knows us knows that we're fine with this

We didn't come from money

[Chorus]

D

But every song's like: gold teeth, grey goose, trippin' in the bathroom

Blood stains, ballgowns, trashin' the hotel room

C G

We don't care - we're driving Cadillacs in our dreams

D

But everybody's like Cristal, Mayback, diamonds on your timepiece

Jet planes, islands, tigers on a gold leash

C G

We don't care - we aren't caught up in your love affair

D

And we'll never be royals - It don't run in our blood

C

That kind of lux just ain't for us

G

We crave a different kind of buzz

D

Let me be your ruler - you can call me Queen Bee

C

And baby I'll rule, I'll rule, I'll rule, I'll rule

G D

Let me live that fantasy

D

oh ooh oh ohh

C

We're bigger than we ever dreamed

G

And I'm in love with being queen (king)

D

oh ooh oh ohh

C

Life's a game without a care

G

We aren't caught up in your love affair

D

And we'll never be royals - It don't run in our blood

C

That kind of lux just ain't for us

G

We crave a different kind of buzz

D

Let me be your ruler - you can call me Queen Bee

C

And baby I'll rule, I'll rule, I'll rule, I'll rule

G D

Let me live that fantasy

Never Tear Us Apart by Inxs

Original is here.

Heavy 3/4 time feel.

[Intro (riff below). Pattern is like verses.]

Am F Dm F

(Can play as Am7-x02213 / F-xx3213 / Dm / Fmaj7)

Verse:

Am F

Don't ask me, what you know is true

Dm F

Don't have to tell you, I love your precious heart

Chorus:

C F

I

C F

I was standing

C F

You were there

C F

Two worlds collided

G

And they could never tear us apart

Break:

e|-------------------------------x--|

B|-------------------------------2--| Muted A Chord

G|-------------------------------2--| [x 0 2 2 x x]

D|-------------------------------0--|

A|-0--3--5--0~~~--0--3--5--0~~~--x--|

E|-------------------------------x--|

Verse:

Am F

We could live for a thousand years

Dm F

But if I hurt you, I'd make wine from your tears

Am F

I told you that we could fly

Dm F

Cause we all have wings but some of us don't know why

Chorus:

C F

I

C F

I was standing

C F

You were there

C F

Two worlds collided

G

And they could never, ever, tear us apart

Break

Titty over a verse

Chorus (x2):

C F

I (Don't ask me)

C F

I was standing (You know it's true)

C F

You were there (Worlds collided)

C F

Two worlds collided (Shining through)

G

And they could never tear us apart

Midnight Rider by Allman Brothers

D

I got to run to keep from hiding

D

And I'm bound to keep on riding

D

And I've got one more silver dollar

Gm7

But I'm not gonna let them catch me, no

Am7 D

Not gonna let them catch the midnight rider

I don't own the clothes I'm wearing

And the road goes on forever

And I've got one more silver dollar

But I'm not gonna let them catch me, no

Not gonna let them catch the midnight rider

BRIDGE:

D Am7 Gm7 Am7 Gm7 Am7 Gm Gm7 Gm7addE Gm7 D

I've gone past the point of caring

Some old bed I'll soon be sharing

And I've got one more silver dollar

But I'm not gonna let them catch me, no

Not gonna let them catch the midnight rider

No I'm not gonna let them catch me, no

Not gonna let them catch the midnight rider (repeat both lines 2X)

Footloose by Kenny Loggins

D#dim = xx1212

Intro: A in a Bo Diddley beat. Can also do a lead with E4 bent then A0.

A D A D A D A

Been working so hard , keep punching my card, eight hours, for what?

D A

Oh, tell me what I got...I got this feelin that times just a holdin me down,

D D#dim E [E2 E3 E4]

i'll hit the ceiling...or else i'll tear up this town........

Tonight I gotta cut

Chorus:

A D-A

Loose, footloose

D A

Kick off your Sunday shoes

D A

Please, Louise

D A

Pull me offa my knees

D-A

Jack, get back

D A

C'mon before we crack

D-A

Lose your blues

G D A [Riff]

Everybody cut footloose

A D A D A D A

You're playing so cool, Obeying every rule, Dig way down in your heart

D

You're yearning, burning for some, somebody to tell you,

A

that life ain't passing you by

D D#dim E [E2 E3 E4]

I'm trying to tell you, It will if you don't even try

You can fly if you'd only cut

Chorus

Loose, footloose

Kick off your Sunday shoes

Oo whee, Marie

Shake it, shake it for me

Whoa, Milo

C'mon, c'mon let go

Lose your blues

G D A

Everybody cut footloose

Bridge:

A

Cut foot loose

Cut foot loose

cut foot loose

You've got to turn me around

And put your feet on the ground

Now take ahold of all

E E2 E3 E4

(ahh ahhh ahhh ahh)

I've gotta cut loose!

[Chorus1]

Lets Hear it For the Boy from Footloose

By Denise Williams

Capo on 1 for album key. Since I sing it low I like to capo up farther.

Get in a groove with the C / Am / F / G. And maybe play the riff on kazoo?

Verse 1:

C Am F G C Am F G

My baby, he don't talk sweet..he ain't got much to sa...y.

C Am F G

But he loves me, loves me, loves me, I know that he loves

C Am F G

me anyway.

C Am F G C Am F G

And maybe he don't dress fine, but I don't really mi...nd.

A# C

Cause every time he pulls me near, I just wanna cheer...

CHORUS:

D G C A D G C A

Let's hear it for the boy..Let's give the boy a ha...nd.

D G C A D G C A

Let's hear it for my baby..you know you gotta understa..nd.

Em A

Maybe he's no Romeo, but he's my loving one-man show.

Em C G A A7 D

Whooa, whooa, whooa-oh..Let's hear it for the boy.

[G7 to transition back to C?]

#2.

C Am F G C Am F G

My baby may not be rich..he's watching every di..me.

C Am

But he loves me, loves me, loves me.

F G C

We always have a real good time.

C Am F G C Am F G

And maybe he sings off-key, but that's all right by m...e, yeah.

A# C

Cause what he does, he does so well, makes me want to yell.

[Chorus x2]

I Need A Hero from Footloose

Am

Where have all the good men gone

G

And where are all the gods?

F

Where's the street-wise Hercules

E

To fight the rising odds?

Am G

Isn't there a white knight upon a fiery steed?

F G

Late at night I toss and turn and dream

of what I need

Chorus:

Am

I need a hero

G

I'm holding out for a hero 'til the end of the night

F

He's gotta be strong and he's gotta be fast

C G

And he's gotta be fresh from the fight

Am

I need a hero

G

I'm holding out for a hero 'til the morning light

F

He's gotta be strong and he's gotta be smooth

C G

And he's gotta be larger than life.

Am G

Somewhere after midnight in my wildest fantasy

F

Somewhere just beyond my reach

E

There's someone reaching back for me

Am G

Racing on the thunder and rising with the heat

F E

Its gonna take a superman to sweep me off my feet

[Chorus x2]

John Barleycorn Must Die

Mostly based on this amazing solo version.

Capo 7

D C G Am A5 2x

D Am C G Am A5 Am A5

There were three men came out of the west,

D C G Am A5 Am A5

their fortunes for to try

D Am C G Am A5 Am A5

And these three men made a solemn oath:

D C G Am A5 Am A5

John Barleycorn must die.

C C/B Am

They've ploughed, they've sewn, they've harrowed him in;

C D E7sus E7 E7sus E7

threw clods upon his head

Dm Am C G Am A5 Am A5

And these three men made a solemn vow:

D C G Am A5 Am A5

John Barleycorn was dead.

D C G Am A5 Am A5 4x

D Am C G Am A5 Am A5

They've let him lie for a very long time,

D C G Am A5 Am A5

till the rains from heaven did fall

D Am C G Am A5 Am A5

And little Sir John sprung up his head,

D C G Am A5 Am A5

and so amazed them all.

C C/B Am

They've let him stand till midsummer's day,

C D E7sus E7 E7sus E7

till he looked both pale and wan

Dm Am C G Am A5 Am A5

And these three men made a solemn oath,

D C G Am A5 Am A5

on poor John Barleycorn.

D C G Am A5 Am A5 4x

D Am C G Am A5 Am A5

They've hired men with the scythes so sharp,

D C G Am A5 Am A5

to cut him off at the knee

D Am C G Am A5 Am A5

They've rolled him and tied him by the waist,

D C G Am A5 Am A5

servin' him most barbarously.

C C/B Am

They've hired men with the sharp pitchforks,

C D E7sus E7 E7sus E7

who pricked him to the heart

Dm Am C G Am A5 Am A5

And the loader he has served him worse than that,

D C G Am A5 Am A5

for he's bound him to the cart

D C G Am A5 Am A5 4x

D Am C G Am A5 Am A5

They've wheeled him around and around the field,

D C G Am A5 Am A5

till they came unto a barn

D Am C G Am A5 Am A5

And there they made a solemn oath,

D C G Am A5 Am A5

on poor John Barleycorn.

C C/B Am

They've hired men with the crab-tree sticks,

C D Esus E Esus E

to cut him skin from bone

Dm Am C G Am A5 Am A5

And the miller he has served him worse than that,

D C G Am A5 Am A5

for he's ground him between two stones.

D C G Am A5 Am A5 4x

D Am C G Am A5 Am A5

And little Sir John and the nut-brown bowl,

D C G Am A5 Am A5

and his brandy in the glass

D Am C G Am A5 Am A5

And little Sir John and the nut-brown bowl,

D C G Am A5 Am A5

proved the strongest man at last.

C C/B Am

The huntsman, he can't hunt the fox,

C D E7sus E7 E7sus E7

nor so loudly to blow his horn

Dm Am C G Am A5 Am A5

And the tinker he can't mend kettle nor pots,

D C G A major (can do x02225)

without a little Barleycorn

Just the lyrics:

There were three men came out of the west,

their fortunes for to try

And these three men made a solemn oath:

John Barleycorn must die.

They've ploughed, they've sewn, they've harrowed him in;

threw clods upon his head

And these three men made a solemn vow:

John Barleycorn was dead.

They've let him lie for a very long time,

till the rains from heaven did fall

And little Sir John sprung up his head,

and so amazed them all.

They've let him stand till midsummer's day,

till he looked both pale and worn

And these three men made a solemn oath,

on poor John Barleycorn.

They've hired men with the scythes so sharp,

to cut him off at the knee

They've rolled him and tied him by the waist,

servin' him most barbarously.

They've hired men with the sharp pitchforks,

who pricked him to the heart

And the loader he has served him worse than that,

for he's bound him to the cart

They've wheeled him around and around the field,

till they came unto a barn

And there they made a solemn oath,

on poor John Barleycorn.

They've hired men with the crab-tree sticks,

to cut him skin from bone

And the miller he has served him worse than that,

for he's ground him between two stones.

And little Sir John and the nut-brown bowl,

and his brandy in the glass

And little Sir John and the nut-brown bowl,

proved the strongest man at last.

The huntsman, he can't hunt the fox,

nor so loudly to blow his horn

And the tinker he can't mend kettle nor pots,

without a little Barleycorn

Youve Really Got A Hold On Me by Smoky Robinson

This is a Beatles-centric version, but I think the Smoky is the same.

Intro bass:

E E F# A B A F# A C# C# B A B F# A C# C# B A B F#

A

I don't like you, but I love you

F#m

Seems that I'm always thinking of you

A A7 D B7

Oh,oh,oh, you treat me badly, I love you madly,

E7 A

you really got a hold on me (you really got a hold on me )

F#m

you really got a hold on me (you really got a hold on me ) baby,

A

I don't want you, but I need you

F#m

Don't wanna kiss you, but I need to

A A7 D B7

Oh, oh, oh, you do me wrong now, my love is strong now,

E7 A

you really got a hold on me (you really got a hold on me )

F#m

you really got a hold on me (you really got a hold on me ) baby,

A A7 D

I love you and all I want you to do is just

A E7

Hold me, hold me, hold me, hold me...

Bridge:

Tighter

E E F# A B A F# A C# C# B A B F#m chord E chord A chord

Tighter

x02xxx x22xxx x02xxx x22xxx x02xxx F#m E chord A chord

A

I wanna leave you, don't wanna stay here

F#m

Don't wanna spend another day here

A A7 D B7

Oh, oh, oh, I wanna spit now, I just can quit now

E7

you really got a hold on me (you really got a hold on me )

F#m

you really got a hold on me (you really got a hold on me ) baby,

A A7 D

I love you and all I want you to do is just

A E7

Hold me, hold me, hold me, hold me...

Ending:

A

You really got a hold on me (you really got a hold on me )

F#m

You really got a hold on me (you really got a hold on me )

A A6 [x02222]

[Bass: ... A F# E A F# E A]

Just lyrics:

I don't like you, but I love you

Seems that I'm always thinking of you

Oh,oh,oh, you treat me badly, I love you madly,

you really got a hold on me (you really got a hold on me )

you really got a hold on me (you really got a hold on me ) baby,

I don't want you, but I need you

Don't wanna kiss you, but I need to

Oh, oh, oh, you do me wrong now, my love is strong now,

you really got a hold on me (you really got a hold on me )

you really got a hold on me (you really got a hold on me ) baby,

I love you and all I want you to do is just

Hold me, hold me, hold me, hold me...

Tighter

Tighter

I wanna leave you, don't wanna stay here

Don't wanna spend another day here

Oh, oh, oh, I wanna spit now, I just can quit now

you really got a hold on me (you really got a hold on me )

you really got a hold on me (you really got a hold on me ) baby,

I love you and all I want you to do is just

Hold me, hold me, hold me, hold me...

You really got a hold on me (you really got a hold on me )

You really got a hold on me (you really got a hold on me )

Please Please Please (Let me Get What I Want) by The Smiths

The original

Capo on 2 for album key, I like capo 3.

Cmaj7 G C G

Good times for a change

Em

See, the luck I've had

Fmaj7

Can make a good man

G (Gsus4) G

Turn bad

Fmaj7 G

So please please please

C G/B Am7 Am7/G

Let me, let me, let me

Fmaj7 G

Let me get what I want

Am7 [fill - Fmaj7 / G]

This time

Cmaj7 G C G

Haven't had a dream in a long time

Em

See, the life I've had

Fmaj7 G (Gsus4) G

Can make a good man bad

Fmaj7 G

So for once in my life

C G/B Am7 Am7/G

Let me get what I want

Fmaj7 G Am7

Lord knows, it would be the first time

Fmaj7 G C C7 or C9

Lord knows, it would be the first time

Outro:

| Fmaj7 | G | C G/B | Fmaj7 |

| Fmaj7 | G | C | C9 |

| Em | Em | Am | Am |

| Fmaj7 | Fmaj7 | G* |

Good times for a change

see, the luck I've had

can make a good man turn bad

So please please please

let me, let me, let me /

let me get what I want this time

Haven't had a dream in a long time

see, the life I've had

can make a good man bad

So for once in my life

let me get what I want

Lord knows it would be the first time

Lord knows it would be the first time

Outro:

| Fmaj7 | G | C G/B | Fmaj7 |

| Fmaj7 | G | C | C9 |

| Em | Em | Am | Am |

| Fmaj7 | Fmaj7 | G* |

There Is A Light That Will Never Go Out by the Smiths

Like most Smiths songs its about the groove. For the verses just do the pattern over and over fluidly.

CHECK OUT THIS TUTORIAL

Capo on 4

G6 = 320000

Intro: Dm F G

Am G6 Am G6 F C G

Take me out tonight

where there's music and there's people

who are young and alive

Driving in your car

I never never want to go home

because I haven't got one

anymore

Take me out tonight

because I want to see people and I

want to see lights

Driving in your car

oh please don't drop me home

because it's not my home, it's their

home, and I'm welcome no more

Dm F G

Chorus:

[G] C Am

And if a double-decker bus

F [F - hold it]

crashes into us

G C

to die by your side

F G

such a heavenly way to die

C Am

And if a ten ton truck

F [F - hold it]

kills the both of us

G C

to die by your side

F G

the pleasure the privilege is mine

Am G Am G F C G

Take me out tonight

oh take me anywhere, I don't care

And in the darkened underpass

I thought Oh God, my chance has come at last

(but then a strange fear gripped me and I

just couldn't ask)

Am G6 Am G6 F C G

Take me out tonight

take me anywhere, I don't care

Just driving in your car

I never never want to go home

because I haven't got one

I haven't got one

Dm F G

Chorus:

[G] C Am

And if a double-decker bus

F [F - hold it]

crashes into us

G C

to die by your side

F G

such a heavenly way to die

C Am

And if a ten ton truck

F [F - hold it]

kills the both of us

G C

to die by your side

F G

the pleasure the privilege is mine

Am G Am G

There is a light and it never goes out

F C G

There is a light and it never goes out

Shoplifters of the World Unite by The Smiths

Original

E D A E

Learn to love me assemble the ways

Now today tomorrow and always

My only weakness is a list of crimes

My only weakness is well nevermind, nevermind

CHORUS:

G C Am [C D] G

Shoplifters of the world

C Am [C D] G

Unite and take over

G C Am

Shoplifters of the world

G C Am

hand it over, hand it over, hand it over

E D A E

Learn to love me assemble the ways

Now today tomorrow and always

My only weakness is a list of crimes

But / last night the plans for a future war

Was all I saw on Channel 4

[CHORUS]

[Titty over a verse]

[Bridge, heavy Morrissey skat, very hard to pull off, CAN SKIP TO REGULAR CHORUS]

G C Am

A heartless hand on my shoulder a push and it's over

G C Am

alabaster crashes down, six months is a long time

G C Am G C Am

tried living in the real world, instead of a shell but before I began

G C Am C D G

I was bored before I even began

G C Am G C Am

Shoplifters of the world unite and take over (2X)

G C Am G C Am

Shoplifters of the world ... hand it over.

Panic by the Smiths

Nice cover by Peter Yorn

Intro:

| C | D Bb F |

G Em

Panic on the streets of London

G Em

Panic on the streets of Birmingham

C D Bb F

I wonder to myself

G Em

Could life ever be sane again?

G Em

The Leeds side-streets that you slip down

C D Bb F

I wonder to myself

G Em

Hopes may rise under Grasmere

G Em

But honey pie, you're not safe here

C

So you run down

D Bb F

To the safety of the town

G Em

But there's panic on the streets of Carlisle,

G Em

Dublin, Dundee, Humberside

C D Bb F

I wonder to myself [goes very low]

Instrumental bridge (triplets sound nice):

| Em | Em | Bm | D |

| Em | Em | Bm | D |

G Em

Burn down the disco

G Em

Hang the blessed DJ

C [C/B] D

Because the music that they constantly play

G Em

It says nothing to me about my life

G Em

Hang the blessed DJ

C [C/B] D Bb F

Because the music they constantly play

G Em

The Leeds side-streets that you slip down

G Em

Provincial towns you jog 'round

C [C/B] D

Hang the DJ, Hang the DJ, Hang the DJ

C [C/B] D

Hang the DJ, Hang the DJ, Hang the DJ

C [C/B] D

Hang the DJ, Hang the DJ, Hang the DJ

Bb G Em

HANG THE DJ, HANG THE DJ

G Em

HANG THE DJ, HANG THE DJ

C [C/B] D

Hang the DJ, Hang the DJ, Hang the DJ

Bb G Em

HANG THE DJ, HANG THE DJ

G Em

HANG THE DJ, HANG THE DJ

C [C/B] D

Hang the DJ, Hang the DJ, Hang the DJ

Bb G Em

HANG THE DJ, HANG THE DJ

G Em

HANG THE DJ, HANG THE DJ

[repeat to taste]

Bigmouth Strikes Again by The Smiths

Capo 4

Dadd9 = 54035

C = play the G on high E

Riff throughout:

Am - C - Dadd9

Am - F - G

Am C Dadd9 (or G) Am

Sweetness, sweetness, I was only joking when

F G Am C Dadd9 Am F G

I said I'd like to smash every tooth in your head

Sweetness, sweetness I was only joking when

I said by rights you should be bludgeoned in your bed.

And now I know how Joan of Arc felt,

now I know how Joan of Arc felt, as the flames rose

to her Roman nose and her Walkman started to melt

Interlude riff (over verse pattern x4):

-0------------0--------3-0----0------------0-------3-0-----------|

---3--1-1-0-1---3--1-1-----------3-1-1-3-1---3-1-1---------------|

-----------------------------------------------------------------|

-----------------------------------------------------------------|

-----------------------------------------------------------------|

-----------------------------------------------------------------|

Chorus:

Am C Dadd9 (or G)

Bigmouth la da da da da

Am F G

Bigmouth la da da da

Am C

Bigmouth strikes again and I've got no right

Dadd9 Am F G

to take my place with the human race

[chorus]

And now I know how Joan of Arc felt,

now I know how Joan of Arc felt, as the flames rose

to her Roman nose and her hearing aide started to melt

Bridge (x2):

Em - D

Em - F - G

[chorus]

Last Night I Dreamt That Somebody Loved Me by The Smiths

Original (after long intro). Interesting to capo up 4 like the version from The Thrills (on my jukebox)

Pattern throughout (heavy 3/4 time rhytm):

Em / C / Cm / Bm7 B7 /

Can put pinky on F# on high E when doing the Em for melody

Em C

Last night I dreamt

Cm Bm7 B7

That somebody loved me

Em C

No hope, no harm

Cm Bm7 B7

Just another false alarm

Em C

Last night I felt

Cm Bm7 B7

Real arms around me

Em C

No hope, no harm

Cm Bm7

Just another false alarm

B7 Em

So, tell me how long

C Cm Bm7

Before the last one ?

B7 Em

And tell me how long

C Cm Bm7

Before the right one?

B7 Em C

The story is old, I know

Cm Bm7

But it goes on

B7 Em C

The story is old, I know

Cm Bm7 B7

But it goes on

Meat is Murder by The Smiths

Original version iis here

Heavy 3/4 time

Intro pattern (or can do the climbing bassline from end of verses):

Em / Em/F# [2x2000] / Em / Em/F# .

C / C / D (C on 3rd fret) / D

[Can skip this and go straight to next part?]

C D Em

Heifer whines ... could be human cries

C D Em

Closer, comes the screaming knife

Sing: D C B

C [or Cadd9]

This beautiful creature must die

Sing: B G

A7

This beautiful creature must die

C

A death for no reason

D [or D7] Em [climbing bass E2 E3 E5 E7]

And death for no reason is MURDER

C

And the flesh you so fancifully fry

A7

Is not succulent, tasty or kind

C C/B

It's death for no reason

C D7 Em [Bass E2] D (or A7?)

And death for no reason is MURDER

C C/B Am D Em [climbing bass E2 E3 E5 E7]

And the calf that you carve with a smile... is murder

C C/B Am D Em [climbing bass E2 E3 E5 E7]

And the turkey you festively slice... is murder

G [355400] F# [244300] F [133200] Em

Ooh, and do you know how animals die ?

[Intro]

C

Kitchen aromas aren't very homely

A7

It's not comforting, cheery or kind

C D Em

It's sizzling blood and the unholy stench of murder

C

It's not natural, normal or kind

A7

The flesh you so fancifully fry

C C/B C D Em A7

The meat in your mouth as you savour the flavour of murder

C C/B Am D Em [A7 or bass]

No, no, no, its murder

C C/B Am D Em [A7 or bass]

No, no, no, its murder

G F# F Em

Oh ... and who hears when animals cry?

Death of a Disco Dancer by the Smiths

Very hard to pull off. Original version, and Dannys great cover

Repeating pattern throughout. Can play it as:

B = x24400

A = x02200

G#m = 4x440x

G = 350400

B A G#m G

The death of a disco dancer

B A G#m E [usually G]

Well, it happens a lot 'round here

And if you think peace is a common goal

That goes to show how little you know

The death of a disco dancer

Well, I'd rather not get involved [switches from just bass here]

I never talk to my neighbour

I'd rather not get involved

Love, peace and harmony?

Love, peace and harmony?

Oh, very nice

Very nice

Very nice

Very nice

...but maybe in the next world

[Repeat last verse higher]

Bridge to ending Beatlesy jam (I think):

Bm (x2443x) / A? x0443x / Gm7b5 4x043x / E

Beat on the Brat by the Ramones

Play all as E barres.

Intro:

B [Can do a little rockabilly Bb - B]

B

Beat on the brat, beat on the brat

Beat on the brat with a baseball bat

E F# B

Oh yeah, oh yeah, oh

Beat on the brat, beat on the brat

B

Beat on the brat with a baseball bat

Oh yeah, oh yeah, oh

E F# B

Oh yeah, oh yeah, oh

Chorus:

A F#

A F# B

What can you do

E B

What can you do

E B

With a brat like that always on your back

A

What can you lose

F# B

What can you do

E B

With a brat like that always on your back

A F# A F#

What can you lose Lose

B E B E B

[Intro]

[repeat whole song]

Blitzkreig Bop by the Ramones

Album key is A.

Groove through most of it

(can play with a Bo Diddley beat)

G / C D [x3]

G / D

Hey ho, let's go! hey ho, let's go!

Hey ho, let's go! hey ho, let's go!

G C D

They're forming in a straight line

They're going through a tight wind

The kids are losing their minds

G C G

The blitzkrieg bop

They're piling in the back seat

They're generating steam heat

Pulsating to the back beat

The blitzkrieg bop

Chorus:

C

Hey ho, let's go

G

Shoot'em in the back now

C

What they want, I don't know

A D

They're all revved up and ready to go

[repeat from verse 1]

[chorus]

[repeat from verse 1]

[chorus]

Hey ho, let's go! hey ho, let's go!

Hey ho, let's go! hey ho, let's go!

I Wanna Be Your Boyfriend by The Ramones

Original

E A

Hey, little girl

[B] E A [B]

I wanna be your boyfriend

E A

Sweet little girl

B E A [B]

I wanna be your boyfriend

Chorus:

C#m A

Do you love me babe?

C#m A

What do you say?

C#m A

Do you love me babe?

C#m A E

What can I say?

A B E A B

Because I wanna be your boyfriend.

[verse]

[titty oooooh over chorus]

Because I wanna be your boyfriend....

[verse]

[chorus]

[etc]

I Wanna Be Sedated by The Ramones

[intro]

E x2

[verse]

E A E

Twenty, twenty, twenty four hours to go, I wanna be sedated

E A E

Nothin' to do, no where to go, oh, I wanna be sedated

[chorus]

B E

Just get me to the airport, put me on a plane

B E

Hurry, hurry, hurry, before I go insane

B E

I can't control my fingers, I can't control my brain

A B E

Oh no, oh, oh, oh, oh

[verse]

E A E

Twenty, twenty, twenty four hours to go, I wanna be sedated

E A E

Nothin' to do, no where to go, oh, I wanna be sedated

[chorus]

B E

Just put me in a wheelchair, get me on a plane

B E

Hurry, hurry, hurry, before I go insane

B E

I can't control my fingers, I can't control my brain

A B

Oh no, oh, oh, oh, oh

[titty over a verse]

E A B E x2

[intro pattern briefly then modulate up to F#]

E

[verse - modulated]

F# B F#

Twenty, twenty, twenty four hours to go, I wanna be sedated

F# B F#

Nothin' to do, no where to go, oh, I wanna be sedated

[chorus]

C# F#

Just put me in a wheelchair, get me to the show

C# F#

Hurry, hurry, hurry, before I go loco

C# F#

I can't control my fingers, I can't control my toes

B C# F#

Oh no, oh, oh, oh, oh

[verse]

F# B F#

Twenty, twenty, twenty four hours to go, I wanna be sedated

F# B F#

Nothin' to do, no where to go, oh, I wanna be sedated

[chorus]

C# F#

Just put me in a wheelchair, get me to the show

C# F#

Hurry, hurry, hurry, before I go loco

C# F#

I can't control my fingers, I can't control my toes

B C#

Oh no, oh, oh, oh, oh

[outro]

F# B C# F#

Bamp bamp, ba bamp, ba bamp bamp, ba bamp, I wanna be sedated

F# B C# F#

Bamp bamp, ba bamp, ba bamp bamp, ba bamp, I wanna be sedated

F# B C# F#

Bamp bamp, ba bamp, ba bamp bamp, ba bamp, I wanna be sedated

F# B C# F#

Bamp bamp, ba bamp, ba bamp bamp, ba bamp, I wanna be sedated

A Shanty in Old Shanty Town

Goold ol 1932 goodness. Unfortunately the Warner Williams and Jay Summerour version doesnt seem to be on the YouTubes.

Nice progression:

C x32013 (melody on E3)

E7 0xx434 (melody on E4)

A7 X02225 (melody on E5) E5 E3 B5 B2 / G2 G1 G0 D4

D9 (alternating bass) B5 B3 B5 B3 B1 G2 (play melody)

F

D#dim (arpegiate)

C (descending bass)

A7

D7 (or Dm7)

G7

C turnaround: G0 G2 B1 B3 E0 B1 G2 G0

C E7 A7

Shanty Shanty, old shanty town

D9

That old roof is so slanty, it almost touched the ground

F Fm6 [or Fm or D#dim xx4545]

Just an old tumbled down shack

C A7

sitting by that old railroad track

D7 (or Dm7?) G7 C G7

A shanty in old Shanty Town

[whistling titty]

C E7 A7

I'll give up my palace, if I was a king

D9

Its more than my palace, its my all everything

F Fm6 [or Fm or D#dim xx4545]

There's a queen waiting there

C A7

With the silver all in her hair

D7 G7 C G7

A shanty, in old Shanty Town

[whistling titty]

C E7 A7

If I was a hobo, and you was a king

D9

I'd come into your icebox, I'd eat up everything

F Fm6

There's an old tumbled down shack

C A7

sitting by that old railroad track

D7 G7 C G7

A shanty, in old Shanty Town

Jammin by Bob Marley

High in the album key of Bm, but Am is awesome

Or another way, play in Fm with jazz chords. See voice note memo

Fm7 Bb9 or Fm6 C#M7 as x4356x C7#9 (hendrix) sometimes to C7b9 to F#7b5

We're jamming, I wanna jam it with you,

We're jamming jamming, and I hope you like jamming too.

Bm7 E7 G F#m7

We're jamming, I wanna jam it with you,

We're jamming jamming, and I hope you like jamming too.

Ain't no rules ain't no vow

we can do it anyhow

and I and I will see you through,

'Cos every day we pay the price

with a loving sacrifice

jamming till the jam is through.

We're jamming, to think that jamming was a thing of the past,

We're jamming, and I hope this jam is gonna last.

No bullet can stop us now

we neither beg nor will won't bow

neither can be bought nor sold.

We all defend the right

that the children us unite,

your life is worth much more than gold.

We're jamming [jamming jamming jamming]

And we're jamming in the name of the lord

We're jamming [jamming jamming jamming]

Jamming right straight from yours

Bridge:

Bm7 Em[7]

Holy mount Zion

Bm7 Em[7]

Holy mount Zion

Bm7

Jah sitteth in mount Zion

Bm7

And rules all Creation, yeah we're,

Bm7 E7 G F#m7

we're jamming.

We're jamming, I wanna jam it with you.

We're jamming jamming, I'm jammed I hope you're jamming too.

Jam's about my pride and truth I cannot hide

to keep you satisfied.

True love that now exists is the love I can't resist

so jam by my side.

We're jamming [jamming jamming jamming]

And we're jamming in the name of the lord

We're jamming [jamming jamming jamming]

Hope you like jammin too.

[We're jamming we're jamming, etc.]

Sweet Virginia by the Rolling Stones

Original, and a nice tutorial on the intro etc.

capo 2!

Intro:

G / D / G C / G [climb to C]

C A7 G

Wading through the waste stormy winter

C A7 G

And there's not a friend to help you through

C A7 G C

Trying to stop the waves behind your eyeballs

G D G C

Drop your reds drop your greens and blues

C A7 G

Thank you for your wine, California

C A7 G

Thank you for your sweet and bitter fruits

C A7 G C

Yes, I've got the desert in my toenail

G D G

And I hid the speed inside my shoe

[higher]

C A7 G

But come on come on down Sweet Virginia

C A7 G

Come on honey child I beg of you

C A7 G C

Come on come on down you got it in ya [uh huh]

G D G

Got to scrape that shit right off your shoes

[Titty over a verse]

[Repeat last verse 2x]

Ending:

G D C G

Got to scrape that shit right off your shoes

Wading through the waste stormy winter

And there's not a friend to help you through

Trying to stop the waves behind your eyeballs

Drop your reds drop your greens and blues

Thank you for your wine, California

Thank you for your sweet and bitter fruits

Yes, I've got the desert in my toenail

And I hid the speed inside my shoe

But come on come on down Sweet Virginia

Come on honey child I beg of you

Come on come on down you got it in ya [uh huh]

Got to scrape that shit right off your shoes

Youve Got To Hide Your Love Away by The Beatles

G D F G C F C

Here I stand with head in hand turn my face to the wall.

G D F G C F C D

If she's gone I can't go on feeling two foot small.

G D F G C F C

Everywhere people stare each and every day

G D F G C F C D D/C D/B D/A

I can see them laugh at me And I hear them say

Chorus

G C Dsus4 D Dsus2 D

Hey, you've got to hide your love away

G C Dsus4 D Dsus2 D

Hey, you've got to hide your love away

G D F G C F C

How can I even try I can never win.

G D F G C F C D

Hearing them, seeing them in the state I'm in.

G D F G C F C

How could she say to me "Love will find a way" ?

G D F G C F C D D/C D/B D/A

Gather 'round, all you clowns, Let me hear you say

[chorus]

[titty flute over a verse]

My Girl by the Temptations

Album key is C. A is great, and G is awesome if not warmed up.

Nice to do the riff on the 5th fret (major scale). And nice to play with barres.

A D A

I've got sunshine on a cloudy day

A D A

And when it's cold outside, I've got the month of May

CHORUS:

A Bm D E

I guess you say,

A Bm D E

What can make me feel this way?

A

My girl...

D E7

Talkin' 'bout my girl

A D A

I've got so much honey the bees envy me

A D A

I've got a sweeter song than the birds in the trees

(Chorus)

[Optional Bridge]

A D A

Hey, Hey, Hey

A D Bm E C#m D#m7

Hey, Hey, Hey

B E B E

I don't need no money, fortune or fame

B E B E

I've got all the riches, baby, one man can claim

CHORUS:

B C#m E F#

I guess you say,

B C#m E F#

What can make me feel this way?

B

My girl...

E F#7

Talkin' 'bout my girl

I've got sunshine on a cloudy day

And when it's cold outside, I've got the month of May

I guess you say,

What can make me feel this way?

My girl...

Talkin' 'bout my girl

I've got so much honey the bees envy me

I've got a sweeter song than the birds in the trees

(chorus)

I don't need no money, fortune or fame

I've got all the riches, baby, one man can claim

(chorus)

Young Man Blues by The Who

Intro

riffA-------------------|1st time. 2nd time.

(E) ~~~

|-------------------------|-------| |----------|

|----3-2-0----------------|-------| |---0w/drum|

|----4-2-0----------------|(0)(2)-| |---x-fill-|

|-2---------2p0---0--2p0--|-0--2--| |---2------|

|---------------2--------2|-------| |---2------|

|-------------------------|-------| |3b-0------|

Oh well a young man ain't got nothin' in the world these days

I said a young man ain't got nothin' in the world these days

You know in the old days

When a young man was a strong man

All the people they'd step back

When a young man walked by

But you know nowadays

It's the old man,

He's got all the money

And a young man ain't got nothin' in the world these days

I said nothing

Eyes of the World by The Grateful Dead

Album key is E. D is nice, so is C.

Nice to play barres. If doing in C can do the Cmaj7 on 8th fret, and make the F a maj 7 on 8th fret. Lots of these can get the 7th...

Intro: first line of verse

Dmaj7 G* Dmaj7 G Dmaj7 Am G

Right outside this lazy summer home

Dmaj7 G Dmaj7 G Dmaj7 Am G

You aint got time to call your soul a critic, no

G Bm A G

Right outside the lazy gate of winters summer home

Bm A C G

Wonderin where the nut-thatch winters wings a mile long

Dmaj G Dmaj7 G [Dmaj7] G Bb

Just carried the bird away

F Bb F Bb

Wake up to find out that you are the eyes of the world

F Bb F Bb B

But the heart has its beaches, its homelands and thoughts of its own

C Bb F Bb

Wake now, discover, that you are the song that morning brings

F Bb C Csus4 C Am G

But the heart has its seasons, its evenings and songs of its own

Dmaj7 G Dmaj7 G Dmaj7 Am G

There comes a redeemer and he slowly too fades away

Dmaj7 G Dmaj7 G Dmaj7 Am G

There follows a wagon behind him thats loaded with clay

G Bm A G

And the seeds that were silent all burst into bloom and decay- ay

Dmaj7 G Dmaj7 G [Dmaj7] G Bb

And night comes so quiet its close on the heels of the day

Chorus:

F Bb F Bb

Wake up to find out that you are the eyes of the world

F Bb F Bb B

But the heart has its beaches, its homelands and thoughts of its own

C Bb F Bb

Wake now, discover, that you are the song that morning brings

F Bb C Csus4 C Am G

But the heart has its seasons, its evenings and songs of its own

Dmaj7 G Dmaj7 G Dmaj7 Am G

Sometimes we live no particular way but our own

Dmaj7 G Dmaj7 G Dmaj7 Am G

Sometimes we visit your country and live in your home

G Bm A G

Sometimes we ride on your horses, sometimes we walk alone

Dmaj7 G Dmaj7 G [Dmaj7] G Bb

Sometimes the songs that we hear are just songs of our own

Chorus:

F Bb F Bb

Wake up to find out that you are the eyes of the world

F Bb F Bb B

But the heart has its beaches, its homelands and thoughts of its own

C Bb F Bb

Wake now, discover, that you are the song that morning brings

F Bb C Csus4 C Am G

But the heart has its seasons, its evenings and songs of its own

Breaking Us In Two by Joe Jackson

(nice in D...)

[F#]Don't you feel like [E]trying something [F#]new [D][E]

[F#]Don't you feel like [E]breaking out or[D] breaking us in [A]two

[D]You don't do the [E]things that I do [D]You want to do things [E]I can't do

[D]Always something breaking [E]us in[F#] two [D][E]

[F#]You and I could [E]never live a[F#]lone[D][E]

[F#] But don't you feel like [E]breaking out Just [D]one day on your [A] own

[D]Why does what I'm[E] saying hurt you [D]I didn't say that [E]we were through

[D]Always something breaking [E]us in [F#]two

[D]They say two [E]hearts should beat as [D]one for [A]us

[D]We'll fight it [E]out to see it [F#]through

[C/A]I say that you [D]won't be too much [Am]fun for [Em]us

Though it's [C]oh so nice to get advice it's [ F#sus/B ]oh so hard to

do[C#sus][C#]

[F#]Could we be much [E]closer if we [F#]tried [D][E]

[F#]We could stay at[E] home and stare in[D]to each other's [A]eyes

[D]Maybe we could [E]last an hour [D]Maybe then we'd [E]see right through

[D]Always something breaking [E]us in [F#]two

Leaning

https://www.youtube.com/watch?v=JyxSm91eun4

C# F# C# G#

Leaning, leaning, safe and secure from all alarms

C# F# C# G# C#

Leaning, leaning, leaning on the everlasting arms

What a fellowship, what a joy devine

leaning on the everlasting arms

What a blessedness, what a piece of mind

leaning on the everlasting arms

Ripple by The Grateful Dead

G C G C G D C G

G C

If my words did glow, with the gold of sunshine

G

And my tunes, were played, on the harp unstrung

C

Would you hear my voice, come through the music?

G D C G

Would you hold it near, as it were your own?

G C

It's a hand-me-down, the thoughts are broken

G

Perhaps they're better left unsung

C

I don't know, don't really care

G D C G

Let there be songs, to fill the air

Am D

Ripple in still water,

G C

When there is no pebble tossed,

A D

Nor wind to blow

G C

Reach out your hand, if your cup be empty

G

If your cup is full, may it be again

C

Let it be known, there is a fountain

G D C G

That was not made, by the hands of men

G C

There is a road, no simple highway

G

Between the dawn, and the dark of night

C

And if you go, no one may follow

G D C G

That path is for, your steps alone

Am D

Ripple in still water,

G C

When there is no pebble tossed,

A D

Nor wind to blow

G C

You who choose, to lead must follow

G

But if you fall, you fall alone

C

If you should stand, then who's to guide you?

G D C G

If I knew the way, I would take you home

G C G C G D C G

Da Da Da Da 2x

One More Time by Joe Jackson

Gm F Dm D#

Tell me one more time as I hold your hand, that you don't love me

Gm F Dm D#

Tell me one more time as teardrops start to fall

A# F Dm D#

Shout it to me and I'll shout it to the skies above me

Gm F Dm D#

That there was nothing after all

A# F

Baby, baby, tell me that you never wanted my loving

A# F D

Baby, baby, tell me that you never, tell me, tell me,

Gm

One more time, one more time

F

Say you're leaving, say goodbye

Gm

One more time, one more time

F

Say you're leaving, say goodbye

Gm F Dm D#

Tell me one more time that we never had a thing in common

Gm F Dm D#

Tell me one more time as you turn and face the wall

A# F Dm D#

Tell me I should know you were never my kind of woman

Gm F Dm D#

Tell me we were fools to fall

A# F

Baby, baby, tell me that you never wanted my loving

A# F Dm

Baby, baby, tell me that you never, tell me, tell me,

Gm

One more time, one more time

F

Say you're leaving, say goodbye

Gm

One more time, one more time

F

Say you're leaving, say goodbye

[Brief solo]

Gm F Dm D#

Tell me one more time your tears are only sad confusion

Gm F Dm D#

Tell me it's just been so long and that is all

A# F Dm D#

Tell me one more time that love was only my illusion

Gm F Dm D#

You never answered to my call

A# F

Baby, baby, tell me that you never wanted my loving

A# F Dm

Baby, baby, tell me that you never, tell me, tell me,

Gm

One more time, one more time

F

Say you're leaving, say goodbye

Gm

One more time, one more time

F

Say you're leaving, say goodbye

Gm

One more time, one more time

F

Say you're leaving, say goodbye

F Gm (quick stop)

One more time

Girl by The Beatles

Capo 3 Fret

Am E7 Am Am7

Is there anybody going to listen to my story

Dm C E7

all about the girl who came to stay?

Am E7 Am Am7

she's the kind of girl you want so much it makes you sorry

Dm Am [Am7]

still you don't regret a single day

C Em Dm G7

ah girl______

C Em Dm G7

girl______

Am E7 Am Am7

when i think of all the times i've tried so hard to leave her

Dm C E7

she will turn to me and start to cry

Am E7 Am Am7

and she promises the earth to me and i believe her

Dm Am

after all this time i don't know why

C Em Dm G7

ah girl______

C Em Dm G7

girl______

Bridge:

Dm A

she's the kind of girl who puts you down

Dm A

when friends are there, you feel a fool

Dm

when you say she's looking good

A Dm F

she acts as if it's understood, she's cool, ooh, ooh, ooh, ooh

C Em Dm G7

girl______

C Em Dm G7

girl______

Am E7 Am Am7

Was she told when she was young that pain would lead to pleasure?

Dm C E7

did she understand it when they said

Am E7 Am Am7

that a man must break his back to earn his day of leisure,

Dm Am

will she still believe it when he's dead?

C Em Dm G7

ah girl______

C Em Dm G7

ah girl______

| Am E7 | Am7 | Dm | C E7 | Instrumental

| Am E7 | Am7 | Dm | Am ||

C Em Dm G7

girl______

C Em Dm G7

girl______

(Fade Out)

Those Were The Days by Archie Bunker

Original key is F (on "Glenn Miller") but I like C or D. Also G is nice. Note that it starts on the dominant.

Nice to the melody on the bass strings.

In C, for unwarmed up. Easier to pick the melody in C too:

G7 C [F C]

A: Boy, the way Glenn Miller played

C [F C]

E: Songs that made the Hit Parade.

C [or FM7] E7 (or C/B) Am7 D7

A: Guys like me, we had it made.

G7 C C7

EA: Those were the days!

[in full version, do welfare state verse here]

F [F6] F

E: And you knew where you were then.

G7 C [F C]

A: Girls were girls and men were men.

C E7 Am AmMaj7 Am7 D7 or D9 G7

EA: Mister, we could use a man like Herbert Hoover again.

G7 C F C

A: Didn't need no welfare state.

C F C

E: Everybody pulled his weight.

C [or FM7] E7 Am7 D7

EA: Gee, our old LaSalle ran great.

G7 C

EA: Those were the days!

G7 C F C

EA: People seemed to be content

C F C

E: 50 dollars paid the rent

C E7 Am7 D7

A: freaks were in a circus tent

G7 C C7

EA: Those were the days.

F [F6] F G7

E: Take a little Sunday spin

G7 C F C

A: Go to watch the Dodgers win

C E7 Am AmMaj7

E: Have yourself a dandy day

Am7 D7 G7

EA: that cost you under a fin

G7 C F C

A: Hair was short and skirts were long

C F C

E: Kate Smith really sold a song

C [or FM7] E7 Am7 D7

A: I don't know just what went wrong

Dm7 G7 C

EA: Those were the days [C beatles]

Again, in G:

D7 G [C G]

A: Boy, the way Glenn Miller played

[D7sus] G [C G]

E: Songs that made the Hit Parade.

Cmaj7 B7 Em7 A7

A: Guys like me, we had it made.

D7 G G7

EA: Those were the days!

[in full version, do welfare state verse here]

C(6) or Cmaj7

E: And you knew where you were then.

D7 G [C G]

A: Girls were girls and men were men.

G B7 Em EmMaj7 Em7 A9 or 7 D7

EA: Mister, we could use a man like Herbert Hoover again.

D7 G C G

A: Aidn't need no welfare state.

G C G

E: Everybody pulled his weight.

Cmaj7 B7 Em7 A7

EA: Gee, our old LaSalle ran great.

D7 G

EA: Those were the days!

D7 G C G

EA: People seemed to be content

G C G

A: 50 dollars paid the rent

Cmaj7 B7 Em7 A7

A: freaks were in a circus tent

D7 G G7

EA: Those were the days.

C(6) or Cmaj7

E: Take a little Sunday spin

D7 G C G

A: Go to watch the Aodgers win

G B7 Em EmMaj7

E: Have yourself a dandy day

Em7 A7 D7

EA: that cost you under a fin

D7 G C G

E: Hair was short and skirts were long

G C G

E: Kate Smith really sold a song

Cmaj7 B7 Em7 A7

A: I don't know just what went wrong

Am7 D7 G

EG: Those were the days [G beatles]

Come Sail Away by Styx

(there's a good karaoke in karaoke playlist Bb E A)

Intro:

C Dm Em Dm C G

C Em Am Am/G/F

I'm sailing away,

G

set an open course for the virgin sea

C Em Am Am/G/F

'Cause I've got to be free,

G

free to face the life that's ahead of me

Am G

On board I'm the captain, so climb aboard

Am G

We'll search for tomorrow, on every shore

C G Am Am/G/F

And I'll try, oh Lord, I'll try,

G C

to carry on

[intro]

C Dm Em Dm C G

C Em Am Am/G/F

I look to the sea,

G

reflections in the waves spark my memory

C Em Am Am/G/F

Some happy, some sad,

G

I think of childhood friends, and the dreams we had

Am G

We lived happily forever, so the story goes

Am G

But somehow we missed out, on the pot of gold

C G Am Am/G/F

But we'll try, best that we can,

G C

to carry on

C F

A gathering of angels,

G F

appeared above my head

C F

They sang to me this song of hope,

G F

and this is what they said, they said

C F

Come sail away, come sail away,

C F

come sail away with me, lads

C F

Come sail away, come sail away,

C F

come sail away with me

C F

Come sail away, come sail away,

C F

come sail away with me, lads

C F

Come sail away, come sail away,

C F

come sail away with me

C F

I thought that they were angels,

G F

but much to my surprise;

C F

we climbed aboard their starship,

G F

and headed for the skies

C F

Come sail away, come sail away,

C F

come sail away with me, lads

C F

Come sail away, come sail away,

C F C F G F

come sail away with me 5x

Ring of Fire by Johnny Cash

Johnny does it in G, sometimes capo'd up 1. I like it capo'd 3.

For the C's, play with high G.

INTRO: G C G G D G

G C G

Love Is A Burning Thing

D G

And It Makes A Fiery Ring

C G

Bound By Wild Desire

D G

I Fell Into A Ring Of Fire

CHORUS (descending bass E3 E2 E0 into it):

D C G

I Fell Into A Burning Ring Of Fire

D

I Went Down, Down, Down

C G

And The Flames Went Higher

And It Burns, Burns, Burns

C G

The Ring Of Fire

D G

The Ring Of Fire

[titty over a verse]

[chorus]

C G

The Taste Of Love Is Sweet

D G

When Hearts Like Ours Meet

C G

I Fell For You Like A Child

D G

Ohh, But The Fire Went Wild

CHORUS:

D C G

I Fell Into A Burning Ring Of Fire

D

I Went Down, Down, Down

C G

And The Flames Went Higher

And It Burns, Burns, Burns

D G

The Ring Of Fire

D G

The Ring Of Fire

[chorus]

And It Burns, Burns, Burns

C G

The Ring Of Fire

D G

The Ring Of Fire (repeat until fade)

Jimmy Jazz by The Clash

Sometimes uses a D9 instead of the D7? Or maybe its a Ddim always.

Ddim = xx1212

Intro: A Ddim F#m D A E A D A E (x2)

A Ddim

Police walked in for Jimmy Jazz

F#m D

I said he ain't here, but he sure went past

A E A D A E

Oh, you're looking for Jimmy Jazz

Satta massagana / for Jimmy Dread

Cut off his ears and / chop off his head

Police came looking for / Jimmy Jazz, Jazz, Jazz, Jazz

So if you're gonna take a message / across this town

Maybe put it down somewhere / over the other side

See it gets to / Jimmy Jazz

[Titty - and use the D9?]

The police came in they said / Now wheres Jimmy Jazz

I said he was here / but he said he went out

Police there looking for / Jimmy Jazz, jazz, jazz, jazz, yeah

Satta massagana / for Jimmy Dread

Cut off his ears and / chop off his head

Oh youre looking for / Jimmy Jazz, Jazz, Jazz, Jazz

[titty with some rapping]

Bankrobber by The Clash

Original

Intro- |G |C G |G |Am G|

|G |C G |C D |G |

Chorus

G C G Am G

My daddy was a bankrobber, but he never hurt no-body.

C D C D G

He just loved to live that way, and he loved to steal your money.

G C G

Some is rich, and some is poor,

Am G

That's the way the world is.

C D

But i don't believe in lying back,

C D G

Sayin' how bad your luck is.

G C G

So we came to jazz it up,

Am G

We never loved a shovel.

C D

Break your back to earn your pay,

C D G

And don't for-get to grovel.

G C G Am G

My daddy was a bankrobber, but he never hurt no-body.

C D C D G

He just loved to live that way, and he loved to steal your money.

[intro]

G C G

The old man spoke up / in a bar

Am G

Said i never been in prison

C D

A lifetime serving one ma-chine

C D G

Is ten times worse than prison

G C G

Imagine if all / the boys in jail

Am G

Could now get out to-gether

C D

Whadda you think / they'd want to say to us?

C D G

While he was being clever

G C G

Someday you'll meet / your rocking chair

Am G

Cos that's where we're spinning

C D

There's no poiunt to wanna comb your hair

C D G

When it's grey and thinning

[intro]

G C G Am G

My daddy was a bankrobber, but he never hurt no-body.

C D C D G

He just loved to live that way, and he loved to steal your money.

G C G

So we came to jazz it up,

Am G

We never loved a shovel.

C D

Break your back to earn your pay,

C D G

And don't for-get to grovel.

[intro]

[chorus]

Anarchy in the UK by the Sex Pistols

Original

Intro and main riff (C barre 8th fret, others A barre):

/ C / % / % / F E5 /

Verse 1:

C F E5

I'm an antichrist

C F E5

I am an anrchist

C F E5

Don't know what I want but I know how to get it

C

I wanna destroy passers-by

Chorus 1:

G F E5 D5 C / F E5

'cos I wanna be Anarchy

C G

[No dog's body]

Verse 2:

C F E5

Anarchy for the U.K.

C F E5

It's coming sometime and may be

C F E5

I'll give a wrong time! Stop a traffic line!

C

Your future dream is a shopping scheme!

Chorus 2:

G F E5 D5 C F E5

cause I wanna be Anarchy

C

In the city

[Optional bridge]

D5 / % / % / E5 C / x3

D5 G

Verse 3:

C F E5

How many ways to get what you want

C F E5

I use the best, I use the rest

C F E5

I use the enemy.

C

I use Anarchy

Chorus 3:

G F E5 D5 C F E5

'Cause I wanna be Anarchy

C

It's the only way to be

Bridge 2 (Guitar solo too):

[Optional bridge]

D5 / % / % / E5 C / x3

D5 G

Verse 4:

C F E5

Is it the M.P.L.A.?

C F E5

or Is it the U.D.A.?

C F E5

or Is it the I.R.A.?

C

I thought it was the U.K.

Chorus 4:

G F E5 D5 C F E5

Or just another country

C

Another council tenancy

G F E5 D5 C F E5 C

I wanna be an anarchy

G F E5 D5 C F E5 C

I wanna be an anarchy

G F E5 D5 C G C

I wanna be an anarchist! I get pissed! Destroy!

Something Else by the Sex Pistols

Original

Intro and main riff:

~D = slide up to D

A-B-C# ~D (x2)

A

D D

Look at that

D D

Here she comes

A-B-C# D C#-D C#-D

Here comes that girl again

A-B-C# D C#-D C#-D

One of the cutest since I don't know when

A

But she don't notice me / when I pass

G

She goes with all the guys / from outta my class

A G

But that can't stop me from a thinkin' to myself

D A

"She's sure fine lookin', man, she's something else"

(INTRO)

Look at that

'Cross the street

There's a car built just for me

To own a car would be a luxury

But right now I can't / afford the gas

A brand new convertible is out of my class

But that can't stop me from thinkin' to myself

"That car's fine lookin', man, it's something else"

Hey, look at that

Just wait and see

Worked hard and saved my dough

I buy that car and then I roll up with Joe

Get me that girl and we go ridin' around

We look real sharp with the wide top down

I keep on dreamin' and thinkin' to myself

"When it all comes true, man, / well that's something else"

Hey, look at that

Watch out this

Never thought I'd do this before

But here I am a-knockin' on her door

My car's out front / and it's all mine

It's a '41 job not a '59

I got that girl and I'm thinkin' to myself

"She's sure fine lookin', man, well she's something else"

Friday I'm In Love by The Cure

Niced mellow Yo La Tengo version: https://www.youtube.com/watch?v=jJwTSTlpsak

And note that the Cure recorded it 1/4 step high out of tune?

Sounds good capod up 2...

OPENING RIFF:

D

e|------------0---2---0--------0------

B|--------3---------------3-----------

G|----0-------------------------------

D|------------------------------------

A|------------------------------------

E|------------------------------------

Intro: fill, then verse pattern. On the A go down from E5 E3 E2 B5

D G

I don't care if Monday's blue

D A

Tuesday's grey and Wednesday too

Bmin G

Thursday I don't care about you

D A

It's Friday I'm in love

D G

Monday you can fall apart

D A

Tuesday Wednesday break my heart

Bmin G

Thursday doesn't even start

D A

It's Friday I'm in love

G A

Saturday wait

Bmin G

And Sunday always comes too late

D A

But Friday never hesitate...

D G

I don't care if Mondays black

D A

Tuesday Wednesday heart attack

Bmin G

Thursday never looking back

D A

It's Friday I'm in love

[Titty over a verse]

D G

Monday you can hold your head

D A

Tuesday Wednesday stay in bed

Bmin G

Or Thursday watch the walls instead

D A

It's Friday I'm in love

G A

Saturday wait

Bmin G

And Sunday always comes too late

D A

But Friday never hesitate...

Bmin G

Dressed up to the eyes, it's a wonderful surprise

D A

To see your shoes and your spirits rise

Bmin G

Throwing out your frown and just smiling at the sound

D A

And as sleek as a shriek spinning round and round

Bmin G

Always take a big bite, it's such a gorgeous sight

D A

To see you eat in the middle of the night

Bmin G

You can never get enough, enough of this stuff

D A

It's Friday I'm in love

D G

I don't care if Monday's blue

D A

Tuesday's grey and Wednesday too

Bmin G

Thursday I don't care about you

D A

It's Friday I'm in love

D G

Monday you can fall apart

D A

Tuesday Wednesday break my heart

Bmin G

Thursday doesn't even start

D A

It's Friday I'm in love

(D,G,D,A,Bmin,G,D,A)...

Safety Dance by Men Without Hats

C

We can dance if we want to

A# F

We can leave your friends behind

A#

Cause your friends don't dance and if they don't dance

C G

Well they're no friends of mine

C

I say, we can go where we want to

A# F

A place where they will never find

A#

And we can act like we come from out of this world

C G

Leave the real one far behind

F

And we can dance

A# D# G# x 2

[or sing]

Verse 2

C

We can go when we want to

A# F

The night is young and so am I

A#

And we can dress real neat from our hats to our feet

C G

And surprise 'em with the victory cry

C

Say, we can act if want to

A# F

If we don't nobody will

A#

And you can act real rude and totally removed

C G

And I can act like an imbecile

Chorus

F A#

I say, we can dance, we can dance

D# G#

Everything's out of control

F A#

We can dance, we can dance

D# G#

We're doing it from pole to pole

F A#

We can dance, we can dance

D# G#

Everybody look at your hands

F A#

We can dance, we can dance

D# G#

Everybody takin' the chance

C G D A C

It's safe tdance, Oh well it's safe to dance,

G D A C | C

Yes it's safe to dance

Verse 3

C

We can dance if we want to

A# F

We've got all your life and mine

A#

As long as we abuse it, never gonna lose it

C G

Everything'll work out right

C

I say, we can dance if we want to

A# F

We can leave your friends behind

A#

'Cause your friends don't dance and if they don't dance

C G

Well they're no friends of mine

Chorus

F A#

I say, we can dance, we can dance

D# G#

Everything's under control

F A#

We can dance, we can dance

D# G#

We're doing it from pole to pole

F A#

We can dance, we can dance

D# G#

Everybody look at your hands

F A#

We can dance, we can dance

D# G#

Everybody takin' the chance

C G D A C

Oh well it's safe tdance, Ah yes it's safe to dance

G D A C

Oh well it's safe to dance, Oh well it's safe to dance

G D A C

Oh yes it's safe tdance, It's a Safety Dance

G D A

Well it's safe tdance, It's a Safety Dance

C

Well it's a Safety Dance, Oh it's a Safety Dance

C

Oh it's a Safety Dance, Well it's a Safety Dance

Goldfinger by Shirley Bassey

The version from the movie is here. Nice cover here, and here. And Shirley doing it live a step down in D.

C+ = x3211x

Fill = D2 D0 A3 A0

And in the horn riff can sometimes use Cmaj7 instead of C?

Intro:

E C/G C+ C [x4]

Verse 1:

E C/G [C+ C] [*Fill]

Goldfinger

Bm E A D#7 [N.C.]

He's the man, the man with the Midas touch

B7

A spider's touch

Verse 2:

E C/G [C+ C]

Such a cold finger

Bm E A D#7 [N.C.]

Beckons you to enter his web of sin

G#m/D# G#m+5/E G#m6/F G#m+5/E

But don't go in

Bridge:

D#m A#7

Golden words he will pour in your ear

D#m7 A#7#9 [ugh... Bmaj7??? or 7x877x]

But his lies can't disguise what you fear

D# Bm6 (or E9)

For a golden girl knows when he's kissed her

F#m6 F#dim

It's the kiss of death from Mister

Verse 3:

E C/G [C+ Cmaj7]

Goldfinger

Bm E A D#7 [N.C.]

Pretty girl, beware of his heart of gold

G#m/D# G#m+5/E G#m6/F G#m+5/E

This heart is cold

[Bridge, Then verse 3]

Ending:

G#m(#5) G#m G#m(#5) G#m6

He loves only gold----------,

G#m(#5) G#m G#m(#5) G#m6

...Only gold-----------,

G#m(#5) G#m G#m(#5) G#m6

...He loves gold----------!

G#m6 ending chord

Diamonds are Forever by Shirley Bassey

Bond version, and a nice cover, and the Arctic Monkeys doing it in F#

Intro:

The movie soundtrack version has a nice fingerpicky intro that sounds a bit like the Elephant Man theme. Can use that for the verses too:

Bm finger picking 024423 finger picking

|---2-------------[x2]-------3-----------------[x2]--|

|-----3---2---2-3--------------2---2---2---3---------|

|-------4---4--------------------4---4---------------|

|----------------------------------------------------|

|-2-----------------------2--------------------------|

|----------------------------------------------------|

Or can just a simple finger pick pattern of (like in the cover):

Bm

|------------------------------|

|------------------------------|

|-----------3-------------------|

|--------4----------------------|

|-----4-------------------------|

|--2----------------------------|

Or just strum a Bm to Em7.

Bm

Diamonds are forever

Em7 [or 022032]

They are all I need to please me

A7

They can stimulate and tease me

Em Em7/D [heavy triplet feel]

They won't leave in the night

Cmaj9 (x320030] [Edim x78080] A7

I've no fear that they might desert me

Bm

Diamonds are forever

Em7

Hold one up and then caress it

A7

Touch it, stroke it and undress it

Em Em7/D

I can see every part

Cmaj9 A7

Nothing hides in the heart to hurt me

Bridge:

F#m7

I don't need love

Bm Em7

For what good will love do me?

C7 [or C9]

Diamonds never lie to me

F#7

For when love's gone

Gdim7 or Bbdim7 (x1202x)

They'll luster on

Bm

Diamonds are forever

Em7

Sparkling round my little finger

A7

Unlike men, the diamonds linger

Em7 Em7/D

Men are mere mortals who

Cmaj9 A7

Are not worth going to your grave for

Bridge:

F#m7

I don't need love

Bm Em7

For what good will love do me?

C7 [or C9]

Diamonds never lie to me

F#7

For when love's gone

Gdim7 or Bbdim7 (x1202x)

They'll luster on

Outro:

Bm

Diamonds are forever, forever, forever

Em7

Diamonds are forever, forever, forever

Cmaj7 Bm

Forever and ever

Too Hot by Kool & The Gang

Cm7 Gm7

At seventeen we fell in love,

Fm7

high school sweethearts,

Abmaj7 G7

love was so brand new

Cm7 Gm7

We took the vows of man and wife,

Fm7 Gsus7 G7

forever, for life

Cmaj7 Am7

I remember how we made our way,

Fmaj7 Dm7 [G7]

a little patience, the times we prayed

Cmaj7 Am7

Can't imagine that this love is through,

Fmaj7 Dm7 [G7]

feeling the pain, girl, when you lose

Chorus:

Cm7 (8x888x) Cm7/B (7x888x)

Oh, it's too hot, too hot, lady

Cm7/Bb (6x888x) F9 (or F9 / A x07888)

Gotta run for shelter, gotta run for shade

Cm7 Cm7/B

It's too hot, too hot lady

Cm7/Bb F9

Gotta cool this anger, what a mess we made

Abmaj7 Gsus7 G7 Cm7 Gm7 Fm7 Abmaj7 G7

So long ago, you were my love, oh my love

Cm7 Gm7

Flyin' high, we never took the time

Fm7 Abmaj7 G7

To stop and feel the need

Cm7 Gm7

Funny how those years go by

Fm7 Gsus7 G7

Changing you, changing me

Cmaj7 Am7

I remember love's fever

Fmaj7 Dm7

in our hearts, girl and in our minds

Cmaj7 Am7

Can't imagine that this love is through

Fmaj7 Dm7

Feeling the pain, girl, when you lose

[chorus x2]

Good ending chord: Cm9+2 8x788-10

This was what I found:

Verses:

//// //// //// / / / /

/Cm7 / F9 / Abmaj7 / G7#9 Gsus7 G7/

//// //// //// // //

/Cm7 / Gm7 / Fm7 / Gsus7 G7/

//// //// //// / / / /

/Cmaj7/ Am7 / Fmaj7 / Dm7 (G bass)/

//// //// //// ////

/Cmaj7/ Am7 / Fmaj7 / Dm7 (G bass)/

Choruses:

//// / / / / / / / / ////

/C min / C min (B bass)/ C min (Bb bass)/ F9 /

//// / / / / / / / / //// //// // //

/C min / C min (B bass)/ C min (Bb bass)/ F9 / Abmaj7 / Gsus7 G7 /

Sitting Here in Limbo by Jimmy Cliff

Nice tutorial on the riffs

Riff:

C

|------------------------------|

|--5---3---1-------------------|

|------------------------------|

|--5---3---2-------------------|

|----------3-------------------|

|------------------------------|

Do the riff whenever it goes back to C

Intro: riff

Verse 1:

C [riff]

Sitting here in limbo, but I know it won't be long

F C

Sitting here in limbo, like a bird without a song

G

Well, they're putting up resistance

F G C

But I know that my faith will lead me on

Verse 2:

Sitting here in limbo, waiting for the dice to roll

Sitting here in limbo, got some time to search my soul

Well, they're putting up resistance

But I know that my faith will lead me on

CHORUS #1:

F C

I don't know where life will lead me

F C

But I know where I've been

F C

I can't say what life will show me

F C

But I know what I've seen

E7 Am

Tried my hand at love and friendship

E7 Am

But all that is past and gone

D7 G

This little boy is moving on

Verse 3:

Sitting here in limbo, waiting for the tide to flow

Sitting here in limbo, knowing that I have to go

Well, they're putting up resistance

But I know that my faith will lead me on

CHORUS #2:

F C

I can't say what life will show me

F C

But I know what I've seen

F C

I can't say where life will lead me

F C

But I know where I've been

E7 Am

Tried my hand at love and friendship

E7 Am

But all that is past and gone

D7 G

This little boy is moving on

[verse 3]

Bring It On Home To Me by Sam Cooke

The great Warner Williams version is here

Nice to capo up 1.

G D7 G G7 (or 9) C [C#dim]

If you ever change your mind.. about leaving, leaving me behind...

G E7 A7

Oh, oh, bring it to me, bring your sweet lovin'..

D7 G C G D7 (or D+)

bring it on home to me..yeah, yeah, yeah, yeah.

I'll give you jewelry and money too..that ain't all, that ain't all I'd do for you..

If you'd bring it to me, bring your sweet lovin'..

bring it on home to me..yeah, yeah, yeah, yeah.

You know I'll always, be your slave..til I'm buried, buried in my grave.

Oh, please bring it to me, bring your sweet lovin'..

bring it on home to me..yeah, yeah, yeah, yeah.

[optional]

I try to treat you right, but you stayed out, stayed out every night.. [but I forgive you]

Bring it to me, bring your sweet lovin'..

bring it on home to me..yeah, yeah, yeah, yeah.

I know I laughed when you left..but now I know I only hurt myself..

Oh, yeah, bring it to me, bring your sweet lovin'..

bring it on home to me..yeah, yeah, yeah, yeah.

Or in C:

C G7 [to C and back] C C7 (or 9) F

If you ever change your mind.. about leaving, leaving me behind..

[Fm6 or F#dim] C A7 [or Am7?] D7 [or F]

Oh, oh, bring it to me, bring your sweet lovin'..

G7 C F C G7

bring it on home to me..yeah, yeah, yeah, yeah.

Hey Bartender There's a Bug In My Beer

Warner Williams doing it here.

I like it capod up 1 or 2.

C [altern bass G] C7 [or 9]

Well, hey bartender there's a big bug in my beer

F Fm C C7

Hey bartender there's a big bug in my beer

F Fm6

One eye red, and the other one green

C C/B A/Bb * A7 (Can slide C7 bar down)

The biggest old bug that I ever seen

D7 G7 C

Hey bartender there's a big bug in my beer

Well, hey bartender there's one thing I want you to know

Hey bartender there's one thing I want you to know

Every time I go to take a sip

Big old bug try to bite my lip

Hey bartender there's a big bug in my beer

[or: You better tell that old bug he better leave my beer alone.]

Well hey bartender, theres a big bug in my beer

Hey bartender, theres a big bug in my beer

One eye is red, the other one is blue

The big ol bug drinkin all my brew

Hey bartender, there`s a big bug in my beer

Well hey bartender, he drinkin up all the foam

Hey bartender, he drinkin up all the foam

You better tell the olbug, you better leave my beer alone

Key to the Highway by Bill Broonzy

Bill did it in G, Eric Clapton in A. And great lesson here. Interesting that its 8 bar blues.

E B7

I got the key to the highway

A A#dim

And I'm booked out and bound to go

E

I'm gonna leave here runnin'

B7 E [turnaround]

'Cause walkin' is much too slow

E B7

I'm goin down, down on the border

A A#dim

Now where I'm better known

A C#7

'Cause woman you don't do nothin'

F#7 B7 E [turnaround]

But drive a good man away from home

Now when the moon creeps over the mountain

I'll be on my way

Now I'm gonna walk this old highway

Until the break of day

[Titty]

So come here, sweet mama

Now and help me with this heavy load

I am due in West Texas

And I've got to get on the road

I'm goin' to West Texas

I'm goin' down behind the sun

I'm gonna ask the good Lord

What evil have I done

[Titty]

If I Only Had a Brain

Great cover by The Four Freshman, also by this guy (both F). Original here and is in D.

I like it capo on 2.

D Bm7

I could while away the hours,

Em7 A7

conferrin' with the flowers

D D7

Consultin' with the rain.

G Em7

And my head I'd be scratchin' while

A7 [A#dim]

my thoughts were busy hatchin'

D Em7 A7

If I only had a brain.

D Bm7

I'd unravel every riddle

Em7 A7

for any individ'le,

D D7

In trouble or in pain.

G Em7

With the thoughts I'd be thinkin'

A7 [A#dim]

I could be another Lincoln

D D7

If I only had a brain.

Bridge:

G G#dim D [or F#m7 B]

Oh, I -- could tell you why

Em7 A7 D

the ocean's near the shore,

C#m7 F#7 Bm7

I could think of things I'd never thunk before,

E7 A A7

And then I'd sit and think some more.

D Bm7

I would not be just a nothing

Em7 A7

my head all full of stuffin'

D D7

My heart all full of pain.

G Em7

I would dance and be merry,

A7 [A#dim]

life would be a ding-a-derry,

D Em7 A7

If I only had a brain.

In F: (from Youtube vid)

C#dim x4535x

Intro:

F / A7 / Dm7 / C7

F Dm7

I could while away the hours,

Gm7 C7

conferrin' with the flowers

F F7 (sounds nice C7 shape)

Consultin' with the rain.

Bb Gm7

And my head I'd be scratchin' while

C7 C#dim

my thoughts were busy hatchin'

Dm7 C7

If I only had a brain.

F Dm7

I'd unravel any riddle

Gm7 C7

for any individ'le,

F F7

In trouble or in pain.

Bb Gm7

With the thoughts I'd be thinkin'

C7

I could be another Lincoln

F F7

If I only had a brain.

Bridge:

Bb G#dim (4x343x) Am7 D7/F#

Oh, I -- could tell you why

Gm7 C7 F

the ocean's near the shore,

Em7 A7 Dm7

I could think of things I'd never thunk before,

G7 C C7

And then I'd sit and think some more.

F Dm7

I would not be just a nuffin'

Gm7 C7

my head all full of stuffin'

F F7

My heart all full of pain.

Bb Gm7

And perhaps I'd deserve you,

C7 C#dim

and be even worthy of you,

Dm7

If I only had a brain

Just lyrics:

I could while away the hours,

conferrin' with the flowers

Consultin' with the rain.

And my head I'd be scratchin' while

my thoughts were busy hatchin'

If I only had a brain.

I'd unravel every riddle

for any individ'le,

In trouble or in pain.

With the thoughts I'd be thinkin'

I could be another Lincoln

If I only had a brain.

Oh, I could tell you why

The ocean's near the shore.

I could think of things I never thunk before.

And then I'd sit, and think some more.

I would not be just a nothin, my head all full of stuffin'

My heart all full of pain.

I would dance and be merry,

life would be a ding-a-derry,

If I only had a brain.

Other Wizard of Oz stuff:

Somewhere over the rainbow (capo 1 for movie key, nice to capo higher)

Physical by Olivia Newton John

Verse1:

(Barre) Am D

I'm saying all the things that I know you'll like

Am D

Makin' good conversation

Am D B7

I gotta handle you just right,

Em D E D

You know what I mean

I took you to an intimate restaurant

Then to a suggestive movie

There's nothin' left to talk about

Unless it's horizontally

Chorus:

C5 D5 C5 D5 C5

Let's get physical, physical,

C5 D5 C5 D5 C5 D5 C5 D5

I wanna get physical, let's get into physical

Em5 D5 Em5 D5

Let me hear your body talk, your body talk,

Em5 D5 Em5 D5

Let me hear your body talk

Verse3:

I've been patient, I've been good

Tried to keep my hands on the table

It's gettin' hard this holdin' back

If you know what I mean

I'm sure you'll understand my point of view

We know each other mentally

You gotta know that you're bringin' out

The animal in me

[Chorus]

[Titty]

[Chorus]

Let's get animal, animal, I wanna get animal,

let's get into animal

Let me hear your body talk, let me hear your body talk...

Chestnuts Roasting on an Open Fire (The Christmas Song)

A copule of good alternatives: here and here.

A bit high. Try it in A?

C Dm7 Em7 Fmaj7 (Em7 Dm7)

Chestnuts roasting on an open fire

C Gm7 / C7 Fmaj7 A#9

Jack Frost nipping at your nose

C A#9 Am7 B7 [or F#m7 / F7]

Yuletide carols being sung by a choir

Emaj7 Bb9 D#maj7 G7

And folks dressed up like Eskimos...... everybody

C Dm7 Em7 Fmaj7 (Em7 Dm7)

knows a turkey and some mistletoe

C Gm7 / [C7] Fmaj7 A#9

Help to make the season bright

C Bb9 Am7 B7

Tiny tots with their eyes all aglow

Em7 D#maj7 Dm7 C#maj7 C

[or C Am7 Dm7 G7 C]

Will find it hard to sleep to.... night

Gm7 C7 Fmaj7

They know that Santa's on his way

Gm7 C7 Fmaj7

He's loaded lots of toys and goodies on his sleigh

Fm7 A#9 D#maj7

And every mother's child is gonna spy

D7 [Dm7] G7

To see if reindeer really know how to fly

C Dm7 Em7 Fmaj7 (Em7 Dm7)

And so I'm offering this simple phrase

C Gm7 / C7 Fmaj7 A#9

To kids from one to ninety-two

C Fm6 Am7 B7

Although it's been said many times, many ways

Em7 Am7 Dm7 G7 C

Merry Christmas........... to.. you

Hello Muddah by Allan Sherman

[Music from Ponchielli's "Dance of the Hours" from La Gioconda]

A E

Hello Muddah, hello Faddah

E7 A

Here I am at camp Grenada

C#7 D

Camp is very entertaining

A E7 A

And they say we'll have some fun if it stops raining

A E

I went hiking with Joe Spivey

E7 A

He developed poison ivy

C#7 D

You remember Leonard Skinner

A E7 A

He got ptomaine poisoning / last night after dinner

A E

All the counselors hate the waiters

E7 A

And the lake has alligators

C#7 D

And the head coach wants no sissies

A E7 A

So he reads to us from something called Ulysses

A E

Now I don't want this should scare ya'

E7 A

But my bunkmate has malaria

C#7 D

You remember Jeffery Hardy

A E7 A

They're about to organize a searching party

Am Dm

Take me home, oh Muddah, Faddah

Am Dm

Take me home, I hate Grenada

Am C F

Don't leave me out in the forest where

E7

I might get eaten by a bear

Am Dm

Take me home, I promise I will

Am Dm

Not make noise, or mess the house with

Am C F

Other boys, oh please don't make me stay

E7

I've been here one whole day

A E

Dearest Fadduh, Darling Muddah

E7 A

How's my precious little bruddah

C#7 D

Let me come home if you miss me

A E7 A

I would even let Aunt Bertha hug and kiss me

A E

Wait a minute, it's stopped hailing

E7 A

Guys are swimming, guys are sailing

C#7 D

Playing baseball, gee that's bettah

A E7 A

Muddah, Faddah kindly disregard this letter

Crazy Fingers by the Grateful Dead

Nice to do down a step.

D C G

Your rain falls like crazy fingers

Bb F Fm Gsus4 G

Peals of fragile thunder keeping time

Bb Bbm Ebmaj7 Cm G Gsus4 G

Recall the days that still are to come. / Some sing blue.

D C G

Hang your heart on laughing willow

Bb F Fm Gsus4 G

Stray down to the water, deep sea of love

Bb Bbm Ebmaj7 Cm G Gsus4 G [bass g-f-g]

Beneath the cool calm face of the sea / swift undertow.

Chorus:

Fm Eaug Ab Eb

Life may be sweeter for this, I don't know,

Fm Ab Eb Cm G7

See how it feels in the end.

Ab Adim7 Ebmaj7

May Lady Lullaby sing plainly for you

Dmaj7 Dbmaj7 Db7 Dbmaj7 Gsus4 G

Soft, strong, sweet and true.

D C G

Cloud hands reaching from a rainbow

Bb F Fm Gsus4 G

Tapping at the window, touch your hair

Bb Bbm Ebmaj7 Cm G Gsus4 G

So swift and bright strange figures of light float in air.

D C G

Who can stop what must arrive now?

Bb F Fm Gsus4 G

Something new is waiting to be born

Bb Bbm Ebmaj7 Cm G Gsus4 G

Dark as the night you're still by my side shine inside .

Fm Eaug Ab Eb

Gone are the days we stopped to decide

Fm [Eaug] Ab Eb Cm G7

Where we should go, we just ride.

Ab Adim7 Ebmaj7

Gone are the broken eyes we saw through in dreams

Dmaj7 Dbmaj7 Db7 Dbmaj7 Gsus4 G

Gone, both dream and lie.

Fm Eaug Ab Eb

Life may be sweeter for this, I don't know,

Fm Ab Eb Cm G7

Feels like it might be all right,

Ab Adim7 Ebmaj7

While Lady Lullaby sings plainly through you

Dmaj7 Dbmaj7 Db7 Dbmaj7 Gsus4 G

Love still rings true.

D C G

Midnight on a carousel ride

Bb F Fm Gsus4 G

Reaching for the gold ring down inside

Bb Bbm Ebmaj7 Cm G Gsus4 G

Never could reach it, just slips away but I try.

Whipping Post by the Allman Brothers

and see this tab: https://www.guitar.ch/tabs-pdf/AllmanBrothersBand/WhippingPost.pdf

Verse pattern:

Am Am(on 2nd fret) A(on 5th fret) Am(on 2nd fret) Am

I've been run down, and I've been lied to,

And I don't know why / I let that mean woman make me a fool.

She took all my money, wrecked my new car,

Now she's with one of my good time buddies

Drinkin in some cross town bar

CHORUS:

D E7 [bass: E0 E2 E4]

Sometimes I feel, sometimes I feel,

A D C

Like I've been tied to the whippin' post

A D C

Tied to the whippin' post,

A D C

Tied to the whippin' post,

C Tacet

Good lord I feel like I'm dying.

My friends tell me / that I've been such a fool,

And I have to stand by and take if, baby / all for loving you.

Drown myself in sorrow / and I look at what you've done,

But nothing seems to change, / the bad times stay the same

And I can't go on

CHORUS

Boys are Back in Town by Thin Lizzy

Same pattern through verses, get the groove

Intro (chorus pattern with kazoo, da diddle dee dee)

A / A / Bm / D barre C# barre Bm / ||

A C#m7/G#

Guess who just got back today

D F#m C#m7

Them wild-eyed boys that had been away

F#m

Haven't changed hadn't much to say

Bm7 D/E [or E?]

But man, I still think them cats are crazy

A C#m7/G#

They were askin' if you were around

D F#m C#m7

How you was, where you could be found

F#m

Told 'em you were livin' downtown

Bm7 D/E [or E?]

Drivin' all the old men crazy

A Bm D

The boys are back in town (The boys are back in town)

A Bm D

I said The boys are back in town (The boys are back in town again)

Titty fill:

A / Bm7 / D/E C#m7

A C#m7/G#

You know that chick that used to dance a lot

D F#m C#m7

Every night she'd be on the floor, shakin' what she got

F#m

When I say she was cool she was red hot

Bm7 D/E [or E?]

I mean, she was steamin'

A C#m7/G#

And that time over at Johnny's place,

D F#m C#m7

Well, this chick got up and she slapped Johnny's face

F#m

Man, we just fell about the place

Bm7 D/E [or E?]

If that chick don't want to know, forget her

[chorus]

A C#m7/G#

Friday night they'll be dressed to kill

D F#m C#m7

Down at Dino's Bar 'n' Grill

F#m

The drink will flow and the blood will spill

Bm7 D/E [or E?]

And if the boys want to fight, you better let 'em

A C#m7/G#

That jukebox in the corner blastin' out my favorite song

D F#m C#m7

The nights are getting longer, it won't be long

F#m

Won't be long till the summer comes

Bm7 D/E [or E?]

Now that the boys are here again

[chorus]

Dancing in the Moonlight by Thin Lizzy

Pattern the whole song: Fm7 / A#7 / D# A#/D / Cm7

Fm7 played on 8th fret. Everything up high.

Fm7 A#7

We get it on most every night

D# A#/D Cm7

when that moon is big and bright

Fm7 A#7

its a supernatural delight

D# A#/D Cm7

everybody's dancing in the moonlight

Fill: Fm7 A#7 D# A#/D Cm7

Fm A#

everybody here is out of sight

D# A#/D Cm

they dont bark and they dont bite

Fm A#

they keep things loose they keep it tight

D# A#/D Cm

everybodys dancing in the moonlight

Fm A#

dancing in the moonlight

D# A#/D Cm

everybodys feeling warm and bright

Fm A#

its such a fine and natural sight

D# A#/D Cm

everybodys dancing in the moonlight

Fill: Fm A# D# A#/D Cm

Fm A#

we like our fun and we never fight

D# A#/D Cm

you cant dance and stay uptight

Fm A#

its a supernatural delight

D# A#/D Cm

everybody was dancing in the moonlight

Fm A#

dancing in the moonlight

D# A#/D Cm

everybodys feeling warm and bright

Fm A#

its such a fine and natural sight

D# A#/D Cm

everybodys dancing in the moonlight

Fill: Fm A# D# A#/D Cm

Fm A#

We get it on most every night

D# A#/D Cm

when that moon is big and bright

Fm A#

its a supernatural delight

D# A#/D Cm

everybody's dancing in the moonlight

Fm A#

dancing in the moonlight

D# A#/D Cm

everybodys feeling warm and bright

Fm A#

its such a fine and natural sight

D# A#/D Cm

everybodys dancing in the moonlight

Just lyrics:

We get it almost every night

When that moon is big and bright

It's a supernatural delight

Everybody's dancing in the moonlight

Everybody here is out of sight

They don't bark and they don't bite

They keep things loose, they keep 'em tight

Everybody's dancing in the moonlight

Chorus:

Dancing in the moonlight

Everybody's feeling warm and bright

It's such a fine and natural sight

Everybody's dancing in the moonlight

We like our fun and we never fight

You can't dance and stay uptight

It's a supernatural delight

Everybody was dancing in the moonlight

Chorus:

Dancing in the moonlight

Everybody's feeling warm and bright

It's such a fine and natural sight

Everybody's dancing in the moonlight

We get in almost every night

And when that moon is big and bright

It's a supernatural delight

Everybody's dancing in the moonlight

Chorus [x4]

Dancing in the moonlight

Everybody's feeling warm and bright

It's such a fine and natural sight

Everybody's dancing in the moonlight

I'm Your Captain by Grand Funk Railroad

D / C9 (x32030)

VERSE #1:

--------

|D Ca9 |D Ca9 |D Ca9 |

-bo- dy, lis-ten to me and re-turn me my

|D Ca9 |D Ca9 |D Ca9 |

ship I'm your cap- tain, I'm your cap- tain, though I'm

|D Ca9 |D Ca9 |D Ca9 |

feel- ing migh-ty sick I've been

VERSE #2: 9 M Play 'VERSE' TAB -

--------

|D Ca9 |D Ca9 |D Ca9 |

lost now, days un-count- ed It's been months since I've seen

|D Ca9 |D Ca9 |D Ca9 |

home Can you hear me? Can you hear me, or

|D Ca9 |D Ca9 |D Ca9 |

am I all a-lone If you re-

VERSE #3: 16 M Play 'VERSE' TAB -

--------

|D Ca9 |D Ca9 |D Ca9 |

-turn me to my home port, I will kiss you, moth- er

|D Ca9 |D Ca9 |D Ca9 |

earth Take me back now, take me back, now, to the

|D Ca9 |D Ca9 |D Ca9 |D Ca9 |D Ca9 |D Ca9 |

port of my birth

|D Ca9 |D Ca9 |D Ca9 |D Ca9 |

BRIDGE: 28 M

------ *** KEY = 'F' -

V

|D |D |D |D |Dm |A# |

Am I in my ca- bin dream- ing,

|Dm |A# |Dm |

or are you real- ly schem- ing to take my

|A# |F |A7 |Dm |

ship a- way from me? You'd bet- ter

|A# |Dm |A# |

think a-bout it I just can't live with-out it,

|Dm |A# |F |A7 |

so please don't take my ship from me Yeah, yeah,

RE-INTRO: 10 M ** KEY = 'D' (Play last 10 Measures of 'INTRO') -

--------

|D |Ca9 |D |Ca9 |D |Ca9 |D |Ca9 |

yeah

** Play 'VERSE' TAB -

|D Ds2 D Ca9 |D Ds2 D Ca9 |

I can

VERSE #4: 9 M Play 'VERSE' TAB -

--------

|D Ca9 |D Ca9 |D Ca9 |

feel the hand of a stran- ger, and it's tight- 'ning 'round my

|D Ca9 |D Ca9 |D Ca9 |

throat Hea-ven, help me, hea-ven, help me Take this

|D Ca9 |D Ca9 |D Ca9 |

stran- ger from my boat I'm your

VERSE #5: 9 M Play 'VERSE' TAB -

--------

|D Ca9 |D Ca9 |

cap- tain, I'm your cap- tain, though I'm

|D Ca9 |D Ca9 |D Ca9 |

feel- in' might- y sick Ev-'ry-bo- dy, lis-ten

|D Ca9 |D Ca9 |D Ca9 |

to me, and re-turn me my ship I'm your

REFRAIN: 8 M Play 'VERSE' TAB -

-------

|D Ca9 |D Ca9 |

cap- tain, yeah, yeah, yeah, yeah I'm your

|D Ca9 |D Ca9 |

cap- tain, yeah, yeah, yeah, yeah I'm your

|D Ca9 |D Ca9 |

cap- tain, yeah, yeah, yeah, yeah I'm your

|D Ca9 |D Ca9 |

cap- tain, yeah, yeah, yeah, yeah

Dreams by Fleetwood Mac

Just Gmaj7 / A the whole time, ignore chords. Album key is F, but G is nicer.

Now here you go again

You say you want your freedom

Well who am I to keep you down?

It's only right that you should play the way you feel it

But listen carefully to the sound

Of your loneliness, like a heartbeat drives you mad

In the stillness of remembering what you had

And what you lost

And what you had

And what you lost

CHORUS:

Oh thunder only happens when it's raining

Players only love you when they're playing

Say, women, they will come and they will go

When the rain washes you clean you'll know

You'll know

2nd Verse:

Now here I go again

I see you crystal visions

I keep my visions to myself

It's only me who wants to wrap around you dreams and,

Have you any dreams you'd like to sell

Dreams of loneliness like a heartbeat drives you mad

In the stillness of remembering what you had

And what you lost

And what you had

Ooh and what you lost

repeat chorus twice:

You'll know

You will know

Strong Enough by Sheryl Crow

D G Bm A (x4)

D G Bm A

God, I feel like hell tonight

Tears of rage I cannot fight

I'd be the last / to help you understand

A re you strong enough to be my man?

D G Bm A

(My man)

D G Bm A (x2)

D G Bm A

Nothing's true and nothing's right

So let me be alone tonight

You can't change the way I am

Are you strong enough to be my man?

Chorus:

Em D G A

Lie to me I

Bm C G A

promise I'll be-lieve

Em D G A

Lie to me but

Bm C G A

Please don't leave

D / G / Bm / A

(don't leave)

D G Bm A

I have a face I cannot show

I make the rules up as I go

Just try and love me if you can

Are you man enough to be my man?

D G Bm A

[Are you strong enough] (to be my man)

[are you strong enough] (to be my man)

[Are you strong enough] (to be my man)

[Chorus]

D G Bm A

When I've shown you that I just don't care

When I'm throwing punches in the air

When I'm broken down and I can't stand

Will you be man enough to be my man?

Chorus:

Em D G A

Lie to me I

Bm C G A

promise I'll be-lieve

Em D G A

Lie to me but

Bm C G A

Please don't leave

Witchy Woman by The Eagles

(Clean this up!)

1234 1 +234 1 +234 1 +2 +34 1 + 2+34

|Gm* |F Dm |F Dm |C Bb Gm |Gm* |F Dm |F Dm |C Bb C |Gm |Gm |Gm |Gm |

VERSE #1: [8 M]

--------

|Gm |D7 |D7 |

Ra- ven hair and ru- by lips, sparks fly from her fin-

|C Bb Gm |Gm |D7 |

-ger tips Ech-oed voic-es in the night, She's a

|D7 |C Bb Gm |

rest- less spir- it on an end-less flight

CHORUS #1: [12 M]

---------

|Gm |D7 |D7 |C Bb Gm |

Woo- hoo, witch-y wo- man, see how high she flies

|Gm |D7 |D7 |C Bb Gm |

Woo- hoo, witch-y wo- man, she got the moon in her eyes

1 2 3 4 1 +234 1 + 2 +3+ 4 + 1+ 2 +3+4+

|Bb Gm |F D |F D C D C Bb C| Bb F* Gm |

She

VERSE #2: [8 M]

--------

|Gm |D7 |D7 |

held me spell- bound in the night, danc- in' sha- dows and

|C Bb Gm |Gm |D7 |

fire- light Cra- zy laugh- ter in an-oth-er room, and she

|D7 |C Bb Gm |

drove her-self to mad-ness, with a sil- ver spoon

CHORUS #2: [16 M]

---------

|Gm |D7 |D7 |C Bb Gm |

Woo- hoo, witch-y wo- man, see how high she flies

|Gm |D7 |D7 C |

Woo- hoo, witch-y wo- man, she got the moon in her eyes

1 + 2 +3 4 1 2 3 4 1 +2 3 4 1 +2+3+4+ 1 + 2+ 3 4

| Bb F* Gm |Bb Gm |F D |F D C D F|D C Bb Gm |

1 2 3 4 1 +2 3 4 1 +2+3+4+ 1 + 2+ 3 4

|Bb Gm |F D |F D C D F|D C Bb Gm |

INTERLUDE #1: [8 M]

------------

|Gm |Gm |C Bb |Gm |Gm |Gm |Bb C |Gm |

REFRAIN: [8 M]

-------

1 +2 +3 4

|Gm |Dm7 |D7 |C Bb Gm |

Ah, ah

[Ah, ah ]

|Gm |Dm7 |D7 |C Bb Gm |

Ah, ah

[Ah, ah ]

INTERLUDE #2: [8 M]

------------

1 2 3 4 1 +2 3 4 1 +2 3 4 1 +2 +3 4

|Bb Gm |F D |F D |C Bb Gm |

1 + 2+3+ 4 +

|Bb Gm |F D |F D |C Bb C |

Well I know

VERSE #3: [8 M]

--------

|Gm |Gm |

you wan-na love her, but let me tell you, bro-ther, she's been

|Cm Bb Gm | |Gm |

sleep-in' in the dev- il's bed And there's some ru-mors go-in' 'round,

|Gm |Bb C |

some-one's un-der-ground She can rock you in the night un-til your

|Gm |

skin turns red

CHORUS #3: [14 M] 'CODA' -

---------

1 +2 +3 4

|Gm |D7 |D7 |C Bb Gm |

Woo- hoo, witch-y wo- man, see how high she flies

1 + 2 +3 4

|Gm |D7 |D7 C | Bb F* Gm |

Woo- hoo, witch-y wo- man, she got the moon in her eyes

1 + 2 +3+ 4 + 1 + 2 + 3 4 1 + 2 +3+ 4 + 1 2 3 4

|F D C D C Bb C| Bb F* Gm |F D C D C Bb C| Bb F*|Gm |Gm

Cheers Theme

Original

Capo 3 (Bb) for album key.

Riff: G chord with open B, arpegiate strings 2 through 5, then D chord then G.

G D

Making your way in the world today

G D

takes everything youve got;

G D

Taking a break from all your worries

G D

sure would help a lot.

F E Am

Wouldnt you like to get away?

G D

All those nights when youve got no lights,

G D

the check is in the mail;

G D G D

And your little angel hung / the cat up by its tail;

F E Am D

And your third fiance didnt show;

Chorus:

D G

Sometimes you want to go

F C D

Where everybody knows your name,

G F C D

And theyre always glad you came;

Bm C

You want to be where people know

Bm C

troubles are all the same;

Bm C D G

You want to be where everybody knows your name.

G D

Roll out of bed, Mr. Coffees dead;

G D

the mornings looking bright;

G D G D

And your shrink ran off to Europe, and didnt even write;

F E Am D

And your husband wants to be a girl;

[Chorus]

Happiness is a Warm Gun by The Beatles

Am7 = X02013

Am6 = X02212

Em9 = 022002

Dm6 = XX0201

VERSE 1:

Am7 Am6 Em9 Em

She's not a girl who misses much,

Am7 Am6 Em9 Em

Do do do do do do do do, oh yeah.

Dm6 (XX0201)

She's well acquainted with the touch of the velvet hand,

Am*

Like a lizard on a window pane.

Dm6

The man in the crowd with the multicoloured mirrors,

Am*

On his hobnail boots.

Dm6

Lying with his eyes while his hands are busy,

Am*

Working overtime.

Dm6

A soap impression of his wife which he ate,

Am*

And donated to the National Trust.

Bridge:

|A7 |A7 |C |Am |

A7

I need a fix cos I'm going down,

A7

Down to the bits that I left uptown.

C Am

I need a fix cos I'm going down

CHORUS: (2X)

A7 C

Mother Superior jump the gun,

A7 G7

Mother Superior jump the gun.

VERSE 2: (bass walk up)

C Am F G

Happiness is a warm gun (Happiness bang, bang, shoot, shoot,

Happiness is a warm gun, mama (Happiness bang, bang, shoot, shoot).

When I hold you in my arms (Oo-oo oh yeah),

And I feel my finger on your trigger (Oo-oo oh yeah).

I know no one can do me no harm (Oo-oo oh yeah),

Because happiness is a warm gun, mama (Happiness bang, bang, shoot, shoot).

Happiness is a warm gun. Yes it is (Happiness bang, bang, shoot, shoot),

Fm NC C Am F G

Happiness is a warm'. Yes it is, gun (Happiness bang, bang, shoot, shoot).

Putting on the Ritz by Irving Berlin

Young Frankenstein version

(Em7 on 7th fret, descending hit the road pattern)

Em7 7th fret Em7/D Em7/C (or C7) B7

Em7 Em7/D C7 B7 (repeat pattern)

If you're blue and you don't know where to go to

Am7 B7 (repeat pattern)

Why don't you go where fashion sits,

Puttin' on the ritz.

[pattern]

Different types who wear a daycoat, / pants with stripes

Am7 B7 (repeat pattern)

With cut away, perfect fits,

Puttin' on the ritz.

Am7 [D7]

Dressed up like a million dollar trouper

G7 C7 B7

Trying hard to look like Gary Cooper (super duper)

[pattern]

Come let's mix where Rockefellers walk with sticks

Am7 B7

Or umbrellas in their mitts

Puttin' on the Ritz

Am7 [D7]

Tips his hat just like an English chappie

G7 C7 B7

To a lady with a wealthy pappy (very snappy)

[pattern]

You'll declare it's simply topping to be there

Am7 B7

And hear them swapping smart tidbits

Puttin' on the ritz!

Let Me Go by Nouvelle Vague / Heaven 17

Nouvelle Vague version, and the original heaven 17 version (both Bb)

I like it down a half step. Nice finger picky bossa.

Bbmaj7 Gm7sus Gm7

Once there was a day

Ebmaj7/Bb

We were together all the way

Bbm* Ab7 (*nice as 668666)

An endless path unbroken

Bbmaj7 Gm7sus Gm7

But now there is a time

Ebmaj7/Bb

A torture less sublime

Bbm* Ab7 (*nice as 668666)

Our souls are locked and frozen

Chorus (can play as 88-10-888 / 668666):

Fm7/C Ebm7/Bb

Let me go

Fm7/C Ebm7/Bb Ab7

Let me go

Bbmaj7 Gm7sus Gm7

I tried but could not bring

Ebmaj7/Bb

The best of everything

Bbm Ab7

Too breathless then to wonder

Bbmaj7 Gm7sus Gm7

I died a thousand times

Ebmaj7/Bb

Found guilty of no crime

Bbm Ab7

Now everything is thunder

(Da da da da da dah da da, etc over a verse)

[skipped bridge]

Bbmaj7 Gm7sus Gm7

The best years of our lives

Ebmaj7/Bb

The hope of it survives

Bbm Ab7

The facts of life unspoken

Bbmaj7 Gm7sus Gm7

The only game in town

Ebmaj7/Bb

I'll turn the last card down

Bbm Ab7

And now the bank is broken

Just lyrics:

Once there was a day

We were together all the way

An endless path unbroken

But now there is a time

A torture less sublime

Our souls are locked and frozen

Let me go

Let me go

I tried but could not bring

The best of everything

Too breathless then to wonder

I died a thousand times

Found guilty of no crime

Now everything is thunder

The best years of our lives

The hope of it survives

The facts of life unspoken

The only game in town

I'll turn the last card down

And now the bank is broken

Found guilty of no crime

They were the best years of our lives

I'll turn the last card down

Heard It Through The Grapevine by Marvin Gaye

Capo 1st fret for album key of Ebm.

Intro:

Dm G, Dm G Dm (x5)

Verse 1:

Dm [G] Dm

Ooh, I bet you're wonderin' how I knew,

A7 G7

'Bout your plans to make me blue.

Dm [G] Dm

With some other guy you knew be-fore,

A7 G7

Between two of us guys, you know I loved you more.

Bridge 1:

Bm7 G7

It took me by sur-prise, I must say,

Dm G7

When I found out yester-day. Don't you know that;

Chorus 1:

Dm G7 Dm

I heard it through the grape-vine;

G

Not much longer, would you be mine.

Dm G7 Dm

Oh, I heard it through the grape-vine;

G7 Dm

Oh, I'm just about to lose my mind, honey, honey, yeah.

Break (can do Dm with alternating bass to A):

Dm

(I heard it through the grapevine,

G Dm G Dm

Not much longer would you be my baby).

Verse 2:

Dm [G] Dm

I know a man ain't sup-posed to cry,

A7 G7

But these tears, I can't hold in-side.

Dm [G] Dm

Losing you, would end my life, you see,

A7 G7

'Cos you mean that much to me.

Bridge 2:

Bm7 G7

You could have told me your-self,

Dm G7

That you loved someone else.

Chorus 2:

Dm G7 Dm

Instead, I heard it through the grape-vine;

G

Not much longer would you be mine.

Dm G7 Dm

Oh, I heard it through the grape-vine;

G7 Dm

Oh, I'm just about to lose my mind, honey, honey, yeah.

Break (can do Dm with alternating bass to A):

Dm

(I heard it through the grapevine,

G Dm G Dm

Not much longer would you be my baby).

Verse 3:

Dm G7 Dm

People say; believe half of what you see,

A7 G7

Son, and none of what you hear.

Dm

But I can't help, but be confused,

A7 G7

If it's true, please tell me, dear.

Bridge 3:

Bm7 G7

Do you plan to let me go,

Dm G7

For the other guy you loved be-fore?

Chorus 3:

Dm G7 Dm

I heard it through the grape-vine;

G

Not much longer, would you be mine.

Dm G7 Dm

Oh, I heard it through the grape-vine;

G7 Dm

Oh, I'm just about to lose my mind, honey, honey, yeah.

Break (can do Dm with alternating bass to A):

Dm

(I heard it through the grapevine,

G Dm G Dm

Not much longer would you be my baby).

By My Side from Godspell

Written by Stephen Schwartz. Main version

Dm C Am

Where are you going, where are you going?

Can you take me with you?

For my hand is cold and needs warmth

Dm

Where are you going?

C D

Far beyond where the horizon lies

C

Where the horizon lies

D

And the land sinks into mellow blueness

Cadd9 D

Oh please take me with you

C D

Let me skip the road with you

I can dare myself (I can dare myself)

I'll put a pebble in my shoe

And watch me walk, I can walk and walk (I can walk)

Dm C Am Dm

I shall call the pebble Dare (I shall call the pebble Dare)

We will talk (we will talk) together about walking

Dare shall be carried and when we both have had enough

I will take him from my shoe, singing, "Meet your new road"

Then I'll take your hand, finally glad (finally glad) that you are here (that you are here)

By my side (by my side)

By my side (by my side)

By my side (by my side)

By my side (by my side)

Day by Day from Godspell

Main version

3/4 time. Count in slow.

Fmaj7 Gm Fmaj7 Gm

Day by day, day by day,

Bbmaj7 Am G

oh, dear Lord, three things I pray:

Em7 A7

To see Thee more clearly,

Em7 A7

love Thee more dearly,

Dm7 G7 Cmaj7

follow Thee more nearly, day by day.

Turn Back Oh Man from Godspell

[incomplete]

Gm Gm/F Gm/E (0x5333) Ebmaj7

Turn back, O man

Gm A7 D

Forswear thy foolish ways

G7 Ab7

Old now is earth

Cm6 D7

And none may count her days Da da da da da

Gm Gm/F Gm/E (0x5333) Ebmaj7

Yet thou, her child

Gm A7 D

Whose head is crowned with flames

G7 Ab7

Still will not hear

Thine inner God proclaims

Turn back, O man (is your seat comfortable sir?)

Turn back, O man (mmm, I like that)

Turn back, O man (can you take it?)

Forswear thy foolish ways

(See ya later I'm going to the front of the thee-AY-ter)

Earth might be fair

And all men glad and wise

Age after age their tragic empires rise

Built while they dream

And in that dreaming weep

Would man but wake

From out his haunted sleep

Turn back, O man...(i'll say it again)

Turn back, O man... (can you see from where you're sittin'?)

Turn back, O man... (hiya big boy)

Forswear thy foolish ways

[JESUS]

Earth shall be fair

And all her people one

Not till that hour

Shall God's whole will be done

Now, even now

Once more from earth to sky

Peels forth in joy

Man's old undaunted cry

Earth shall be fair

And all her people one

[GIBBON]

C'mere Jesus, I got something to show ya!

[CHORUS]

Turn back, oh man

Forswear thy foolish ways!

Old now is earth

And none may count her days

Yet thou, her child

Whose head is crowned with flames

Still will not hear

Thine inner God proclaims

Turn back, oh man

Turn back, oh man

Turn back, oh man

Forswear thy foolish ways!

[GIBBON]

Play it honey!

If I Was a Rich Man from Fiddler on the Roof

Great version, and that uke version (and the chords he used).

I like it a step up in D.

[Chorus:]

C

If I were a rich man,

Bb C

Yubby dibby dibby dibby dibby dibby dibby dum

Fm or Fm6 Cm

All day long I'd biddy biddy bum

F#dim (xx1212) or D7/F# G

If I were a wealthy man

C

Wouldn't have to work hard

Bb C

Ya ha deedle deedle, bubba bubba deedle deedle dum

Fm Cm F#dim G7 C

If I were a biddy biddy rich / deedle didle deedle daidle man

[Verse 1:]

Riff = D2 D3 D5

[riff] Fm A#7

I'd build a big tall house with rooms by the dozens

D#maj7 C7

Right in the middle of the town

Fm G7 C C7

A fine tin roof with real wooden floors below

[riff] Fm A#7

There could be one long staircase just going up

D#maj7 C7

And one even longer coming down

Fm F#dim G7

And one more leading nowhere just for show.

[riff] Fm A#7

I'd fill my yards with chicks and turkeys and geese

D#maj7 C7

And ducks for the town to see and hear

Fm G7 C C7

Squawking just as noisly as they can

[riff] Fm Fm6 (or A#7)

And each loud "cheep" and "swaqwk" and "honk" or "quack"

Cm A7

Would land like a trumpet on the ear

Fm F#dim G7

As if to say "here lives a wealthy man"

[Chorus:]

C

If I were a rich man,

Bb C

Yubby dibby dibby dibby dibby dibby dibby dum

Fm or Fm6 Cm

All day long I'd biddy biddy bum

F#dim (xx1212) or D7 G

If I were a wealthy man

C

Wouldn't have to work hard

Bb C

Ya ha deedle deedle, bubba bubba deedle deedle dum

Fm Cm F#dim G7 C

If I were a biddy biddy rich / deedle didle deedle daidle man

[Verse 2:]

[riff] Fm A#7 (or Fm6)

I'd see my wife, my golden, looking like a rich man's

D#maj7 C7

wife with a proper double chin.

Fm G7 C C7

Supervising meals to her heart's delight.

Fm A#7 (or Fm6)

I see her putting on airs and strutting like a peacock.

Cm A7

Oh, what a happy mood she's in.

Fm F#dim G7

Screaming at the servants, day and night.

Bridge (fast strum) [altered a lot, can skip it]

Fm Fm6

The most important men in town,

Cm

would come to fawn on me!

D7 G

They would ask me to advise them,

D7 G

Posing problems I'd advice them

Fm

And it won't make / one bit of difference

Fm6 (or A#7) Cm

if I answer right or wrong.

Fm F#dim G7

When you're rich, they think you really know!

[Ending Chorus:]

C

If I were a rich man,

Bb C

Yubby dibby dibby dibby dibby dibby dibby dum

Fm or Fm6 Cm

All day long I'd biddy biddy bum

F#dim (xx1212) G

If I were a wealthy man

C

Wouldn't have to work hard

Bb C

Ya ha deedle deedle, bubba bubba deedle deedle dum

[Ending:]

Fm6 Cm

Lord who made the lion and the lamb,

Fm6 Cm

You decreed I should be what I am.

Fm6 Cm Cm/Bb G#

Would it spoil some vast eternal plan?

Adim (5x434x) G7 Cm6

If I were a wealthy man

Ain't That a Kick in the Head by Dean Martin

Dean version and Nice uke version

Verse 1:

D6 (10th fret)

How lucky can one guy be?

Dmaj7 (5th fret)

I kissed her and she kissed me

Like a fella once said

D#dim A7

"Ain't that a kick in the head?"

Em7

The room was completely black,

Em6 (12th fret)

I hugged her and she hugged back

A7

Like a sailor said quote,

A#dim Dmaj7

"Ain't that a hole in the boat?"

F#7

My head keeps spinnin',

Bm

I go to sleep and keep grinnin'

E7

If this is just the beginnin'...

A7 A7+

My life is gonna be.. beauti-ful

+ Dmaj7

I've sunshine enough to spread,

B7

It's just like the fella said

E7 A7sus Dmaj7 A7+

Tell me quick, ain't love a kick in the head?"

[repeat whole song with some lines omitted]

D6 (10th fret)

Dmaj7 (5th fret)

Like a fella once said

D#dim A7

"Ain't that a kick in the head?"

Em7

Em6 (12th fret)

A7

Like a sailor said quote,

A#dim Dmaj7

"Ain't that a hole in the boat?"

F#7

My head keeps spinnin',

Bm

I go to sleep and keep grinnin'

E7

If this is just the beginnin'...

A7 A7+

My life is gonna be.. beauti-ful

Dmaj7

She's tellin' me we'll be wed.....

B7

she's picked out a king sized bed

E7 A7 Fm7-5 B7

I couldn't feel any better / or I'll be sick

E7 Gm6

Tell me quick........ain't love a kick

E7 A7sus Dmaj7 D beatles

Tell me quick, ain't that a kick in the head.

Again, with more notes:

** can also do this verse as Em / Em7Maj7 / Em7 / Em6 or A9 etc

Intro: (over this part of the verse starting with "I've sunshine enough to spread")

Verse 1:

D6 C#6 alternate (10th fret)

How lucky can one guy be?

Dmaj7 C#maj7 alternate (5th fret)

I kissed her and she kissed me

Like a fella once said

D#dim A7 [whats that rising chord prog?]

"Ain't that a kick in the head?"

** Em7 Ebm7 alternate (7th fret) (can do B+ on "black")

The room was completely black,

Em6 Ebm6 (12th fret)

I hugged her and she hugged back

A7

Like a sailor said quote,

A#dim (or A#+) Dmaj7 alternate

"Ain't that a hole in the boat?"

F#7

My head keeps spinnin',

Bm

I go to sleep and keep grinnin'

E7

If this is just the beginnin'...

A7 A7+

My life is gonna be.. beauti-ful

+ Dmaj7 / C#maj7 alternate

I've sunshine enough to spread,

B7 / A#7 alternate

It's just like the fella said

E7 A7sus Dmaj7 / C#maj7 A7+

Tell me quick, ain't love a kick in the head?"

[repeat whole song with some lines omitted]

D6 C#6 alternate (10th fret)

Dmaj7 C#maj7 alternate (5th fret)

Like a fella once said

D#dim A7

"Ain't that a kick in the head?"

** Em7 Ebm7 alternate (7th fret) (can do B+ on "black")

Em6 Ebm6 (12th fret)

A7

Like a sailor said quote,

A#dim (or A#+) Dmaj7 alternate

"Ain't that a hole in the boat?"

F#7

My head keeps spinnin',

Bm

I go to sleep and keep grinnin'

E7

If this is just the beginnin'...

A7 A7+

My life is gonna be.. beauti-ful

Dmaj7 / C#maj7 alternate

She's tellin' me we'll be wed.....

B7 / A#7 alternate

she's picked out a king sized bed

E7 A7 Fm7-5 B7

I couldn't feel any better / or I'll be sick

E7 Gm6

Tell me quick........ain't love a kick

E7 A7sus Dmaj7 (alternate) D beatles

Tell me quick, ain't that a kick in the head.

Just lyrics:

How lucky can one guy be? I kissed her and she kissed me

Like a fella once said "Ain't that a kick in the head?"

The room was completely black, I hugged her and she hugged back

Like a sailor said quote, "Ain't that a hole in the boat?"

My head keeps spinnin', I go to sleep and keep grinnin'

If this is just the beginnin'... My life is gonna be.. beauti-ful

I've sunshine enough to spread, It's just like the fella said

Tell me quick, ain't love a kick in the head?"

Like a fella once said, "Ain't that a kick in the head?"

Like a sailor said quote, "Ain't that a hole in the boat?"

My head keeps spinnin', I go to sleep and keep grinnin'

If this is just the beginnin'... My life is gonna be.. beauti-ful

She's tellin' me we'll be wed..... she's picked out a king sized bed

I couldn't feel any better / or I'll be sick

Tell me quick........ain't love a kick

Tell me quick, ain't that a kick in the head.

Such a Night by Dr. John

Nice cover, and the original and live and very cool jammy version in F.

*CAPO 3rd FRET*

(Original Key: A#. Actually the key is D or when capod F I think)

I can never get that verse 3, so can do the song verse 1, 2, bridge, chorus, 1, 2)

Riff: G chord (D0 D2 D4) / Gm (3x0333) D0 D2 D3

Verse 1:

G Gm

Such a night, it's such a night,

D F#7 Bm D9

Sweet confusion, under the moonlight.

Verse 2:

G Gm

Such a night, it's such a night,

D F#7 Bm D9

To steal away; the time is right.

Verse 3 [can skip]:

G Gm

Your eyes caught mine, and, at a glance,

D F#7 Bm D9

You let me know, that this was my chance.

Bridge 1:

G

And you came here with my best friend, Jim,

A7 (n.C)

And here I am, trying to steal you away from him. Oh...

Chorus 1:

D G D G

But if I don't do it, you know some-body else will,

D G D G

If I don't do it, you know some-body else will.

D G D G

If I don't do it, you know some-body else will,

D G D G

If I don't do it, you know some-body else will.

Verse 4 [verse 1 repeated]:

G Gm

And it's, such a night, such a night,

D F#7 Bm D9

Sweet confusion, under the moonlight.

Verse 5 [verse 2 repeated]:

G Gm

It's such a night, such a night,

D F#7 Bm D9

To steal away; the time is right.

Verse 6 [can skip]:

G

Yet I couldn't believe my ears,

Gm

And my heart just skipped a beat,

D

When you told me,

F#7 Bm D9

To take you walkin' down the street.

Bridge 2:

G

Oh yeah, you came here with my best friend, Jim;

A7 (n.C)

Here I am, and stealin' you away from him. Oh...

Chorus 2:

D G D G

But if I don't do it, you know some-body else will,

D G D G

If I don't do it, you know some-body else will.

D G D G

If I don't do it, you know some-body else will,

D G D G

If I don't do it, you know some-body else will.

Coda:

G Gm, D F#7 Bm D9

'Cos it's such a night.

G Gm, D F#7 Bm D9

(Repeat to Fade)

Conjunction Junction by School House Rock

The glory!

Intro [B3] [E0] G Em7 / Am7 D9

G7* = 3rd fret with pinky

Am7** (maybe C sounds better?)

For the Bbdim might be better as Gdim?

Lots of sliding of those 7th chords

G (or G7) G7* C Eb7

Conjunction Junction, what's your function?

G Bbdim (or Gdim) Am7** D7

Hooking up words and phrases and clauses

G G7* C Eb7

Conjunction Junction, how's that function?

G Bbdim Am7 D7

I got three favorite cars, that get most of my job done.

G G7* C Eb7

Conjunction Junction, what's their function?

G Bbdim Am7 D7

I got "and", "but", and "or", they'll get you pretty far.

G7 G7*

"And"...thats an additive, like "this AND that".

C9 C9/G (alternating bass)

"But"...thats sort of the opposite, "Not this BUT that".

Bb7

And then theres "or": O-R, when you have a choice like "this OR that."

D7

"And," "but," and "or," get you pretty far!

G G7* C Eb7

Conjunction Junction, what's your function?

G Bbdim Am7 D7

Hooking up / two boxcars and making 'em run right.

G G7 C Eb7

Milk and honey, bread and butter, peas and rice, hey that's nice!

G G7 C Eb7

Dirty but happy, digging and scratching, losing your shoe and a button or two.

G G7 C Eb7

He's poor but honest, sad but true, Boo-hoo-hoo-hoo-hoo!

G G7* C Eb7

Conjunction Junction, what's your function?

G Bbdim Am7 D7

Hooking up two cars to one when you say something like this choice:

"Either now or later". Or no choice:

"Neither now nor ever" [Hey that's clever!]

Eat this or that, grow thin or fat,

Never mind, I wouldn't do that, I'm fat enough now!

Conjunction Junction, what's your function?

Hooking up phrases and clauses that balance, like:

Out of the frying pan and into the fire.

He cut loose the sandbags,

But the balloon wouldn't go any higher.

Let's go up to the mountains,

Or down to the seas.

You should always say "thank you",

Or at least say "please".

Conjunction Junction, what's your function?

Hooking up words and phrases and clauses

In complex sentences like:

[spoken] In the mornings, when I'm usually wide awake, I love to take a walk through the gardens and down by the lake, where I often see a duck and a drake, and I wonder, as I walk by, just what they'd say if they could speak, although I know that's an absurd thought.

Conjunction Junction, what's your function?

Hooking up cars and making 'em function.

Conjunction Junction, how's that function?

I like tying up words and phrases and clauses.

Conjunction Junction, watch that function.

I'm going to get you there if you're very careful.

Conjunction Junction, what's your function?

I'm going to get you there if you're very careful.

Conjunction Junction, what's your function?

I'm going to get you there if you're very careful.

I'm Just a Bill by School House Rock

Original

G (or G7)

I'm just a bill, yes I'm only a bill, and I'm sittin' here on Capitol Hill

[G/F/Em] C7 (or C9)

Well it's a long, long journey to the capitol city. It's a long, long wait

D D7

while I'm sittin' in committee - but I know I'll be a law someday, at least

F Eb7 C [C Bb G]

I hope and pray that I will, but today I am still just a bill.

G Am G

(Kid) "Gee, Bill, you certainly have a lot of patience and courage."

(Bill) "Well, I got this far. When I started I wasn't even a bill, I was

just an idea. Some folks back home decided they wanted a law passed,

C7

so they called their local congressman and he said, 'You're right,

there ought to be a law.' Then he sat down, wrote me out, and

introduced me to Congress, and I became a bill - and I'll remain a

D

bill until they decide to make me a law."

G

I'm just a bill, yes I'm only a bill, and I got as far as Capitol Hill.

C7

Well now, I'm stuck in committee, and I'll sit here and wait, while a

D

few key congressmen discuss and debate whether they should let me be a law.

F Eb

How I hope and pray that they will, but today I am still just a bill.

G

(Kid) "Listen to those congressmen arguing! Is all that discussion and debate

about you?"

(Bill) "Yeah, I one of the lucky ones. Most bills never get this far. I

C7

hope they decide to report favorably, otherwise I may die."

(Kid) "Die?"

G

(Bill) "Yeah, die in committee. Ooh, but it looks like I'm gonna' live.

D

Now I go to the House of Represenatives and they vote on me."

C7

(Kid) "If they vote 'Yes,' what happens?"

G

(Bill) "Then I go to the Senate and the whole thing starts all over again."

D

(Kid) "Oh, no."

(Bill) "Oh, yes!"

G

I'm just a bill, yes I'm only a bill, and if they vote for me on Capitol Hill,

C7

well, then I'm off to the White House, where I'll wait in a line with a lot

D

of other bills for the President to sign, and if he signs me then I'll be a law

F Eb C

How I hope and pray that he will, but today I am still just a bill.

G Am G

(Kid) "You mean, even if the whole Congress says you should be a law,

G

the President can still say no?"

(Bill) "Yes. That's called a 'veto.' If the President vetoes me, I'll

have to go back to Congress and they vote on me again, and by that

time you're so old, you...

C7 D

(Kid) "By that time it's very unlikely that you'll become a law. It's not

easy to become a law, is it?"

(Bill) "No..."

F Eb C

But how I hope and pray that I will, but today I am still just a bill.

(Congressman) "He signed you, Bill. Now you're a law."

(Bill) "Oh yes!"

Unpack Your Adjectives by Schoolhouse Rock

Original

Eb Ab Bb

Got home from camping last spring.

Eb Ab Bb

Saw people, places and things.

Eb Ab

We barely had arrived,

Db Gb

Friends asked us to describe

B Bb

The people, places and every last thing.

Eb Ab Bb

So we unpacked our adjectives.

Eb Ab Bb

I unpacked "frustrating" first.

Eb Ab Bb

Reached in and found the word "worst".

Eb Ab

Then I picked "soggy" and

Db Gb

Next I picked "foggy" and

B Bb

Then I was ready to tell them my tale.

Eb Ab Bb

'Cause I'd unpacked my adjectives.

Bb A Ab G

[Bridge]

F#7 [B9]

Adjectives are words you use to really describe things,

Handy words to carry around.

Ab7 [C#9]

Days are sunny or they're rainy

Boys are dumb or else they're brainy

Adjectives can show you which way.

Bb7 [Eb9]

Adjectives are often used to help us compare things,

To say how thin, how fat, how short, how tall.

C7 Db7

Girls who are tall get taller,

Boys who are small get smaller,

Till one is the tallest

C7 Db7 Bb

And the other's the smallest of all.

Eb Ab Bb

We hiked along without care.

Eb Ab Bb

Then we ran into a bear.

Eb Ab

He was a hairy bear,

Db Gb

He was a scary bear,

B Bb

We beat a hasty retreat from his lair.

Eb Ab Bb [roll down to F#]

And described him with adjectives.

[Spoken, can skip spoken part, but if do, can use bridge pattern]

F#7 B9

Boy, that was one big, ugly bear!

You can even make adjectives out of the other parts of speech, like verbs or

All you have to do is tack on an ending like "-ic" or "-ish" or "-ary". For example, this

can grow up to be a beautiful woman but still have a girlish face. "Girl" is a noun,

the ending "-ish" makes it an adjective - girlish. That describes the beautiful woman's

get it?

Eb Ab Bb

Next time you go on a trip,

Eb Ab Bb

Remember this little tip:

Eb Ab

The minute you get back,

Db Gb

They'll ask you this and that,

B Bb

You can describe people, places and things...

Eb Ab Bb

Simply unpack your adjectives.

You can do it with adjectives.

Tell them 'bout it with adjectives.

You can shout it with adjectives.

Lolly Lolly Lolly Get Your Adverbs Here by Schoolhouse Rock

Original

C G

Lolly Lolly Lolly, get your adverbs here!

Bb F

Lolly Lolly Lolly, got some adverbs here!

Ab Eb

Come on down to Lolly's, get the adverbs here!

G F Em Dm

You're going to need if you write or read or even think about it

C G

Lolly Lolly Lolly, get your adverbs here!

Bb F

Got a lot of Lolly, jolly adverbs here!

Ab Eb Am7b5

Anything you need and we can make it / absolutely clear!

[epic bridge]

D7[b9] Gm C7[b9] Fm

An adverb is a word, that modifies a verb

Ab/Bb Eb Abmaj7

It modifies an adjective or else another adverb

Dm7add4 (xx0011) G7sus4 G7

And so you see that it's positively, very, very, necessary

C G

Lolly Lolly Lolly, get your adverbs here!

Bb F

Father, son and Lolly selling adverbs here!

Ab Eb

Got a lot of adverbs and we make it clear

Bb7

So come to Lolly!

[Spoken Bb7 / Eb whole time]

Hello, folks, this is Lolly Senior

Saying we have every adverb in the book

So come on down and look!

Hello, folks, Lolly Junior here

Suppose your house needs painting

How are you going to paint it?

That's where the adverb comes in

We can also give you a special intensifier

So you can paint it very neatly or rather sloppily

Hi, suppose you're going nut-gathering

Your buddy wants to know where and when

Bb7 or Ab/B

Use an adverb and tell him "get your adverb"

C G

Use it with an adjective, it says much more

Bb F

Anything described can be described some more

Ab Eb

Anything you'd ever need is in the store

G F Em Dm

And so you choose very carefully, every word you use

C G

Use it with a verb it tells us how you did.

Bb F

Where it happened, where you're going, where you've been

Ab Eb Am7b5

Use it with another adverb at the end / and even more!

[Bridge, a little different rhythm than last]

D7[b9] Gm C7[b9] Fm

How, where, or when, / condition or reason

Ab Eb

These questions are answered

Abmaj7 G7sus4 G7

When you use an adverb [Come and get it!]

C G

Lolly Lolly Lolly, get your adverbs here

Bb F

Quickly quickly quickly, get your adverbs here

Ab Eb

Slowly surely really, learn your adverbs here

G F Em Dm

You're going need 'em, if you read 'em, if you write or talk or think about it

[Spoken C / G7. Also a groove C7 F7 / F#dim7 / ]

If it's an adverb we have it at Lolly's!

Bring along your old adjectives too, like slow, soft and sure

We'll fit them out with our "l-y" attachment

And make perfectly good adverbs out of them!

(Get your adverbs here!)

Lots of good tricks at Lolly's, so come on down!

(Lolly, Lolly, Lolly!)

Adverbs deal with manner, place, time...

(Lolly, Lolly, Lolly!)

Condition, reason...

(Father Son and Lolly!)

Comparison, contract...

(Lolly, Lolly, Lolly!)

Enrich your language with adverbs!

Lolly, Lolly, Lolly!)

Besides, they're absolutely free!

Lolly, Lolly, Lolly!)

At your service!

Indubitably!

Let 'Em In (Someone's Knocking On My Door) by Paul McCartney

Bbmaj7

Someone's knockin' at the door.

Bb6

Somebody's ringin' the bell.

Bbmaj7

Someone's knockin' at the door.

Bb6

Somebody's ririgin' the bell.

F7/Bb

Do me a favor,

Eb/Bb

Open the door and let 'em in.

[titty over a verse]

Chorus:

Fm Bb

Sister Suzie, Brother John,

Fm Bb

Martin Luther, Phil and Don,

Fm Bb

Brother Michael, Auntie Gin,

Fm F Fmaj7 F6 F7

Open the door and let 'em in. Yeah

[titty over a verse]

[Chorus]

Bbmaj7

Someone's knockin' at the door.

Bb6

Somebody's ringin' the bell.

Bbmaj7

Someone's knockin' at the door.

Bb6

Somebody's ririgin' the bell.

F7/Bb

Do me a favor,

Eb/Bb

Open the door and let 'em in.

It's Too Late By Carole King

Original

Hard for me to do solo, mostly because of the chorus, but good with someone else singing lead.

D6 = xx0202

Intro

Am7 D6 Am7 D6 (with riff D0-D2 G2 G2 G2-G0 D2 A0)

Verse 1

Am7 D6

Stayed in bed all morning just to pass the time

Am7 D6

There's something wrong here, there can be no denying

Am7 Gm7 Fmaj7

One of us is changing, or maybe we've stopped trying

Chorus

Bbmaj7 Fmaj7

And it's too late, baby, now it's too late

Bbmaj7 Fmaj7

Though we really did try to make it

Bbmaj7 Fmaj7 Dm7

Something inside has died and I can't hide

E7 [intro]

And I just can't fake it

Verse 2

Am7 D6

It used to be so easy living here with you

Am7 D6

You were light and breezy and I knew just what to do

Am7 Gm7 Fmaj7

Now you look so unhappy, and I feel like a fool

Chorus (same as last but different ending)

Bbmaj7 Fmaj7

And it's too late, baby, now it's too late

Bbmaj7 Fmaj7

Though we really did try to make it

Bbmaj7 Fmaj7 Dm7

Something inside has died and I can't hide

E7 Cmaj7

And I just can't fake it, no no

Fmaj7 / Bbmaj7 / Am7 / Gm7 / Fmaj7 / Dm7 / E7

[intro riff, jam over it as long as want]

Am7 D6

There'll be good times again for me and you

Am7 D6

But we just can't stay together, don't you feel it too

Am7 Gm7 Fmaj7

Still I'm glad for what we had, and how I once loved you

Chorus 2

Bbmaj7 Fmaj7

And it's too late, baby, now it's too late

Bbmaj7 Fmaj7

Though we really did try to make it

Bbmaj7 Fmaj7 Dm7

Something inside has died and I can't hide

E7 Cmaj7

And I just can't fake it, no no

Fmaj7 / Bbmaj7 / Am7 / Gm7 / Fmaj7 / Dm7 / E7

Outro (can repeat a couple of times)

Cmaj7 Fmaj7 Cmaj7

It`s too late, / darling, its too late....

Danny's Song by Kenny Loggins

Original

Intro: D

Verse 1

C Bm

People smile and tell me I'm the lucky one

E7

And we've just begun

A Asus A

Think I'm gonna have a son

D C Bm

He will be like she and me, as free as a dove

E7

Con - ceived in love

A Asus A

Sun is gonna shine above

Chorus

G A

Even though we ain't got money

D [A/C#] Bm [A]

I'm so in love with ya honey

G A D A/C# Bm A G

And everything will bring a chain of love

A

And in the morning when I rise

D C

You bring a tear of joy to my eyes

Bm E7 A

And tell me every things gonna be alright

Verse 2

D C Bm

Seems as though a month ago I was Beta Chi

E7

Never got high

A Asus A

Oh, was a sorry guy

D C Bm

And now I smile and face a girl that shares my name, yeah

E7

Now I'm through with the game

A Asus A

This boy will never be the same

Chorus

G A

Even though we ain't got money

D [A/C#] Bm [A]

I'm so in love with ya honey

G A D A/C# Bm A G

And everything will bring a chain of love

A

And in the morning when I rise

D C

You bring a tear of joy to my eyes

Bm E7 A

And tell me every things gonna be alright

Verse 3

D C Bm

Pisces, Virgo rising is a very good sign

E7

Strong and kind

A Asus A

And the little boy is mine

D C Bm

Now I see a family where there once was none

E7

Now we've just begun

A Asus A

Yeah, we're gonna fly to the sun

Chorus

G A

Even though we ain't got money

D [A/C#] Bm [A]

I'm so in love with ya honey

G A D A/C# Bm A G

And everything will bring a chain of love

A

And in the morning when I rise

D C

You bring a tear of joy to my eyes

Bm E7 A

And tell me every things gonna be alright

Verse 4

D C Bm

Love the girl who holds the world in a paper cup

E7

Drink it up

A Asus A

Love her and she'll bring you luck

D C

And if you find she helps your mind, buddy

Bm

Take her home

E7

Don't you live alone

A Asus A

Try to earn what lovers own

Chorus

G A

Even though we ain't got money

D [A/C#] Bm [A]

I'm so in love with ya honey

G A D A/C# Bm A G

And everything will bring a chain of love

A

And in the morning when I rise

D C

You bring a tear of joy to my eyes

Bm E7 A

And tell me every things gonna be alright

Piano Man by Billy Joel

Original

Heavy waltz time

Doing it as two verse patterns, the high voice verses and the low. Most use the same but this sounds better to me.

TURNAROUND (or just C F G)

C F/C G/C F C/E G/D

1 + 2 + 3 + 1 + 2 + 3 + 1 + 2 + 3 + 1 + 2 + 3 +

e|----0---0---|----1---1---|----3---3---|------------|

B|----1---1---|----1---1---|----0---0---|1---1---0---|

G|----0---0---|----2---2---|----0---0---|2---0---0---|

D|----2---2---|------------|------------|3---2---0---|

A|3-----------|3-----------|3-----------|------------|

E|------------|------------|------------|------------|

Intro: Dm7 / Daug (xx0101), then a first verse pattern

C C/B (x20010) Am7 Am7/G

[low] It's nine o'clock on a Saturday

F C/E D7 G

The regular crowd shuffles in

C C/B Am7 Am7/G

There's an old man sitting next to me

F G C

Making love to his tonic and gin

C / C/B / Am7 / Am7/G / F / G / turnaround: C F G F

C G F C

[high] He says, "Son, can you play me a memory

F C/E D7 G

I'm not really sure how it goes

C G F C

But it's sad and it's sweet and I knew it complete

F G C

When I wore a younger man's clothes."

Am Am/G D7/F# F

la la la, di da da

Am Am/G D7/F# G G/F G/E G/D

La la, di di da da dum

C G F C

[H] Sing us a song, you're the piano man

F C/E D7 G

Sing us a song tonight

C G F C/E

Well, we're all in the mood for a melody

F G C

And you've got us all feeling alright

C / C/B / Am7 / Am7/G / F / G / turnaround: C F G F [Em] (x2)

C C/B (x20010) Am7 Am7/G

[L] Now John at the bar is a friend of mine

F C/E D7 G

He gets me my drinks for free

C C/B Am7 Am7/G

And he's quick with a joke and he'll light up your smoke

F G C G

But there's some place that he'd rather be

C G F C

[H] He says, "Bill, I believe this is killing me."

F C/E D7 G

As the smile ran away from his face

C G F C

"Well I'm sure that I could be a movie star

F G C

If I could get out of this place"

Am Am/G D7/F# F

la la la, di da da

Am Am/G D7/F# G G/F G/E G/D

La la, di di da da dum

C C/B (x20010) Am7 Am7/G

[L] Now Paul is a real estate novelist

F C/E D7 G

Who never had time for a wife

C C/B Am7 Am7/G

And he's talking with Davy, who's still in the Navy

F G C

And probably will be for life

C / C/B / Am7 / Am7/G / F / G / turnaround: C F G F [Em] (x2) / G

C G F C

[H] And the waitress is practicing politics

F C/E D7 G

As the businessman slowly gets stoned

C G F C

Yes, they're sharing a drink they call loneliness

F G C

But it's better than drinking alone

SOLO

| Am | Am/G | D7/F# | F |

| Am | Am/G | D7/F# | F |

| Am | Am/G | D7/F# | D7/F# |

| G | G/F | G/E | G/D |

C G F C

[H] Sing us a song, you're the piano man

F C/E D7 G

Sing us a song tonight

C G F C/E

Well, we're all in the mood for a melody

F G C

And you've got us all feeling alright

C / C/B / Am7 / Am7/G / F / G / turnaround: C F G F [Em] (x2) / G

C C/B (x20010) Am7 Am7/G

[L] It's a pretty good crowd for a Saturday

F C/E D7 G

And the manager gives me a smile

C C/B Am7 Am7/G

'Cause he knows that it's me they've been coming to see

F G C F

To forget about life for a while

C G F C

[H] And the piano, it sounds like a carnival

F C/E D7 G

And the microphone smells like a beer

C G F C

And they sit at the bar and put bread in my jar

F G C

And say, "Man, what are you doing here?"

Am Am/G D7/F# F

la la la, di da da

Am Am/G D7/F# G G/F G/E G/D

La la, di di da da dum

C G F C

[H] Sing us a song, you're the piano man

F C/E D7 G

Sing us a song tonight

C G F C/E

Well, we're all in the mood for a melody

F G C

And you've got us all feeling alright

My Life by Billy Joel

Original

Ebmaj7/C = 8x878x (cool chord!)

INTRO A:

G/D D G/D D G/D D (x4)

INTRO B:

G/D D Ebmaj7/C Ebmaj7/F F7 Bb (x2)

VERSE:

D D/F#

Got a call from an old friend

G

We used to be real close

A D G

Said he couldn't go on the American way

D D/F#

Closed the shop, sold the house

G

Bought a ticket to the West Coast

A D

Now he gives them a stand-up routine in L.A.

[OPTIONALLY REPEAT INTRO B G/D D Ebmaj7/C Ebmaj7/F F7 Bb (x2)]

CHORUS:

D D/F# G

I don't need you to worry for me cause I'm alright

A D G

I don't want you to tell me it's time to come home

D D/F# G [G D/F# Em D]

I don't care what you say anymore, this is my life

A Bm

Go ahead with your own life, and leave me alone

F#7

I never said you had to offer me a second chance

D7 E

I never said I was a victim of circumstance

G D/F# F#7 Bm

I still belong, don't get me wrong

E7

And you can speak your mind

G A G A [or as G/A A G/A A]

But not on my time

VERSE:

D D/F# G [G D/F# Em D]

They will tell you you can't sleep alone in a strange place

A D G

Then they'll tell you you can't sleep with somebody else

D D/F# G [G D/F# Em D]

But sooner or later you sleep in your own space

A D

Either way it's okay you wake up with yourself

[OPTIONALLY REPEAT INTRO B: G/D D Ebmaj7/C Ebmaj7/F F7 Bb (x2)]

CHORUS:

D D/F# G

I don't need you to worry for me cause I'm alright

A D G

I don't want you to tell me it's time to come home

D D/F# G [G D/F# Em D]

I don't care what you say anymore, this is my life

A Bm

Go ahead with your own life, and leave me alone

F#7

I never said you had to offer me a second chance

D7 E

I never said I was a victim of circumstance

G D/F# F#7 Bm

I still belong, don't get me wrong

E7

And you can speak your mind

G A G A [or as G/A A G/A A]

But not on my time

Song Sung Blue by Neal Diamond

Original

C C7 C . . .

C

Song sung blue

G

Everybody knows one

Song sung blue

C

Every garden grows one

C7 F F C G F G

Me and you, are subject to, the blues now and then

G

But when you take the blues and make a song

C

You sing them out again

Dm7 G7

Sing them out again

C

Song sung blue

G

Weeping like a willow

Song sung blue

C

Sleeping on my pillow

C7 F F C G F G

Funny thing, but you can sing it with a cry in your voice

G

And before you know it, start to feeling good

C G7

You simply got no choice

[Titty over first half of verse (C G G C)]

C7 F

Me and you, are subject to, the blues now and then

G

But when you take the blues and make a song

C

You sing them out again

Dm7 G7

Sing them out again

[Chorus]

[Funny Thing verse]

Whatever Lola Wants by Sarah Vaughn

Original and nice cover

(I have the sheetmusic for this on Yada / sheetmusic, and the chords are a bit different, if want to explore it more)

This is the key Sarah did it in (Bbm), but I like it down at least a step (Am) and even lower (Em) for easy singin.

(Bolero beat)

Here it is in Em, Bbm is below this:

F#m7b5 = x9-10-9-10-x

Em F#7 (9th fret)

Whatever Lola wants, Lola gets

F#m7b5 C7 [Am6] B7

And little man, little Lola wants you [or "wants food" or "your lap" ]

Em

Make up your mind to have (make up your mind to have)

F#7

No regrets (no regrets)

F#m7b5 or Am6 Em B7 Em

Recline yourself, resign yourself, you're through

Bridge:

F Em

She always gets what she aims for

F Em B7

And your heart and soul / is what she came for

Em F#7

Whatever Lola wants, Lola gets

F#m7b5 C7 [Am6] B7

Take off your coat, / don't you know you can't win

Em C7

You're no exception to the rule

Em C7

Shes irresistable you fool

F#m7b5 B7 Em Em6 ending chord

Give in, / give in, you'll never win.

[Repeat from bridge]

Ending:

F#m7b5 B7 Em A7 or Em6 [repeat to taste]

Give in, / give in, you'll never win.

F#m7b5 B7 Em Em6 ending chord

Give in, / give in, you'll never win.

Again in Bbm:

Cm7b5 = x3434x

Bbm C7 (3rd fret)

Whatever Lola wants, Lola gets

Cm7b5 Gb7 [Ebm6] F7

And little man, little Lola wants you [or wants food or your lap]

Bbm

Make up your mind to have (make up your mind to have)

C7

No regrets (no regrets)

Cm7b5 Bbm F7 Bbm

Recline yourself, resign yourself, you're through

Bridge:

B Bbm

She always gets what she aims for

B Bbm F7

And your heart and soul / is what she came for

Bbm C7

Whatever Lola wants, Lola gets

Cm7b5 Gb7 [Ebm6] F7

Take off your coat, / don't you know you can't win

Bbm Gb7

You're no exception to the rule

Bbm Gb7

Shes irresistable you fool

Cm7b5 F7 Bbm Bbm6 ending chord

Give in, / give in, you'll never win.

[Repeat from bridge]

You Do Something To Me by Cole Porter

Sinead and Ella do it in Bb. Frank and most men (that one is a good melody reference) do it in Eb.

I like it in Eb or E. Bb is below here.

In Eb:

Intro: Ebmaj7 / Eb6 / Fm7 / A#7

Eb[maj7] D7 Ebmaj7 Eb6

You do something to me

Eb [Edim] Fm7 Bb7

Something that simply mystifies me

Fm7 C7 Fm7 C7

Tell me, why should it be

F7 Fm7 Bb7

You have the power to hypnotize me?

Bridge:

Eb [Edim7] Bb7 C7

Let me live 'neath your spell

B7 Bb7 Fm7 Bb7

Do do that voodoo that you do so well

Eb[maj7] D7 Eb C7

'Cause you do something to me

Fm7 Bb7 Eb Eb6 Bb7

That nobody else could do

[Repeat from bridge]

Ending:

Fm7 Bb7 Gm7b5 C7

That nobody else could do

Fm7 Bb7 Eb ending chord: Eb beatles

That nobody else could do

Again in Bb

Intro: Bbmaj7 / Bb6 / Cm7 / F7

Bb[maj7] A7 Bbmaj7 Bb6

You do something to me

Bb [Bdim] Cm7 F7

Something that simply mystifies me

Cm7 G7 Cm7 G7

Tell me, why should it be

C7 Cm7 F7

You have the power to hypnotize me?

Bridge:

Bb [Bdim7] F7 G7

Let me live 'neath your spell

F#7 F7 Cm7 F7

Do do that voodoo that you do so well

Bb[maj7] A7 Bb G7

'Cause you do something to me

Cm7 F7 Bb Bb6 F7

That nobody else could do

[Repeat from bridge]

Ending:

Cm7 F7 Dm7b5 G7

That nobody else could do

Cm7 F7 Bb ending chord: Bb beatles

That nobody else could do

September by Earth Wind & Fire

Epic original video

Important thing is to get the groove. Same chords all the way through:

Verse Chords: DM7 - C#m7 - Bm7 - F#m7 G/A

Chorus Chords: Bm7 - E7 - C#m7 - F#m7 G/A

Verse 1

Dmaj7 C#m7

Do you remember

Bm7 F#m7 Dmaj7 C#m7

the 21st night of September?

Bm7 F#m7 Dmaj7 C#m7

Love was changing the minds of pretenders

Bm7 Fm7 G/A

While chasing the clouds away

Verse 2 (Dmaj7 - C#m7 - Bm7 - F#m7 G/A)

Our hearts were ringing

In the key that our souls were singing.

As we danced in the night,

Remember how the stars stole the night away

Chorus

Bm7 E7 C#m7 F#m7

Ba de ya - say do you remember

Bm7 E7 C#m7 F#m7

Ba de ya - dancing in September

Bm7 E7 C#m7 F#m7 G/A

Ba de ya - never was a cloudy day

Verse 3 (Dmaj7 - C#m7 - Bm7 - F#m7 G/A)

My thoughts are with you

Holding hands with your heart to see you

Only blue talk and love,

Remember how we knew love was here to stay

Verse 4 (Dmaj7 - C#m7 - Bm7 - F#m7 G/A)

Now December found the love that we shared in September.

Only blue talk and love,

Remember the true love we share today

[Chorus x 2]

I'm Burning For You by Blue Oyster Cult

http://www.kirbyscovers.com/wp-content/uploads/2014/02/Burning-For-YouTab.pdf

It Was a Very Good Year by Frank Sinatra

Can do in Bm capo'd 3.

Or fun to do with A barres in Dm and funk it up. Neat chord progression.

Dm A

Dm

When I was seventeen

D#

It was a very good year

Dm F

It was a very good year for small town girls

D#

And soft summer nights

D

We d hide from the lights

C

On the village green

D

When I was seventeen

Dm A

Dm

When I was twenty-one

D#

It was a very good year

Dm F

It was a very good year for city girls

D#

Who lived up the stair

D

With all that perfumed hair

C

and it came undone

D

When I was twenty-one

Dm A

Dm

When I was thirty-five

D#

It was a very good year

Dm F

It was a very good year for blue-blooded girls

D#

Of independent means

D

We d ride in limousines

C

Their chauffeurs would drive

D

When I was thirty-five

Dm A

Dm

But now the days are short

D#

I'm in the autumn of the year

Dm F

And now I think of my life as vintage wine

D#

from fine old kegs

D

from the brim to the dregs

C

It s oh sweet and clear

D

It was a very good year

Dm A

Just lyrics:

When I was seventeen, it was a very good year

It was a very good year for small town girls

And soft summer nights

We'd hide from the lights

On the village green

When I was seventeen

When I was twenty-one, it was a very good year

It was a very good year for city girls

Who lived up the stairs

With all that perfumed hair

That came undone

When I was twenty-one

When I was thirty-five, it was a very good year

It was a very good year for blue-blooded girls

Of independent means

We'd ride in limousines

Their chauffeurs would drive

When I was thirty-five

But now the days are short, I'm in the autumn of the years

And now I think of my life as vintage wine

From fine old kegs

From the brim to the dregs

It poured sweet and clear

It was a very good year

Science Fiction Double Feature from Rocky Horror

Original and Reprise

Intro: A / G D [x2]

A G

Michael Rennie was ill the day the Earth stood still

F E

But he told us where we stand

[same descending chords]

And Flash Gordon was there in silver underwear

Claude Rains was the invisible man

Then something went wrong for Fay Wray and King Kong

They got [falsetto] caught in a celluloid jam

Then at a deadly pace it came from outer space

And this is how the message ran

[Short Chorus]:

D E A F#m

Science fiction double feature

Doctor X will build a creature

See androids fighting Brad and Janet

Anne Francis stars in Forbidden Planet

D E A [Intro G / D, don't do "rko"]

Oh, at the late night double feature picture show.

[Intro]

I knew Leo G. Carrol was over a barrel

When Tarantula took to the hills

And I really got hot when I saw Jeanet Scott

Fight a triffid that spits poison and kills

Dana Andrews said prunes, gave him the runes

And [falsetto] passing them used lots of skill

But when worlds collide, said George Powell to his bride

I'm gonna give you some terrible thrills, like a

[Full Chorus]

D E A F#m

Science fiction double feature

Doctor X will build a creature

See androids fighting Brad and Janet

Anne Francis stars in Forbidden Planet

D E A F#m

Oh, at the late night double feature picture show, I wanna go.

Oh, to the late night double feature picture show, by RKO

Oh, at the late night double feature picture show, in the back row

Oh, at the late night double feature picture show.

Reprise (up a half step):

Eb F Bb Gm

Science fiction double feature

Frank has built and lost his creature

Darkness has conquered Brad and Janet

The servant's gone to a distant planet

Eb F Bb Gm

Oh, at the late night double feature picture show, I wanna go.

Oh, to the late night double feature picture show

There's a Light (Over At the Frankenstein Place) from Rocky Horror

Original

Weird that the movie doesn't the second verse. Here's a version can use as a reference to get the phrasing.

Capo 2. Or transpose to E. But nice to play in D.

*riff = bass A0 A1 A2

D

In the velvet darkness

D/C (x30230)

Of the blackest night

G

Burning bright

Gm (3x0333) D [bass riff]

There's a guiding star

B E A

No matter what or who you are

[Chorus:]

D

There's a light, over at the Frankenstein place

G Gm

There's a light, burning in the fireplace

D [*] B

There's a light, light

E A D [for that bassline, x2x0032 to D x5777x]

In the darkness of everybody's life

[Optional verse, or go to bridge]

D

I can see the flag fly

D/C

I can see the rain

G

Just the same

Gm D

There has got to be

B E A

Something better / here for / you and me

[Chorus:]

D

There's a light, over at the Frankenstein place

G Gm

There's a light, burning in the fireplace

D [*] B

There's a light, light

E A D [for that bassline, x2x0032 to D x5777x]

In the darkness of everybody's life

[Riff Raffy Bridge:]

D F#m

The darkness must go

Bm/F#

Down the river of nights dreaming

D F#m

Flow morphia slow

Bm/F#

Let the sun and light come streaming

G A

Into my life, into my life

[Chorus:]

D

There's a light, over at the Frankenstein place

G Gm

There's a light, burning in the fireplace

D B

There's a light, light

E A D [for that bassline, D then 0706xx]

In the darkness of everybody's life

Time Warp from Rocky Horror

Can do the blues A7 barre pattern pretty much throughout.

A B7

It's astounding, time is fleeting

G D A B7

madness takes its toll. But listen closely, not for very much longer

G D A

I've got to keep control.

B7 G D A

I remember doing the Time Warp, drinking those moments when

B7

the blackness would hit me, and the void would be calling...

Chorus:

F C G D A

Let's do the Time Warp again! (x2)

E A

It's just a jump to the left and then a step to the right

E A

With your hands on your hips, you bring your knees in tight

D A

But it's the pelvic thrust, that really drives you insane

F C G D A

Let's do the Time Warp again! (x2)

A B G D A

It's so dreamy, oh fantasy free me! So you can't see me, no not at all.

B

In another dimension, with voyeuristic intention,

G D A

Well secluded, I'll see all.

B

With a bit of a mind flip, you're into the time slip

G D A

Nothing can ever be the same

B

You're spaced out on sensation, like you're under sedation!

F C G D A

Let's do the Time Warp again! (x2)

Bridge:

Well I was tapping down the street just-a having a think

A7 D

When a snake of a guy gave me an evil wink, well it shook me up,

A

it took me by surprise, he had a pick-up truck and the devil's eyes,

E D A

He stared at me and I felt a change, Time meant nothing never would again.

Chorus:

F C G D A

Let's do the Time Warp again! (x2)

E A

It's just a jump to the left and then a step to the right

E A

With your hands on your hips, you bring your knees in tight

D A

But it's the pelvic thrust, that really drives you insane

F C G D A

Let's do the Time Warp again! (x2)

[Tap Dancing Bridge over verse pattern. Fun to do over Bo Diddley style percussion]

Chorus:

F C G D A

Let's do the Time Warp again! (x2)

E A

It's just a jump to the left and then a step to the right

E A

With your hands on your hips, you bring your knees in tight

D A

But it's the pelvic thrust, that really drives you insane

F C G D A

Let's do the Time Warp again! (x2)

Sweet Transvestite from Rocky Horror

Original

Intro : E (and nice to go to 0706xx and back to E)

D# E

How do you do I,

F# G

see you've met my

G# A D# E G# A D# E

Faithful handyman.

D# E

He's just a little brought down,

F# G

Because, when you knocked

G# A D# E G# A D# E

He thought you were the candyman.

D# E

Don't get strung out

F# G

by the way I look.

G# A D# E

Don't judge a book by its cover.

D# E F# G

I'm not much of a man by the light of day

G# A E

But by night I'm one hell of a lover.

Chorus:

B [Can do the boogie riff off B7]

I'm just a sweet transvestite

A E D# E

From Transexual, Transylvania.

D# E

Let me show you around

F# G

Maybe play you a sound.

G# A D# E

You look like you're both pretty groovy.

D# E

Or if you want something visual

F# G

That's not too abysmal,

G# A D# E

We could take in an old Steve Reeves movie.

D# E

I'm glad we caught you at home,

F# G

Could we use your phone?

G# A D# E

We're both in a bit of a hurry. Right.

D# E

We'll just say where we are,

F# G

Then go back into the car.

G# A D# E

We don't want to be any worry.

D# E

Well you got with a flat,

F# G

Well, how 'bout that?

G# A D# E

Well, babies, don't you panic.

D# E

By the light of the night

F# G

It'll all seem alright.

G# A D# E

I'll get you a satanic mechanic.

Chorus:

B

I'm just a sweet transvestite

A E D# E

From Transexual, Transylvania.

D# E

Why don't you stay for the night? Night.

F# G

Or maybe a bite? Bite.

G# A D# E

I could show you my favorite ... obsession.

D# E

I've been making a man

F# G

With blond hair and a tan

G# A D# E

And he's good for relieving my ... tension

Chorus x2:

B

I'm just a sweet transvestite

A E D# E

From Transexual, Transylvania.

[Bridge (can skip)]

E

So - come up to the lab,

G

And see what's on the slab.

A E

I see you shiver with antici ... .... pation

E

But maybe the rain

G

Isn't really to blame.

A

So I'll remove the cause.

E

(chuckles) But not the symptom.

[Chorus]

The Sword of Damocles from Rocky Horror

Original

A D A D

The Sword of Damocles is hanging over my head

A D A D

And I've got the feeling someone's gonna be cutting the thread

C# D E A

Oh, woe is me, my life is a misery

C# D

Oh, can't you see

E [D C# B A]

That I'm at the start of a pretty big downer

A D A D

I woke up this morning with a start when I fell out of bed (That ain't no crime)

A D A D

And left from my dreaming was a feeling of unnameable dread (That ain't no crime)

C# D E A

My high is low, I'm dressed up with no place to go

C# D

And all I know

E [D C# B A]

Is I'm at the start of a pretty big downer (Oh, Rocky!)

A D

Sha la la la that ain't no crime (Oh no no no)

A D

Sha la la la that ain't no crime (Oh no no no)

A D E D D# E

Sha la la la That ain't no crime, that ain't no crime

A D A D

The Sword of Damocles is hanging over my head (That ain't no crime)

A D A D

And I've got the feeling someone's gonna be cutting the thread (That ain't no crime)

C# D E A

Oh, woe is me, my life is a mystery

C# D

And can't you see

E E [D C# B A]

That I'm at the start of a pretty big downer

A D

Sha la la la that ain't no crime (Oh no no no)

A D

Sha la la la that ain't no crime (Oh no no no)

A D E D D# E

Sha la la la That ain't no crime, that ain't no crime

I Can Make You a Man from Rocky Horror

Original

Verse 1:

C E7

A weakling weighing ninety-eight pounds

Am

Will get sand in his face

C7

When kicked to the ground

F

And soon in the gym

D7

With a determined chin

C

The sweat from his pores

A7

As he works for his cause

D7

Will make him glisten and gleam,

G7

And with massage and just a little bit of steam

F C

He'll be pink and quite clean

G7 F C G7

He'll be a strong man, but the wrong man

Verse 2:

C E7

He'll eat nutritious, high protein

Am C7

And swallow raw eggs

F

Try to build up his shoulders

D7

His chest, arms, and legs

C

Such an effort

A7

If he only knew of my plan

D7 [bass: E0 E1 E2 E3] G

In just seven days

G F (xx3211) (xx201x) (xxx01x) C G7

I can make you a man

Verse 3:

C E7

He'll do press-ups and chin-ups

Am C7

Do the snatch, clean, and jerk

F

He thinks dynamic tension

D7

Must be hard work

C

Such strenuous living

A7

I just don't understand

D7 [bass: E0 E1 E2 E3] G

When in just seven days

G F (xx3211) (xx201x) (xxx01x) C [G7]

I can make you a man

Hot Patootie Bless My Soul from Rocky Horror

Original

Prob easier to transpose down 1 and capo up 1. Really high, especially while playing, might want to tranpose down.

[Skip!]

C# A#m

Whatever happened to Saturday night,

C# A#m

You dressed up sharp and you felt all right,

F# G#

It don't seem the since cosmic light,

F# G#

Came into my life, it really was divine.

C# A#m

I used to ride with a chick who'd go,

C# A#m

And listen to the music on the radio,

F# G#

A saxophone was playin' in a rock'n roll show,

F# G#

You climbed in the backseat, we really had a good time.

Chorus:

C# D# F# C#

Hot patootie, bless my soul, I really love that rock'n roll,

C# D# F# C#

Hot patootie, bless my soul, I really love that rock'n roll,

C# D# F# C#

Hot patootie, bless my soul, I really love that rock'n roll,

C# D# F# C#

Hot patootie, bless my soul, I really love that rock'n roll,

C# A#m

My head used to swim from the perfume I smelled,

C# A#m

My hands fumbled with a white plastic belt,

F# G#

I'd taste her pink lipstick and that's when I'd melt,

F# G#

She'd whisper in my ear tonight she really was mine.

C# A#m

Get back in the front and put some hair oil on,

C# A#m

Buddy Holly was singing his very last song,

F# G#

With my arms around my girl I'd try to sing along,

F# G#

It felt pretty good, Whoo! We really had a good time.

Toucha Touch Me from Rocky Horror

Original

Nice to do as E barres.

Cm Bb

I was feeling done in, couldn't win

Eb Fm

I'd only ever kissed before.

Bb Eb

I thought there's no use getting into heavy petting

G7 [Can do F#7 to G7]

It only leads to trouble and seat wetting...

Cm Bb

Now all I want to know is how to go

Eb Fm

I've tasted blood and I want more (more, more, MORE)

Bb Eb

I'll put up no resistance, I want to stay the distance

G7

I've got an itch to scratch, I need assistance:

[Chorus:]

C D F C

Toucha toucha toucha touch me, I wanna be dirty

C D

Thrill me chill me fulfil me

F C

Creature of the night.

Cm Bb

Then if anything grows while you pose

Eb Fm

I'll oil you up and rub you down (down, down, DOWN)

Bb Eb

And that's just one small fraction of the main attraction

G7

You need a friendly hand and I need action...

[Chorus:]

C D F C

Toucha toucha toucha touch me, I wanna be dirty

C D

Thrill me chill me fulfil me

F C

Creature of the night.

[Chorus up a half step:]

C# D# F# C#

Toucha toucha toucha touch me, I wanna be dirty

C# D#

Thrill me chill me fulfil me

F# C#

Creature of the night.

F# C#

Creature of the night.

F# C#

Creature of the night.

Superheroes from Rocky Horror

Original https://www.youtube.com/watch?v=esQ0tNoVXKk

Riff (on "Bleeding" for example)

|-0----------------------------|

|-1--3--1---------1--0---------|

|----4--2---------2--0---2-----|

|------------------------2-----|

|------------------------------|

|------------------------------|

Intro: one verse

Brad:

Am Am/G# (or E+)

I've done a lot, God knows I've tried

Am7/G Am/F# (aka F#m7b5)

To find the truth, I've even lied

F E Am (riff*) E7 or x02200

But all I know, is down inside I'm Bleeding

Janet:

Am Am/G#

And super heroes, come to feast

Am7/G Am7/F# (aka F#m7b5)

To taste the flesh, not yet deceased

F E Am (riff*) E7

And all I know, is still the beast is Feeding

Bridge:

A / D /

Ah Ah [x3]

B / E /

Ah Ah

Criminologist:

Am Am/G# (or E+)

And crawling on the planet's face,

Am7/G Am/F# (aka F#m7b5)

some insects called the human race

F E Am (riff*) E7

Lost in time, and lost in space and meaning

Photographs and Memories by Jim Croce

Nice to play the Cmaj7 as x32000.

Intro: Gmaj7 / Cmaj7. For the riff play the Gmaj7 as 3x0002 and play E3 on high E. Middle finger on low E.

Gmaj7 Cmaj7 Gmaj7 Cmaj7

Photographs and memories, Christmas cards you sent to me

Am7 Bm7 Em Am7 D7

All that I have are these / to remember you

Gmaj7 Cmaj7 Gmaj7 Cmaj7

Memories that come at night / take me to another time

Am7 Bm7 Em Am7 D7 [D7sus - D7]

Back to a happier day, when I called you mine

[Chorus]

Gmaj7 Cmaj7 Gmaj7 Cmaj7

But we sure had a good time when we started way back when

Gmaj7 Cmaj7 Bm7 F#m7 D7

Morning walks and bedroom talks, oh, how I loved you then

Gmaj7 Cmaj7 Gmaj7 Cmaj7

Summer skies and lullabies, nights we couldn't say goodbye,

Am7 Bm7 Em Am7 D7 [D7sus - D7]

And of all of the things that we knew, not a dream survived.

[Titty over a verse]

Gmaj7 Cmaj7 Gmaj7 Cmaj7

Photographs and memories, all the love you gave to me,

Am7 Bm7 Em Am7 D7

Somehow it just can't be true, that's all I've left of you.

[Chorus without final D7]

Gmaj7 Cmaj7 Gmaj7 Cmaj7

But we sure had a good time when we started way back when

Gmaj7 Cmaj7 Bm7 F#m7

Morning walks and bedroom talks, oh, how I loved you then

TV Party by Black Flag

Original

intro:

G barre

D|----------3--3--2--0---------|

A|--3--3----------------3------|

[Can also do the riff with C barre 7th fret to E / F chord]

[Intro riff]

C F C F C

TV party tonight! TV party tonight!

F C F C

TV party tonight! TV party tonight!

C G

We're gonna have a TV party tonight (alright!)

C G

We're gonna have a TV party alright (tonight!)

F C Bb G

We've got nothing better to do

F C Bb G

Than to watch TV and have a couple of brews

C F C F G

All our friends are gonna hang out here tonight (alright!)

C F C F G

We'll pass out on the couch, alright (tonight!)

F C Bb G

We've got nothing better to do

F C Bb G

Than to watch TV and have a couple of brews

D Bb F

Don't talk about anything else, we don't wanna know

D Bb F

We're dedicated to our favourite shows

[Intro riff again]

That's Incredible! Hillstreet Blues

Dallas Winsave

TV news shows us what it's like out there (it's a scare!)

You can go out if you want (we wouldn't dare)

F C Bb G

We've got nothing better to do

F C Bb G

Than to watch TV and have a couple of brews

D Bb F

Don't talk about anything else, we don't wanna know

D Bb F

We're dedicated to our favourite shows

I wouldn't without my TV for a day (or even a minute)

I don't even bother to use my brain anymore

(there's nothing left in it)

Chorus

Hey, wait a minute, my TV set doesn't work! (it's broken)

Hey, this isn't fair; what are we gonna do tonight? (we're hurting)

with prechorus/chorus chords:

We've got nothing left to do

We're with no TV and just a couple of brews

What are we gonna talk about? I don't know!

We're gonna miss our favourite shows

No! That's Incredible! No! Hillstreet Blues

No! Dallas No! Winsave!!

slower:

C F C F C F G

No T-V party tonight

Moving On Up by The Jeffersons

Original

D7 G7

Well we're movin on up, (Movin on up)

C7

To the east side (Movin on up)

G7 D7 [or D9]

To a deluxe apartment in the sky

G7

Movin on up, (Movin on up)

C7

To the east side (Movin on up)

G7 D7 G7 F F# G

We finally got a piece of the pie

[Simulate Hand Claps with pick on muted guitar]

G7 F F# G

Fish don't fry in the kitchen

G7 F F# G

Beans don't burn on the grill

G7

Took a whole lotta tryin' just to get up that hill

G7 F F# G

Now we're up in the big leagues

G7 F F# G

Gettin' our turn at bat

As long as we live, it's you and me baby

D7 [or D9 or Am6]

There ain't nothin wrong with that

G7

Well we're movin on up, (Movin on up)

C7

To the east side (Movin on up)

G7 D7

To a deluxe apartment in the sky

G7

Movin on up (Movin on up)

C7

To the east side (Movin on up)

G7 D7 G7

We finally got a piece of the pie.

[Repeat whole song]

Song 2 (Woo Hoo) by Blur

Original

Nice to do down a half step.

Riff throughout:

F (A barre) / Eb (A barre) / Ab Bb / C

Woo hoo! (x4)

I got my head checked

By a jumbo jet

It wasn't easy

But nothing i-is

[Chorus:]

Woo hoo when I feel heavy metal

Woo hoo and I'm pins and I'm needles

Woo hoo when I'm lyin I'm easy

F Ab Db

All of the time but I'm never sure why I need you

Please to meet ya

[Intro]

I got my head done

When I was young

It's not my problem

It's not my problem...

[Chorus]

Hash Pipe by Weezer

Original

Main riff: A chord with A2 A3 bassline. Key is actually Am.

Intro: main riff

I cant help my feelings

Ill go out of my mind

These players come to get me

Cause theyd like my behind

I cant love my business

If I cant get a trick

Down on / Santa Monica

Where tricks are for kicks

Chorus:

D [riff]

Oh, come on and kick me

D F

Oh, come on and kick me

E

(Oh) Come on and kick me

D

(Oh) Youve got your problems

C

(Oh) Ive got my ass wipe

B [nc]

You got your big G's

I got my hash pipe

[Intro]

I cant help my boogies

They get out of control

I know that you dont care

But I want you to know

The knee-stocking flavor

Is a favorite treat

Of men that dont bother

With the taste of a teat

[Chorus]

[Titty]

[Chorus]

A Message To You Rudy by The Specials

The Specials version, and the original by Daniel Livingston (in A). Cool Amy Winehouse version. Nice version in Bb.

Get some harmonies going. Easier to sing with a ska beat but can also do the bass line as below. Note that the original is in A, a bit easier to sing. Bb is nice too.

C / F G /

C F G

|------------------------------|

|------------------------------|

|------------------------------|

|------------------------------|

|-----7 7----------------------|

|---8-----8----1----3----------|

Stop your messing around (ah-ah-ah)

Better think of your future (ah-ah-ah)

Time you straighten right out (ah-ah-ah)

Creating problems in town (ah-ah-ah)

Chorus:

R-u-dy

A message to you, Rudy

A message to you

Stop your fooling around (ah-ah-ah)

Time you straighten right out (ah-ah-ah)

Better think of your future (ah-ah-ah)

Else you'll wind up in jail (ah-ah-ah)

[Chorus]

[Verse 1]

[Chorus]

I Wanna Be Around by Tony Bennett

Tony Bennett solo version. I gather theres a duet with Bono too. James Brown version (in D). Frank Sinatra (in Ab). Awesome version from Edye Gorme (in F)

I have the sheetmusic for this.

Its awesome a half step up in B!

B9b5 = x2121x (?)

Intro:

Bbmaj7 (bass E0 E1 E3) G7#5 / C9 F13

Bbmaj7 Bb6 Dm7 Dbdim7 (or Dbm7)

I want to be around to pick up the pieces

Cm7 G7(#5) Cm7 F7 (or F13)

When somebody breaks your heart

Cm7 Cm7/G F7 F#dim Bbmaj7 Db9 Cm7 F13

Some somebody twice as smart as I

Dm7b5 G7 Dm7b5 G7

A somebody who will swear to be true

Cm7 G7#5 Cm7 Cm7/G

As you used to do with me

Em7b5 A7

Who'll leave you to learn

Gm7 C9 F7 F7#5

That misery loves company, wait and see

[Verse 2]

[B9b5] Bbmaj7 Bb6 Dm7 Dbdim7

I mean, I want to be around to see how he does it

Cm7 G7#5 Cm7 F7 (or F13)

When he breaks your heart to bits

Cm7 Cm7/G F7 F#dim D9 G7 D7 G7

Let's see if the puzzle fits so fine

* Dm7b5 G7 Dm7b5 G7

And that's when I'll discover that revenge is sweet

Gm7 C7 Gm7 C7 (or C9)

As I sit there applauding from a front-row seat

Cm7 Cm7/G F7

When somebody breaks your heart

F13 Bbmaj7 [turnaround] C#dim Cm7 F7

Like you, like you broke mine

[Titty over half of 2nd verse, then come back in at * and thats when ill discover, and end on Bb beatles]

Just lyrics:

I want to be around to pick up the pieces

When somebody breaks your heart

Some somebody twice as smart as I

A somebody who will swear to be true

As you used to do with me

Who'll leave you to learn

That misery loves company, wait and see

I mean, I want to be around to see how he does it

When he breaks your heart to bits

Let's see if the puzzle fits so fine

* And that's when I'll discover that revenge is sweet

As I sit there applauding from a front-row seat

When somebody breaks your heart

Like you, like you broke mine

(Back to asterix after instrumental)

Thats Life by Frank Sinatra

Heavy swing feel (6/8 or whatever). Franks version.

Intro: G Em A7 D7 x2

G B7

That's life (that's life), that's what all the people say

Em7 A7

You're ridin' high in April, shot down in May

G B7 Em Em7

But I know I'm gonna change that tune

A7 D7 D7+

When I'm back on top, back on top in June

G B7

I said that's life (that's life), and as funny as it may seem

Em7 A7

Some people get their kicks / stompin' on a dream

G B7 Em Em7

But I don't let it, let it get me down

A7 D7 G

'cause this fine old world, it keeps spinnin' around

G7

I've been a puppet, a pauper, a pirate, a poet, a pawn and a king

C [C6]

I've been up and down and over and out and I know one thing

A7

Each time I find myself flat on my face

D7 D+

I pick myself up and get back in the race

* G B7

That's life (that's life), I tell you I can't deny it

Em7 A7

I thought of quitting, baby, but my heart just ain't gonna buy it

G B7 Em Em7

And if I didn't think it was worth one single try

A7 D7 G

I'd jump right on a big bird and then I'd fly

G7

I've been a puppet, a pauper, a pirate, a poet, a pawn and a king

C [C6]

I've been up and down and over and out and I know one thing

A7

Each time I find myself flat on my face

D7 D9 D# [optional modulation]

I pick myself up and get back in the race

[Optional modulation. Or just repeat previous verse (marked with *)]

G# C7

That's life (that's life), that's life and I can't deny it

Fm A#7

Many times I thought of cuttin' out but my heart won't buy it

G# C7 Fm

But if there's nothin' shakin' come this here July

A#7 D#7 G# C# G# G#7

I'm gonna roll myself up in a big ball a-and die

Respectable by The Rolling Stones

Original, and me Charlie and Dave doing it.

Boogie woogie riff off the A. Stays low singing until the last line of the chorus.

A

Well, now we're respected in society,

we don't worry about the things that we used to be

D

We're talking heroin with the President,

A

well, it's a problem, sir, but it can't be bent

A

Well, now you're a pillar of society,

you don't worry about the things that you used to be

D

You're a rag-trade girl, you're the queen of porn,

A A7

you're the easiest lay on the White House lawn

E7 E A

Get out of my life, don't come back

E7 E A

Get out of my life, don't come back

Chorus:

A7 A

She's so respectable

A7 A

She's so respectable

D

She's so delectable

A7 A

She's so respectable

E7

Get out of my life,

E

don't take my wife;

A

don't come back

[goes high] E7

Get out of my life,

E

don't take my wife;

A

don't come back

[Repeat chorus to taste, high]

Jumping Jack Flash by The Rolling Stones

Riff1: Can just do B / C# / D, or play a B with A4 A5

Riff2: B / D E

Not sure where to use riff2 but it sounded good in jam with Charlie

Intro: riff1

B

I was born in a cross-fire hurricane

And I howled at my ma in the driving rain,

D A E B

But it's all right now, in fact, it's a gas!

D A E

But it's all right. I'm Jumpin' Jack Flash,

B

It's a gas! Gas! Gas!

[intro - can use riff2]

I was raised by a toothless, bearded hag,

I was schooled with a strap right across my back,

D A E B

But it's all right now, in fact, it's a gas!

D A E

But it's all right, I'm Jumpin' Jack Flash,

B

It's a gas! Gas! Gas!

[intro]

I was drowned, I was washed up and left for dead.

I fell down to my feet and I saw they bled.

I frowned at the crumbs of a crust of bread.

I was crowned with a spike right thru my head.

D A E B

But it's all right now, in fact, it's a gas!

D A E

But it's all right, I'm Jumpin' Jack Flash,

B

It's a gas! Gas! Gas!

Till There Was You by the Beatles

Original

Intro: F / F#dim / Gm7 / C7

Verse 1:

F F#dim Gm7 Bbm

There were bells on a hill, but I never heard them ringing

F Am7 - Abm7 - Gm7 C7 F Gm7 C7

No I never heard them at all, till there was you

F F#dim Gm7 Bbm

There were birds in the sky, but I never saw them winging,

F Am7- Abm7 -Gm7 C7 F F7

No I never saw them at all, till there was you

Verse 2:

Bb Bbm F

Then there was music, and wonderful roses

D7 [or D9] Gm GmMaj7 G7 C7 C+

They tell me in sweet, fragrant meadows of dawn and dew

F F#dim Gm7 Bbm

There was love all around, but I never heard it singing

F Am7- Abm7 -Gm7 C7 F Gm7 C7

No I never heard it at all, till there was you

[Solo]

F F#dim Gm Bbm F Am-Abm-Gm C7 F F7

[Verse 2]

Ending:

C7 Gm7* C7 F C#7 F FM7

Tiillllll there was youuuuuuuuuuuuu

* = or just slide the C7 down a half step

Just lyrics:

There were bells on a hill, but I never heard them ringing

No I never heard them at all, till there was you

There were birds in the sky, but I never saw them winging,

No I never saw them at all, till there was you

Verse 2:

Then there was music, and wonderful roses

They tell me in sweet, fragrant meadows of dawn and dew

There was love all around, but I never heard it singing

No I never heard it at all, till there was you

[solo over a verse]

[verse 2]

C7 Gm7* C7 F C#7 F FM7

Tiillllll there was youuuuuuuuuuuuu

8 Days A Week by The Beatles

Album key is in D, up a step

The D chords might all be D7. But D natural sounds nice I think.

Intro: C D7 F C

C D F C

Ooh I need your love babe / Guess you know it's true

D F C

Hope you need my love babe / Just like I need you

Am F Am D

Hold me, love me / Hold me, love me

C D F C

Ain't got nothin' but love babe / Eight days a week

C D F C

Love you every day girl / Always on my mind

D F C

One thing I can say girl / Love you all the time

Am F Am D

Hold me, love me / Hold me, love me

C D F C

Ain't got nothin' but love babe / Eight days a week

G Am

Eight days a week / I love you

D F G

Eight days a week / Is not enough to show I care

C D F C

Ooh I need your love babe / Guess you know it's true

D F C

Hope you need my love babe / Just like I need you

Am F Am D

Hold me, love me / Hold me, love me

C D F C

Ain't got nothin' but love babe / Eight days a week

G Am

Eight days a week / I love you

D F G

Eight days a week / Is not enough to show I care

C D F C

Love you every day girl / Always on my mind

D F C

One thing I can say girl / Love you all the time

Am F Am D

Hold me, love me / Hold me, love me

C D F C

Ain't got nothin' but love babe / Eight days a week

F C

Eight days a week

F C

Eight days a week

I Will by The Beatles

F Dm7 Gm7 C7

Who knows how long Ive loved you

F Dm Am

you know I love you still

F7 Bb C7 Dm

Will I wait a lonely lifetime

F Bb C7 F Dm7 Gm7 C7

if you want me to I will

F Dm Gm7 C7

For if I ever saw you

F Dm Am

I didn't catch your name

F7 Bb C7 Dm

but it never really mattered

F Bb C7 F F7

I will always feel the same

Chorus:

Bb Am Dm7

Love you forever and forever

Gm C7 F F7

love you with all my heart

Bb Am Dm7

love you whenever we're together

G7 C7

love you when we're apart...

F Dm7 Gm7 C7

And when at last I find you

F Dm7 Am

your song will fill the air

F7 Bb C7 Dm Bbm

sing it loud so I can hear you

F7 Bb C7 Dm Bbm

make it easy to be near you

F Bb C7 Dm F/C

for the things you do endear you to me

Bb C7 Db7 F

and you know I will... I will

F7 Bb C7 Dm7 Gm7 C7 F

Ever Fallen In Love by the Buzzcocks

Original

Riff:

E--------------------2--0----------------------|

B------2--0-----0-0----------------------------|

G--1-------------------------------------------|

D----2-----------------------------------------|

A----------------------------------------------|

E----------------------------------------------|

Nice to be C#m on 8th fret, etc.

Intro

-----

C#m B / C#m B / E (with riff on kazoo.)

Verse 1

C#m [B]

You spurn my natural emotions

C#m E [riff]

You make me feel un-lo-ved / And Im hurt

C#m [B]

And if I start a commotion

C#m

I run the risk of losing you

E [riff]

And that's worse

Chorus

C#m B

Ever fallen in love with someone

C#m

Ever fallen in love

B

In love with someone

D

Ever fallen in love

A

In love with someone,

B [E B B B E B]

You shouldn't have fallen in love with

Verse 2

C#m [B]

I can't see much of a future

C#m E [riff]

Unless we find out what's to blame / What a shame

C#m [B]

And we won't be together much longer

C#m E [riff]

Unless we realize that we are the same

[Chorus - see above or below]

Verse 1 again:

C#m [B]

You spurn my natural emotions

C#m E [riff]

You make me feel un-lo-ved / And Im hurt

C#m [B]

And if I start a commotion

C#m

I'll only end up losing you

E [riff]

And that's worse

Chorus x2

C#m B

Ever fallen in love with someone

C#m

Ever fallen in love

B

In love with someone

D

Ever fallen in love

A

In love with someone,

B [E B B B E B]

You shouldn't have fallen in love with

Ending:

A [D A A A D A]

A fallen in love with

G B

Ever fallen in love with someone

E

You shouldn't have fallen in love with

You spurn my natural emotions

You make me feel unloved

And I'm hurt

And if I start a commotion

I run the risk of losing you

And that's worse

Chorus

Ever fallen in love with someone

Ever fallen in love

In love with someone

Ever fallen in love

In love with someone,

You shouldn't have fallen in love with

I can't see much of a future

Unless we find out what's to blame

What a shame

And we won't be together much longer

Unless we realize that we are the same

[Chorus]

You spurn my natural emotions

You make me feel a dud

And I'm hurt

And if I start a commotion

I'll only end up losing you

And that's worse

Lets Go to Bed by The Cure

Original and nice acoustic version

Main progression:

Cm / Eb / F / Bb (can sometimes do Eb instead of the Bb)

Intro (kazoo):

Doo doo doo doo

Doo doo doo doo

Let me take your hand, I'm shaking like milk

Turning, turning blue all over the windows and the floors

Fires outside in the sky, look as perfect as cats

The two of us, together again. But it's just the same, a stupid game

F (first fret) G (3rd fret)

But I don't care if you don't

Eb (6) F (8)

And I don't feel if you don't

G (3 or 10) G# (4 or 11)

And I don't want it if you don't

Bb (6) [main progression]

And I won't say it, If you won't say it first

You think you're tired now, but wait until three

Laughing at the Christmas lights / you remember from December

All of this / then back again / another girl / another name

Stay alive / but stay the same / It's just the same / A stupid game

F (first fret) G (3rd fret)

But I don't care if you don't

Eb (6) F (8)

And I don't feel if you don't

G (3 or 10) G# (4 or 11)

And I don't want it if you don't

Bb (6) [main progression]

And I won't say it, If you won't say it first

[optional 3rd verse that I dont know very well]

You can't even see now, so you ask me the way

You wonder if it's real because it couldn't be rain

Through the right doorway / And into the white room

It used to be the dust that would lay here when I came here alone

[Chorus]

Black Hole Sun by Soundgarden

Played in Drop D tuning (see below for that), but this sounds passable. Heres a tutorial on the drop D method.

G6 Bb6

In my eyes, indisposed

F Em

In disguise as no one knows

Eb D

Hides the face, lies the snake

G F Ab

The sun in my disgrace

G6 Bb6

Boiling heat, summer stench

F Em

'Neath the black the sky looks dead

Eb D

Call my name through the cream

G F Ab

And I'll hear you scream again

Chorus:

Eb

Black hole sun

D

Won't you come

G F Bb

And wash away the rain

Eb

Black hole sun

D

Won't you come

C D

Won't you come

G6 Bb6

Stuttering / cold and damp

F Em

Steal the warm wind tired friend

Eb D

Times are gone for honest men

G F Ab

And sometimes far too long for snakes

G6 Bb6

In my shoes, a walking sleep

F Em

And my youth I pray to keep

Eb D

Heaven send Hell away

G F Ab

No one sings like you anymore

[Chorus]

G6 Bb6

Hang my head, drown my fear

F Em

Till you all just disappear

[Chorus]

Drop D tuning (how its actually played)

5555xx 8555xx

In my eyes, indisposed

3335xx 2224xx

In disguise as no one knows

1111xx 0302xx (E7 up one)

Hides the face, lies the snake

555xxx 355xxx 666xxx

The sun in my disgrace

G A#

Boiling heat, summer stench

F Em

'Neath the black the sky looks dead

D# D

Call my name through the cream

G F G#

And I'll hear you scream again

1111xx

Black hole sun

0302xx (E7 up one)

Won't you come

555xxx 355xxx 666xxx

And wash away the rain

1111xx

Black hole sun

0302xx

Won't you come

3355333 113311

Won't you come

Riff:

E----------------------------0----- 0------|

B----------------------------0----- 0------|

G----------------------------0----- 0------|

D----------------------------3--(x2) 5------|

A--0~3 2 0 -~3-------------3----- 5------|

D------------------5 4 3-----3----- 5------|

Love and Marriage by Frank Sinatra

Intro:

Bb / F7 (x2)

Bb

Bb F7

Love and marriage, love and marriage

Bb Bb7 Eb Ebm

Go together like a horse and carriage

Bb D7 Eb

This I tell you brother

Bbdim Bb C7 F7

You can't have one without the other

Bb F7

Love and marriage, love and marriage

Bb Bb7 Eb Ebm

It's an institute you can't disparage

Bb D7 Eb

Ask the local gentry

Bbdim Bb F7 Bb

And they will say it's elementary

Gb GbMaj7 Gb6

Try, try, try to separate them

Abm7 Db7 Gb

It's an illusion

Gb GbMaj7 Gb6 Bb

Try, try, try, and you will only come

F7

To this conclusion

Bb F7

Love and marriage, love and marriage

Bb Bb7 Eb Ebm

Go together like a horse and carriage

Bb D7 Eb

Dad was told by mother

Bbdim Bb Bbdim Bb

You can't have one, you can't have none.

Bbdim Bb F7 Bb

You can't have one without the other

[titty over a verse]

[from bridge to end]

Cheek to Cheek by Irving Berlin

Frank does it in Bb. Lots of people do it in G. This is somewhat incomplete. Theres a good tutorial in G, should take some of the changes from there.

D#dim = xx0101

Bb7b5 = 6x675x

Variations:

C Am7 Dm7 G7 = C C#dim Dm7 G7

C Am7 Dm7 G7 (x2)

Heaven, I'm in heaven

C G7 D#dim7 Em7 Bb7b5 A7

And my heart beats so that I can hardly speak

[Ab7b5] G7 Dm7 G7 G7/F E7 A7

And I seem to find the happiness I seek

Dm7 G7 C Am7 Dm7 G7

When we're out together dancing cheek to cheek

C Am7 Dm7 G7 (x2)

Yes, heaven, I'm in heaven

C G7 D#dim7 Em7 Bb7b5 A7

And the cares that hung around me through the week

[Ab7b5] G7 Dm7 G7 G7/F E7 A7

Seem to vanish like a gambler's lucky streak

Dm7 G7 [???] C Am7 Dm7 G7

When we're out together dancing cheek to cheek

Dm7 G7 C A7* (*A7b5?)

Oh I love to climb to mountain

Dm7 G7 C A7*

And reach the highest peak

Dm7 G7 C A7*

But it doesn't thrill me half as much

Dm7 G7 C

As dancing cheek to cheek

Dm7 G7 C A7*

Oh I love to go out fishing

Dm7 G7 C A7*

In a river or a creek

Dm7 G7 C A7*

But I don't enjoy it half as much

Dm7 G7 C

As dancing cheek to cheek

Cm7 [Cm7/Bb]

Now dance with me

Ab7

I want my arms about you

G7

That charm about you

C Am7 D7 G7

Will carry me through

Black Water by Doobie Brothers

Drop D tuning with both E's down to D.

Nice tutorial, and a nice live version

Riff: A2 A0 Am7 / E2~E4 D (000230)

#1.

D (xx0230) Am7 D Am7 D

Well, I built me a raft and she's ready for floatin'..

ole Mississippi, she's callin' my name.

Catfish are jumpin', that paddle-wheel thumpin'..

black water keeps rollin' on past just the same.

CHORUS:

G (550030)

Old black water, keep on rollin'..

Bb (880060)

Mississippi moon won't you keep on shinin'.

G

Old black water, keep on rollin'..

Bb

Mississippi moon won't you keep on shinin'..

G

Old black water, keep on rollin'..

Bb A Em7 (220000)

Mississippi moon won't you keep on shinin' on me?

A Em7 A Em7

Yeah, keep on shinin' your light, gonna make everything,

A Em7

pretty mama, gonna make everything all right.

D Am7 D Am7 A Em7 A x0222x x0423x A

And I ain't got no worries 'cause I ain't in no hurry..at all.

(INTERLUDE Am7 - D)

#2.

D Am7 D Am7 D

Well, if it rains, I don't care, don't make no difference to me.

Just take that street car that's goin' up town..

Yeah, I'd like to hear some funky Dixieland and dance a honky-tonk..

and I'll be buyin' everybody drinks all round.

CHORUS:

G (550030)

Old black water, keep on rollin'..

Bb (880060)

Mississippi moon won't you keep on shinin'.

G

Old black water, keep on rollin'..

Bb

Mississippi moon won't you keep on shinin'..

G

Old black water, keep on rollin'..

Bb A Em7 (220000)

Mississippi moon won't you keep on shinin' on me?

A Em7 A Em7

Yeah, keep on shinin' your light, gonna make everything,

A Em7

pretty mama, gonna make everything all right.

D Am7 D Am7 A Em7 A x0222x x0423x A

And I ain't got no worries 'cause I ain't in no hurry..at all.

(INTERLUDE Am7 - D)

OUTRO:

D Am7 D Am7

I'd like to hear some funky Dixieland, pretty momma come and take me

by the hand..

By the hand, take me by the hand, pretty momma..

come and dance with your daddy, all night long.

(A Cappella)

I'd like to hear some funky Dixieland, pretty momma come and take me

by the hand..

By the hand, take me by the hand, pretty momma..

come and dance with your daddy, all night long.

D Am7 D Am7

I'd like to hear some funky Dixieland, pretty momma come and take me

by the hand..

By the hand, take me by the hand, pretty momma..

come and dance with your daddy, all night long.

I'd like to hear some funky Dixieland, pretty momma come and take me

by the hand..

By the hand, take me by the hand, pretty momma..

come and dance with your daddy, all night long.

Friends in Low Places by Garth Brooks

Original is in A (capo 2)

Intro

G | G#dim7 | Am7 | D ||

--------------|--------------|-----------3---|-------0h2-----|

-------0------|-------3------|-------1-------|-----3---------|

-----0--------|-----4--------|-----0---0-----|---2-----------|

---0----------|---3----------|---2-----------|-0-------------|

--------------|--------------|-0-------------|---------------|

-3------------|-4------------|---------------|---------------|

Verse 1

G G#dim7 Am7 (or maybe just Am)

Blame it all on my roots I showed up in boots and ruined your black tie affair

D D7

The last one to know, the last one to show

G

I was the last one you thought you'd see there

G G#dim7 Am Cm

And I saw the surprise / and the fear in his eyes / when I took his glass of champagne

D D7

I toasted you, said honey we may be through / but you'll never hear me complain

Chorus

G

'Cause I got friends in low places where the whiskey drowns and the beer chases

Am7 D

My blues away / and I'll be okay

G

I'm not big on social graces, think I'll slip on down to the oasis

Am7 D G

So I've got friends in low places

Solo G | | | |Am7 |D |G |

Verse 2

G G#dim7 Am7

Well I guess I was wrong I just don't belong but then, I've been there before

D D7

Everything's alright / I'll just say goodnight

G

And I'll show myself to the door

G G#dim7 Am7 Cm

Hey I didn't mean / to cause a big scene / just give me an hour and then

D D7

I'll be as high as that ivory tower / that youre livin in

[Chorus x 2]

[Optional 3rd verse thats not in the popular version]

G G#dim7 Am7

I guess I was wrong, I just don't belong but then, I've been there before

D D7

And everything's alright, I'll just say goodnight

G

And I'll show myself to the door

G G#dim7 Am7 Cm

I didn't mean to cause a big scene just wait 'til I finish this glass

D D7

Then sweet little lady I'll head back to the bar and you can kiss my ass

Venus in Furs by Velvet Underground

[incomplete]

I like capo 4, then play in Am

Nice Am alternative: x07900

Or: https://www.youtube.com/watch?v=8FM3Emgr7Ns

Am x05500 Em Em7

Shiny, shiny, shiny boots of leather

Whiplash girlchild in the dark

Comes in bells, your servant, don't forsake him

Strike, dear mistress, and cure his heart

Downy sins of streetlight fancies

Chase the costumes she shall wear

Ermine furs adorn the imperious

Severin, Severin awaits you there

I am tired, I am weary

I could sleep for a thousand years

A thousand dreams that would awake me

Different colors made of tears

Kiss the boot of shiny, shiny leather

Shiny leather in the dark

Tongue of thongs, the belt that does await you

Strike, dear mistress, and cure his heart

Severin, Severin, speak so slightly

Severin, down on your bended knee

Taste the whip, in love not given lightly

Taste the whip, now plead for me

I am tired, I am weary

I could sleep for a thousand years

A thousand dreams that would awake me

Different colors made of tears

Shiny, shiny, shiny boots of leather

Whiplash girlchild in the dark

Severin, your servant comes in bells, please don't forsake him

Strike, dear mistress, and cure his heart

Tiny Bubbles by Don Ho

Don Ho did it in F. Nice F version here, and nice G version here.

Intro:

Hold G chord while Jim jams

Chorus:

G D7

Tiny bubbles (tiny bubbles) in the wine (in the wine)

[D] G

Make me happy (make me happy) Make me feel fine (make me feel fine)

G G7 C Cm

Tiny bubbles (tiny bubbles) make me warm all over

G D7 G G7

With a feeling that I'm gonna love you till the end of time

C G

So here's to the golden moon / and here's to the silver sea

A7 D D7

And mostly here's a toast to you and me

[Chorus]

[Instrumental Chorus]

C G

So here's to the ginger lei / I give to you today

A7 D D7

and here's a kiss that will not / fade away

[Chorus]

Ending:

G D7 C G G6/9

With a feeling that I'm gonna love you till the end of time

Somewhere over the Rainbow by Brother Iz

Intro:

|C G |Am F |C G |

|Am |F |

C Em F C

ooo-ooo ooo-ooo ooo-ooo ooo-ooo

F E7 Am F

ooo-ooo ooo-ooo ooo-ooo ooo-ooo

C Em F C

Somewhere over the rainbow, way up high

F C G Am F

And the dreams that you dream of once in a lullaby... hiiigh

C Em F C

Oh somewhere over the rainbow, blue birds fly

F C G Am F

And the dreams that you dream of, dreams really do come true... oooH

C

Someday i'll wish upon a star

G Am F

Wake up where the clouds are far behind me

C

Where trouble melts like lemon drops

G Am F

High above the chimney tops that's where you'll find me

C Em F C

Oh somewhere over the rainbow, blue birds fly

F C G Am F

And the dreams that you dare to, oh why, oh why can't I?...

[repeat verse from "someday I'll wish upon a star"]

C Em F C

ooo-ooo ooo-ooo ooo-ooo ooo-ooo

F E7 Am F

ooo-ooo ooo-ooo ooo-ooo ooo-ooo

[Optional go into What a Wonderful World:]

C Em F C

Well I see trees of green and Red roses too

F C E7 Am

I'll watch then bloom for me and you

F G Am F

And I think to myself: what a wonderful world

C Em F C

Well I see skies of blue and I see clouds of white

F C E7 Am

And the brightness of day, I like the dark

F G C F C

And I think to myself: what a wonderful world

G C

The colours of the rainbow so pretty in the sky

G C

Are also on the faces of people passing bye

F C F C

See friends shaking hands, saying 'how do you do?'

F C Dm7 D

They're really saying, I...I love you

C Em F C

I hear babies cry and I watch them grow

F C E7 Am

They'll learn much more than we'll know

F G Am F

And I think to myself: what a wonderful world

C

Someday i'll wish upon a star

G Am F

Wake up where the clouds are far behind me

C

Where trouble melts like lemon drops

G Am F

High above the chimney tops that's where you'll find me

C Em F C

Oh somewhere over the rainbow, way up high

F C G Am F

And the dreams that you dare to, why, oh why can't I?...

C Em F C

ooo-ooo ooo-ooo ooo-ooo ooo-ooo

F E7 Am F

ooo-ooo ooo-ooo ooo-a-eh-a-a-a-a-a-a

Trailers For Sale or Rent by Roger Miller

Original is in Bb. Thats pretty low though, I like it in C or D.

Bb Eb

Trailers for sale or rent

F Bb

Rooms to let fifty cents

Bb Eb

No phone, no pool, no pets

F

I ain't got no cigarettes

Bb Eb

Ah, but..two hours of pushin' broom

F Bb

Buys an eight by twelve four-bit room

Bb Eb

I'm a man of means by no means

F

King of the road.

Bb Eb

Third boxcar, midnight train

F Bb

Destination Bangor, Maine.

Bb Eb

Old worn out suit and shoes,

F

I don't pay no union dues,

Bb Eb

I smoke old stogies I have found

F Bb

Short, but not too big around

Bb Eb

I'm a man of means by no means

F

King of the road

[Modulate up a half step]

B E

I know every engineer on every train

F# B

All of their children, and all of their names

B E

And every handout in every town

F#

And every lock that ain't locked when no one's around

I sing:

B E

Trailers for sale or rent

F# B

Rooms to let, fifty cents

B E

No phone, no pool, no pets

F#

I ain't got no cigarettes

B E

Ah, but, two hours of pushin' broom

F# B

Buys an eight by twelve four-bit room

B E

I'm a man of means by no means

F#

King of the road.

King of the road

King of the road

Officer Krupke from West Side Story

Movie version is here

Every verse goes up a half step. Heres the version with the key changes. Below is a version all in one key.

I like to play the B as an A barre. The starting note (flatted 5th) is really important for each verse deaaar. Lke Johnny Cash walk the line setting the key, but with a flat 5! For intro can do the bass riff.

B7b5 = 7x786x or x21201 or x2323x

Bass riff (adjust for each verse/key by moving up the neck):

|------------------------------------------|

|------------------------------------------|

|---------1----------------3-1-------------|

|---1-4-----4-2-1------1-4-----4-2-1-------|

|-2---------------4--2---------------4-2---|

|------------------------------------------|

[Verse 1: key is B]

Opening note on the "dear" is F. Each verse starts with it (flatted 5 or sharp 4)

Can start with B7b5 (7x786x) optionally.

B C

Dear kindly Sergeant Krupke, you gotta understand,

[C7] F

It's just our bringin' up-ke, that gets us out of hand.

[F7] A#

Our mothers all are junkies, our fathers all are drunks.

G#dim7 F#7 B

Golly Moses, natcherly we're punks!

E B

Gee, Officer Krupke, we're very upset;

F#7 B

We never had the love that ev'ry child oughta get.

E Em B G#7

We ain't no delinquents, we're misunderstood.

F#7 B

Deep down inside us there is good!

G

There is good! There is good, there is good,

D

There is untapped good!

A7 [F#7] B [bass riff, end on modulation]

Like inside, the worst of us is good!

[Verse 2: key is C]

C Db

Dear kindly Judge, your Honor, my parents treat me rough.

[Db7] Gb

With all their marijuana, they won't give me a puff.

[Gb7] B

They didn't wanna have me, but somehow I was had.

Adim7 G7 C

Leapin' lizards! That's why I'm so bad!

F C

Officer Krupke, you're really a square;

G7 C

This boy don't need a judge, he needs an analyst's care!

F Fm C A7

It's just his neurosis that oughta be curbed.

G7 C

He's psychologic'ly disturbed!

Ab

I'm disturbed! We're disturbed, we're disturbed,

Eb

We're the most disturbed,

Bb7 [G7] C [riff]

Like we're psychologic'ly disturbed.

[Verse 3: key is C#]

C# D

My daddy beats my mommy, my mommy clobbers me

[D7] G

My grandpa's always plastered, my grandma pushes tea.

[G7] C

My sister wears a mustache, my brother wears a dress.

A#dim7 G#7 C#

Goodness gracious, that's why I'm a mess! [Yes!]

F# C#

Officer Krupke, you're really a slob.

G#7 C#

This boy don't need a doctor, just a good honest job.

F# F#m C# A#7

Society's played him a terrible trick,

G#7 C#

And sociologic'ly he's sick!

A

I am sick! We are sick, we are sick,

E

we are sick, sick, sick,

B7 [G#7] C# [riff]

Like we're socio-logically sick!

[Verse 4: key is D]

D D#

Dear kindly social worker, they tell me get a job

[D#7] G#

Like be a soda jerker, which means like be a slob.

[G#7] C#

It's not I'm anti-social, I'm only anti-work.

Bdim7 A7 D

Glory-osky! That's why I'm a jerk! [EEk!]

G D

Officer Krupke, you've done it again.

A7 D

This boy don't need a job, he needs a year in the pen.

G Gm D B7

It ain't just a question of misunderstood;

A7 D

Deep down inside him, he's no good!

A#

I'm no good! We're no good, we're no good!

F

We're no earthly good,

C7 [A7] D

Like the best of us is no damn good!

[Vesre 5: No modulation. Different people saying each line. ]

D

The trouble is he's crazy.

Eb

The trouble is he drinks.

Eb7

The trouble is he's lazy.

Ab

The trouble is he stinks.

Ab7

The trouble is he's growing.

Db

The trouble is he's grown. [slow down]

Bdim A7 D

Krupke, we got troubles of our own!

[Slower ending]

Bb F

Gee, Officer Krupke, we're down on our knees,

C7 F

'Cause no one wants a fellow with a social disease.

Bb Bbm F Bb7 [pause]

Gee, Officer Krupke, what are we to do?

F C F [shave and a haircut]

Gee, Officer Krupke, FUCK YOU!

Another version, all in C:

Bass riff:

|----------------------------------------------|

|----------------------------------------------|

|-------0---2--0-------------0---4-2-0 --------|

|-----2-----------3-2-0----2-----------3-2-0---|

|---3-------------------3--------------------3-|

|----------------------------------------------|

Opening note on the "dear" is F#.

[Verse 1: movie key is Bb]

C Db

Dear kindly Sergeant Krupke, you gotta understand,

[Db7] Gb

It's just our bringin' up-ke, that gets us out of hand.

[Gb7] B

Our mothers all are junkies, our fathers all are drunks.

Adim7 G7 C

Golly Moses, natcherly we're punks!

F C

Gee, Officer Krupke, we're very upset;

G7 C

We never had the love that ev'ry child oughta get.

F Fm C A7

We ain't no delinquents, we're misunderstood.

G7 C

Deep down inside us there is good!

Ab

There is good! There is good, there is good,

Eb

There is untapped good!

Bb7 G7 C [bass riff]

Like inside, the worst of us is good!

[Verse 2: movie key is C]

C Db

Dear kindly Judge, your Honor, my parents treat me rough.

[Db7] Gb

With all their marijuana, they won't give me a puff.

[Gb7] B

They didn't wanna have me, but somehow I was had.

Adim7 G7 C

Leapin' lizards! That's why I'm so bad!

F C

Officer Krupke, you're really a square;

G7 C

This boy don't need a judge, he needs an analyst's care!

F Fm C A7

It's just his neurosis that oughta be curbed.

G7 C

He's psychologic'ly disturbed!

Ab

I'm disturbed! We're disturbed, we're disturbed,

Eb

We're the most disturbed,

Bb7 G7 C [riff]

Like we're psychologic'ly disturbed.

[Verse 3: movie key is C#]

C Db

My daddy beats my mommy, my mommy clobbers me

[Db7] Gb

My grandpa's always plastered, my grandma pushes tea.

[Gb7] B

My sister wears a mustache, my brother wears a dress.

Adim7 G7 C

Goodness gracious, that's why I'm a mess! [Yes!]

F C

Officer Krupke, you're really a slob.

G7 C

This boy don't need a doctor, just a good honest job.

F Fm C A7

Society's played him a terrible trick,

G7 C

And sociologic'ly he's sick!

Ab

I am sick! We are sick, we are sick,

Eb

we are sick, sick, sick,

Bb7 [G7] C [riff]

Like we're socio-logically sick!

[Verse 4: movie key is D]

C Db

Dear kindly social worker, they say go earn a buck.

[Db7] Gb

Like be a soda jerker, which means like be a schumck.

[Gb7] B

It's not I'm anti-social, I'm only anti-work.

Adim7 G7 C

Glory-osky! That's why I'm a jerk! [EEk!]

F C

Officer Krupke, you've done it again.

G7 C

This boy don't need a job, he needs a year in the pen.

F Fm C A7

It ain't just a question of misunderstood;

G7 C

Deep down inside him, he's no good!

Ab

I'm no good! We're no good, we're no good!

Eb

We're no earthly good,

Bb7 [G7] C

Like the best of us is no damn good!

[Vesre 5: Movie key is Eb. Different people saying each line. ]

C

The trouble is he's crazy.

Db

The trouble is he drinks.

Db7

The trouble is he's lazy.

Gb

The trouble is he stinks.

Gb7

The trouble is he's growing.

B

The trouble is he's grown.

Adim G7 C

Krupke, we got troubles of our own!

Ab Eb

Gee, Officer Krupke, we're down on our knees,

Bb7 Eb

'Cause no one wants a fellow with a social disease.

Ab Abm Eb Adim

Gee, Officer Krupke, what are we to do?

Eb Bb Eb

Gee, Officer Krupke, FUCK YOU!

Suzanne Was a Lady

Im doing it G / A / D7, but not sure.

Suzanne was a lady with plenty of class

She drove the boys crazy when she wiggled her

Eyes at the fellows as many ladies do

To make it quite plain that she wanted to

Take in a movie or maybe a show

Go for a walk or a stroll through the grass,

Then hurry back home for a nice piece of

Ice cream and cake and a piece of roast duck,

And after each meal she was ready to

Go for a walk or a stroll on the dock

With any young man with a sizeable

Roll of green bills and a pretty good front,

And if he talked fast enough, she would show him her

Little pet dog who's subject to fits,

And maybe let him grab hold of her

Little white hand with a movement so quick.

Then she'd lean over and tickle his

Chin while she showed what she once learned in France,

And asked the poor fellow to take off his

Coat while she sang "Off the Mandalay Shore,"

For whatever she was, Suzanne was no bore.

Cigarettes and Whisky and Wild Women

Awesome Muppets version in E

Nice version by Avett Brothers in G here and here

Its a bit easier to get shouty in E. Also nice and mellower in D.

[Heavy 3/4 time]

E A E

Once I was happy, [and] I had a good wife

E F#7 B7

I had enough money to last me for life

E A E

Till I met with a gal and we went on a spree

E B7 E

She taught me to smoke and to drink whiskey

Chorus:

E A E

Cigarettes and whiskey and wild, wild women

E F#7 B7

They'll drive you crazy, they'll drive you insane

E A E

Cigarettes and whiskey and wild wild women

E B7 E

They'll drive you crazy, they'll drive you insane

E A E

Cigarettes are a blot on the whole human race

F#7 B7

F# man is a monkey with one in his face

E A E

Thats my definition, believe me dear brothers

E B7 E

There's a fire on one end and a fool on the other

[Chorus]

E A E

Write on the cross at the head of my grave

E F#7 B7

To women and whiskey, here lies a poor slave

E A E

Take warning dear stranger, take warning dear friend

E B7 E

They'll write in big letters these words at my end

[Chorus]

Ending:

E B7 E

They'll drive you crazy, they'll drive you insane

[last verse in Avett Brothers version]

Now listen dear brother, now listen my friend

Now these are the words that they'll write at your end

Now these are the words that they'll write at your grave

To women and whisky this man was a slave

[last verse from Croce version]

And now I'm feeble and broken with age

The lines on my face make a well written page

I'm leaving this story, how sad but how true

On women and whiskey and what they will do

How Many Friends by the Who

Album key is F, which is really high. I think he's playing it in G tuned down a step since its so much more natural to play it in that key. No Eb for example. I like it capo on 2 in G in standard tuning.

Its a groove song like the Smiths so probably just best to write the pattern over each verse (G / Am / F / C [Am]) and then just read the words.

| G | Am | F | C Am | [x2]

I'm feelin' so good right now

There's a handsome boy tells me how I changed his path

He buys me a brandy

Or could it be he's really just after my ass?

He likes the clothes I wear

He says he likes a man to dress in season

But no one else ever stares, he's being so kind

Am D [no pause]

What's the reason?

[chorus]

D A Bm G

How many friends have I really got?

A

You can count 'em on one hand

D A Bm G A

How many friends have I really got?

D A Bm G

How many friends have I really got?

C G C G C C/B (x20010) Am7 Am7/G D

That love me, that want me, that'll take me as I am?

| G | Am | F | C Am |

Suddenly it's a silver screen

And a face so beautiful that I have to cry out

Everybody hears me

But, I look like a fool, now, with a cry and I shy out

She knows all of my friends

But it's nice to find a woman who'll stay on late

But now I think I've reached the end

F C Am D

I wonder in the dead of night, how do I rate?

[chorus]

[Bridge]

Dm Dm/C (pinky on A3)

It's all like a dream you know

C G

When you're still up early in the morning

Am G F [F/E]

And you all sit together to watch the sun come through

Dm Dm/C

But things don't look so good

Bb (bass Bb/A)

When you could use a bit of warning

Gm A/E (?) A

Then you know that no one will ever speak the truth about you.

[chorus]

D A Bm G

How many friends have I really got?

A

You can count 'em on one hand

D A Bm G A

How many friends have I really got?

D A Bm G

How many friends have I really got?

C G C G C C/B (x20010) Am7 Am7/G D

That love me, that want me, that'll take me as I am?

| G | Am | F | C Am |

When I first signed the contract,

it was more than a handshake then, I know it still is.

But there's a plain fact

We talk so much shit behind each other's backs, I get the willies

People know nothing about their own soft guts

So how come they can sum us up

Without suffering all the hype we've known

Am D

How come they bum us up

[chorus]

With the chords:

| G | Am | F | C Am | [x2]

G Am

I'm feelin' so good right now

F C G

There's a handsome boy tells me how I changed his path

Am

He buys me a brandy

F C [Am] G

Or could it be he's really just after my ass?

Am

He likes the clothes I wear

F C G

He says he likes a man to dress in season

Am F C

But no one else ever stares, he's being so kind

Am D [no pause]

What's the reason?

[chorus]

D A Bm G

How many friends have I really got?

A

You can count 'em on one hand

D A Bm G A

How many friends have I really got?

D A Bm G

How many friends have I really got?

C G C G C C/B (x20010) Am7 Am7/G D

That love me, that want me, that'll take me as I am?

G Am

Suddenly it's a silver screen

F C [Am] G

And a face so beautiful that I have to cry out

Am

Everybody hears me

F C [Am] G

But, I look like a fool, now, with a cry and I shy out

Am

She knows all of my friends

F C [Am] G

But it's nice to find a woman who'll stay on late

Am

But now I think I've reached the end

F C Am D

I wonder in the dead of night, how do I rate?

[chorus]

[Bridge]

Dm Dm/C (pinky on A3)

It's all like a dream you know

C G

When you're still up early in the morning

Am G F [F/E]

And you all sit together to watch the sun come through

Dm Dm/C

But things don't look so good

Bb (bass Bb/A)

When you could use a bit of warning

Gm A/E (?) A

Then you know that no one will ever speak the truth about you.

[chorus]

G Am

When I first signed the contract,

F C [Am] G

it was more than a handshake then, I know it still is.

Am

But there's a plain fact

F C [Am] G

We talk so much shit behind each other's backs, I get the willies

Am F C

People know nothing about their own soft guts

[Am] G

So how come they can sum us up

Am F C

Without suffering all the hype we've known

Am D

How come they bum us up

[chorus]

Cecilia by Simon & Garfunkel

Original album key was capo 4 for B. But live they do it without capo pretty often (G).

Album in B:

Live in G: https://www.youtube.com/watch?v=Rwwaj83HUlk

Chorus

G C G

Cecilia, you're breaking my heart

C G D

You're shaking my confidence daily

C G C G

Oh Cecilia, I'm down on my knees

C G D

I'm begging you please to come home

G

Come on home

[repeat chorus]

[Verse 1]

G C G

Making love in the afternoon with Cecilia

C D G

Up in my bedroom

C G

I got up to wash my face

C

When I come back to bed

D G

Someone's taken my place ...

[Chorus]

G C G

Cecilia, you're breaking my heart

C G D

You're shaking my confidence daily

C G C G

Oh Cecilia, I'm down on my knees

C G D

I'm begging you please to come home

G

Come on home

[Interlude]

G C G C G D

Bo po bo bo ...

[Verse 2]

C G C G

Jubilation, she loves me again

C G D

I fall on the floor and I laughing

C G C G

Jubilation, she loves me again

C G D

I fall on the floor and I laughing

[Outro]

Star Me Kitten by REM

12/8 time or 3/4 or whatever.

Nice instrumental piano cover, and the original version by R.E.M, and William S. Burroughs rapping along

[Verse 1]

G Gadd6 (3x2003) (A note)

Keys cut, three for the price of one.

Bb C Bb C

Nothing's free, but guaranteed for a lifetimes use.

Bb C Bb Eb D G Gadd6

I've changed the locks and you can't have one.

[Verse 2]

You, you know the other two.

Bb C Bb

The brakes have worn so thin that you could hear,

C Bb C Bb Eb D G Gadd6

I hear them screeching through the door from our driveway

[Verse 3]

Hey love, look into your glove box heart.

Bb C Bb C

What is there for me inside? This love is tired.

Bb C Bb Eb D C D

I've changed the locks. Have I misplaced you?

Bridge:

Em G C D5 or D

Have we lost our minds?

Em G C D5

Will this never end?

Em G C Eb D G Gadd6

It could depend on your take.

[Verse 4]

You. Me. We used to be on fire.

Bb C Bb C Bb C

If keys are all that stand between, can I throw in the ring? No gasoline.

Bb Eb D G

Just fuck me kitten.

Bb C Bb C

You are wild, and I'm in your possession.

Bb C Bb Eb D G Bb C

Nothing's free, so fuck me kitten.

Bb C Bb Eb D G

I'm in your possession, so fuck me kitten.

Chitty Chitty Bang Bang

Original

Also nice in G. And can sing Chiddy instead of Chitty to sing easier.

Nice to do the Abdim as xx0101 sometimes.

Theres a more elaborate version below this.

==================

SIMPLIFIED VERSION

==================

[Intro with harmonies]

F

Chitty Bang Bang Chitty Chitty Bang Bang [sing root]

Chitty Bang Bang Chitty Chitty Bang Bang [sing major 3rd]

Chitty Bang Bang Chitty Chitty Bang Bang [sing 5th]

[Verse 1]

F C7

Oh, you, pretty Chitty Bang Bang, Chitty Chitty Bang Bang we love you!

F

And in Chitty Chitty Bang Bang, Chitty Chitty Bang Bang what we'll do!

F7 Bb

Near, far, in our motor car, oh what a happy time we'll spend.

Bb F Gm7 C7 F F7

Bang Bang Chitty Chitty Bang Bang, our fine four fendered friend.

Bb F Gm7 C7 F

Bang Bang Chitty Chitty Bang Bang, our fine four fendered friend.

[repeat whole song]

[Bridge]

Abdim C7 F

Your sleek as a thoroughbred.

C7 F

Your seats are a feather bed.

C7 F

You'll turn everybody's head todayyyyyy.

C7 F

We'll glide on our motor trip

A7 Dm

With pride in our ownership

G7 C C7

The envy of all we sur-veyyyyyy

[Verse 2]

F C7

Oh Chitty You Chitty, Pretty Chitty Bang Bang, Chitty Chitty Bang Bang, We love you.

F

And Chitty in Chitty, Pretty Chitty Bang Bang, Chitty Chitty Bang Bang what we'll do.

F7 Bb

Near Chitty far Chitty, in our motor car Oh what a happy time we'll spend.

Bb F Gm7 C7 F F7

Bang Bang Chitty Chitty Bang Bang, our fine four fendered friend.

[Outro, slow down]

Bb F Gm7 C7 F

Bang Bang Chitty Chitty Bang Bang, our fine four fendered friend...

[background vocal]

...Chitty Chitty Bang Bang Chitty Chitty Bang Bang

C7 F

Fine four fendered, Chitty Chitty friend !

==============

Jazzy Version

==============

[Intro with harmonies]

F

Chitty Bang Bang Chitty Chitty Bang Bang [sing root]

Chitty Bang Bang Chitty Chitty Bang Bang [sing major 3rd]

Chitty Bang Bang Chitty Chitty Bang Bang [sing 5th]

[Verse 1]

F [Abdim Gm7] C7

Oh, you, pretty Chitty Bang Bang, Chitty Chitty Bang Bang we love you!

[Gm7 C7] F

And in Chitty Chitty Bang Bang, Chitty Chitty Bang Bang what we'll do!

F7 Bb

Near, far, in our motor car, oh what a happy time we'll spend.

Bb [Bdim] F Dm7 Gm7 C7 F F7 or D7 or Abdim

Bang Bang Chitty Chitty Bang Bang, our fine four fendered friend.

Bb [Bdim] F Dm7 Gm7 C7 F

Bang Bang Chitty Chitty Bang Bang, our fine four fendered friend.

[repeat whole song]

[Bridge]

Abdim* C7 F [can do xx0101]

Your sleek as a thoroughbred.

C7 F

Your seats are a feather bed.

C7 F

You'll turn everybody's head todayyyyyy.

Abdim C7 F

We'll glide on our motor trip

A7 Dm

With pride in our ownership

G7 C [Bb Ebm6] C7 [bass A3 A1 A0 E3]

The envy of all we sur-veyyyyyy

[Verse 2]

F [Abdim Gm7] C7

Oh Chitty You Chitty, Pretty Chitty Bang Bang, Chitty Chitty Bang Bang, We love you.

[Gm7 C7] F

And Chitty in Chitty, Pretty Chitty Bang Bang, Chitty Chitty Bang Bang what we'll do.

F7 Bb

Near Chitty far Chitty, in our motor car Oh what a happy time we'll spend.

Bb [Bdim] F Dm7 Gm7 C7 F F7

Bang Bang Chitty Chitty Bang Bang, our fine four fendered friend.

[Outro, slow down]

Bb Bdim F D7 Gm7 C7 C+ F

Bang Bang Chitty Chitty Bang Bang, our fine four fendered friend...

[background vocal]

...Chitty Chitty Bang Bang Chitty Chitty Bang Bang

C7 F

Fine four fendered, Chitty Chitty friend !

Its Only Love by The Beatles

Album key is C, so capo 5. I like to capo 2 if unwarmed up.

[Intro Riff x2]

G Em

|-----------------------0------|

|-----0---0---0---0-----0------|

|----0-- -0---0---0-----0------|

|---0-----4---2---0-----2------|

|--5--------------------2------|

|-----------------------0------|

Can also play as:

G Em

|---3--2--0------0--------------|

|---0-------3----0--------------|

|---0------------0--------------|

|---0------------2--------------|

|---x------------2--------------|

|---3------------0--------------|

[Verse 1]

G Bm F C D D+

I get high when I see you go by, my oh my

G Bm F C D D+

When you sigh my my inside just flies, butterflies

C D G [riff] Em

Why am I so shy when I'm beside you?

[Chorus]

F D

It's only love and that is all

G [riff] Em (or G G/F# Em Em7)

Why should I feel the way I do?

F D C D

It s only love and that is all, but its so hard, loving you

[Verse 2]

G Bm F C D D+

Is it right that you and I should fight, every night

G Bm F C D D+

Just the sight of you makes nighttime bright, very bright

C D G [riff] Em

Haven't I the right to make it up, girl?

[Chorus]

[Ending]

C D

Yes its so hard, loving you

Loving you.... [over intro]

Moving Right Along by The Muppets

Movie version (capo 3, Eb) and soundtrack (capo 3, Eb). I prefer the movie version.

Tough to pull off, oddly sing songy and fast changes.

Gaug = 321003 or 3x1003

** = play as 32100x 3200x C (and can combine with riff)

Riff:

G+ G C

|--------------------------------|

|---1----------------------------|

|-2---2--0-----------------------|

|-----------2--0----0--1--1--0---|

|-----------------3------------3-|

|--------------------------------|

Intro (can do riff):

C G+ G C

[Verse 1]

C (alternate bass) F7

Movin' right along in search of good times and good news,

D7 (sounds good in C7 shape) F G7

With good friends you can't lose; this could become a habit.

C F7

Opportunity knocks once; let's reach out and grab it, (yeah!)

D7 F G7 G7 E7

To-gether we'll nab it; we'll hitchhike, bus or yellow cab it. Cab it?

[Chorus 1]

Am G Am

Movin' right a-long, (doo doo doo) foot-loose and fancy-free.

Am Gaug G C **

Gettin' there is half the fun; come share it with me.

E7 Am G Am

Movin' right a-long, we'll learn to share the load.

Am Gaug G C

We don't need a map to keep this show on the road.

[Hey Fozzy, I want you turn left at the fork in the road]

[Verse 2]

C F7

Movin' right along, we found a life on the highway,

D7 F G7

And your way is my way, so trust my navi-gation.

C F7

California here we come, that pie-in-the-sky-land,

D7 F G7

Palm trees and warm sand, though sadly we just left Rhode Island.

E7

We did what? Just for-get it...

[Chorus 2]

Am G Am

Movin' right a-long; hey L. A. where've you gone?

Am Gaug G C E7

Send someone to fetch us; we're in Saskat-che-wan.

Am G Am

Movin' right a-long; you take it; you know best.

Am Gaug G C E7

Hey, I've never seen the sun come up in the West.

[Titty over a verse]

[Verse 3]

C F7

Movin' right along, we're truly birds of a feather.

D7 F G7

We're in this together and we know where we're goin'.

C F7

Movie stars with flashy cars and life with the top down.

D7 F

We're storming the big town; yeah, storm is right;

G7 G7 E7

Should it be snowin'? / No, I don't think so.

[Chorus 3 in movie, or soundtrack does full Chorus 2]

Am G Am

Movin' right a-long; footloose and fancy free.

Am Gaug G C

You're ready for the big time. Is it ready for me?

[Ending]

C Dm7 G7

Movin' right along / movin' right a-long.

C Dm7 G7

Movin' right along / movin' right a-long.

Ending (riff, ending on G#, then pause to C):

/ C Gaug G / G# / C

The Lumberjack Song by Monty Python

Original here.

Heres the version with just the lyrics. If singing alone, without the chorus, see the version below that. And at the end is a version with teh chords throughout.

G C

Oh, I'm a lumberjack and I'm okay

D G

I sleep all night and I work all day

He's a lumberjack and he's okay

he sleeps all night and he works all day

I cut down trees, I eat my lunch

I go to the lavatory

On wednesdays I go shopping

And have buttered scones for tea

He cuts down trees, he eats his lunch

He goes to the lavatory

On wednesdays he goes shopping

and has buttered scones for tea

I'm a lumberjack, and I'm ok

I sleep all night and I work all day

I cut down trees, I skip and jump

I like to press wildflowers

I put on womens clothing

And hang around in bars

He cuts down trees, he skips and jumps

He likes to press wildflowers

He puts on womens clothing

And hangs around in bars

I'm a lumberjack, and I'm ok

I sleep all night and I work all day

I cut down trees i wear high-heels

Suspenders and a bra

I wish I'd been a girly

Just like my dear papa

He's a lumberjack, and he's ok

He sleeps all night and he works all day

He cut down trees he wears high-heels

Suspenders and a bra???????

He wished he'd been a girly, just like his dear Papa

["Oh, heavens! I thought you were so rugged!"]

Solo version (without the backup chorus):

G C

Oh, I'm a lumberjack and I'm okay

D G

I sleep all night and I work all day

I cut down trees, I eat my lunch

I go to the lavatory

On wednesdays I go shopping

And have buttered scones for tea

I'm a lumberjack, and I'm ok

I sleep all night and I work all day

I cut down trees, I skip and jump

I like to press wildflowers

I put on womens clothing

And hang around in bars

I'm a lumberjack, and I'm ok

I sleep all night and I work all day

I cut down trees i wear high-heels

Suspenders and a bra

I wish I'd been a girly

Just like my dear papa

Full version, with chords through the whole song:

G C

Oh, I'm a lumberjack and I'm okay

D G

I sleep all night and I work all day

G C

He's a lumberjack and he's okay

D G

he sleeps all night and he works all day

G C

I cut down trees, I eat my lunch

D G

I go to the lavatory

G C

On wednesdays I go shopping

D G

And have buttered scones for tea

G C

He cuts down trees, he eats his lunch

D G

He goes to the lavatory

G C

On wednesdays he goes shopping

D G

and has buttered scones for tea

G C

I'm a lumberjack, and I'm ok

D G

I sleep all night and I work all day

G C

I cut down trees, I skip and jump

D G

I like to press wildflowers

G C

I put on womens clothing

D G

And hang around in bars

G C

He cuts down trees, he skips and jumps

D G

He likes to press wildflowers

G C

He puts on womens clothing

D G

And hangs around in bars

G C

I'm a lumberjack, and I'm ok

D G

I sleep all night and I work all day

G C

I cut down trees i wear high-heels

D G

Suspenders and a bra

G C

I wish I'd been a girly

D G

Just like my dear papa

G C

He's a lumberjack, and he's ok

D G

He sleeps all night and he works all day

G C

He cut down trees he wears high-heels

D G

Suspenders and a bra???????

G C D G

He wished he'd been a girly, just like his dear Papa

["Oh, heavens! I thought you were so rugged!"]

The Israelites by Desmond Dekker

I think the "oh, oh, the Israelites" line is actually "Poor me, Israelite ah".

Original key is Bb, nice in G if not warmed up.

Bb

Get up in the morning, slaving for bread, sir

so that every mouth can be fed.

D# F Bb F# G#

Oh, oh, the Israelites

[Bb / F# G# between each verse]

Bb

Wife and kids, dem pack up and leave me.

Darling, she said, I was yours to receive.

D# F Bb F# G# (or C# D#)

Oh, oh, the Israelites

Bb

Shirt dem a tear up, trousers a go.

I don't want to end up like Bonnie and Clyde.

D# F Bb F# G# (or C# D#)

Oh, oh, the Israelites

Bb

After a storm there must be a calm.

catch me in your farm..you sound an alarm.

Oh, oh, the Israelites

[repeat whole song]

My Funny Valentine

Nice lesson here. I think Frank did it in B, Elvis Costello did it in D.

The Elvis version is really interesting, he just does a descending bass for the main Dm / DmM7 / Dm7 etc riff, E10, E9, E8, etc. Great idea. Note that doing it in Dm, can do the main progression as Dm xx0231, DmM7 xx0221, Dm7, etc.

Eb6 = x6554x (NICE MOVABLE FORM OF 6 chords)

A7#11 = 5x564x

Cm6 (can do as x3524x)

BbSus4 = 6x654x !!! (That's what I've been calling a A#/Bb

Sometimes can use G7 instead of the Ddim

Chord substitution notes (two ** means it sounds especially good):

(*1) = G7

(*2) = Fm6

(*3) = G7

(*4) = Ab6/9 (43334x)

(*5) = Bb7(b9add13) (6x658x)

(*6) = Ab6/9

(*7) = Ddim

(*8) = Bm7 A7#11 (5x564x)

(*9) = BbSus4 (6x654x)!!!

Nice to do a verse as chromatic descending bass, starting on tonic.

Cm CmM7 Cm7 Cm6

My funny valentine, sweet, comic valentine -

AbM7 * Fm7 Dm7b5 (*2) G7 (**3) *can do 8x688x

You make me smile with my heart.

Cm CmM7 (*1) Cm7 Cm6

Your looks are laughable, unphotographable,

AbM7 (*4) Fm7 Abm6 Bb7 (**5)

Yet you're my favorite work of art.

[Bridge]

EbM7 Fm7 Gm7 Fm7 (or can just alternate EbM7 / Fm7)

Is your figure less than Greek?

EbM7 Fm7 Gm7 Fm7

Is your mouth a little weak?

EbM7 G7+ Cm7 G7 or Cm7/G (***8) AbM7 (**6) G7 (*7)

When you open it to speak, are you smart?

Cm CmM7 Cm7 Cm6

But don't change a hair for me, not if you care for me

AbM7 (*6) Dm7b5 G7 (*7) Cm7 Eb7 (**8)

Stay, little val - en - tine, stay!

AbM7 Fm7 A#7 (**9) Eb6 (x6554x) or Eb6/9

Each day is val - en - tine's day.

[Nice ending]

G#dim EbM7 Eb6/9

Rags to Riches by Tony Bennett

Written in 1953 by Richard Adler and Jerry Ross

The awesome Tony version, and a nice Danny version, and a great Elvis Impersonator version in Eb. Elvis did it in E. Note that Danny and Elvis do a non jazzy version of, with the progression going D / D7 / G / A7 instead of D / D7 / Em7 / A7, and get rid of the maj7s.

Tony does it in D, but unwarmed up is good in C.

Bouncy intro: D / Em7 A7

Verse (heavy swing 3 feel)

D [D7] Em7 A7

I know I'd go from rags to riches

Dmaj7 [D#dim] B7

If you would only say you care

Em7 A7

And though my pocket may be empty

Dmaj7 Em7 A7

I'd be a millionaire

[D] Em7 A7

My clothes may still be torn and tattered

Dmaj7 [D#dim] B7

But in my heart I'd be a king

Em7 A

Your love is all that ever mattered

A7

It's everything

Bridge (2/4 time)

D A7

So open your arms and you'll open the door

D

To every treasure that I'm hopin' for

D A A7 D Em7 A7

Hold me and kiss me and tell me you're mine ever more

[D] Em7 A7

Must I forever be a beggar

Dmaj7 [D#dim] B7

Whose golden dreams will not come true?

Em7 A7

Or will I go from rags to riches?

Dmaj7 [Em7 A7]

My fate is up to you

[Titty over the bridge]

[Repeat last verse]

[Intro]

Nobody Knows but Me by Doc Watson

Written (I think) by Jimmie Rogers in 1929.

Doc Watson version, Jimmie Rodgers version, Merle Haggart version

Can do the Hot Tamales riff down the neck too

Intro:

VERSE 1:

C A7

You'll never know about the jailhouse blues,

D7 G7 C

Till they put you behind four walls.

C A7

The jailhouse man, he turns a big black key,

D7 G7

And that's when your spirit falls.

C C7

You'll drag yourself up to the bars

F F#dim

and then you gaze out at the stars

[D7 G]

[That's when you say]

CHORUS:

C A7

Nobody knows about the jailhouse blues,

D7 G7 C

Nobody knows but me,

C A7

And there on the outside you all can laugh,

D7 G7

But I don't need your sympathy.

C C7

Cause after I've paid for what I stole, [or "the liquor"]

F F#dim

I'll leave this place worth my weight in gold.

CHORUS:

C A7

Nobody knows about the jailhouse blues,

D7 G7 C

Nobody knows but me,

[Titty over a verse]

VERSE 2:

C A7

You won't realize that your freedom's gone,

D7 G7 C

Till they slam that big old iron door.

C A7

You won't realize that you're all alone,

D7 G7

Till you're seated in that two by four.

C C7

My gal said she loved me, even shed a tear

F F#dim

Ain't been to see me since they put me in here.

D7 G

But I'll get out someday...

CHORUS ***:

C A7

Nobody knows about the jailhouse blues,

D7 G7 C

Nobody knows but me,

C A7

And there on the outside, you all can laugh

D7 G7

But I don't need your sympathy.

C C7

Cause after I've paid for what I stole,

F F#dim

Gonna leave this place worth my weight in gold.

CHORUS:

C A7

Nobody knows about the jailhouse blues,

D7 G7 C

Nobody knows but me,

[Titty over a verse]

[Repeat from last chorus to end ***]

[Intro]

Mercy Seat by Nick Cave

This is pretty centric on Johnns Cashs awesome version in Em.

Nicks original, and a phenomena live Nick version in Dm.

Johnns Intro

|---|-------------------|

|---|-------------------|

|---|-------------------|

|---|-------------------|

|---|-------0---0-------|

|-0-|-2h3h4-------3-2-0-|

It ALL began when they come took me from my home

And put me on Death Row,

a crime for which I am totally innocent, you know.

[Spoken section, can skip? Or see live Nick version for nice way to do it.]

Am Em

I began to warm and chill

To objects and their fields,

A ragged cup, a twisted mop

The face of Jesus in my soup

Those sinister dinner deals

The meal trolley's wicked wheels

A hooked bone rising from my food

All things either good or ungood.

Am AmMaj7

And the mercy seat is waiting / And I think my head is burning

Am7 G Gm

And in a way I'm yearning / To be done with all this weighing of the truth.

Bb

An eye for an eye and a tooth for a tooth

F Am

And anyway I told the truth / And I'm not afraid to die.

Am / Em / Am / Em

Am AmMaj7 Am7

I hear stories from the chamber / Christ was born into a manger

G Gm

And like some ragged stranger / He died upon the cross. And might I say,

Bb F

it seems so fitting in its way / He was a carpenter by trade

Am

Or at least that's what I'm told

Am / Em / Am / Em

Am Em

My kill-hand's tatooed E.V.I.L.

across it's brother's fist

That filthy five!

They did nothing to challenge or resist.

Am AmMaj7 Am7

In Heaven His throne is made of gold / The ark of his Testament is stowed

G

A throne from which I'm told / All history does unfold.

Gm Bb

It's made of wood and wire / And my body is on fire

F Am

And God is never far away.

Into the mercy seat I climb / My head is shaved, my head is wired

And like a moth that tries / To enter the bright eye

I go shuffling out of life / Just to hide in death awhile

And anyway I never lied.

And the mercy seat is waiting / And I think my head is burning

And in a way I'm yearning to be done with all this weighing of the truth.

An eye for an eye / And a tooth for a tooth

And anyway I told the truth / And I'm not afraid to die.

And the mercy seat is burning / And I think my head is glowing

And in a way I'm hoping To be done with all this twisting of the truth.

An eye for an eye / And a tooth for a tooth

And anyway there was no proof / And I'm not afraid to die.

And the mercy seat is glowing / And I think my head is smoking

And in a way I'm hoping To be done with all these looks of disbelief.

A life for a life / And a truth for a truth

And I've got nothing left to lose / And I'm not afraid to die.

And the mercy seat is smoking / And I think my head is melting

And in a way that's helping To be done with all this twisting of the truth

An eye for an eye / And a tooth for a tooth

And anyway I told the truth

But I'm afraid I told a lie.

[instrumental choruses x 2]

Wichita Lineman by Glen Campbell

Original, and nice tutorial

C11 = x33333 (or just play x3x333)

Cadd 9 = x32030`

Intro:

FMaj7 / C11 / FMaj7 / C11

[Verse 1]

C11 Bbmaj7

I am a lineman for the county,

Fmaj7/A C11

And I drive the main road,

Dm7 Am7 G D D4 D

Searching in the sun for a - nother over - load,

Cadd9

I hear you singing in the wires,

G Gm/Bb (Can just drop to A1)

I can hear you through the whine,

D/A A7sus4

And the Wichita lineman...

Bbmaj7 Csus2 Bbmaj7 [riff E0 E1 E0 B1 B3]

...Is still on the line-----------!

[Verse 2]

C11 Bbmaj7

I know I need a small va - cation,

Fmaj7/A C11 Dm7

But it don't look like rain, and, if it snows,

Am7 G4 G D D4 D

That stretch down south won't ever stand the strain,

Cadd9

And I need you more than want you,

G/B Gm/Bb

And I want you for all time,

D/A A7sus4

And the Wichita lineman...

Bbmaj7 Csus2 Bbmaj7

...Is still on the line-----------!

[Verse 3 - Lead guitar riff with tremelo effect]

C11 Bbmaj7

e |---3------------------------|--------------|

B |---3------------------------|-----1--------|

G |---3-----------3-3--2-2--0--|--2-----------|

D |---3-----3--5---------------|--------------|

A |---3--3---------------------|--------------|

E |----------------------------|--------------|

Fmaj7/A C11

e |----------------------|--------------|

B |----------------------|--------------|

G |-------------3--2-----|--------------|

D |-------3--5--------3--|--------------|

A |----------------------|---3------3---|

E |----------------------|--------------|

Dm7 Am7 G4 G

e |--------------------------|-----------------|

B |--------------------------|-----3-----------|

G |-----5--5------5-5--5--5--|--5-----4--2--0--|

D |--3--------3--------------|-----------------|

A |--------------------------|-----------------|

E |--------------------------|-----------------|

D D4 D

e |---------------------|-------|

B |---------------------|-------|

G |--2------------------|-------|

D |------0-0--0-0--0-0--|---0---|

A |---------------------|-------|

E |---------------------|-------|

Cadd9

And I need you more than want you,

G/B Gm/Bb

And I want you for all time,

D/A A7sus4

And the Wichita lineman...

Bbmaj7 Csus2 Bbmaj7 C11

...Is still on the line-----------!

[Orchestral coda]

Bbmaj7 C

||: / / / / | / / / / :||[Repeat]

[Suggestion for staccato 'morse code' rhythm ending]

Bbmaj7

| /_/_/_/ /__/_/ /_/__/ /_/__/ |

^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^

Csus2 D *

| /_/_/_/ /__/_/ /_/__/ /_/__/ | / ||

^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^

Santa Baby by Etta James

Etta did it in C.

Nice fake book version here (along with a lot of other great stuff)

Can swap genders and make it a guy singing.

Verse 1:

G Em7 A7 D7 G Em7 A7

Santa Baby, just slip a sable under the tree for me;

D7 G Em7

Been an awful good girl, Santa Baby,

Am7 D7 G Turnaround: G Bbdim Am7 D7

So hurry down the chimney tonight

Verse 2:

G Em7 A7 D7 G Em7 A7

Santa baby, a '54 convertible too -- light blue.

D7 G Em7

I'll wait up for you, dear Santa baby,

Am7 D7 G Turnaround: G / Em7 / Eb9 D9 / G

So hurry down the chimney tonight

Bridge:

B7

Think of all the fun I've missed,

E7

Think of all the fellas that I haven't kissed;

A7 [Em7]

Next year I could be just as good

D7 Eb9 D9

If you'll check off my Christmas list.

Verse 3:

G Em7 A7 D7 G Em7 A7

Santa Baby, I want a yacht and really that's not a lot

D7 G Em7

Been an angel all year, Santa Baby,

Am7 D7 G (Turnaround)

So hurry down the chimney tonight

Verse 4:

G Em7 A7 D7 G Em7 A7

Santa honey, one little thing I really need -- the deed

D7 G Em7

To a platinum mine, Santa Baby,

Am7 D7 G Turnaround: G / Em7 / Eb9 D9 / G

So hurry down the chimney tonight.

Verse 5:

G Em7 A7 D7 G Em7 A7

Santa cutie, and fill my stocking with a duplex and checks

D7 G Em7

Sign your 'x' on the line, Santa cutie,

Am7 D7 G Turnaround: G / Em7 / Eb9 D9 / G

So hurry down the chimney tonight

Bridge 2:

B7

Come and trim my Christmas tree

E7

With some decorations bought at Tif-fa-ny

A7 [Em7]

I really do believe in you --

D7 Eb9 D9

Let's see if you believe in me

Verse 6:

G Em7 A7 D7 G Em7 A7

Santa Baby, forgot to mention one little thing -- a ring

D7 G Em7

I don't mean on the phone, Santa Baby,

Am7 D7 G

So hurry down the chimney tonight.

Ending

Am7 D7 G Em7

Hurry down the chimney tonight.

Hurry, tonight.

Food Glorious Food from Oliver

(I have the sheetmusic to this)

Nice version from movie here

F (x33211) (don't play low e)

F+ (x4x211)

F6 (x5x211) (or Dm7)

[Intro]

F F+

Is it worth the waiting for? If we live till eighty four

F6 (or Dm7) F+

All we ever get is gruel!

F F+

Every day we say our prayer, will they change the bill of fare?

F6 Am7

Still we get the same old gruel!

Bb Am7

There's not a crust, not a crumb can we find,

F7 Bb

can we beg, can we borrow, or cadge, ["cahdge"]

Am7 C

But there's nothing to stop us from getting a thrill

Dm7 Gm7 G7

When we all close our eyes and imagine

[Verse 1]

C Gm7 C7

Food, glorious food,

F G7

Hot sausage and mustard!

C Gm7 C7

While we're in the mood

F G7

Cold jelly and custard!

C [C#dim] Dm7 G7

Peas pudding and saveloys

Dm7 [G7] [Cdim] C

What next is the question?

Em Am7

Rich gentlemen have it, boys

D7 G7

indigestion! [farty horn on G]

C Gm7 C7

Food Glorious food,

F G7

We're anxious to try it

C Gm7 C7

Three banquets a day

F G7

Our favorite diet

C [C#dim] Dm7 G7

Just picture a great big steak

Am7 D7 Ab7

Fried, roasted, or stewed, oh!

C Am7 D7 Dm7

Food! wonderful food! marvelous food!

G7 C G7

glorious food!

[movie skips a verse here but its below]

[Verse 3]

C Gm7 C7

Food glorious food!

F G7

don't care what it looks like

C Gm7 C7

Burnt underdone crude

F G7

don't CARE what the cooks like

C [C#dim] Dm7 G7

Just thinking of growing fat

Dm7 G7 Cdim C

our senses go reeling

Em Am7

One moment of knowing that

D7 G7

Full up feeling

C Gm7 C7

Food glorious food

F G7

What wouldn't we give for

C Gm7 C7

That extra bit more

F G7

That's all we live for

C [C#dim] Dm7 G7

Why should we be fated to

Am7 D7 Ab7

Do nothing but brood on

[Ending]

C Am7 D7 Dm7 D7 Dm7

Food! Magical food! Wonderful food! Marvelous food! Fabulous food!

G7 C

Beautiful food! Glorious food!

[movie skips verse, normally the 2nd verse]

Food glorious food

What is there more handsome?

Gulped, swallowed or chewed,

Still worth a KINGS RANSOM!

What is it we dream about?

What brings on a sigh?

Piled peaches and cream about

Six feet high!

Food glorious food

Eat right through the menu

just loosen your belt

two inches and then you-

Work up a new appetite,

in this interlude, then!

food once again, food!

fabulous food! glorious food.

Consider Yourself at Home from Oliver

Movie version is here. I have the sheetmusic but the chording is pretty inacurate I think.

Should correct or comment on the ultimate guitar version

Nice to sing it over a sparse descending bassline A10 A9 A7 E10

D#dim xx1212

Fdim xx0101

Dm6: xx0201

Intro: G G#dim Am7 D7

[Verse 1]

D+ G D G

Con-sider yourself at home

D7 G Am7 D7

Con-sider youself one of the family

G E7 [Fdim (xx0101)]

I've taken to you so strong

D [D#dim] Em7 [A7] D7

It's clear, we're, going to get a-long

[Verse 2]

G D G

Consider yourself well in

D7 G Am7 D7

Con-sider yourself part of the furniture

D7 G E7 [Fdim (xx0101)]

There isn't a lot to spare

D D#dim Em7 [A7] D7

Who cares?..What, ever we've got we share!

[Bridge]

Dm7 G7 Dm7 G7

If it should chance to be / we should see some harder days

C G C

Empty larder days, Why grouse?

A7 Em7 A7

Always a chance we'll meet, Somebody To foot the bill

D7 F#dim (xx2323) D7 (5th fret) [D+]

Then the drinks are on the house!

[Verse 3]

D G D G

Con-sider yourself our mate

E7 Am D7

We,...don't want to have no fuss,

[F#dim] G G D/F# E7

For, after some consideration, we can state

Am7 D7 G [D+]

Con-sider yourself, One of us!

[Reeats verses 1 and 2 with both singing, but nice to do

Titty over a verse instead]

[Bridge 2]

Dm7 G7 Dm7 G7

Nobody tries to be lah-di-dah or uppity.

C G C

There's a cup-o'-tea for all

A7 Em7 A7

Only it's wise to be, handy with a rolling pin

D7 F#dim (xx2323) D7 [5th fret] [D+]

When the landlord comes to call

[Verse 3 again]

D G D G

Con-sider yourself our mate

E7 Am D

We,...don't want to have no fuss,

[F#dim] G G D/F# E7

For, after some consideration, we can state

Am7 D7 G

Con-sider yourself, One of us!

[Ending]

E7 Am7 D7 G

Con-sider yourself, One of us!

E7 Am7 D7 G

Con-sider yourself, One of us!

Reviewing the Situation from Oliver

Awesome movie version in F#. Very similar to "if I was a rich man". The version on soundtrack is in Fm and is missing one of the verses. Another version from a different soundtrack here. Nice cover here.

Really nice a half step down in Fm.

Optional riff ("I think I'd better think it out again"):

E1 E4 E3 E1 / E0 E3 E1 E0 / E1

[Verse 1]

Fm C7

A man's got a heart, hasn't he?

Gm7b5 C7 Fm *or Bbm6

Joking apart -- hasn't he?

Bbm Bbm7 Eb7 Ab

And though I'd be the first one to say that I wasn't a saint

G7 Gm7b5 C7

I'm finding it hard to be really as black as they paint

Fm

I'm reviewing the situation

C7

Can a fellow be a villain all his life

All the trials, and tribulation

Fm

Better settle down and get myself a wife

C7 Fm C7

And a wife would cook and sew for me

Fm C7

And come for me, and go for me

Fm C7

And go for me and nag at me

Fm C7

The fingers she will wag at me

Fm C7

The money she will take from me

Bbm or Gm7b5 C7

Ab misery, she'll make from me...

Fm C7 Fm [riff] [C7]

I think I'd better think it out again!

[Verse 2]

Fm C7

Ab wife you can keep, anyway

Gm7b5* C7 Fm *or Bbm6

I'd rather sleep, anyway

Bbm Bbm7 Eb Eb7 Ab

Left without anyone in the world and I'm starting from now

G7 Gm7b5 C7

So how to win friends and to influence people, so how

Fm

I'm reviewing the situation

C7

I must quickly look up everyone I know

Titled people, with a station

Fm

Who can help me make a real impressive show

C7 Fm C7

I will own a suite at Claridge's

Fm C7

And run a fleet of carriages

Fm C7

And wave at all the duchesses

Fm C7

With friendliness, as much as is

Fm C7

Befitting of my new estate

Bbm Gm7b5 C7

"Good morrow to you, magistrate!" ...

Fm C7 Fm [C7]

I think I'd better think it out again

[Verse 3 - skipped in soundtrack version]

Fm C7

So where shall I go -- somebody?

Gm7b5* C7 Fm *or Bbm6

Who do I know? Nobody!

Bbm Bbm7 Eb7 Ab

All my dearest companions have always been villains and thieves

G7 Gm7b5 C7

So at my time of life I should start turning over new leaves?

Fm

I'm reviewing the situation

C7

If you want to eat, you've got to earn a bob

Is it such a humiliation

Fm

For a robber to perform an honest job

C7 Fm C7

So a job I'm getting, possibly

Fm C7

I wonder who my boss'll be?

Fm C7

I wonder if he'll take to me?

Fm C7

What bonuses he'll make to me?

Fm C7

I'll start at eight and finish late

Bbm Gm7b5 C7

At normal rate, and all, but wait

Fm C7 Fm [C7]

I think I'd better think it out again

[Verse 4]

Fm C7

What happens when I'm seventy

Gm7b5* C7 Fm *or Bbm6

Must come a time, seventy

Bbm Bbm7 Eb7 Ab

When you're old, and it's cold and who cares if you live or you die

G7 Gm7b5 C7

Your one consolation's the money you may have put by

Fm

I'm reviewing the situation

C7

I'm a bad one and a bad one I shall stay

You'll be seeing no transformation

Fm

But it's wrong to be a rogue in every way

C7 Fm C7

I don't want nobody hurt for me

Fm C7

Or made to do the dirt for me

Fm C7

This rotten life is not for me

Fm C7

It's getting far too hot for me

Fm C7

There is no in between for me

Bbm Gm7b5 C7

But who will change the scene for me

[Outro]

Fm Bbm

Don't want no one to rob for me

Gm7b5 C7

But who will find a job for me?

Fm C7 Fm [C7]

I think I'd better think it out again! [Hey!]

Youve Got To Pick a Pocket or Two from Oliver

Original is here and nice cover here (Am)

Em F#m7b5 or Am

In this life, one thing counts

Em B7 or F7b5

In the bank, large amounts

Em Bm or D Am Em

I'm afraid these don't grow on trees,

Am or F#m7b5 B7 Em

You've got to pick-a-pocket or two

B7 Em Am Em Am

You've got to pick-a-pocket or two, boys,

Em B7 Em

You've got to pick-a-pocket or two.

[BOYS]

Em D or Bm Am Em

Large amounts don't grow on trees.

B7 Em

You've got to pick-a-pocket or two.

[Verse 2]

Em F#m7b5 or Am

Why should we break our backs

Em B7

Stupidly paying tax?

Em Bm or D Am Em

Better get some untaxed income

Am or F#m7b5 B7 Em

Better to pick-a-pocket or two.

B7 Em Am Em Am

You've got to pick-a-pocket or two, boys,

Em B7 Em

You've got to pick-a-pocket or two.

[BOYS]

Em D or Bm Am Em

Why should we all break our backs?

B7 Em

Better pick-a-pocket or two.

[Verse 3 - modulate half step for movie version]

Em F#m7b5 or Am

Robin Hood, what a crook!

Em B7

Gave away, what he took.

Em Bm or D Am Em

Charity's fine, subscribe to mine.

Am or F#m7b5 B7 Em

Get out and pick-a-pocket or two

B7 Em Am Em Am

You've got to pick-a-pocket or two, boys,

Em B7 Em

You've got to pick-a-pocket or two.

[BOYS]

Em D or Bm Am Em

Robin Hood was far too good

Bm B7 Em

He had to pick-a-pocket or two.

[Verse 4]

Em F#m7b5 or Am

Take a tip from Bill Sikes

Em B7

He can whip what he likes.

Em Bm or D Am Em

I recall, he started small

Am or F#m7b5 B7 Em

He had to pick-a-pocket or two.

B7 Em Am Em Am

You've got to pick-a-pocket or two, boys,

Em B7 Em

You've got to pick-a-pocket or two.

[BOYS]

Em D or Bm Am Em

We can be like old Bill Sikes

Bm B7 Em

If we pick-a-pocket or two.

Fagin: Stop thief!

[Verse 5]

Em F#m7b5 or Am

Dear old gent passing by

Em B7

Something nice takes his eye

Em Bm or D Am Em

Everything's clear, attack the rear

Am or F#m7b5 B7 Em

Get in and pick-a-pocket or two.

B7 Em Am Em Am

You've got to pick-a-pocket or two, boys,

Em B7 Em

You've got to pick-a-pocket or two.

[BOYS]

Em D or Bm Am Em

Have no fear, attack the rear

Bm B7 Em C7 to modulate

Get in and pick-a-pocket or two.

[Verse 6 - modulate up a half step to F#m]

Em F#m7b5 or Am

When I see someone rich,

Em B7

Both my thumbs start to itch

Em Bm or D Am Em

Only to find some peace of mind

Am or F#m7b5 B7 Em

We have to pick-a-pocket or two.

B7 Em Am Em Am

You've got to pick-a-pocket or two, boys,

Em B7 Em

You've got to pick-a-pocket or two.

[BOYS]

Em D or Bm Am Em

Just to find some peace of mind

Bm B7 Em

We have to pick-a-pocket or two!

Agua de Beber (Water to Drink) by Tom Jobim

Awesome LatinTabs tutorial here. This is a bit simplified from that, so might want to revisit it at some point.

Bm7/4 = 7x775x

C#7b9 = x4343x

F#7b5 = 2x231x

Em9 = x7577x

Alternative for Em9 in chorus? 2x022x

* for this run, can just do Bm7 Bbm7 Am7 D9

[Intro]

Bm7/4 / C#7b9 F#7

Dee da da da, da dee da da da da da

Gmaj7 / F#7b5

Ba ya dai

Bm7/4 / C#7b9 F#7

Dee da da da, da dee da da da da da

Gmaj7

Ba ya dai

[Verse 1]

C#7 C#7/G#

Your love is rain

F#+ F#7 Bm7/4

My heart's the flower

Em9 A13 or A#7b5 D6/9

I need your love or I will die

C#7 C#7/G# F#+ F#7 Bm7/4 A#7b5 Am7 D9 *

My very life is in your power

Gmaj7 F#7 Bm7/4

Will I wither and fade or bloom to the sky

[Chorus]

E9 Em9

Agua de beber

Bm7/4

Give the flower water to drink

E9 Em9

Agua de beber

Bm7/4 F#7 or F#7b5

Give the flower water to drink

[Intro]

[Verse 2]

C#7 C#7/G#

The rain may fall

F#+ F#7 Bm7/4

on distant desert

Em9 A13 or A#7b5 D6/9

the rain may fall upon the sea

C#7 C#7/G# F#+ F#7 Bm7/4 A#7b5 Am7 D9

the rain may fall upon the flower

Gmaj7 F#7 Bm7/4

since the rain has to fall, let it fall on me

[Chorus]

E9 Em9

Agua de beber

Bm7/4

Give the flower water to drink

E9 Em9

Agua de beber

Bm7/4 F#7 or F#7b5

Give the flower water to drink

[Chorus]

[Intro]

Just lyrics:

Dee da da da, da dee da da da da da

Your love is rain

My heart's the flower

I need your love or I will die

My very life is in your power

Will I wither and fade or bloom to the sky

Agua de beber

Give the flower water to drink

Agua de beber

Give the flower water to drink

The rain may fall

on distant desert

the rain may fall upon the sea

the rain may fall upon the flower

since the rain has to fall, let it fall on me

Not sure what these are. Other more direct translation?

I wanted to love but was afraid

I wanted to protect my heart

but love knows a secret

fear can kill the heart

This is sweet water,

sweet water, my friend.

This is sweet water,

sweet water, my friend.

I never did a thing so certain

I learned of forgiveness (Literal: I entered the school of forgiveness)

My house is open

I opened all the doors of my heart

This is sweet water,

sweet water, my friend.

This is sweet water,

sweet water, my friend.

Waters of March (Aguas de Marco) by Tom Jobim

Awesome tutorial from LatinTabs here

Susanne's version is in G

Other English version here

B/A: 544444

Em6/F#: 231311 (barre on 1)

G#7b5 = 4x453x

Bb7/4(9) = 6x654x

Nice Ebm7: x6467x

Basic pattern is:

C/Bb / Am6 / Fm6/Ab / Cmaj7 /

Gm7 C9 / FM7 / Fm6 / Cmaj7 /

Opening note: E C A stick

[Verse 1]

C/Bb Am6

A stick, a stone, it's the end of the road

Fm6/Ab Cmaj7

It's the rest of a stump, it's a little alone

Gm7 C9 Fmaj7

It's a sliver of glass, it is life, it's the sun

Fm6 or Bb7b5 Cmaj7

It is night, it is death, it's a trap, it's a gun

[H] Gm7 C9 Fmaj7 *or Gm/C

The oak when it blooms, a fox in the brush

Fm6 Cmaj7

The knot in the wood, the song of a thrush

[H] Gm7/C C9 Fmaj7

The will of the wind, a cliff, a fall

Fm6 Cmaj7

A scratch, a lump, it is nothing at all

C/Bb Am6

It's the wind blowing free, it's the end of the slope

Fm6/Ab Cmaj7

It's a beam, it's a void, it's a hunch, it's a hope

C7 F#m7b5

And the river bank talks of the waters of March

Fm6 or Bb7b5 Cmaj7

It's the end of the strain, it's the joy in your heart

[Verse 2]

C/Bb Am6

The foot, the ground, the flesh and the bone

Fm6/Ab Cmaj7

The beat of the road, a slingshot's stone

[H] C/Bb Am6

A fish, a flash, a silvery glow

[L] Fm6/Ab Cmaj7

A fight, a bet, the fange of a bow

C/Bb Am6

The bed of the well, the end of the line

Fm6/Ab CM7

The dismay in the face, it's a loss, it's a find

C/Bb Am6

A spear, a spike, a point, a nail

Fm6/Ab Cmaj7

A drip, a drop, the end of the tale

[H] Gm7 C9 FM7 or F#m7b5

A truckload of bricks in the soft morning light

Fm6 CM7

The shot of a gun in the dead of the night

C/Bb Am6

A mile, a must, a thrust, a bump,

Fm6/Ab CM7

It's a girl, it's a rhyme, it's a cold, it's the mumps

[H] Gm7 C9 FM7

The plan of the house, the body in bed

Fm6 CM7

And the car that got stuck, it's the mud, it's the mud

[H] Gm7 C7 FM7

A float, a drift, a flight, a wing

Fm6 CM7

A hawk, a quail, the promise of spring

C7 or F#7b5 Fmaj7 or F#mb5

And the river bank talks of the waters of March

Fm6 or Bb7b5 Cmaj7

It's the end of the strain, it's the joy in your heart

-----

[havent done verse 3 yet]

Girl From Ipanema by Tom Jobim

I read that this is the second most recorded song in history, after Yesterday.

FM7

Tall and tan and young and lovely

G7

The girl from Ipanema goes walking

Gm7 F#7b5

And when she passes, each one she passes

FM7 F#7b5

Goes "A-a-a-h"

FM7

When she walks she's like a samba

G7

That swings so cool and sways so gentle

Gm7 F#7b5

That when she passes, each one she passes

FM7

Goes "A-a-a-h"

F#M7 B9

Oh, but I watch her so sadly

F#m7 D9

How can I tell her I love her

Gm7 Eb9

Yes, I would give my heart gladly

Am7 D7b9 (x5454x)

But each day when she walks to the sea

Gm7 C7b9 (x3232x)

She looks straight ahead, not at me

FM7

Tall and tan and young and lovely

G7

The girl from Ipanema goes walking

Gm7 F#7b5

And when she passes, I smile, but she

FM7 F#7b5

Doesn't see. She just doesn't see

FM7 F#7b5

She just doesn't see

FM7 F#7b5

She just doesn't see

Lyrics only:

Tall and tan and young and lovely

The girl from Ipanema goes walking

And when she passes, each one she passes

Goes "A-a-a-h"

When she walks she's like a samba

That swings so cool and sways so gentle

That when she passes, each one she passes

Goes "A-a-a-h"

Oh, but I watch her so sadly

How can I tell her I love her

Yes, I would give my heart gladly

But each day when she walks to the sea

She looks straight ahead, not at me

Tall and tan and young and lovely

The girl from Ipanema goes walking

And when she passes, I smile, but she

Doesn't see. She just doesn't see

She just doesn't see

She just doesn't see

Mas Que Nada by Jorge Ben Jor

Tamba Trio version from that Nike Ad.

Good discussion of the meaning of the lyrics here.

D7(4) = x57585

D7#9 = hendrix

* = Chord riff = Gm7 Gm6

** the Cm7 can be on the 8th fret

Version with English gibberish syllables.

Fill = Dm7 C#m7 Cm7 (can play from 10th or from 5th). Nice example here.

Intro:

Gm7 Gm6 groove

Gm7* Cm7** F7 Gm7* [D7#9]

Oooo, adee-yah dayo omba omba omba

Gm7* [fill] Cm7 F7 Gm7* D7#9

Oooo, adee-yah dayo omba omba omba

[Chorus]

Gm7

Mas que nada

D7#9 Gm7

Sun a me ah / freints key kadu passa da

D7#9 Gm7

Poise ooh samba esta animah da

D7** Gm7* (or just Gm) (** = or D7(4) D7)

O querro est samba

[Bridge]

Cm7 F7 Gm Gm7 or Gm6

Este samba que misto de maracatu

Cm7 (or EbM7)

Et somebody preto value

F7 Gm7* D7#9

Samba di preta tu

[Chorus - without D7#9 at end?]

[Ooooo]

Ending:

Gm7* Cm7 F7 Gm7*

Oooo, aria raio oba oba oba

Gm7* Cm7 F7 Gm7* D7#9 G#M7 (nice ending chord)

Oooo, aria raio oba oba oba

Version with proper Portuguese words I think:

Intro:

Gm7 Gm6 groove

Gm7* Cm7** F7 Gm7* [D7#9]

Oooo, aria raio oba oba oba

Gm7* Cm7 F7 Gm7* D7#9

Oooo, aria raio oba oba oba

[Chorus]

Gm7

Mas que nada

D7#9 Gm7

Sai da minha frente eu quero passar

D7#9 Gm7

Pois o samba est animado

D7(4) D7 Gm7* (or just Gm)

O que eu quero sambar

[Bridge]

Cm7 F7 Gm Gm7

Este samba que misto de maracatu

EbM7

E samba de preto velho

F7 Gm7* D7#9

Samba de preto tu

[Chorus]

[Ooooo]

Ending:

Gm7* Cm7 F7 Gm7*

Oooo, aria raio oba oba oba

Gm7* Cm7 F7 Gm7* D7#9 G#M7 (nice ending chord)

Oooo, aria raio oba oba oba

Version from that tutorial:

Intro:

Gm7 D7#9

(?) Gm7 Cm7 F7 BbM7 Eb9 AbM7 Am7b5 Gm7 D7#9

Gm7 Cm7 D7#9 Gm7 D7#9 Gm7 D7#9

Oooo, aria raio oba oba oba

Gm7 Cm7 D7#9 Gm7 D7#9 Gm7 D7#9

O (o, o, o, o,) aria raio Oba, Oba, Oba

[Chorus]

Gm7

Mas que nada

D7#9 Gm7

Sai da minha frente eu quero passar

D7#9 Gm7

Pois o samba est animado

D7(4) D7 Gm7

O que eu quero sambar

[Bridge]

Cm7 F7 BbM7

Este samba que misto de maracatu

EbM7 Em7b5

E samba de preto velho

D7b9 Gm7 D7#9

Samba de preto tu

[Chorus]

[Ooooo]

A Felicidade by Tom Jobim

Loosely from the LatinTabs version. Note that I left out a lot of fill chords, so go through the tutorial again when want to spruce it up. I have JPGs of their chords in my Sheet Music folder.

Nice version in English (second part)

[This is only the first part of the song]

Bdim = x2313x

English gibberish version (actual Portuguese words are at end):

Am7/9 (x05500) Cmaj7 (x32000)

Triste ca noun tain feem

Em7 (0xx433) B7 E7 (x7670x)

Felicidade jay seem

Am7/9 Cmaj7 (x32000)

Triste ca noun tain feem

Em7 (0xx433) B7 Em7 (x7578x) Dm7 G7

Felicidade jay seem

CMaj7 Bm7b5* [Bdim] E7/5+(0x011x) E7 (0x010x)

A felicidade jay comb ma pluma

Am7 Am7/G* Gm7 C9 [Gm7b5] *=or G7+

Que vento vai levan do peder aah

Fmaj7 E7 (078700) Am7/9 D7 or D7/6 (x5450x)

Voa town lay vee, mash tame / a vee da brevvy

Am7/9 [4x345x] [Bm7b5] E7 (076700) * Am7 * can also do fill (0x011x)

Precisa kia / ja vain, toe sim parar

English version (from here). He has a lot of other translations here.

Am7/9 (x05500) Cmaj7 (x32000)

Though sadness lingers on

Em7 (0xx433) B7 E7 (x7670x)

too soon sweet joy is gone

Am7/9 (x05500) Cmaj7 (x32000)

Our sadness lingers on.

Em7 (0xx433) B7 Em7 (x7578x) Dm7 G7

Too soon sweet joy is gone

CMaj7 Bm7b5* [Bdim] E7/5+(0x011x) E7 (0x010x)

Happiness is like a little feather

Am7 Am7/G Gm7 C9 [Gm7b5]

The wind has carried up into the air

Fmaj7 E7 (078700) Am7/9 D7 or D7/6 (x5450x)

Floating so free, but it can only be

Am7/9 [4x345x] [Bm7b5] E7 (076700) * Am7 * can also do fill (0x011x)

As long as theres a breeze to hold it there.

So the happiness of a poor man would seem

the grand illusion of the Carnaval,

He works and he plans

Each day through the year

To live if just for a few days

In the splendor of his dreams

To be a prince, a king, a Casanova

Then Wednesday comes and Carnaval must end.

His sadness lingers on. Too soon sweet joy is gone.

Happiness is like a drop of dew

Thats nestled in the petals of a flower

So peaceful there

But in the morning air

It falls to earth, just like a lovers tear.

Is my happiness just the dream of a fool then,

Dreamt while gazing in my lovers eyes?

And just like the night, will it pass away?

Oh, see the dawn is upon us, whisper softly now so then

Shell wake up in the joyful light of morning

And stir my heart with kisses once again.

Though sadness lingers on

Sweet sadness lingers on

Translated and adapted by Paul Sonnenberg from the original lyrics by Vinicius de Moraes

Version with actual Portuguese:

Am7/9 (x05500) Cmaj7 (x32000)

Tristeza no tem fim,

Em7 (0xx433) B7 E7 (x7670x)

Felicidade sim

Am7/9 (x05500) Cmaj7 (x32000)

Tristeza no tem fim,

Em7 (0xx433) B7 Em7 (x7578x) Dm7 G7

Felicidade sim

CMaj7 Bm7b5* [Bdim] E7/5+(0x011x) E7 (0x010x)

A felicidade como a pluma

Am7 Am7/G Gm7 C9 [Gm7b5]

Que o vento vai levando pelo ar

Fmaj7 E7 (078700) Am7/9 D7 or D7/6 (x5450x)

Voa tao leve, mas tem a vida breve

Am7/9 [4x345x] [Bm7b5] E7 (076700) * Am7 * can also do fill (0x011x)

Precisa que haja vento sem parar

Chove Chuva by Jorge Ben

Original is here (out of tune?). Nice version in English here (and him doing it with Mas Que Nada is here). Nice Asian woman version here. Nice version in bedroom here.

Another nice cover from a live band performance here.

And Jorge Ben doing it live in a record store! Note that he does the Dm7 on 10th fret.

Interesting way of doing the Dm7 = xx0565 or x5x565

From the version in the record store:

Sometimes does the Dm7 on 10th fret, and the G7 on 10th fret as G9?

Intro:

E0 E0 E3 E0 E5 Am7

A0 A0 A3 A0 A5 Dm7 [x2]

G7 Am7

Dm7 G7 Am7 [5x550x]

Chove chuva, contant is the rain.

Dm7 G7 Am7 A7+

Chove chove chuva, endless is the pain.

Dm7

As I stand here and remember.

G7 Am7 A7+

How once / our hearts were one.

Dm7

And every day was spring for me

G7 Am7

Till you left and took away the sun.

D9 Am7 D9 Am7

Now the days are lonely and the song of love is still

D9 Dm7 G7 Am7

They say that I'll forget you but I know I never will

Dm7 G7 Am7

And it hurts with such a pain, to be alone, and lonely in the rain

Dm7 G7* Am7 A7+ (* or swap Em7)

And it hurts with such a pain, to be alone, and lonely in the rain

[Repeat]

This from the Asian woman's version (uses D9 instead of Dm7):

She uses D9 instead of Dm7. Also, the Dm9 to G7 can be simply G7.

Intro:

E0 E0 E3 E0 E5 Am7

A0 A0 A3 A0 A5 D9 [x2]

G7 Am7

D9 G7 Am7 5x550x

Chove chuva, contant is the rain.

D9 Dm9 G7 Am7 A7 (or A7+)

Chove chove chuva, endless is the pain.

D9

As I stand here and remember.

Dm9 G7 Am7 A7+

How once / our hearts were one.

D9

And every day was spring for me

Dm9 G7 Am7

Till you left and took away the sun.

D9 Am7 D9 Am7

Now the days are lonely and the song of love is still

D9 Dm9 G7 Am7

They say that I'll forget you but I know I never will

D9 Dm9 G7 Am7

And it hurts with such a pain, to be alone, and lonely in the rain

D9 Dm9 G7 Am7 A7+

And it hurts with such a pain, to be alone, and lonely in the rain

[Repeat]

San Francisco Bay Blues

Made famous by Eric Clapton but written by Jesse Fuller

Ramblin Jack throws some nice notes in

[Intro]

(first part of first verse)

[Verse 1]

C F C C/G C C7

I got the blues from my baby livin by the San Francisco Bay

F C C/G C C7

The ocean liner's gone so far away

F [F#dim] C (riff) A7 (x0225)

Didn't mean to treat her so bad she was the best girl I ever have had

D7 G7 [3x3001]

Said goodbye, I can take a cry, I want to lay down and die

C F C C/G C C7

I ain't got a nickel and I ain't got a lousy dime

F E E7

If she don't come back, think I'm gonna lose my mind

F [F#dim] C (riff) A7

If I ever get back to stay / it's gonna be another brand new day

D7 G7 C G7

Walkin with my baby down / by the San Francisco Bay

[titty kazoo]

[Verse 2]

C F C C F C

Sittin down looking from my back door....wonderin which way to go

F C

Woman I'm so crazy bout....she don't love me no more

F C (riff) A7

Think I'll catch me a freight train....cause I'm feelin blue

D7 G7

Ride all the way to the end of the line....thinkin only of you

C F C C F C

Meanwhile livin in the city....just about to go insane

F E E7

Thought I heard my baby's voice....the way she used to call my name

F [F#dim] C * A7

And if I / ever get back to stay....its gonna be another brand new day

D7 G7 C * A7

Walkin with my baby down by the San Francisco Bay Hey Hey

D7 G7 C * A7

Walkin with my baby down by the San Francisco Bay

D7 G7 C CC F F F F C C C7

Yeahh walkin with my baby down by the San Francisco Bay

Extra verse:

Meanwhile, in another city, just about to go insane,

Thought I heard my baby, Lord, the way she used to call my name.

If I ever get her back to stay, it's going to be another brand new day,

Walking with my baby down by the San Francisco Bay.

Big Bottoms by Spinal Tap

Original is here.

Bass riff (note, can power chord it...)

D D

e|-------------------------------|

B|-------------------------------|

G|-------------------------------|

D|-------------------------------|

A|---------5-5---3--2--3--2--3 --|

E|--5-3-5------------------------|

[Verse 1]

D

The bigger the cushion, the sweeter the pushin',

That's what I said. [Riff]

D

The looser the waistband, the deeper the quicksand,

Or so I have read. [Riff]

A

My baby fits me like a flesh tuxedo,

F G

I'd like to sink her with my pink torpedo.

[Chorus]

C Bb

Big bottom, big bottom,

Eb F

Talk about bum cakes, my girl's got 'em.

C Bb

Big bottoms drive me out of my mind,

Eb A

How could I leave this be-hind?

[Interlude, bass riff and chords]

D

I met her on Monday. 'twas my lucky bun day,

You know what I mean? [Riff]

D

I love her each weekday; each velvety cheek day,

You know what I mean? [Riff]

A

My love gun's loaded and she's in my sights;

F G

Big game is waiting there, in-side her tights, yeah.

[Chorus]

[interlude, bass riff and chords, titty over first part of verse]

A

My baby fits me like a flesh tuxedo;

F G

I'd like to sink her with my pink torpedo.

[Chorus]

C Bb

Big bottom, big bottom,

Eb F

Talk about mud flaps, my girl's got 'em.

C Bb

Big bottom drive me out of my mind,

Eb A

How could I leave this be-hind?

Outro: A

Just lyrics:

The bigger the cushion, the sweeter the pushin',

That's what I said. [Riff]

The looser the waistband, the deeper the quicksand,

Or so I have read. [Riff]

A

My baby fits me like a flesh tuxedo;

F G

I'd like to sink her with my pink torpedo.

C Bb

Big bottom, big bottom,

Eb F

Talk about bum cakes, my girl's got 'em.

C Bb

Big bottoms drive me out of my mind,

Eb A

How could I leave this be-hind?

I met her on Monday. 'twas my lucky bun day,

You know what I mean? [Riff]

I love her each weekday; each velvety cheek day,

You know what I mean? [Riff]

My love gun's loaded and she's in my sights;

Big game is waiting there, in-side her tights, yeah.

[Back to My baby fits me like a flesh tuxedo]

[Chorus]

Ending chord: A

Quicksand by David Bowie

From this awesome mellow live version

Album version is in C (so verse starts with C)

[Intro] D Em7

[Verse 1]

G

I'm closer to the Golden Dawn

D

Immersed in Crowley's uniform of imagery

G

I'm living in a silent film

D

Portraying Himmler's sacred realm of dream reality

Bb

I'm frightened by the total goal

C

I'm drawing to the ragged hole

D Bm G [Gsus]

And I ain't got the power anymore

G D Em7 E7sus E

No I ain't got the power anymore

[Verse 2]

A

I'm the twisted name on Garbo's eyes

E [Esus]

I'm living proof of Churchill's lies, I'm destiny

A

I'm torn between the light and dark

E [Esus]

Where others see their targets, divine symmetry

C

Should I kiss the viper's fang

D

Or herald loud the death of Man

E C#m A

I'm sinking in the quicksand of my thought

A E [Esus]

And I ain't got the power anymore

[Chorus]

E B C#m

Don't believe in yourself

Bbdim (xx2323) B

Don't deceive with belief

Bdim (xx3434) F#m

Knowledge comes with death's release

Bbdim(xx2323) E

Aaah, aaah, aaah, aaah

C#m B

Aaah, aaah, aaah, aaaha

[Verse 3]

A

I'm not a prophet or a stone age man

E

Just a mortal with potential of a superman, I'm living on

A

I'm tethered to the logic of Homo Sapien

E

Can't take my eyes from the great salvation of bullshit faith

C

If I don't explain what you ought to know

D

You can tell me all about it on the next Bardo

E C#m A

I'm sinking in the quicksand of my thought

A E

And I ain't got the power anymore

[Chorus]

E B C#m

Don't believe in yourself

Bbdim (xx2323) B

Don't deceive with belief

Bdim (xx3434) F#m

Knowledge comes with death's release

Bbdim(xx2323) E

Aaah, aaah, aaah, aaah

C#m B

Aaah, aaah, aaah, aaaha

[repeat chorus to taste]

Lowenbrau Ad from The 70s

Capo 1 for original key (or here sounds better). Heres an odd cover version in C.

Can get that Happy Trails "Bom ba-di da bum" bass going with the G6 (E3 D0 D2) if want to make it slow and finger picky

G

Heres to good friends, tonight is kinda special,

C [Am]

the beer well pour,

G G/F# Em

must say something more, some-how,

D [0101] D7

so to-night, to-night

G

let it be Lowenbrau

[Verse 2]

G

Its been so long, gee, Im glad to see ya

C [Am]

Raise your glass,

G G/F# Em

heres to health and happiness,

D [0101] D7

So tonight, tonight, tonight

Let it be all the best

(Announcer:)

When youre with good friends having good times

Dont just have a beer,

Have a Lowenbrau

Because good friends and good times deserve a great beer

And theres really only one

Lowenbrau.

St. James Infirmary by Snooks Eaglin

Not really by Snooks, but its unknown. Louis Armstrong made it famous in 1928 but I love the Snooks version.

Chord voicings, all nice in first position, but can use other positions for the jams.

Interesting: The E7b9 is being used instead of the usual Bb7 that I've been using... Nice.

Dm: XX0231

Gm: 3XX333

A7: X02223

E7b9: 0XX131 or x7676x or Bb7

A7#5: X0X021 or 5x566x

[Intro]

E7b9 - A7#5 - Dm - A7

Riff:

E7b9 A7#5 Dm A7

|---0--1----0--1-----1--1-----3--|

|-3----3--3----2---2----3-----2--|

|------1-------0--------2-----2--|

|-----------------------0-----2--|

|-----------------------------0--|

|--------------------------------|

[Verse 1]

Dm Gm Dm A7

I went down to St. James Infirmary,

Dm A7

See if my baby's there

Dm Gm Dm

She was stretched out on a long, white table

E7b9 A7#5 Dm A7

So sweet, so cold, so fair

[Verse 2]

Dm Gm Dm A7

Let her go, let her go, god bless her

Dm A7

Wherever she may be

Dm Gm Dm

She can look this whole wide world over

E7b9 A7#5 Dm A7

And never find another man like me

[Verse 3]

Dm Gm Dm A7

When I die you can bury me in Edwin Clapp shoes

Dm A7

Box back coat, with a 20 dollar hat

Dm Gm Dm

Put a 20 dollar gold piece in my pocket

E7b9 A7#5 Dm A7

And let the fellas know I died standing pat

[Titty over a verse]

[VERSE 4]

Dm Gm Dm A7

Let her go, let her go, god bless her

Dm A7

Wherever she may be

Dm Gm Dm

She can look this whole wide world over

E7b9 A7#5 Dm A7

And never find another man like me

[Titty over a verse]

[Intro]

Katmandu by Cat Stevens

Album version (Peter Gabriel on flute!)

Amazing live solo version

Recent live version, capo'd on 1

CAPO AT 3rd FRET (Key of F). Or I also like capo 1 like his more recent live version.

Intro

D Dsus F/D G/D C

E |--2-------2-h3----|-/5---------/7--7-----|----0-h1-0-------|

B |--3----3--3-----3-|-/6----6----/8----8---|-----------1-----|

G |-----2------------|-----5--------------7-|-------------0---| (x2)

D |--0-------0-------|--0----------0--------|---------------2-|

A |------------------|----------------------|--3--------------|

E |------------------|----------------------|-----------------|

D D/A C D D/A C

E |---2--2---------0-----0-----|---2--2---------0------0------|

B |---3-----2------1--------1--|---3-----2------1---------1---|

G |-------------------0--------|-------------------0----------| (x2)

D |---0------------------------|---0--------------------------|

A |------------0--h3-----------|------------0--h3-------------|

E |----------------------------|------------------------------|

Verse 1

D D/A C D F C G

I sit be-side the dark, beneath the mire, cold grey, dusty day,

D/A A E C G D

The morning lake drinks up the sky!

(Dmadd9) (Em7) (G) C G* G4 G *=32000x

Kat -man -du, I'll

E |-------------------|----------------0---|------------------|

B |---- 3--------3---|-----------1--------|--0---0-1-p0------|

G |----0--------0-----|-----------0--------|--0------------0--|

D |--3-------2--------|--------------------|------------------|

A |-------------------|-----0--2--3--------|------------------|

E |-----------------0-|--3-----------------|--3---------------|

C G D F

soon be see-ing you, and your strange be-

E |-------0---|-------3--------2---|----------|--1--------1---|

B |---1-------|---0------3---3---3-|--3----3--|--1------1---1-|

G |---0-------|---0--------2-------|----------|------2--------|

D |-----------|----------0---------|--0----2--|--3------------|

A |---3-------|--------------------|----------|---------------|

E |-----------|---3----------------|----------|---------------|

Em7/B Am [Dm7] G

-wil-der-ing time will hold me down---!

E |------0------|-------0-------|--1---------|------------3----|

B |--3-------3--|--1------1--2--|--1---------|--3------3-------|

G |--0----------|--2--2---------|------2-----|--0--------------|

D |-------------|---------------|--0---------|------0----------|

A |--2----------|--0------------|------------|-----------------|

E |-------------|---------------|------------|--3--------------|

Fill riff 1:

G C C/B G A7

E |-------------|-----3--|------3--|------------------|-----------|

B |-3---/5----|-1----1-|-1-----1-|-----------0---2--|-----0-----|

G |-0-----------|-0------|-0-------|--0----2---0---0--|--0-----0--|

D |-------------|--------|---------|--0----0----------|-----------|

A |-5---/7----|-3------|-2-------|---------------0--|--4--------|

E |-------------|--------|---------|--0----2---3------|-----------|

Verse 2

[2nd part of intro (D / C pattern)]

D D/A C D F C C G

Chop me some broken wood, we'll start a fire, white warm, light the dawn,

D/A A E C G D [Riff 1] (Dmadd9) (Em7)

And help me see old satan's tree,

(G) C G G4 G C G D

Katman-du, I'll soon be touching you,

F Em7/B Am [Dm7] G

And your strange be-wildering time will hold me down!

[Fill riff 1]

Instrumental Verse 4 (Same chords as other verses)

Verse 3

[2nd part of intro (C/D pattern)

D D/A C D F C G

Pass me my hat & coat, lock up the cabin, slow night, treat me right,

D/A A E C G D (Dmadd9) (Em7)

Until I go, be nice to know,

(G) C G G4 G C G D

Katman-du, I'll soon be seeing you,

F Em7 Am [Dm7] G

And your strange be-wildering time will hold me down!

[Fill riff 1]

Mostly lyrics:

Verse 1

D C D F

I sit beside the dark, beneath the mire,

C G

cold grey, dusty day,

D/A A E C G D [riff1]

The morning lake / drinks up the sky!

C G C G D [keep the G shape during C]

Katmandu, I'll soon be seeing you,

F Em7 Am G [riff2]

and your strange bewildering time will hold me down

Verse 2

D C D F

Chop me some broken wood, we'll start a fire,

C G

white warm, light the dawn,

D/A A E C G D [riff1]

And help me see / old satan's tree,

C G C G D

Katmandu, I'll soon be touching you,

F Em7 Am G [riff2]

And your strange bewildering time will hold me down!

Verse 3

D C D F

Pass me my hat & coat, lock up the cabin,

C G

slow night, treat me right,

D/A A E C G D [riff1]

Until I go / be nice to know,

C G C G D

Katmandu, I'll soon be seeing you,

F Em7 Am G [riff2]

And your strange bewildering time will hold me down!

[intro]

Movin Out by Billy Joel

[Intro]

Bass: A5 A5 E5 E4 E3 A5 A3 E0 E1

| Dm | Gm7 | C Caug/E | Fmaj7 | (x2)

[Verse1]

Dm Gm7

Anthony works in the grocery store

C C/E Fmaj7

Saving his pennies for someday

Dm Gm7

Mama Leone left a note on the door

C C/E Fmaj7

She said, "Sonny, move out to the country"

Dm G7

Ah, but working too hard can give you a heart attack-ack-ack-ack-ack-ack

Bb C

You ought to know by now

Dm G7

Who needs a house out in Hackensack?

C C7/E F

Is that all you get for your money?

[Chorus]

Bb [Bb/D] C [C7/Bb] A [A/C#] Dm

And it seems like a waste of time, if that's what it's all about

[Dm/C] Bb [Bb/D] Em7-5* A7 Dm *=(078780)

Mama, if that's movin' up then I'm movin' out

| Dm | Gm7 | C Ca/E | Fmaj7 | (x2)

Mm, Im moving out

| Dm | Gm7 | C Ca/E | Fmaj7 | (x2)

Ooh, ooh, oh oh (etc)

[Verse 2]

Dm Gm7

Sergeant O'Leary is walkin the beat

C C/E Fmaj7

At night he becomes a bar tender

Dm Gm7

He works at Mister Cacciatore's down on Sullivan Street

C C/E Fmaj7

Across from the Medical Center

Dm G7

Yeah and he's trading in his Chevy for a Cadillac-ac-ac-ac-ac-ac

Bb C

You ought to know by now

Dm G7

And if he can't drive with a broken back

C7 C7/E F

At least he can polish the fenders

[Chorus]

Bb [Bb/D] C [C7/Bb] A [A/C#] Dm

And it seems like a waste of time, if that's what it's all about

[Dm/C] Bb [Bb/D] Em7-5* A7 Dm *=(078780)

Mama, if that's movin' up then I'm movin' out

| Dm | Gm7 | C Ca/E | Fmaj7 | (x2)

Mm, Im moving out

| Dm | Gm7 | C Ca/E | Fmaj7 | (x2)

Ooh, ooh, oh oh (etc)

Dm G7

You should never argue with a crazy ma-ma-ma-ma-ma-mind

Bb C

You ought to know by now

Dm G7

You can pay Uncle Sam with the overtime

C7 C7/E F

Is that all you get for your money?

[Chorus]

Bb [Bb/D] C [C7/Bb] A [A/C#] Dm

And if thats what you have in mind, yeah if that's what youre all about

[Dm/C] Bb [Bb/D] Em7-5* A7 Dm *=(078780)

Good luck moving up, cause Im movin' out

[Piano Outro]

| D | G | A | D |

Im movin out..

Dont Ask Me Why by Billy Joel

Lots of inveresions adding flavor. And a lot of the song is the specific G shape (3x0003) (with pinky on high E and ring on low E) to the G/C shape (3x2013), as in the intro riff. During the start of verses keep that shape too. Good tutorial from Privettricker here.

Capo on 3 for album key

[Intro]

G (3x0003) / C/G (3x2013)

[Verse 1]

G Am7 G [Am7] A7

All the waiters in your grand cafe

D7 [D7sus2 xx0210] G C/G (3x2013)

Leave their tables when you blink, Oh

G Am7 G A7

Every dog must have his everyday

D7 [D7sus2] G

Every drunk must have his drink

[Chorus]

B7 Em

Don't wait for answers

G7/B (x20001) A7

Just take your chances

D7 (or xx0210) G [Intro riff]

Don't ask me why

G Am7 G A7

All your life you had to stand in line

D7 G C/G (3x2013)

Still you're standing on your feet, Oh

G Am7 G A7

All your choices made you change your mind

D7 G

Now your calendar's complete

[Chorus]

B7 Em

Don't wait for answers

G7/B (x20001) A7

Just take your chances

D7 (or xx0210) G [Intro riff]

Don't ask me why

[Bridge]

D C

You can say the human heart is only make believe

D G C/G G

And I am only fighting fire with fire

E A

But you are still a victim of the accidents you leave

E A D7 (or Dsus2 xx0210)

As sure as I'm a victim of desire

[Verse 3]

G Am7 G A7

All the servants in your new hotel

D7 G C/G (3x2013)

Throw their roses at your feet, Oh

G Am7 G A7

Fool them all but baby I can tell

D7 G

You're no stranger to the street

[Chorus]

B7 Em

Don't ask for favors

G7/B A7

Don't talk to strangers

D7 G [Intro riff]

Don't ask me why

Interlude: G/B - G/C - G/Bb - x 3

[Titty over the bridge]

D - C - D - G

E - A7 - E - A7 - D7

[Verse 4]

G Am7 G A7

Yesterday you were an only child

D7 G C/G (3x2013)

Now your ghosts have gone away, Oh

G Am7 G A7

You can kill them in the classic style

D7 G

Now you, "parlez vous francais"

[Chorus]

B7 Em

Don't look for answers

G7/B A7

You took your chances

D7 G [Intro riff]

Don't ask me why

Outro: G/B - G/C - G/Bb - x 7

"Don't ask me why...."

Just lyrics:

All the waiters in your grand cafe

Leave their tables when you blink, Oh

Every dog must have his everyday

Every drunk must have his drink

Don't wait for answers

Just take your chances

Don't ask me why

All your life you had to stand in line

Still you're standing on your feet, Oh

All your choices made you change your mind

Now your calendar's complete

Don't wait for answers

Just take your chances

Don't ask me why

[D] You can say the human heart is [C] only make believe

And [D] I am only fighting fire with [G] fire [C/G G]

But [E] you are still a victim of the [A] accidents you leave

As [E] sure as I'm a victim of [A] desire [D7]

All the servants in your new hotel

Throw their roses at your feet, Oh

Fool them all but baby I can tell

You're no stranger to the street

Don't ask for favors

Don't talk to strangers

Don't ask me why

[titty over the bridge]

Yesterday you were an only child

Now your ghosts have gone away, Oh

You can kill them in the classic style

Now you, "parlez vous francais"

Don't look for answers

You took your chances

Don't ask me why

Outro: G/B - G/C - G/Bb - x 7

"Don't ask me why...."

Still Rock and Roll To Me by Billy Joel

[Verse 1]

C Em

What's the matter with the clothes I'm wearing?

Bb F

"Can't You tell that your tie's too wide?"

C Em

Maybe I should bye some old tab collars?

Bb F

"Welcome back to the age of jive.

Em Am

Where have you been hiddin' out lately, honey?

Em D G

You can't dress trashy till you spend a lot of money"

[Chorus 1]

C Em Bb

Everybody talking 'bout the new sound.

F Am G C

Funny, but it's still rock and roll to me.

[Verse 2]

C Em

What's the matter with the car I'm driving?

Bb F

Can't tell it's out of style?"

C Em

Should I get a set of white wall tires?

Bb F

"Are you gonna cruise the miracle mile?

Em Am

Nowadays you can't be too sentimental.

Em D G

Your best bet's a true baby blue Continental."

[Chorus 2]

C Em Bb F

Hot funk, cool punk even if it's old junk,

Am G C

it's still rock and roll to me.

[Bridge]

C G F

Oh it doesn't matter what they say in the papers,

E Am

'cause it's always been the same old scene.

G F

There's a new band in town but you can't get the sound

E Ab

from a story in a magazine.

Eb F G

aimed at your average teen.

[Verse 3]

C Em

How about a pair of pink sidewinders

Bb F

and a bright orange pair of pants?

C Em

"Well, you could really be a Beau Brummel baby,

Bb F Em

if you just give it half a chance.

Am

Don't waste your money on a new set of speakers.

Em D G

You get more mileage from a cheaper pair of sneakers."

[Chorus 3]

C Em Bb F

Next phase, new wave, dance craze, anyways

Am G C

it's still rock and roll to me.

[Titty over the bridge]

[Verse 4]

C Em

What's the matter with the crowd I'm seeing?

Bb F

"Don't know that they're out of touch?"

C Em

Should I try to be a straight 'A' student?"

Bb F Em

If You are, then you think too much."

Em Am

"Don't you know about the new fashion, honey?

Em D G

All you need are looks and a whole lotta money."

[Chorus 4]

C Em Bb

It's the next phase, new wave, dance craze; anyways

Am G C C

it's still rock and roll to me.

C Em Bb

Everybody's talking about the new sound.

F G C C9

Funny, but it's still rock and roll to me.

You May Be Right by Billy Joel

Billy looking and sounding like Elvis Costello... Glass Houses was heavily influenced by late 70s pop punk? Check this video. And in this video he calls it one of his top 5 best songs hes written.

Riff: E3 E2 B3 B5 (Can do while playing the A chord. For the B5 play B5 E5.

[Intro]

A (with riff) (4x)

[Verse 1]

A

Friday night I crashed your party, saturday I said I'm sorry

E7

Sunday came and trashed me out again.

Bm G

I was only having fun, wasn't hurting anyone

E A

And we all enjoyed the weekend for a change.

A

I've been stranded in the combat zone, I walked through Bedford Stuy alone

E7

Even rode my motorcycle in the rain.

Bm G

And you told me not to drive, but I made it home alive

E A

So you said that only proves that I'm insane.

[Chorus]

E A

You may be right, I may be crazy

E D F#m A

Oh but it just may be a lunatic you're looking for

E A

Turn out the light, don't try to save me

D E A [riff]

You may be wrong for all I know, But you may be right.

[Verse 2]

A

Remember how I found you there, alone in your electric chair

E7

I told you dirty jokes until you smiled

Bm G

You were lonely for a man, I said "Take me as I am"

E A

'Cause you might enjoy some madness for awhile

A

Now think of all the years you tried to find someone to satisfy you

E7

I might be as crazy as you say

Bm G

If I'm crazy then it's true, that it's all because of you

E A

And you wouldn't want me any other way

[Chorus]

E A

You may be right, I may be crazy

E D F#m A

Oh but it just may be a lunatic you're looking for

E A

Its too late to fight, its too late to change me.

D E A [riff]

You may be wrong for all I know, But you may be right.

[titty with kazoo over a verse]

[Chorus]

E A

You may be right, I may be crazy

E D F#m A

Oh but it just may be a lunatic you're looking for

E A

Turn out the light, dont try to save me.

D E A [riff]

You may be wrong for all I know, But you may be right.

[Outro]

A A A [x 4]

You may be wrong but you may be right

Sometimes a Fantasy by Billy Joel

All barres

Intro: A D x2

/A D /G A

I didn't want to do it but I got too lonely

/A D /E A

I had to call you up in the middle of the night

/F# G [/F# G] /A D /A D

I know it's awful hard to try to make love long distance, hahaha

C Em G G A G A

But I really needed stimulation, though it was only my imagination

D A Bm G A Bm

It's just a fantasy, ooh, it's not the real thing

D A Bm G A Bm

It's just a fantasy, ooh, it's not the real thing

D A Bm G A C F C F

Sometimes a fantasy, ooh, is all you need

D /G A

When am I gonna take control get a hold of my emotions

/A D /E A

Why does it only seem to hit me in the middle of the night?

/F# G [/F# G] /A D /A D

You told me there's a number I can always dial for assistance, hahaha

C Em G G A G A

I don't want to deal with outside action, only you can give me satisfaction

D A Bm G A Bm

It's just a fantasy, ooh, it's not the real thing

D A Bm G A Bm

It's just a fantasy, ooh, it's not the real thing

D A Bm G A C F C F D G D C

Sometimes a fantasy, ooh, is all you need

/A D /G A

Sure it would be better if I had you here to hold me

/A D /E A

Be better baby but believe me it's the next best thing

/F# G /F# G /A D /A D

I'm sure there's many times you've wanted me to hear your secrets

C Em G G A G A

Don't be afraid to say the words that move me, anytime you want to tell them to me

D A Bm G A Bm

It's just a fantasy, ooh, it's not the real thing

D A Bm G A Bm

It's just a fantasy, ooh, it's not the real thing

D A Bm G A C

Sometimes a fantasy, ooh, is all you need

C F

It's just a fantasy (It's just a fantasy)

C

It's not the real thing (It's not the real thing)

F

It's just a fantasy (It's just a fantasy)

D

It's not the real thing (It's not the real thing)

G

It's just a fantasy (It's just a fantasy)

D

It's not the real thing (It's not the real thing)

G

It's just a fantasy (It's just a fantasy)

C

It's not the real thing (It's not the real thing)

F

It's just a fantasy (It's just a fantasy)

C

It's not the real thing (It's not the real thing)

Promises by Naked Eyes (Freedy Johnston version)

https://www.youtube.com/watch?v=4z-Hq5-GAlE

When doing the F#m, nice to switch between 9th fret and 2nd fret versions.

For the DM7, nice to play as xx0222 or 2x0222.

Intro:

F#m7 (9th fret) F#m7 (2nd fret) / Bm7 / C#m7

F#m7 E F#m

Never had a doubt, in the beginning

F#m E F#m

Never a doubt

F#m E F#m

I trusted you true, in the beginning

F#m E F#m

And I loved you right through

F#m

And on and on, we laughed like kids

B7? (24242) E

At all the silly things we did

[CHORUS]

F#m E DM7 or F#m (DM7 or Bm7) C#m7 Bm7

You made me promises promises

F#m E DM7 or F#m

Knowing I'd believe

DM7 C#m7 Bm7

Promises promises

You knew you'd never keep [intro (1x)]

F#m7 E F#m

Second time around, I'm still believing

F#m7 E F#m

words that you said

F#m7 E F#m

"I'll always be here, and love you forever"

F#m7 E F#m

Still repeats in my head

F#m7

But you can't finish what you start

B7 E

If this is love it breaks my heart

[CHORUS]

F#m E DM7 or F#m (DM7 or Bm7) C#m7 Bm7

You made me promises promises

F#m E DM7 or F#m

Knowing I'd believe

DM7 C#m7 Bm7

Promises promises

You knew you'd never keep [intro (1x)]

F#m

And on and on, we laughed like kids

B7? (24242) E

At all the silly things we did

F#m

You can't finish what you start

B7? (24242) E

If this is love it breaks my heart

[CHORUS]

F#m E DM7 or F#m (DM7 or Bm7) C#m7 Bm7

You made me promises promises

F#m E DM7 or F#m

Knowing I'd believe

DM7 C#m7 Bm7

Promises promises

You knew you'd never keep [intro (1x)]

F#m E DM7 or F#m (DM7 or Bm7) C#m7 Bm7

Follow your promises

Knowing I'd believe

Promises, promises,

why did I believe

[Titty over intro pattern]

Promises, promises

Promises promises

Ending:

B7 E F#m

Do do do dooo doo doo do, doo doo do do, hmmm.

My Cherie Amor by Stevie Wonder

Great cover by Multu. See the arrangement below this for his version, which is better I think.

Ab7+5 = 4x455x

F#11 = 2x210x

G#11 = 4x432x

Fm7b5 = x8989x or xx3444

[Intro]

F#M7 BM7 C#M7

La la la la la la, La la la la la la

[Verse 1]

Ab7+5 C#M7 F11 or [F#7sus F#7] BM7 G#7sus G#7 [or G11]

My cherie amour, lovely as a summer day

C#M7 F#7sus BM7 G#7sus G#7 [or 4x4322]

My cherie amour, distant as the milky way

F#M7 Ab13 [or G#7sus or G#11] Fm7b5/Cb or B9]

My cherie amour, pretty little one that I adore

A#9 [or A#7] D#9

You're the only girl my heart beats for

G#13 C#M7 G#7#5 [or G#13-9]

How I wish that you were mine

[Verse 2]

In a cafe or sometimes on a crowded street

I've been near you, but you never noticed me

My cherie amour, won't you tell me how could you ignore

That behind that little smile I wore

How I wish that you were mine

[Intro]

La la la la la la, La la la la la la

La la la la la la, La la la la la la

[Verse 3]

[A7 to modulate, then up a half step]

Maybe someday, you'll see my face among the crowd

Maybe someday, I'll share your little distant cloud

Oh, cherie amour, pretty little one that I adore

You're the only girl my heart beats for

How I wish that you were mine

[Intro]

La la la la la la, La la la la la la

La la la la la la, La la la la la la

Or from that Multu (link):

F#M7 = 2x332x

BM7 = x2434x

C#M7 = x4656x

Ab7+5 = 4x455x

F#11 = 2x210x

G#11 = 4x432x

D#9 = x65666

Not sure what you'd call these two. Sound good as regular 9 chords tho.

B9 = x24222 (or x21222)

Bb9? = x13111

And he does a hammer-on fill with his pinky on the BM7 and C#M7 shape.

Can use F#sus and G#sus instead of F#11 and G#11 if playing and singing.

[Ab7+5] My cherie [C#M7] amour, [F#11] lovely as a summer [BM7] day [G#11]

My cherie [C#M7] amour, [F#11] distant as the milky [BM7] way [G#11]

My cherie [F#M7] amour, [G#11] pretty little one that [B9?] I adore

[Bb9?] You're the only girl my [D#9] heart beats for

[G#11] How I wish that you were [C#M7] mine [Ab7+5]

In a cafe or sometimes on a crowded street

I've been near you, but you never noticed me

Oh cherie amour, won't you tell me how could you ignore

That behind that little smile I wore

How I wish that you were mine

La la [F#M7] la la la la [BM7], La la la la la [C#M7] la

[modulate up half step with A7+5]

Maybe someday, you'll see my face among the crowd

Maybe someday, I'll share your little distant cloud

My cherie amour, pretty little one that I adore

You're the only girl my heart beats for

How I wish that you were mine

La la la la la la, na na na la la

Just lyrics:

La la la la la la, La la la la la la

My cherie amour, lovely as a summer day

My cherie amour, distant as the milky way

My cherie amour, pretty little one that I adore

You're the only girl my heart beats for

How I wish that you were mine

In a cafe or sometimes on a crowded street

I've been near you, but you never noticed me

My cherie amour, won't you tell me how could you ignore

That behind that little smile I wore

How I wish that you were mine

La la la la la la, La la la la la la

La la la la la la, La la la la la la

Maybe someday, you'll see my face among the crowd

Maybe someday, I'll share your little distant cloud

Oh, cherie amour, pretty little one that I adore

You're the only girl my heart beats for

How I wish that you were mine

La la la la la la, La la la la la la

La la la la la la, La la la la la la

Rock With You by Michael Jackson

Original key is Eb.

Using Multu's arrangement (link). Check that video for a nice stripped down way of doing this song.

G/A = 5x543x

[Verse 1]

Dm9 G/A A [or A7]

Girl, close your eyes, let that rhythm get into you

Dm9 G/A A

Don't try to fight it, there ain't nothin' that you can do

FM7 Em A#M7 F/G

Relax your mind, lay back and groove with mine

Dm7 Em7 FM7

Can you feel that heat

And we gonna ride the boogie

Dm7 Em7 FM7 F/G

Share that beat of love

[Chorus]

Dm9 G/A A

I wanna rock with you (all night)

Dm9 G/A A#/C

Dance you in to (sun light)

Dm9 G/A A

I wanna rock with you (all night)

F/G G/A F/G G/A

We're gonna rock the night away

[Verse 2]

Dm9 G/A A

Out on the floor, there ain't nobody there but us

Dm9 G/A A

Girl, when you dance, there's a magic that must be love

FM7 Em A#M7 F/G

Just take it slow, 'cause we got so far to go

Dm7 Em7 FM7

When you feel that heat

And we gonna ride the boogie

Dm7 Em7 FM7 F/G

Share that beat of love

[Chorus]

Dm9 G/A A

I wanna rock with you (all night)

Dm9 G/A A#/C

Dance you in to (sun light)

Dm9 G/A A

I wanna rock with you (all night)

F/G G/A F/G G/A

We're gonna rock the night away

[Bridge]

Am7 D9

And when the groove is dead and gone

FM7 Em7 [or Em]

You know that love survives

A#M7 F/G

So we can rock forever

[Bridge with kazoo solo... do doo doo doo doo doo do]

Dm9 G/A A

Dm9 G/A A#/C

Dm9 G/A A/B A#/C

I Wanna Rock With You

B/C# [modulation]

I Wanna Groove With You

D#m9 G#/A# A#

I wanna rock with you (all night)

D#m9 G#/A# B/C#

Dance you into (sun light)

D#m9 G#/A# A#

Rock with you, (all night)

F#/G# G#/A# F#/G# G#/A#

We gone dance the night away

[Nice ending chord: C#M7]

Sundown by Gordon Lightfoot

Original is in F# (maybe E capo 2). I like this version in F though (or nice ot use that version to find the vocal position). Actually I like F# better I think. Check vocal memo for placement maybe

[Intro]

F# F#7 on upstroke

[Verse 1]

F#

I can see her lyin' back in her satin dress

C#7 F#

In a room where ya do what ya don't confess

B E F# [x2]

Sundown ya better take care if I find you've been creepin round my back stairs

[Verse 2]

F#

She's been lookin' like a queen in a sailor's dream

C#7 F#

And she don't always say what she really means

B E F# [x2]

Sometimes I think it's a shame when I get feelin better and I'm feelin no pain

[Verse 3]

F#

I can picture every move that a man could make

C#7 F#

Getting lost in her lovin' is your first mistake

B E F#

Sundown ya better take care if I find you've been creepin round my back stairs

B E F#

Sometimes I think it's a sin when I feel like I'm winnin when I'm losin again

[Titty]

[Verse 4]

F#

I can see her lookin' fast in her faded jeans

C#7 F#

She's a hard lovin' woman, got me feelin' mean

B E F#

Sometimes I think it's a shame when I get feelin better and I'm feelin no pain

B E F#

Sundown ya better take care if I find you've been creepin round my back stairs

B E F#

Sundown ya better take care if I find you've been creepin round my back stairs

B E F#

Sometimes I think it's a sin when I feel like I'm winnin when I'm losin again

Just lyrics:

[Verse 1]

I can see her lyin' back in her satin dress

In a room where ya do what ya don't confess

Sundown ya better take care if I find you've been creepin' 'round my back stairs

Sundown ya better take care if I find you've been creepin' 'round my back stairs

She's been lookin' like a queen in a sailor's dream

And she don't always say what she really means

Sometimes I think it's a shame when I get feelin' better when I'm feelin' no pain

Sometimes I think it's a shame when I get feelin' better when I'm feelin' no pain

I can picture every move that a man could make

Getting lost in her lovin' is your first mistake

Sundown ya better take care if I find you've been creepin' 'round my back stairs

Sometimes I think it's a sin when I feel like I'm winnin' when I'm losin again

[Instrumental]

I can see her lookin' fast in her faded jeans

She's a hard lovin' woman, got me feelin' mean

Sometimes I think it's a shame when I get feelin' better when I'm feelin' no pain

Sundown ya better take care if I find you've been creepin' 'round my back stairs

Sundown ya better take care if I find you've been creepin' 'round my back stairs

Sometimes I think it's a sin when I feel like I'm winnin' when I'm losin' again

King Tut by Steve Martin

Original version was in Bb, but I like the later versions in A like this

Nice to do the A7 on 5th fret so can do alternating bass with low E. And can slide up for that funky sound.

And D7 on 5th fret and alternating bass with A5

On chorus the harmony on "born in arizona" is high E and B

Intro A7:

|--------------------------------0--------------|

|---0-1----0-1----0-1-0------0-1---0-1----------|

|-2------2------2-------2--2------------2-------|

|-------------------------------------------2---|

|----------------------------------------------0|

|-----------------------------------------------|

[A7 with alternating bass to E. Can do on 5th fret]

Now when he was a young man,

He never thought he'd see

People stand in line to see the boy king. [(E) King Tut]

How'd you get so funky? [Funky Tut]

Did you do the monkey?

E7 D7 A7

[Born in Arizona, Moved to Babylonia, King Tut]

[Verse 2]

[King Tut] Now, if I'd known,

They'd line up just to see him,

I'd take in all my money

And bought me a museum. [King Tut]

Buried with a donkey [Funky Tut]

He's my favorite honky!

E7

[Born in Arizona, moved to Babylonia, King Tut]

[titty over a verse with these words. Or skip words.]

[A7 on xxx989]

Dancin' by the Nile, (Disco Tut)

The ladies love his style, (Waltzing Tut)

Rockin' for a mile (Rockin' Tut)

He ate a crocodile.

He gave his life for tourism.

[Born in Arizona, moved to Babylonia, King Tut]

[verse 3]

Now when I die,

Now don't think I'm a nut,

Don't want no fancy funeral,

Just one like ole king Tut.[King Tut]

He coulda won a Grammy, [Funky Tut]

Buried in his jammies,

[final chorus]

He was Born in Arizona, moved to Babylonia,

He was born in Arizona, Got a condo made of stone-a, King Tut

Ending chord: A7 or A beatles on 12

You Don't Know What Love Is by Chet Baker

Awesome little lesson, and great for getting the melody. And interesting study of the song is here. And good chord chart with some variations.

I have the sheetmusic for this, but not sure it's right (was transposed from F)

Usual key is Fm.

Interesting voicings:

Dm6 xx0201

Em6 022023

Dm6 Fdim (13th fret) Em6 [can repeat again next line]

You don't know what love is

Dm6 [Gm6 or Dm6/C] Bb7 or Bdim or A7+ [or x7676x] A7 [or A+]

'Til you've learned the meaning of the blues

Gm6 [Gm/7] Bbdim Dm6 [Dm6/C]

Until you've loved a love you've had to lose,

Fdim Em6 Dm6

You don't know what love is.

You don't know how lips hurt

Until you've kissed and had to pay the cost

Until you've flipped your heart and you have lost,

You don't know what love is.

Bridge:

Gm7 F#7 Fmaj7 F6

Do you know how a lost heart fears

Gm7 C7 Fmaj7

At the thought of rem - i - nis - cing,

Bm7 E9 Amaj7 A7

And how lips that taste of tears

Bb9 A9

Lose their taste for kissing?

You don't know how hearts burn

For love that cannot live yet never dies.

Until you've faced each dawn with sleepless eyes,

You don't know what love is.

Badfish by Sublime

[Intro]

A Bm G A

A Bm G A

[Verse]

A Bm

When you grab a hold of me

G A

Tell me that I'll never be set free

A Bm

Well I'm a parasite

G A

Creep and crawl I step into the night

A D

Two pints of booze

G A

Tell me are you a bad fish too (are you a bad fish too)

[Chorus]

D A

Ain't got no money to spend

D A

I hope the night will never end

D A

Lord knows I'm weak

D E

Wont some body get me off of this reef

[Verse]

A Bm

Baby your a big blue whale

G A

Grab the reef when all duck diving fails

A Bm

Id swim but I wish I never learned

G A

Waters too polluted with germs

A D

I dive deep when its ten feet over head

G A

Grab the reef underneath my bed (underneath my bed)

[Bridge]

D A

Aint got no quarrels with God

D A

Ain't got no time to grow old

D A

Lord knows I'm weak

D E

Wont somebody get me off of this reef

[Solo]

A Bm G A

A Bm G A

[Chorus]

D A

Ain't got no quarrels with God

D A

Ain't got no time to get old

D A

Lord knows I'm weak

D E

Wont somebody get me off of this reef

Buy Me a Boat by Chris Janson

[Intro]

D

D G

I aint rich, but I damn sure wanna be

D A

Working like a dog all day, aint working for me

D

I wish I had a rich uncle thatd kick the bucket

G

And that I was sitting on a pile like Warren Buffett

D A

I know everybody says money cant buy happiness

[Chorus]

D G

But it could buy me a boat, it could buy me a truck to pull it

D A

It could buy me a Yeti 110 iced down with some Silver Bullets

D G

Yeah, I know what they say, money cant buy everything

D A D

Well, maybe so, but it can buy me a boat

D G

They call me redneck, white trash and blue collar

D A

I could change all that if I had a couple million dollars

D

I keep hearing money is the root of all evils

G

And you cant fit a camel through the eye of a needle

D A

Im sure thats probably true, but it still sounds pretty cool

[Chorus]

D G

Cause it could buy me a boat, it could buy me a truck to pull it

D A

It could buy me a Yeti 110 iced down with some Silver Bullets

D G

Yeah, I know what they say, money cant buy everything

D A D

Well, maybe so, but it can buy me a boat

D G

To float down on the water with a beer

A

I hear the Powerball lotto is sitting on a hundred mill

G

Well, that would buy me a brand new rod and reel

[Chorus]

D G

It could buy me a boat, it could buy me a truck to pull it

D A

It could buy me a Yeti 110 iced down with some Silver Bullets

D G

Yeah, I know what they say, money cant buy everything

D A D

Well, maybe so, but it can buy me a boat

D G

Yeah, I know what they say, money cant buy everything

D G

Well, maybe so, but it could buy me a boat

D

It could buy me a boat.

Benny Hill Theme

Key of Ab. Might be a litttle low tho, also nice in Bb. Great with kazoo.

Ab Eb7

Ab Ab7 Db Ddim

Ab

Bridge (circus song)

Db

Ab

Db Db7 F# Gdim

Db

(Then before returning to original key, hit that Eb7)

Cantina Band

Great video here also here

Approximately:

Dm C F

Dm G7 C7

Dm C7 F

Bb Bdim F D7 G7 C7 F

Pink Panther Theme

Good tutorial here (start at 18:50)

Em

C9

Em F

Em C9 B9

Ending chord: Em7Maj7 (022442)

Sweet Georgia Brown (Harmlem Globetrotters Theme)

Nice intro is to do the G-F#-F-E barre thing

E7

No gal made has got a shade on Sweet Georgia Brown;

A7

Two left feet but oh so neat, has Sweet Georgia Brown.

D7

They all sigh and wanna die for Sweet Georgia Brown;

G D7 G B7

I'll tell you why, you know I don't lie...much.

E7

It's been said she knocks 'em dead when she lands in town;

A7

Since she came, why it's a shame how she coos 'em down.

Em7 B7 Em7 B7

Fellers she can't get are fellers she ain't met.

G F# F E [Bm7-5] E7 A7 D7 G

Georgia claimed her, Gergia named her, Sweet Georgia Brown.

Breathe by Pink Floyd

Great street musician version: https://www.youtube.com/watch?v=4NBYDQEwisU&feature=youtu.be&t=278

Tutorial: https://www.youtube.com/watch?v=U3O0O50Iiv4

Nice to do it super vowelly.

Nice riff on the A7: x0-11-0-10-0 x09080 x07070 x05050

Good voicings for this:

EmAdd9 024000

Cmaj7 332000

Bm7 x24232 or maybe x24430 sounds good

Fmaj7 033210

D7#9 x5456x (hendrix chord)

D7b9 x5454x

A fiff 1: x04020 A7

A riff 2: x0-11-0-10-0 x0-12-0-12-0 x0-11-0-10-0

A riff 3: x0-14-0-14-0 x0-12-0-12-0 x0-11-0-10-0 x09080 x07070 x05050 x04030 (to taste)

EmAdd9 A

Breathe, breathe in the air

Em A7

Don't be afraid to care

Em A7

Leave, don't leave me

Em A7

Look around and choose your own ground

[Chorus]

Cmaj7

Long you live and high you fly

Bm7

Smiles you'll give and tears you'll cry

Fmaj7

All you touch and all you see

G x05430 D7#9 D7b9

Is all your life will ever be

[verse 2, Em / A7 whole time]

Run, rabbit run

Dig that hole, forget the sun

And when at last the work is done

Don't sit down it's time to dig another one.

[Chorus]

Cmaj7

For long you live and high you fly

Bm7

But only if you ride the tide

Fmaj7

And balanced on the biggest wave

G D7#9 D7b9

You race towards an early grave

Till There Was You by The Beatles

[Verse]

C C#dim7

There were bells on a hill

Dm7 Fm

But I never heard them ringing

C Em D#m Dm7 G7+9

No I never heard them at all

C Dm7 G7+9

Till there was you

C C#dim7

There were birds in the sky

Dm7 Fm

But I never saw them winging

C Em D#m Dm7 G7+9

No I never saw them at all

C C#dim7

Till there was you

[Chorus]

F Fm C

Then there was music and wonderful roses

A Dm7 Dmmaj7 D7 G7 G7+5

They tell me in sweet fragrant meadows of dawn and you

[Verse]

C C#dim7

There was love all around

Dm7 Fm

But I never heard it singing

C Em D#m Dm7 G7+9

No I never heard it at all

C Dm7 G7+9

Till there was you

B7+9 Then there was

[Chorus]

F Fm C

music and wonderful roses

A Dm7 Dmmaj7 D7 G7 G7+5

They tell me in sweet fragrant meadows of dawn and you

[Verse]

C C#dim7

There was love all around

Dm7 Fm

But I never heard it singing

C Em D#m Dm7 G7+9

No I never heard it at all

C

Till there was you

[Outro]

G7 F#7 G7 C G# C Cmaj7

Tiiiiiill there was you

Liquor and Whores by Bubbles

Intro: D / C / G / G

[Chorus]

G

I like liquor and whores, liquor and whores

Am

Cigarettes, and dope, and mustard, and bologna

G

Liquor and whores

[Verse 1]

G Am

I was down drinking at the legion

C D

When I met a girl, she was nice

G

She was pretty and pleasing

Am

She said hey boy, we should do some marrying

C D

And I said sure, but before we do

G

Theres something you should know

[Chorus]

G

I like liquor and whores, liquor and whores

Am

Cigarettes, and dope, and mustard, and bologna

G

Liquor and whores

[Instrumental]

G Em C D (x2)

G

[Verse 2]

G Am

Then one night, down at the legion

C D

She walked in, I was drunk on gin

G

Dancing with a lady friend

Am

She said hey boy, you should fly the fuck home

C D

And I said no, cause five little words

G

Could I swore I said to you

[Chorus]

G

I like liquor and whores, liquor and whores

Am

Cigarettes, and dope, and mustard, and bologna

G

Liquor and whores

G

I like liquor and whores, liquor and whores

Am

Cigarettes, and dope, and mustard, and bologna

G

Liquor and whores

G

I like liquor and whores, liquor and whores

Am

Cigarettes, and dope, and mustard, and bologna

G

Liquor and whores

Dirty Old Town

[Intro]

| D | D | D | D |

| G | G | D | D |

| Em | Em | Bm | Bm

[Verse 1] (key change)

G

I met my love by the gas works wall

C G

Dreamed a dream by the old canal

G

I kissed my girl by the factory wall

D Em

Dirty old town, dirty old town

[Verse 2]

G

Clouds are drifting across the moon

C G

Cats are prowling on their beat

G

Springs a girl from the streets at night

D Em

Dirty old town, dirty old town

[Instrumental] (key change)

| C | C | C | C |

| F | F | C | C |

| C | C | C | C |

| G | G | Am | Am

[Verse 3] (key change)

G

I heard a siren from the docks

C G

Saw a train set the night on fire

G

I smelled the spring on the smoky wind

D Em

Dirty old town, dirty old town

[Verse 4]

G

I'm gonna make me a big sharp axe

C G

Shining steel tempered in the fire

G

I'll chop you down like an old dead tree

D Em

Dirty old town, dirty old town

[Verse 5]

G

I met my love by the gas works wall

C G

Dreamed a dream by the old canal

G

I kissed my girl by the factory wall

Am Em

Dirty old town, dirty old town

D Em

Dirty old town, dirty old town

The Whore of the Chrysler Lebaron

To the Wreck of the Edmund Fitzgerald

Guy singing it here

Others: kiss me I'm shitfaced, Dirty Old Town

B Fm A E B

Its fairly well know in the place I call home I like girls with an ass that is roomy.

I met and old slut with a very large butt. She said, Son, for 10 bucks you can do me.

The bathroom wall said that she gave some good head and for a good time to call her this evnin

I was worried though that I just didnt know If Id wind up with some dude name Steven.

I gave her a call and we went to the mall and we enjoyed a couple of Slurpees.

Was two days or more, I was pretty damn sore. I found out, the old bag gave me herpes.

Her hair was dyed she didnt have a good side. She had moved from some place near Boston.

When I got her home and she took of her clothes well my cookies I just about tossed em.

Her bush when she turned, looked like an over grown fern in desperate need of some water.

Her elbows and knees had some scabby disease and her mustache looked like Sergeant Slaughters.

I turned off the lights, cause if looked at her right I feel like my eyes would start failin.

But I ran outside as my lunch began to slide. And I vomited over the railin.

I went back inside to finish my ride, sayin Betty its been good to know ya.

She said not so fast bro, theres somethin you should know, now come here I got somethin to show ya.

The skin looked all wrong right up next to her thong it was red and it looked irritated

Felt and itch on my crank, and then my heart just sank, aww damn I shoulda just masturbated.

Does anyone know where the love of god goes when you pee and feels just like acid.

Was two week ago that I slept with that hoe, and my penis, now it just stays flaccid.

You might like this song and you might sing along and you may even think that its funny.

But you wouldnt know if every time you go theres a discharge thats white and real runny.

My tale now spans all across this great land from Maine all the way to the Rockies.

My penis now steams like a cappuccino machine and it keeps burning holes in my jockys.

That filthy old hoe lives in Detroit they say and its doubtful that anyones carin.

Her career high she banged 29 guys on the hood of her Chrysler LeBaron.

The Doctors all say that smell wont go away, like some shrimp thats been shipped here from China.

I tried Listerine even used Listerine but my nuts still smell like filthy vagina.

Hurt by Johnny Cash (orignally 9 Inch Nails)

[Intro]

Am C D Am C D

[Verse 1]

Am C D Am C D Am

I hurt myself today to see if I still feel

C D Am C D Am

I focus on the pain the only thing that's real

C D Am C D Am

The needle tears a hole the old familiar sting

C D Am C D G

Try to kill it all away but I remember everything

[Chorus 1] (keep high E 3rd fret through whole chorus)

Am F C G

What have I become? My sweetest friend

Am F C G

Everyone I know goes away in the end

Am F G G

And you could have it all My empire of dirt

Am F G Am

I will let you down I will make you hurt

[Transition]

(Am) C D Am C D

[Verse 2]

Am C D Am C D Am

I wear this crown of thorns upon my liar's chair

C D Am C D Am

Full of broken thoughts I cannot repair

C D Am C D Am

Beneath the stains of time the feelings disappear

C D Am C D G

You are someone else I am still right here

[Chorus 2]

Am F C G

What have I become? My sweetest friend

Am F C G

Everyone I know goes away in the end

Am F G G

And you could have it all My empire of dirt

Am F G G

I will let you down I will make you hurt

Am F G G

If I could start again a million miles away

Am F G

I would keep myself I would find a way

(single strum)

We Are the Champions by Queen

Album key is Cm (Am capo'd 3). Here it is in Am, I really like it in Gm when not warmed up.

Nice tutorial here

[Verse 1]

Am Em (or Em7)

I've paid my dues

Am Em

Time after time

Am Em

I've done my sentence

Am Em

But committed no crime

C Fmaj7/C (x33210)

And bad mistakes

C Fmaj7/C (fill: High E3-1-0 B1)

I've made a few

C G/B (x20030) Am

I've had my share of sand kicked in my face

D7 G

But I've come through

F/G Gm7b5 G7 A7 (F/G=F7 barre with G bass)

And I mean to go on, and on, and on, and on

[Chorus]

D F#m Bm G A7

We are the champions, my friends

D F#m G B7 (or technically B7/Eb xx1202)

And we'll keep on fighting till the end

Em7 Em/C# (x42000) Gm6 Gdim or C#dim7 (x45353) (then maybe Edim7?)

We are the champions, we are the champions

D C/E (x02030?) F6 (1x021x) G G6/A (bee gees chord: x05430)

No time for losers 'cause we are the champions

finger pick: Dm G/D (xx0033) Dm G/D G6/A

Of the world

[Verse]

Am Em (or Em7)

I've taken my bows

Am Em

And my curtain calls

Am Em

You brought me fame and fortune

Am Em

And everything that goes with it

Am Em

And I thank you all

C Fmaj7/C (x33210)

But it s been no bed of roses

C Fmaj7/C (fill: High E3-1-0 B1

No pleasure cruise

C G/B (x20030) Am

I consider it a challenge before the whole human race

D7 G

And I ain't gonna lose

F/G Gm7b5 G7 A7

And I mean to go on, and on, and on, and on

[Chorus]

[Chorus]

Old Cape Cod by Patti Page

Patti Page made it famous, but Gary Jones has an awesome cover here

This is his version.

Capo on 1

Intro (version pattern)

F Cm7 F9 (9th fret, can slide into)

If you're fond of sand dunes and salty air

Bb Eb7

Quaint little villages all here and there

F D7 G7 (xx4576) C Gm C7

You're sure to fall in love with old Cape Cod

F Cm7 F9 (9th fret)

If you like the taste of lobster stew

Bb Eb7

Served by a window with an ocean view

F D7 G7 C F F7

You're sure to fall in love with old Cape Cod

[Bridge]

Bb C F [F#dim]

Winding roads that seem to beckon you

Gm7 C7 F F7

Miles of green beneath the skies of blue

Bb Bdim F Am7 D7

Church bells chimin' on a Sunday morn'

Gm7 G7 C7 C9

Remind you of the town where you were born

F Cm7 F9 (9th fret)

If you spend an evening you'll want to stay

Bb Eb7

Watching the moonlight on Cape Cod Bay

F D7 G7 C F F7

You're sure to fall in love with old Cape Cod

[repeat bridge]

[repeat last verse with this ending]

F D7 G7 Cm7/G F# F

You're sure to fall in love with old Cape Cod

All The Things (Your Man Won't Do) by Joe

Awesome live version here

Great lesson here

Another lesson (I think I bought the tab for this one)

* or I think can play the Ddim7 as Bdim7 (7x676x)

** arpeggiate the Abm11 (4x442x) as:

e|------------------------

B|--------------2---------

G|--------4--------4------

D|-----4-----4--------4---

A|------------------------

E|--4--------------------4

*** sometimes has trill on high E string 6-4

[Intro (verse pattern)]

BM7 Db/Eb

Db9sus4 Bb7 Bdim7 (or Ddim7)

Ebm9 Abm7 Abm11

Ebm9 Abm7 Abm11

[Verse 1]

BM7 Db/Eb (with trill on B string)

Tell me what kind of man

Db9sus4 (x4444x)*** Abm11 [tutorial does this: Bb7 Bdim7 (or Ddim7 x56464)]

Would treat his woman so cold?

Ebm9 Abm7 Abm11 (4x442x)

Treat you like you're nothing

Ebm9 Abm7 Abm11

When your worth more than gold

BM7 Db/Eb

Girl, to me you're like a diamond

Db9sus4 Abm11

I love the way you shine

Ebm9 Abm7

A hundred million dollar treasure

Abm11

I'd give the world to make you mine

(La-la-la-la-laaa)

[Pre-Chorus]

Abm7 Bbm7 Bm7

I'd put a string of pearls right in your hand

Dbm7 (trill B 9-10) Bm7

Make love on a beach of jet black sand

E9

Outside in the rain

GbM7 (9th fret) Abm7 GbM7 Fm7 [GbM7] Abm7 (4th fret)

We can do it all night

Abm7 Bbm7 Bm7

I'll touch all the places he would not

Dbm7 Bm7

And some you never knew would get you hot

E9 Fm7b5 (x8989x) Bb7

Nothing is forbidden when we touch

[Chorus]

BM7 Db/Eb (x6666x) Db9sus4 (x4444x)***

Baby, I wanna do all of the

Bb7 Ddim7 (x56464)* Ebm9 Abm7 Abm11 (4x442x)**

things your man won't do (Every little thing)

Ebm9 Abm7 Abm11

(I'll do them for you)

BM7 Db/Eb Db9sus4

Ohh, oh Baby, I wanna do all of the

Bb7 Ddim7 Ebm9 Abm7 Abm11

things your man won't do

Ebm9 Abm7 Abm11

I'll do them for you Yeahhh

[Verse 2]

I'll take you out on a night cruise on a yacht

Just can't loose, 'Cause we got a lot to look forward to

One, two, what'cha gonna do?

What good is a diamond nobody can see?

I hear he's got you on lock-down

But I got the master key

(La-la-la-la-laaa)

[Pre-Chorus]

I'll light up all the candles all around

Show me to the subway, I'll go down

Nothing can be sweeter than the sound of making love

Baby, when I start, I just can't stop

I love you from the bottom to the top

Nothing is forbidden when we touch

[Chorus]

Baby, I wanna do (Hell yeah)

All of the things your man won't do (Every little thing)

(I'll do them for you)

Oooh, ooh

Baby, I wanna do (I wanna do)

All of the things your man won't do

(I'll do them for you)

Yeahhh, ohh

[Break]

And I'll-oh yeah, yeah, yeah-oh yeah

I'll

(La-la-la-la-laaa)

[Bridge]

I'll light up all the candles all around

Show me to the subway, I'll go down

Nothing can be sweeter than the sound of making love

Baby, when I start I just can't stop

I love you from the bottom to the top

Nothing is forbidden when we touch

[Chorus]

Baby, I wanna do

All of the things your man won't do (I'm gonna-I'm gonna-I'm-I'm-I'm)

(I'll do them for you)

Sweet lady (Baby), I wanna do (I wanna do)

All of the things your man won't do (And-ohh yeahh-yeah-yeah)

(I'll do them for you)

[Break]

Ooh, I got a jones in my bones for you

There ain't a damn thing that I won't do

I'll make your body cream with my sex machine

I won't stop until I hear your mother scream

[Chorus]

Lady, I wanna do (I wanna do)

All of the things your man won't do (Oh, oh, oh-ah, yeah, yeah)

I'll do them for you

Baby (All the things), I wanna do (Wanna do)

All of the things your man won't do (Yeah, ohh, oh)

I'll do them for you (I wanna do it for you, baby)

Sweet lady, I wanna do

All of (All of) the things your man won't do

I'll do them for you

Baby, I wanna do

All of the things your man won't do

I'll do them for you

Sweet lady, I wanna do

All of the things your man won't do

I'll do them for you

The Trump Song by Crab Shack Orchestra

To the tune of Country Joes Vietnam song

I like it capo'd on 3

To the tune of Country Joes Vietnam song

Verse 1

Well come on all you angry white men,

Donald Trump needs your help again

Got himself a half baked plan

To make America great again

So lets keep out the muslems and the mexicans too

Gonna build a wall to the moon

And its 123, what am I angry for?

Don't ask me I don't have a clue

Gonna watch some more Fox News

and its 567 what about pizza-gate

well, there ain't no time to ask why or how

screw the mainstream media anyhow

verse 2

Now PC culture really makes me mad,

Cause I grab em by the pussy like my dear old dad [or "and so did my dad"]

The only decency [or dignity] that I've ever known

I measure in dollars [or inches] when I'm home alone

So lets repeal Dodd-Frank and give it all to the banks

Gonna make the economy tank [whoopee!]

and its 123, why don't they like [or trust] me now

don't ask me I don't give a clue

Gonna drop a Twitter bomb on you

And its 567

Maybe youre sad or youre overrated,

Verse 3

Ill drop a Twitter bomb if you make me mad

I'll call you overrated or maybe you're sad

At 3am that's what I'm thinking about

That's why my face / is an angry pout

So lets all grab our guns and start to drain out the swamp

Were the laughing stock of the world

and its 123, I dont even give a damn

Reality is all fake news

No ones going to tell me what to do

And its 567

Verse 4

Well Donald Trump is happy again,

Cause he's got himself a few good men

A fox in every henhouse to do as they please

Which is bring this government to its knees

What good is public education or the birds and the bees

_________________

And it's 1-2-3, what are we frightened for?

Don't ask me I don't have a clue, but orange man is coming for you

And its 5-6-7 ________

Verse 5

Screw those people for takin our checks

Don't you know America is for the rednecks

So lets hang out in Walmart and eat government cheese

Gonna blame it all on the chinese

And it's five, six, seven, lets take over the United States

Ain't no time to wonder why, whoopee we're all gonna cry

Well come on all you angry white men,

next we're gonna get the Mexicans

Last verse, make it positive:

So pick up our mouses and pick up our phones,

And make ourselves noticed

We're the laughing stock of the world

Maybe we'll be less of a laughing stock to the world if we resist

the world is laughing at us

well, there ain't no time to ask me how, [next time "when", "where", "why"]

123 what are we frightened for

don't touch my guns

turning washington into wwf

drain the swamp

(let wall street go crazy)

Is stored in my personal bank account

this land is your lahd, this land is my land

Well come on ladies, you better run away fast

pick on the mexicans

don't tell me I mexican't, because I mexican!

So pick up your mouse, pick up your phone,

we're gonna

jail hillary

fake news

the world is laughing at us

crazy handshake

pick on the mexicans

I've got one word for you: SAD

make america great again

grab em by the pussy

ivanka and barron

cheesy gold guilt plated

the orange man

drain the swamp

fake news

Well Im not really worried about you

Because youre so distracted by me being an asshole

Mys upporters dont care, and I dont need you anyway

Poor Bob by Crab Shack Orchestra

Intro: G / Em / A7 / xx0210 D7

G Em [or Em7]

Poor Bob, out all alone

A7 D7

Stuck on a sandbar about a mile from home

G Em

All the Boathouse is wondering why

A7 D7

With a GPS and a fish finder you didn't just cruise on by

G Em

Hey Bob, don't fall off your boat

A7 D7

Especially if you're not wearing your favorite float coat

G Em

That there water is only knee deep

A7 D7

With the tide going out you might as well get some sleep

C G

Hey Bob, something went wrong

A7 D7

Those new gizmos should have helped you along

G Em

Poor Bob, stuck on the Bay

A7 D7

High and dry about a mile away

G Em

Went out for rockfish and took the back door

A7 D7

Shoulda studied those tide charts some more

C G

Here comes the Shrimp Boat, going mighty slow

A7 D7

Thew him a rope, and we gave him a tow

[titty kazoo over a verse]

G Em

Now Bob, is back from the Bay

A7 D7

I think he had a pretty bad day.

G Em

Hey Bob, we're glad you came back

A7 D7

So we could party with you at the crab shack

C G

You can smoke all your worires away

A7 D7

Those fish will wait for you another day

New verse:

Now Bob, has left the sandbar

Went out fishing amongst the stars

No float coat needed, and no fish & game

Youre never skunked and theres never a snag

You know we miss him, butt we all are sure glad

For all he taught us and teh fun times we had

Verse 1:

G Em [or Em7]

Poor Bob, out all alone

A7 D7

Stuck on a sandbar about a mile from home

G Em

All the Boathouse is wondering why

A7 D7

With a GPS and a fish finder you didn't just cruise on by

C G

Hey Bob, what have you done?

A7 D7

On the radio trying to call someone...

[titty over a verse and then end on G]

[repeat whole song, wants a singalong]

Just lyrics:

Poor Bob, out all alone

Stuck on a sandbar about a mile from home

All the Boathouse is wondering why

With a GPS and a fish finder you didn't just cruise on by

Hey Bob, don't fall off your boat

Especially if you're not wearing your favorite float coat

That there water is only knee deep

With the tide going out you might as well get some sleep

Hey Bob, something went wrong

Those new gizmos should have helped you along

Poor Bob, stuck on the Bay

High and dry about a mile away

Went out for rockfish and took the back door

Shoulda studied those tide charts some more

Here comes the Shrimp Boat, going mighty slow

Thew him a rope, and we gave him a tow

[titty kazoo over a verse]

Now Bob, is back from the Bay

I think he had a pretty bad day.

Hey Bob, we're glad you came back

So we could party with you at the crab shack

You can smoke all your worires away

Those fish will wait for you another day

Poor Bob, out all alone

Stuck on a sandbar about a mile from home

All the Boathouse is wondering why

With a GPS and a fish finder you didn't just cruise on by

Hey Bob, what have you done?

On the radio trying to call someone...

C G

Hey Bob, where are you at?

Hey Bob, what the hell's up?

A7 D7

We're leaving now, just stay put

Happy Birthday Bob by Crabshack Orchestra

(key of A). Actually I think I like it better in D.

A E7

80 years old is a lot

A

But please do not be distraught

A A7 D [D#dim]

Cause the Shrimp Boat's here to say....

A E7 A

Happy birthday to you

A E7

Happy birthday to you

A

Happy birthday to you

A A7 D [D#dim]

Happy birthday, dear Bob

A E7 A

Happy birthday to you.

A E7

Now you're grumpy and old

A

And you hate your cell phone

A A7 D [D#dim]

But there's one thing we want to say...

A E7 A

Happy birthday to you

[Chorus]

[Very optional verse:]

A E7

Sometimes the fishing really sucks

A

And Fish & Game fines you a couple of bucks

A A7 D [D#dim]

But there's one thing we want to say...

A E7 A

Happy birthday to you

And you seem to catch nothing but ducks

- trailer on fire

- float coat

Possible intro:

He was in dire straits, had to accept his fate

First respjnsers were running a little late

Poo Poo Tidal Wave by Crab Shack Orchestra

Gm / Eb / D / C

Gm Eb D C

Don't camp in W W-1

Don't camp in W W-1

That's poo poo

All over you

It wasn't just a bad dream

Youre camping in a shit stream

So go ahead and run your microwave

We're sending you a poo poo tidal wave

C Eb

So you better call the Gatehouse, and get a new spot

D

Because we're sending you some liquid food for thought...

Verse 2:

That's Ethan's breakfast

Four days ago

Taco Bell, Red Robin Too

All over you

Its going to be a long night

Because you're camping in the shit site

C Eb

So you better pack your stuff up, and wipe your shoes

D

Cause something stinky is starting to ooze

Don't camp in W W-1 [Its a shitstorm!]

Don't camp in W W-1 [shit hit the fan!]

Don't camp in W W-1 [Up shits creek!]

Don't camp in W W-1 [The overflow camp spot!]

Don't camp in W W-1 [Old fartful!]

Ending:

C Gm

Things are going to shit!

[Optional additional verse:]

Old fartful.

It happened again

The water levels rising

Shit storm on the horizon

If you wake up and it smells like an open grave,

were sending you a poo poo tidal wave

first you reaslize, and then youre traumotized

The shit storm is forecasted

- the tide is high

- flush

- downstream

Open Fire on the Dead Heads by Crab Shack Orchestra

Nice to go into the Scarlet rap and then Get Up Stand Up into Garden Grove

B / A (or can do with G / F, as was originally in)

Fire! Open fire on the dead heads!

Fire! Open fire on the dead heads!

And no, you can't use my AAA card

And no, I ain't got your miracle

And no, I can't watch your dog

And no, you can't crash on my couch for awhile

Fire! Open fire on the dead heads!

Fire! Open fire on the dead heads!

And no, I don't want to sell my van

And no, I dont want some grilled cheese sandwitches

And no, you cant do you laundry at my house

And no, you cant crash on my van

And no, you cant have a jump

And no, you cant have my nitrous balloon

And no, you cant have a grilled cheese sandwithch

And no, I dont have a miracle for you

And no, you cant do your laundry at my place

Oh No You Didnt by Crab Shack Orchestra

Oh no you didnt

No you havent

No you werent

Not even close

You slept in

Missed the boat

You heard about it

Then you went back to sleep

[bridge]

I heard it all

Had enough

You slept in

Missed the whole thing

Lola Lola Lola

Gm / Eb / Cm / F F# (the F# can be dim)

Lola lola lola!

Viens pret de moi

Viens ici avec moi

Mon petit chat

Theres no more Mishka

And no more sand between your toes

Except in the kitty litter, we brought smoe beach home for you

A new backyard to explore

All those other cats instead of skunks

Probably some skunks too

And possums. Lots of possums, drooling at you.

Jims cat downstairs is older than you

The cat door is a bit of a mystery. Sometimes it works, sometimes it doesnt.

And if you get lost well post lost cat signs.

You can sleep all day on the bean bag waiting for your gumball machine to drop you more food.

The beanbag makes a great place to sleep between

Home at the Shack

Where seldom is heard, any peace from tbe birds

And Lola wants to be fed all day

Richmond by Jim Erickson

I'm going down to Richmond

Going down tonight

I'm going down to Richmond

I'm going to see the light

Going down to Richmond town

Street lights burning low

Going down to Richomond town tonight

Working On

Songs from song notes:

Stuff to concentrate on:

Casually working on:

Scrubs (Cm7 / G#m7 / Eb7? / G#m7)

Date Rape

Blackbird (nice to combine the real way with the actual chords)

Longer by Dan Fogelberg

New but added way above:

- just the two of us

- play with fire by rolling stones

- ramble on

- add chords to other verses in waiting for the miracle

- get the bridge to tumbling tumbleweeds.

- other verses to Crazy by Gnarles

- add Am version (original key) to Land Down Under

Leaning:

http://en.wikipedia.org/wiki/Leaning_on_the_Everlasting_Arms

https://www.youtube.com/watch?v=-N9LnkKQfuc

NEED TO COPY IN STAYIN ALIVE FROM SHACK LAPTOP

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Working on:

Ring of Fire

Set:

Big Bad Bill

Mambo Italiano

Just a Gigollo

Parsley Sage Rosemary and Thyme - transpose to D

April Comes She Will - the Fmaj7 should be Am

Add Motion Picture Soundtrack by Radiohead

Fix chord spacing on creep, exit music, aint no sunshine

Finish Magic Bus

Ukelele Ladyu: http://tabs.ultimate-guitar.com/b/bette_midler/ukulele_lady_crd_1058383id_20052011date.htm

Scarlet: http://tabs.ultimate-guitar.com/s/sublime/scarlet_begonias_tab.htm

Longer Than by Dan Folgelberg

Bunch of good blues songs

Death Dont Have No Mercy

Circus Song (how done with mike?)

New stuff mixed in:

New York State of Mind (!!!) (new key). Also confirm new key with old chords (maybe take the jazz chords from there?)

Love You Inside and Out (new key)

When doves cry

Rich Girl

Black Dog, Gallows Pole, what is and what should never be

Could You Be Loved (also have to format it)

Queen Bitch (Lou Reed style...)

Lola

Vienna Waits for You, lower key, hallelujia

Put text between H3 tags so they dont get transposed.

Dire Wolf

Love Me Two Times

Lucy in the Sky

 

 

In parts:

TOC

PART 1

PART 2

PART 3

PART 4

PART 5

PART 6

PART 7

PART 8

PART 9

PART 10

PART 11

PART 12

 

uke stuff

 

 

Last updated from the Google Doc on April 19, 2025 8:30am. Update now.

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